Talked about on today’s show:
1915, Blackwood’s Magazine, a propaganda novel, the propaganda ministry, pro-empire, Buchan’s later job, Hitchcock’s The 39 Steps, the Orson Welles adaptation, Mercury Theater, Welles’ propaganda pieces, Nazis invading Canada (Nazi Eyes On Canada), ultima thule, if Operation Sea Lion had worked…, Nazis in Antarctica, Kerguelen Islands, Isle de Crozet, the coolest island ever, Jules Verne, why does our hero go to Scotland?, veldcraft, Greenmantle, Richard Hannay, the comic, Brian thought it was a riot, a brisk read, elegant prose, the BBC Radio documentary on John Buchan, judging everything, “subjective”, coincidences, sooo convienient, the human civilization, The Riddle Of The Sands by Erskine Childers, another sneaky German plot, the Patrick O’Brian books, the invasion novel genre, mining British harbours, u-boats, a shocking incident, Scapa Flow, Winston Churchill, Rogue Male by Geoffrey Household is the WWII version of The Thirty-Nine Steps, Constantine Karolides, war was inevitable, popular in the trenches?, Hannay eats well on the run, cliffhangers, Adrian Praetzelis, a semi-bald archaeologist, Jesse’s dream theory, tired of London …. not enough exercise … lo and behold a murder plot… sleep and dream and wake, a Freudian sense of everything being really nearby, the climax became surreal, Do Androids Dream Of Electric Sheep?‘s fake police station, how to deal with those in between, The Prisoner Of Zenda, “honestly this is impossible”, boys own adventure, James Bond, Dracula, how do these things work in detail, I’m pretty good with disguise, a sign of good writing, villain to do lists, don’t lock the hero in a room filled with explosives, act like you belong there, the roadman scenes, the milkman was a precedent, disguise as psychology, ridiculous of imposture, the speaker at the liberal candidates meetings scene, Australia or free-trade, Asquith, Liberals, free-trade within the empire, as satisfying as a mortician, the eloquence of an emigration agent, a ripping speech Twizden, Hammond, something that always changes is the meaning of the title, the Black Stone (Schwartz Stein), when you’re Lord Tweedsmuir…, Jonathan Harker, ordinance survey maps, the corridors of power, having the power of the British Empire at your back, the reward, doubt about British command, yesterday 100 years ago, the Gallipoli campaign, unilateral disarmament, the secret pact, the French are hyper-competent, playing along, just go over the top, your reward is to go to the Western Front, Greenmantle is the direct sequel, the supremely confident at veldcraft, the Germans had found a Muslim prophet, Islam as a powder-keg, the Mesopotamian campaign, a very personal battle while armies clash, a secret history, Jonathan Strange & Mr Norrell by Susanna Clarke, The Duelists by Joseph Conrad, His Majesty’s Dragon by Naomi Novik, The Red Panda Adventures by Gregg Taylor, Scott Pilgrim Vs. The World, Captain Canuck, Declare by Tim Powers, Kim Philby, Brian’s WWI kick, the Eastern front (Turkey vs. Russia), Duel For Kilimanjaro: Africa 1914-1918, Paul von Lettow-Vorbeck, the opening antisemitism (an international banking conspiracy) is just a smokescreen, crazy conspiracy theories, you only believe the unbelievable tale, a wink to the audience, The Protocols of the Elders of Zion, The United States Of Paranoia by Jesse Walker, the “stab in the back theory”, conspiracies, the Black Hand, seeing the novel in its context, period magazines, stepping into a time machine, having perspective, don’t have secret treaties with France, a landward in Asia, The DaVinci Code, The Grove of Ashtaroth, the Canaanite goddess, Rhodesia, clearing of the land, a weird fiction version of colonialism, Buchan wrote 101 books, Witch Wood (BBC Radio drama), big in to Buchan, Huntingtower, Mr Standfast, The Wasteland by T.S. Elliot, Lovecraft’s parody “Wastepaper”, a pre-modern guy, unthinking