The SFFaudio Podcast #435 – AUDIOBOOK/READALONG: The Green Meadow by H.P. Lovecraft and Winifred V. Jackson

August 21, 2017 by · Leave a Comment
Filed under: Podcasts 

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The SFFaudio PodcastThe SFFaudio Podcast #435 – The Green Meadow by H.P. Lovecraft and Winifred V. Jackson read by the great Wayne June. This is a complete and unabridged reading of the short story (17 Minutes) followed by a discussion of it. Participants include Jesse, Mr Jim Moon, Bryan Alexander, and Wayne June!

Talked about on today’s show:
The Crawling Chaos, a tiger, a plague year, drugs, a meteorite, professors, translators, how it struck an ending, baffling, three big paperbacks, the revision work, Arkham House, Horror Of The Museum, like a fragment, an extended commonplace book entry, strongly echoed in The Shadow Out Of Time, the mythos shopping list, the artificial checklist, Memory, What Rhe Moon Brings, prose poems, the H.P. Lovecraft Literary Podcast, completely ignored, what to make of it, prose poem aspects, the only audiobook version in the universe, the way it struck Wayne, 1918/19, an early effort, Edgar Allan Poe, The Fall Of The House Of Usher, atypical formula, loosely connected to the frighteningly uncaring universe, The Willows by Algernon Blackwood, The Wendigo, The Damned Thing by Ambrose Bierce, nature as a threat, 100%, the gauntlet thrown down: “The text, as far as preserved, is here rendered as literally as our language permits, in the hope that some reader may eventually hit upon an interpretation and solve one of the greatest scientific mysteries of recent years.” a hoax, dreams, a frame, figuring out what it means, a series of images, the power of the description, its so clear that life is the enemy, the sea and the sky are in a war with life, he breaks off from life, a peninsula, things of the air, the forms of the air that are non-alive join with the sea, conspiring, the living against the non-living, cataract, ending in the Dreamlands, Bryan’s take, the fantasies vs. the horror, appreciated and enjoyed, the massive frame, WWI, German, one of the many loathsome policies of the Wilson administration, the tonal shift, the quick catastrophe, the Harvard guy blows it,

I saw clearly the source of the chanting, and in one horrible instant remembered everything. Of such things I cannot, dare not tell, for therein was revealed the hideous solution of all which had puzzled me; and that solution would drive you mad, even as it almost drove me. . . . I knew now the change through which I had passed, and through which certain others who once were men had passed! and I knew the endless cycle of the future which none like me may escape.

Kafka’s fragments, The Narrative Of Arthur Gordon Pym, the four professors, Potowonket, Lovecraft country village, Dr. Richard M. Jones, the “late” professor Chambers of Harvard, how did he manage to do it?, the indestructible pages, he found out what happened and he followed the path, why the text is cut-off, it’s not a fragment,

. . . . All is before me: beyond the deafening torrent lies the land of Stethelos, where young men are infinitely old. . . . The Green Meadow . . . I will send a message across the horrible immeasurable abyss. . . .

that sort of scene, The Quest Of Iranon, Sarnath, the book is the message, that’s not so interesting, a real scholar, Democritus, idola (eidolon), air spirits you absorb through your pores, influencing your eidolon, really creepy, the theme: oh those scary trees – watch out!, papyri, center for Hellenic studies at Harvard, Professor Rooms, he original atomic theory, souls of the dead, Homer, audible and visible in sleep, the Poe connection again, Dreamlands,

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,—
Their still waters—still and chilly
With the snows of the lolling lily.

By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—
By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the grey woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—
There the traveller meets, aghast,
Sheeted Memories of the Past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.