ideas, a moral victory over the enemy, panache or élan, Memory Hold-the-Door by John Buchan, Canada’s current Governor General (David Johnston), Hillary Clinton’s autobiography, “chloroform in print”, Mark Twain, Fred’s novel is in beta (The Devil’s Dictum), wait fifty years and read the Wikipedia entry, our assessment of things, Shakespeare was too sad or too gory, why teach Julius Caesar? because it has no sex, the Hugos blew up, Ancillary Justice, changing the markets, Bowdlerizing the past, The Tempest, classic science fiction info dump, Miranda is falling asleep, Mr Jim Moon’s take on The Thirty-Nine Steps, the mystery run-around, the Jason Bourne films, stalking on-the-run travelogue format, Ian Fleming, Dennis Wheatley, a British form of pulp, adaptations, North By Northwest, the 2008 TV adaptation the u-boat in a loch, Alfred Hitchock, The Man Who Knew Too Much, The Ring, the lack of women, adding women, shoveling women into adaptations, it’s all for Fred’s mom, there’s a gun in the pram, Hannay has an afro in the 1978 adaptation, the ministry of espionage, Mr Memory, the comics adaptation, a bridge to far, The Private Life Of Sherlock Holmes, with access to itching powder…, expansive imagination, in the Twilight books the heroine is a complete cipher, WWI books, WWII books, Armed Forces Editions, the post war interest in H.P. Lovecraft, Jack Vance in the South Pacific.
Posted by Jesse Willis
The SFFaudio Podcast #275 – Jesse and Mr Jim Moon discuss Ivanhoe: A Romance by Sir Walter Scott
Talked about on today’s show:
1820, the Tantor Media audiobook as read by Simon Prebble, 3 comic book adaptations!, the July 2014 BBC Radio 4 adaptation (1hr), General Mills Radio Adventure Theater, immensely important, Wamba and Gurth, looking at adaptations, refinement, Robin Hood (1973), the splitting of the arrow, a willow wand, daring-do fiction, archery, folktale, Will Scarlet splits the arrow in the Queen Katherine Ballad, the historical inaccuracies, Rob Roy, a plump text, King Richard and Friar Tuck, The Merchant Of Venice by William Shakespeare, a very Shakespearean novel, pithy and punchy, dialogue and banter, The Lord Of The Rings by J.R.R. Tolkien, fully motivated characters, Athelstane, colour cloaks, where does Isaac stat at Ashby?, Chapter 2 Gurth is “this second Eumaeus”, Ivanhoe is a retelling of Odysseus’ return to Ithaca, the usurpation, the governance of Scotland, the Saxons as the Scots under the English yoke, Loxley, Prince John, King John, Magna Carta, robber barons, Brian de Bois-Guilbert (wants Rebecca), Reginald Front-de-Boeuf, “Front of Beef” (wants Isaac’s money), Maurice de Bracy (wants Rowena), war and God, the 1997 BBC TV adaptation of Ivanhoe, an Arthurian style obsession, the reconciliation, Athelstane is almost a Hobbit, Athelstane death is a comedic version of a Guy de Maupassant or Edgar Allan Poe premature burial story, The Fall Of The House Of Usher done as farce, Monty Python And the Holy Grail, surprisingly few deaths, “boys own adventure”, The A-Team, Ulrica’s death, the the Waverley Novels, almost a Fantasy, magic, The Prisoner Of Zenda, venison, the Douglas Fairbanks Robin Hood, the Black Knight – who could it be?, how easy would the disguises be seen through in 1820, bigger than Stephen King or J.K. Rowling, stage adaptations, Waverley places around the world, Abbotsford, British Columbia is named (in part) after Sir Walter Scott’s home, Ivanhoe’s popularity in the southern United States, invasion, slavery and chivalry, underselling the power of fiction (as compared with non-fiction), On The Origin Of Species by Charles Darwin, The Communist Manifesto, Tolkien, understanding fiction, the revelation of truth through fiction, novels were once quite novel, the need for novels, models of action, 1984 changes, helps and improves you, “what is honorable action?”, the power of oaths, rapacious acquisition vs. honorable service, the destruction