For the heart whose woes are legion
’T is a peaceful, soothing region—
For the spirit that walks in shadow
’T is—oh, ’t is an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fring’d lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.

msiing the one thing Lovecraft never puts in (the dead girlfriend), the dead trans-gendered boyfriend, not a good girl to hang out with, The Man Whom The Trees Loved, forest and verdure being alluring but having a terrible force, Arthur Machen, Jesse makes his students do his homework for him, vocab words, Jesse thinks regular people read about teacups and tea-cozies, how insane people were in whatever period, why are they so upset, they haven’t invented rocketships, between 1895-1925, astral projections, the long nights, cursing the gods, the ancient blasphemies and terrible delving, terribly upset and thoroughly enjoying himself, his astral body, over-leaped the bounds of corporeal entity, he planeted the seed, this explains the whole story, old science fiction (before the rocketships), David Lindsay’s A Voyage To Arcturus, Jack London’s The Star Rover, a lot less vikings and Japanese invasions of Korea, bringing Hypnos and the Dreamlands all together, the checklist, you can frame it in the wrong way, how good this story is, the abrupt ending is foretold by the huge frame, the narrator does almost nothing, a malignant hatred, grotesquely huge horrible, unthinkable things, the land breaks off, its up to us to do all the work, typical Lovecraft, unthinkable indescribable things, this horrible thing (existence) is just hitting them, existence (consciousnesses) attacks him, the hopeless uncaring universe, William Blake’s The Tyger, he thinks it is a reference to Rudyard Kipling, less and less of an isthmus, a description of bodily decay, let’s go off to another planet, so good, Virginia Jackson was a prodigious dreamer herself, holding on to all those details, turning a dream into a story, an alien place, why are the trees scaly, he had become an ant, a field of broccoli, lichen and fungi, grey lichen, a point of alien-ness, adapting it for film, stop-motion animation, whatever is going on in this alien planet, Scythian (Greek description of everybody to the top right of the Black Sea), if all the Mediterranean, the planet is being destroyed, the sea has defeated the trees, night gaunts?, dong interpretation, life is terrible-horrible, god is life, god is DNA, the enemy of life is non-life, nihilistic, living where young man are, scythe, the earliest recorded hashish smokers, the smoke rings of the hashish smokers, what’s lurking in the Green Meadow, human-ish,

While the words were utterly undistinguishable, the chant awaked in me a peculiar train of associations; and I was reminded of some vaguely disquieting lines I had once translated out of an Egyptian book, which in turn were taken from a papyrus of ancient Meroë. Through my brain ran lines that I fear to repeat; lines telling of very antique things and forms of life in the days when our earth was exceeding young. Of things which thought and moved and were alive, yet which gods and men would not consider alive. It was a strange book.

a prototype for the Necronomicon, who are the chanters?, The King In Yellow by Robert W. Chambers, Alan Moore’s Providence, a test out, a strange narrative and a strange book, a persistent meme, people get upset (and Jesse finds it hilarious), look at these crazy people, the Yellow Peril, what they should have been worried about, not just for space (it’s also for time), mis-named, semi-based on a real guy, projecting yourself outside your body, that’s cool, when King Kuranes walks off the cliff, Celephais, a fucking meteorite came down from the sky with a book in it, it took 2,000 years to reach the Earth, chalk and slate, the lure of life that isn’t horror, the siren call of human contact, parties, suicide, the shadowy figures were that which were really real, reverting to the main theme, oblivion is to be preferred, why is this story called “The Green Meadow” instead of “The Scary Trees

My eyes could now discern several things amidst the omnipresent verdure—rocks, covered with bright green moss, shrubs of considerable height, and less definable shapes of great magnitude which seemed to move or vibrate amidst the shrubbery in a peculiar way. The chanting, whose authors I was so anxious to glimpse, seemed loudest at points where these shapes were most numerous and most vigorously in motion.

the sense of vibration and oscillation, wake up buddy!, shrubbery, a three headed knight, A Voice In the Night by William Hope Hodgson, The Derelict, a fungus, eater of the dead, green vs. grey, so green even the trunks and rocks are green, the forward and backward nature, the perpetuation is the horror, if anyone could become President then Lovecraft could become President, give me a clean planet like Mars or Mercury bathed in the solar rays, a walk in the woods with Wayne June, green is my favorite colour, just beneath the skin, existence sucks, In The Mountains Of Madness by W. Scott Poole, there’s still lots of interesting books to read, that strange book he read, Lovecraft is so funny, a joke, falling along his normal path and message, it’s not deadly serious, the most important scientific discovery in the history of the world, The Colour Out Of Space, that’s how Joseph Smith found his books, the hoax religion, there nice people to hang out with, sure they don’t like coffee but they don like ice-cream, really cool underwear, chloroform in print, before we go completely sideways, the Fiddler’s Green myth, The Sandman by Neil Gaiman, better than anything Gaiman has written since (except for the first volume), appeals to sailors, reading a lot of comics, mermaid, mermaids are the angels for sailors, DC and Marvel horror comics, mermaid discovers meat, lamia, sirens, a Valhalla for sailors, common ways of dying in folk-songs, Friday and The Cat Who Walks Through Walls, Billy Budd by Herman Melville, dance-houses doxies and tapster, ladies of negotiable affection, were dance halls a way of getting around prostitution laws, an earlier version of Match.com, off the rails and into the sea and off the hook.

Posted by Jesse Willis

The SFFaudio Podcast #428 – READALONG: Burglars Can’t Be Choosers by Lawrence Block

July 3, 2017 by · Leave a Comment
Filed under: Aural Noir, Podcasts 

Podcast
Lawrence Block's Burglars Can't Be Choosers
The SFFaudio PodcastThe SFFaudio Podcast #428 – Jesse and Maissa Bessada talk about Burglars Can’t Be Choosers by Lawrence Block.