of the Templars, banishment was a harsh punishment, an obsession with love, Rebecca is the female Ivanhoe, the role of the Jews in the book vs. the adaptations, banking, this is not an anti-Semitic book (shockingly), the coin counting scene, the roasting scene, Friar Tuck is super-anti-Semitic, Churchill’s background, why is it that English were not as anti-Semitic as most of Europe?, a zeitgeisty historical novel, looking at the present through a historical lens, puffy, the level of intellect is very high – the etymology of pig, Lincoln Green, the final battle, a powerfully intellectual book for a piece of fiction, mid-19th century fiction isn’t as punchy, wit and intelligence in peasant characters, J.K. Rowling must have read Ivanhoe, Sir Walter Scott’s was “the Wizard Of The North”, Cedric <-the name comes from this book, "freelance" <-lances for hire, Robin Hood: Prince Of Thieves, Robin Hood (Ridley Scott), Robin Hood’s nom de guerre, ITV’s Robin Of Sherwood <- both Robin Hood mythologies are in it!, the "Dread Pirate Roberts", a good knight but a bad king, pagan gods, Herne the Hunter, Ivanhoe popularized the Middle Ages, Arthurian scholarship, folk customs, the ancient Egypt craze, A Connecticut Yankee In King Arthur’s Court by Mark Twain, a big powerful book, A Song Of Ice And Fire is kind of the anti-Ivanhoe, the Dunk And Egg stories, surprisingly modern, the symmetry of Ivanhoe, a tonic for gallstones, HBO should commission Ivanhoe, the 1952 version, the 1982 version, Ciarán Hinds, Mark Hamill, Kevin Costner vs. Alan Rickman, a noir ending averted.
Posted by Jesse Willis
The SFFaudio Podcast #266 – Jesse, Luke, and Juliane Kunzendorf discuss When The Sleeper Wakes by H.G. Wells
Talked about on today’s show:
Julianne’s first SFFaudio Podcast, what do we call them?, readers and talkers, 1899/1910/1923, When The Sleeper Wakes, The Sleeper Wakes, The Sleeper Awakes, Blackstone Audio’s audiobook version, the serialization in The Graphic magazine, the 1910 preface, “an editorial elder brother”, going to the original sources, a forecast of technology, technological changes between the revisions, aeroplanes and aeropiles, the introduction to the 1923 edition, “fantasias of possibility”, “suppose these forces go on novel”, H.G. Wells thought the rich were evil geniuses (prior to meeting them), “rather foolish plungers”, “vulgar rather than wicked”, Ostrog, “a nightmare of capitalism triumphant”, capitalist/socialism (kind of like Japan), The Unincorporated Man is pretty much the same story, yay Marxism!?, when Graham wakes up, Chapter 7, there only audiobooks in the future, The Man Who Would Be King by Rudyard Kipling, The Madonna Of The Future by Henry James, Heart Of Darkness by Joseph Conrad, phonetic spelling, an H.G. Wells way of writing, is it the nature of a serial, the reader transplanted into the year 2100, The War Of The Worlds, suicide, Isbister, Warming, Ostrog, Lincoln, “body fag is no cure for brain fag”, “while he was breaking his fast”, the language, lying in a crystal box, a passive character, establishing the genre, space elevators, Buck Rogers has the same premise, Idiocracy, Eine Billion Dollar by Andreas Eschbach, A Connecticut Yankee In King Arthur’s Court by Mark Twain, the importance of money, the gilded age, wealth disparity, the labour company, a dystopia along the lines of Brave New World, the Martian invasion, The Time Machine, is this the start of the Morlocks and the Eloi?, 1984 by George Orwell, the proles, the pleasure cities, distractions, the value of work beyond being paid, a class trap, what is Wells saying?, Wells’ ambivalence towards the proles, there are no more school examinations, is this a meritocracy?, technological dystopias (like 1984), social dystopias, Brave New World is a medical dystopia, genetic dystopias, knowing you live in a dystopia, North Korea, knowledge of other societies, the time before Big