Talked about on today’s show:
1977, a Matt Scudder book: A Walk Among Among The Tombstones, cut-up women, he most brutal book Maissa’s ever read, sex, comedy and mystery, a treasure hunt, little gems, is that ever cool!, the 2 cassette audiobook (heavily abridged), just under six hours, it percolated along, coffee drinking, word humour and word play, why I love to read Lawrence Block books, 11 books in the series, 4 short stories, percolating dialogue, an Agatha Christie style mystery, Lawrence Block is an excellent narrator, you’re intellectually engaged, turning the horror of crime into a cozy murder mystery, a magician, sleight of hand, false directions, The Purloined Letter, the Blackstone Audio afterword, maybe I’ll try crime, everything you see on the page is Block’s brain, sparkling personality, Bernie doesn’t age, his burglar charms, Ruth Hightower, you can call me Roger, subsequent books, a front for a burglary business, Block’s dialogue and writing, the whole back end, seeing things we’re not allowed to see, what is happening?, the psychology of the character is a mystery to himself, Carolyn the lesbian poodle groomer, Carolyn is the Watson to Bernie’s Sherlock, it always was a parody, that love of books, contemplating a life of crime, Robin Hood, what kind of dog?, maybe a stuffed dog, no shedding, it’s obvious who the murderer is, carefully set like a jewel, a lot is unconscious, Ruth’s the murderer, suspects, some lurker in the shadows, how small New York is, it fits to Agatha Christie neat, that’s the genre, he’s playing totally by the Hal Clement rules, Mission Of Gravity, Two If By Sea, putting all the evidence before us, a particular hobby horse, The Burglar Who Liked To Quote Kipling, Kipling, The Burglar Who Painted Like Mondrian, Piet Mondrian, baseball, The Burglar Who Thought He Was Bogart, The Burglar In The Library, locked room murder mystery, The Burglar In The Rye, The Burglar Who Counted Spoons, told in first person, Like A Thief In The Night, A Bad Night For Burglars, from this character’s point of view, fitting in to one area of art or collecting, this is the theater one, everybody’s an actor, everybody in the book has another name or a hidden identity, Lauren, the 85 bucks, a burglar code of ethics, “I never believed in overlooking cash”, choices, the cop costume, which one is the real burglar?, they totally switch, Wesley Brill, playing “the heavy”, he’s lost his skill, this is the book where he gets his skill back, writing fiction is a kind of magic, losing the magic, Lawrence Block is always retiring from writing, staying in hotels, breaking into his own hotel room, writers who write for a living, Bernie’s lifestyle is Block’s lifestyle, going through a divorce, moving to California, an amazing soup of goodness, he’s a soup fiend, he’s also the “Man In The Middle”, Russian dolls, why isn’t this book much better known, Burglar (1987), gender swapped, Bobcat Goldthwait, too much in the words, it would make a great comic, imagery, exposition is not great for comics, a Hercule Poirot ending, Penguin Audio audiobooks, Richard Ferrone’s narration, Recorded Books, masks, Roger Armitage, they’re lying to each other, call me “Wes”, John Wesley, oh there you are!, fake names, really recognizable, how you know someone, Sydney Greenstreet, Peter Lorre, The Maltese Falcon (1941), two guys looking for the bird, the rara avis, the pear shaped man, a pre-telling, Ms. Brill by Katherine Mansfield, an ESL teacher in France, creating an internal life, an active imagination, moth powder, his yacht, a fried whiting, a flounder, a fox stole, honey cake, Maissa misread it, Reading, Short And Deep, Julie Hoverson’s narration of Ms. Brill, a little box room, Lawrence Block were you inspired by Katherine Mansfield’s story…?: No., a brill is a fish, the ermine toque = fur hat, knocked on the nose, everything is reflecting everything else, without even having read it, echoes of brill, Goldilocks, archetypes, Bernie assumes Ruth has a husband, Ellie, cheating, the ultimate woman, Darla Sandoval, he hasn’t cheated…yet, his cop costume, you don’t even need those burglar’s tools, a break in as a sexual thing, the ability to open locks, modelling a life on Bernie Rhodenbarr, locks and keys, how many passwords, one password, power and speed, a ream of keys, access, keys are responsibilities that weigh you down, physically and metaphorically, memorization, having lockpicks, lockpicking, water my plants, his burglary life, Mrs. Hesh, power is attractive, like sexual triumph, tumblers finishing, he doesn’t want it to be too clear, on the tip of understanding, “I suppose you’re wondering why I’ve gathered you all here”, Rex Stout, Raymond Chandler, a true consulting detective, Archie Goodwin, Nero Wolfe is a cogitating machine, perfect recall, fine living, food, a reveal, parceled out, we get all of the story, The Hound Of The Baskervilles by Sir Arthur Conan Doyle getting bored of the form, we are Bernie’s Watson, The Silver Blaze, he totally cheated us, cheating, honest cheating cops, the person behind everything, the second gun, triggering, a real play?, second cabbie, James Garner, “Sound Of Distant Drums”, phrases, things that suggest, suggesting rather than saying, a certain feeling, Block is a master manipulator, you flinched, he charmed me out a lot of money, playing a role from the very beginning, he’s an actor, really great, incredibly enjoyable, examining the furniture, shaking out the books, so much in there, intellectual exercise, whodunit?, if you want to know about Watergate now’s the time to read about it, wait twenty years, a good mystery novel gives you all the facts, I feel like Ray Kirschmann, we were totally cheated, a bed is a bed is a bed, no bed of roses, set apart from our world, everybody smokes, no internet, cellphones, computers, answering services, the world has been transformed, visiting a simpler time, sexism of the period is quaint, slightly askew.

POCKET BOOKS - Burglars Can't Be Choosers by Lawrence Block

Posted by Jesse Willis

The SFFaudio Podcast #426 – READALONG: A Fine And Private Place by Peter S. Beagle

June 19, 2017 by · Leave a Comment
Filed under: Podcasts 

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The SFFaudio PodcastThe SFFaudio Podcast #426 -Jesse and Juliane Kunzendorf talk about A Fine And Private Place by Peter S. Beagle

Talked about on today’s show:
1960, is it true that Peter S. Beagle wrote A Fine And Private Place when he was 19?, Mary Shelley, Mr Rebek has been in the graveyard for 19 years, self-aware, unforeseen circumstances, November 2016, lightweight material, subtext, it’s not deep, on the nose, a bit long?, novel length for a novella idea, a raven here, a lady doing her shopping, a time capsule, 1960-ish, darn interesting, how New York was, a social study, science fiction and werewolves, a light touch fantasy, pretty effective, 272 pages, six to eight hours, narrated by Peter S. Beagle himself, a calm voice, a pleasant listen, more better work, a special and distinct voice, kind of amazing, it feels super-old, wise, philosophical about death and how to live, how do you get to this?, The Raven by Edgar Allan Poe, one of Jesse’s favourites, nobody cared, Jesse’s theory as to what is going on in The Raven and how it relates to this story, Andrew Marvell’s To His Coy Mistress, a metaphysical poem, start to kissing, rhyming with the comeuppance, but none do there embrace, reading poems aloud, forced rhymes,

Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

sweet!, come on baby!, 1681, a tutor to a rich man’s daughter, post-mortem publication, The Twilight Zone, World Enough And Time, inspired, amorous birds of prey, iron gates of life, chaste love, Jonathan and Mrs. Clapper, finding another person to be with, all during WWII, an interesting backstory, reading books, washing his clothes in the bathroom sink at night, is it all in his head?, is he just a crazy homeless man?, fitting the facts, dirty and smelly, well groomed, disheveled, shaving, grooming, what are we to make of Mrs. Clapper falling in love with not the greatest catch ever?, her (dead) husband, tickles a sense of adventure, I’m not your husband, the rain-jacket, museum visitor than stay-at-home, the store scene, the Stillman family, when are you getting married?, she’s trapped in her role, her place in society, her apartment, the social environment of the 1960s, widowhood, when are you going to Florida?, other options, how she’s going to be buried, Mr. Rebek’s prison, an incomplete explanation, acting as a witch-doctor, love-potions, the scarred up boxer, making a love-potion, it’ll just make her receptive, when the love-potion works…, a weak character, he plays along, whiter teeth, his girlfriend died and he can’t get over her, he’s fleeing from the world and responsibility, in a time loop, frozen in time, just being, going on vacation is not a life, more of the same, his icy tomb, other stories like this, Beatrice in Dante’s Paradise, Orpheus and Eurydice, Odysseus, is Mr. Rebek going to move in with Mrs. Clapper?, living together, wearing her husband’s old clothes?, his room, they have to find a new apartment, from the Goodwill (but actually from her), she’s trying to replace her dead husband, marriage, domains, the boss, the nameless raven, Elijah, a squirrel with a wife, more raven, a couple of rules, how ghosts act and animals can talk, the ghosts, subversion, that’s what ravens do, the nightwatchman, alcohol, Spanish singing, sung as it should have been sung, another reflection of the raven, a psychopomp, Charon, the ferryman, Anubis, Pluto, deep in every religion, a man alive in the place of the dead, you’re a terrible guard, a passenger stuck on the barge to the underworld, not dead, not alive, seeing the dead, Mrs. Clapper can’t see the dead, an idea working below the surface, a lazy slow river journey, a slowboat to hades, Michael, I don’t want your nepenthe, Laura, more friends than anything else, a seagull lost in Iowa, seeing a bird, what is the metaphor there?, heavy with metaphors, things underlying, Juliane has time, listening to the sound of Edgar Allan Poe’s The Raven, certain sad uncertain rustling, a story of madness, Jesse’s theory but first the poem