Brother, Julia, the Anti-Sex League, genetically dumbified, Flowers For Algernon by Daniel Keyes, religious dystopia, advertizing Christianity, prosperity gospels, church revivals, advertising, the babel machines, movies and television, what will this culture do to the culture?, “people don’t read”, airplanes, heavier-than-air aircraft, smashing airplanes into other airplanes, aerial ramming, flying machine vs. aeroplane vs. airplane vs. aeropile, My First Aeorplane by H.G. Wells, rocketships, the pilot’s union, the look of the airplane, the clothing, Victorian age dresses, the church, hanging in the air, the Thames has run dry, megalopolis, the building material, the Eiffel Tower, steel, concrete, plastic, glass, carbon fiber, biotech, Pandora’s Star, a coral house, 3D printing, Ikea Hacks, print on demand houses, economics, factories and automation, The Roads Must Roll by Robert A. Heinlein, The City And The Stars by Arthur C. Clarke, slide-walk, edamite, Ostrog, Ostrogoths, Lincoln, foment a revolution, race and racism, Senagalese, ostrog as “fortress”, a Serbian Orthodox Church, Ostrog will boss the show, “in bounds”, are these are revolutionary names?, Che Guevara, Abraham Lincoln’s freeing the slaves, thug force, Berlin, June 17th, 1953, the Berlin Wall, outside forces, Dan Carlin’s Hardcore History, Gurkhas, “see we’re all friends”, smiling bright shiny teeth, “they are fine loyal brutes”, racism is in there but it is not the point of the book, The War Of The Worlds, a little hypocritical, we can’t see the issue, massive economic suppression, calculating boys, hypnotism, economic slavery, the wealth gap, the White Council, the blaring speakers, the media firehouse, talk radio, people wearing their headphones everywhere, podcasts, each one of those streams are newspapers, a newspaper for everybody, broadsheets vs. tabolids, your newspaper tells your class, daily free newspapers, Jack The Ripper, Melville Macnaghten, Michael Ostrog (thief and con-man), the symbolism of the aircraft, the three books, Helen is the Madonna of the future, it’s a joke, the novel’s end, ‘my Graham dies without certainty of victory or defeat’, ambiguous airplanes, “literally that’s his dream”, flying dreams, cliffs and high places, Isbister and Warming -> Lincoln and Ostrog, “its fun”, “in such a fall as this countless dreams have ended”, dream falling, the different endings, the future of that future, Olaf Stapledon’s The Last And First Men, many futures, Olaf Stapledon takes what Wells does a little farther, Graham as a Christ figure, risen from the dead… etc., in Graphic detail, full colour holographic Jesus, the empty tomb moment, allusions to other literature in the Bible, Arthur C. Clarke, the Son of Man, A Story Of The Days To Come, the emptying of the countryside, the enclosures, Scotland, Canada, Glasgow, Berlin, well more than 50% of the world’s population lives in cities now, Among Others by Jo Walton, Wales, the merits of country living, the economic theory behind everything, access to internet, staring at the internet, services, live entertainment, “my choice of Christian girls was three girls”, poor Luke.
Posted by Jesse Willis
Up the close and doun the stair,
But and ben wi’ Burke and Hare.
Burke’s the butcher, Hare’s the thief,
Knox the boy that buys the beef.
—19th-century Edinburgh skipping rhyme
There may never have been a blacker comedy than this horrifying (and horrifyingly funny) audio drama about a pair of real life murderers. William Burke and William Hare apparently killed sixteen people in the early 19th century selling the corpses to an anatomist named Dr. Robert Knox.
This audio drama, which I found in the Moonlight Audio Theatre podcast feed, is well written, smartly acted, and full of ripe innuendo. Burke And Hare is clever and creepy. If you’ve seen the 1999 horror/comedy film Ravenous, also based on a true story, you know how disturbing this kind of mix can be.