itself, Beagle must have been familiar with The Raven, books: “many a quaint and curious volume”, not nameless, wrought as a homophone for rot, a ghost of flame, morrow and marrow, surcease of sorrow, ending sorrow by reading, distraction, “to still the beating of [his] heart,” December, at night, midnight, “once”, Charles Dickens, big on ghosts, Into That Darkness Peering a collection of Poe narrated by Wayne June, what is he dreaming about?, suicide, what’s behind suicide, teasing, the passive voice, Guy de Maupassant, premature burial, Japanese or Korean ghosts, a real creepy ghost story, back from the dead, “chamber” not house, a lattice, panes and shutters, curtains, a shade, purple as the royal colour, layers, why is his soul burning?, slight variations, eyelids as shutters, “perched upon a bust of Pallas”, Athena, why Pallas?, palace, there were two goddesses, Pallas was eaten by Athena, distance away from Athena, perched above wisdom, “though thy crest be shorn and shaven”, Sampson, you can’t shave a raven, you can pluck a raven, crest, no fur nor hair nor feather’s on it’s head, that’s a different bird, it’s a condor aka a buzzard aka a carrion eater aka a vulture, why vultures head’s are are shaven, mistaking the bird, his perception of it as a raven is odd, why doesn’t anybody comment on this?, Athena’s helmet has a Raven on it, when you make a drawing you have to choose, in a poem we can have it both ways, a comparison to a vulture, craven as lustful, vultures don’t look young, he’s having it both ways, a much scarier story, a fire theme, ungainly = ungraceful, a talking raven, nesting ravens, does the Raven always tell the truth?, “fiery eyes” burning, Gustave Doré, a ray of light, fire and light, censer, seraphim, nepenthe again, always subverting, William Shakespeare’s The Tempest, desert land, balm in Gilead, skin soothing stuff, radiant, “still is sitting, still is sitting”, how can the shadow throw from the lamp stream over?, “my soul from out that shadow”, he burned his house down and he’s a ghost, the perfume of smoke, a room (not a house), Mr. Rebek’s house is a tomb, a man without a Lenore, eh, what are you going to do?, ravens in Greek mythology, Apollo, why all ravens are black today, creator god, the Ravens in the Tower of London, Mabel and Grip, trickster god, ravens stealing food, experiments with crow communication, sharing information, Jesse’s crow friend, zebras, lions making a plan, he cried like a baby, a reading raven, a gentle fantasy, the social structure, Michael and Laura, suicide or murder?, a prison of his own making, the prison of her own head, a golden cage, a satisfactory book, Mr. Rebek is 53, Mrs. Clapper is a little older (maybe), children are really absent, what’s real and what’s just in his head?, the nightwatchman is the sanest of all of them, so little evidence for insanity, very little below the surface, The Last Unicorn film adaptation, thematic connections, the death theme, The Innkeeper’s Song, five novels, We Never Talk About My Brother, funerals, death of child, hanging out in graveyards, pillars that didn’t support anything, the symbology of graveyards, a broken column indicates a life cut short, burial vs. cremation, a line between life and death, formalized words, affective, more philosophical, working as a mortician, Six Feet Under, a good book and pretty impressive, The Graveyard Book by Neil Gaiman (and the comic book adaptation), similarities, Rudyard Kipling’s The Jungle Book, a boy raised by ghosts, Tarzan, raised by animals, Tantor the elephant, Nobody Owens aka Bod, subtle illustrations, the babysitter characters, reading with students, tweeting Neil Gaiman, a signed poster, monster characters, Coraline, Tim Burton, thanatophilic, a weird relationship with death, if you’re dead you’re just gone, exactly like before you were born, we’re all just living in our heads.

BALLANTINE - A Fine And Private Place by Peter S. Beagle
IDW - A Fine And Private Place by Peter S. Beagle

Posted by Jesse Willis

Reading, Short And Deep #036 – The Mark Of The Beast by Rudyard Kipling

October 12, 2016 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #036

Eric S. Rabkin and Jesse Willis discuss The Mark Of The Beast by Rudyard Kipling

Here’s a link to a PDF of the story.

The Mark Of The Beast was first published in The Pioneer, July 12 and 14, 1890.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #244 – NEW RELEASES / RECENT ARRIVALS

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #244 – Jesse, Jenny, and Seth talk about NEW RELEASES and RECENT ARRIVALS.

Talked about on today’s show: Christmas-edition New Releases podcast; festivus; Seinfeld; Romulus Buckle and the Engines of War; pneumatic zeppelins (related to Led Zeppelin?) vs. non-pneumatic airships; Cherie Priest‘s Clockwork Century steampunk series; Gail Carriger‘s “tea-punk” Parasol Protectorate novels; Wizard of Oz: A Steampunk Adventure; HBO’s completely unrelated Oz television series; Seal Team 13, military vs. supernatural?; Lovecraftian horror vs. traditional horror; Call of Cthulhu role-playing game; World War Z; Overdraft: The Orion Exclusive; Jesse laments that neither Jenny nor Seth has seen Aliens; Sigourney Weaver; Gamadin: Word of Honor; Jesse loves audio drama; Night Vale; Blake’s 7; “audio drama is television or movies without pictures”; Visions of the Future now unabridged; limitations of the Star Wars spinoffs; R.A. Salvatore killed a beloved Star Wars character; Joseph Campbell’s hero’s journey; a Star Wars Oedipus story?; When the World Shook by H. Rider Haggard; Haggard’s She; casual racism in turn-of-the-century fiction; Haggard is the English Edgar Rice Burroughs; Rumpole series (the actor narrates the audiobooks); Inspector Morse; Agatha Christie; Touch Me Eternally; X-Men; Silvered by Tanya Huff; are shape shifters the new vampires?; Charlaine Harris and True Blood; etymology of werewolf; were bat?; every Batman story has been done; Dangerous Women anthology; Lawrence Block; Legends anthologies; George R. R. Martin’s Dunk and Egg stories; Well of Echoes series; geomancy = crystal magic; ABC (the Australian one) book club; CSPAN’s Book TV; Reading Rainbow and the LaVar Burton revival; Herland; Rudyard Kipling’s With the Night Mail and As Easy as ABC; Gungadin and “to carry the water”; Clark Gable; more on racism; White Man’s Burden; DreamScape Audio; The Poison Belt by Arthur Conan Doyle; sequel to The Lost World; similar to The Purple Cloud by M. P. Sheil; Jurassic Park; 1634 by David Weber and Eric Flint; time travel; George Guidall; Jonny Ive (and Seth’s bad Ive impression) read by Simon Vance; Chronicles of Light and Shadow by Liesel Schwartz; Waterlogged Holiday Collection; Kevin J. Anderson’s War of the Worlds: Global Dispatches; Robert A. Heinlein’s The Puppet Masters; Star Trek pancakes attack; Connie Willis especially To Say Nothing of the Dog; Three Men in a Boat by Jerome K. Jerome; Heinlein’s Have Spacesuit Will Travel; The Great Gatsby audio edition including Fitzgerald’s letters; Audible translating George R. R. Martin; Latin translations of Harry Potter; Call Down the Stars; metafiction; the prehistorical sub-genre;  Clan of the Cave Bear; Ian Rutherford; James A. Michener; Harry Harrison; The Wonder Stick (spoiler: it’s a bow!); Jack London; A Quarter to Fear narrated by Mr. Jim Moon at Hypnogoria (Jesse actually bought it!); H.P. Lovecraft Literary Podcast; Audible Editor’s Picks; Audie Awards; Doctor Sleep by Stephen King won Audible Pick of the Year; The Golem and the Jinni by Helene Wecker; American Gods by Neil Gaiman; Grimnoir Chronicles by Larry Correia; The Ocean at the End of the Lane and Coraline by Neil Gaiman; Ender’s Game Alive; The Silo Saga; The Human Division by John Scalzi; The Lost Fleet series by Jack Campbell; Zombie Fallout series by Mark Tufo; Peter Clines 14 and Ex-Heroes series; Roald Dahl’s Matilda narrated by Kate Winslet; tweeting coffee;

Posted by Jesse Willis

The SFFaudio Podcast #187 – READALONG: Tarzan Of The Apes by Edgar Rice Burroughs

November 19, 2012 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #187 – Jesse, Tamahome, Julie Hoverson, Luke Burrage, and David Stifel talk about the audiobook and podcast of Tarzan Of The Apes by Edgar Rice Burroughs.

Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:

“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”

A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,

All-Story, October 1912

Maureen O'Sullivan as Jane in Tarzan And His Mate

Dynamite Entertainment - Lord Of The Jungle

Posted by Jesse Willis

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