Burke And Hare
By Terence Newman; Performed by a full cast
2 MP3 Files – Approx. 77 Minutes [AUDIO DRAMA]
Podcaster: Moonlight Audio Theatre
Podcast: June 2013
This is the story of the infamous 19th Century Scottish Grave-robbers who weren’t Scottish and didn’t rob graves. They were actually Irish and as robbing graves to supply the needs of Edinburgh’s anatomists proved to be rather hard work, they just took to murdering people – usually their neighbours – for profit. In collaboration with their common-law wives they set about supplying corpses for Dr John Knox an eminent Scottish surgeon with considerable enthusiasm and gusto. The play follows their business exploits from small beginnings, through their days of peak output to the final reckoning – set against a world that is becoming recognisably modern.
Podcast feed: http://moonlightaudio.libsyn.com/rss
Edited by: Joe Siddons
Directed by: Robert Valentine
Music by: Adam Bernstein
Posted by Jesse Willis
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism,
Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Posted by Jesse Willis
The Summer Isles
By Ian R. MacLeod; Read by Steve Hodson
Audible Download – Approx. 13 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Themes: / Alternative History / Dystopia / History / Fascism / Homosexuality /
I have always been intrigued by alternative histories. Unfortunately my knowledge of history sometimes limits my enjoyment, being more of an overview of the subject. I often can’t tell if an event has been changed, and if so, whether it is significant or not. In some of the better alternate histories you can get away with not knowing too much about the period and still enjoy the story. Thankfully, in this case, I had recently been reading a history of Europe covering the same period from the early 1910’s to 1940.
MacLeod’s The Summer Isles is set primarily in a 1940 where Great Britain lost The Great War in 1918. America doesn’t enter the war and France makes an appeasement with Kaiser Wilhelm II’s Germany. The result is that Britain, not Germany, is left in a state of shock, feeling betrayed by their supposed allies. A young soldier, John Arthur, rises to power in the bleak years that follow, suggesting a parallel to Hitler, who gets only a single reference, never having the opportunities to gain power that losing the war afforded. The great Empire that was Britain is stripped away in the reparations following the war. That sense of betrayal is used to fuel Arthur’s rise to power as he brings in his political movement “Modernism”. John Arthur’s portrait hangs everywhere, even in the men’s public toilets.
Modernism is a very British take on fascism and drove several of the same horrors that Naziism did in our own history. Jews, homosexuals, intellectuals, the Irish and any and all other ‘deviants’ are persecuted and ultimately removed from the new Modernist society. The Jews in particular are sent to be “resettled” on the eponymous Summer Isles.
The story is told by Geoffrey Brook, a secretly homosexual Oxford history Don, who had some prestige for having been a favourite teacher of John Arthur as a child. Brook is in his 60’s in 1940 when he receives the news that he has at terminal lung cancer.
Brook, in trying to reconcile himself with his past, recounts in flashbacks the one true love of his life that he lost in the Great War. More flashbacks fill in the years before and after that war; several of the scenes flowing together with the present day as Brook’s mind drifts in and out of his reminiscences. Particularly when he visits some of the same locations.
MacLeod’s writing is excellent, at times didactic, as the historian narrator recounts past political and social events, yet by turns touching, confused, detailed and frightened as more personal or recent events are recounted. Slow at times, this fits will with the drifting recollections of the narrator as the hidden story is gradually revealed. The final act of the novel moves at a much faster pace, while still holding convincingly onto the character of the narrator. The Summer Isles was nominated for the John C Campbell Memorial Award, the Sidewise Award for Alternate History and the World Fantasy Award.
The audio narration by Steve Hodson fits the character perfectly. The weariness with life, the broken rapture at prized but lost moments of love and of lust are all perfectly portrayed. He even nails virtually all of the Scottish pronunciations; a pet peeve sf mind, being Scottish myself, with several other narrators.
Posted by Paul [W] Campbell