What do gorgons, basilisks, and frogs with feathers all have in common? They’re all considered mythological by modern science, and some people are working very hard to keep them that way. Alexander Price is a member of a cryptozoological lineage that spans generations, and it’s his job to act as a buffer between the human and cryptid worlds—not an easy task when you’re dealing with women who have snakes in place of hair, little girls who may actually be cobras, and brilliant, beautiful Australian zookeepers. And then there’s the matter of the murders.…Alex thought he was choosing the easier career when he decided to specialize in non-urban cryptids, leaving the cities to his little sister, Verity. It turns out that he had no idea what he was getting himself into. It’s a family affair, and everyone—from his reanimated grandfather to his slightly broken telepathic cousin—is going to get involved before things get any better.
Half-Off Rangarok is the third book in the InCryptid series and has a change in narrators and locations. No longer are we in New York with Verity but with her brother Alex, in Ohio.
The story line picks up maybe a month or two after book two. Alex Price is living with his grandparents and Sarah trying to have some semblance of a life while overseeing a secret basilisk breeding program. For Alex some things are going well – Sarah is getting better; other things are challenging like keeping secrets from his girlfriend Shelby about who he really is. It all goes downhill when Alex is faced with dead bodies that are turning to stone and the realization someone is trying to kill him too.
This book is interesting with a band of characters. Shelby and the grandparents are total hits. We learn about new cryptids which were kind of fascinating. Things that I missed were the mice; I liked all of their crazy holidays. While they are in the book it is more like a passing thing. I also preferred the New York setting. This was supposed to be in Ohio but I think the setting could have been anywhere. For me, I had trouble relating.
I listened to the book on audio and the narrator made it feel like the book was evenly paced. His voice was interesting enough to keep me interested without losing me. I am not sure if it was because I listened to the book on audio verses reading but this book has a different kind of feel. Perhaps this is due to the change in narrator …I cannot really say.
My biggest overall challenge of the book was despite how good the writing is for me there is something missing between characters for some reason I was just not as vested in the outcome.
Still a good read 3 ½ stars
Posted by Dawn V.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
Filed under: New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Lowball : A Wild Cards Novel edited by George R. R. Martin and Melinda Snodgrass, The New Annotated H. P. Lovecraft edited by Leslie S. Klinger, a reference book readalong?, Marked: Servants Of Fate, Book 1 by Sarah Fine, conflict of interest, Until The End Of The World by Sarah Lyons Fleming, Until The End Of The World (movie), The Dark Thorn by Shawn Speakman, the Seattle underground, Entangled: The Eater of Souls by Graham Hancock, lots of research, Half-Off Ragnarok (InCrytpID Book #3) by Seanan McGuire, V Wars: Blood and Fire: New Stories of the Vampire Wars edited by Jonathan Maberry, a dime a dozen, Wildalone by Krassi Zourkova, At the Mountains of Madness by H.P. Lovecraft, didn’t Southpark adapt this?, annotations, pdf of original story with illustrations hosted by Sffaudio, Kaiju Rising: Age of Monsters (editor?), not inspired by Pacific Edge by Kim Stanley Robinson, similar short story overdose, The Playground and Something Wicked This Way Comes by Ray Bradbury, Richard Matheson, killer baby, Tam remembers the Good Story Episode (#21) on Something Wicked, Ray Bradbury storytelling festival, Something Wicked vs The Night Circus, or maybe Good Omens (which is a BBC radio audiodrama now), “@DirkMaggs:
#GoodOmens we are thrilled that the series has been so enjoyed. The CD/Download version released in January runs nearly 50mins longer in all” (RT’d by @SDDanielson), British tests, Hypnobobs podcast on Christmas Annuals, The Strange Library by Haruki Murakami, The Maker Of Moons by Robert W. Chambers, The True Detective tv series, The Last American Vampire by Seth Grahame-Smith, the picture of the navy guy kissing the woman, ATLAS by Peter Berkrot, Mech Warrior game, The Three-Body Problem by Cixin Liu and translated by Ken Liu, the three-body problem explained, (Ken Liu is a lawyer and programmer, Jenny), David Brin gave it 5 stars on Goodreads, The Jesus Incident by Frank Herbert and Bill Ransom, Carbide Tipped Pens: Seventeen Tales Of Hard Science Fiction edited by Ben Bova and Eric Choi, that’s hard!, The Year’s Top Ten Tales Of Science Fiction 6 edited by Allan Kaster, The Cosmic Puppets by Philip K. Dick, Lock In by John Scalzi, why two audio versions??, The Martian Chronicles by Ray Bradbury, |Listen to our readalong|, Proxima by Stephen Baxter, but Jenny wants to know the plot, Fahrenheit 451 (narrated by Tim Robbins), Plague Year by Jeff Carlson, The Long Dark game, two more quickly, WHITE PLAGUE: A Joe Rush Novel by James Abel, and Near Enemy: A Spademan Novel by Adam Sternbergh
Posted by Tamahome
The End is Nigh (Apocalypse Triptych #1)
Edited by John Joseph Adams and Hugh Howey (full author and performer list below)
Publisher: Broad Reach Publishing
Publication Date: 8 April 2014
[UNABRIDGED] – 15 hours, 8 minutes
Themes: / apocalypse / destruction / short stories /
Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
Table of contents and audiobook narrator listings copied directly from John Joseph Adams’ website. If you want more detailed summaries of each story, I found the review at Tangent very good, particularly because it is so hard to keep track of short stories when you are listening instead of reading!
The audio was an incredible asset to this anthology, although I will probably also need to buy this for my shelf o’ anthologies. The best in audio are Removal Order, BRING HER TO ME, and The Fifth Day of Deer Camp.
My favorite stories were BRING HER TO ME and Goodnight Moon.
I’m most interested in the next installment (so please let there be a next installment) of Removal Order, Pretty Soon the Four Horsemen are Going to Come Riding Through, and Spores.
What do I mean by next installment? The End is Nigh is the first volume of a triptych. It will be followed by The End is Now and The End Has Come, with some authors contributing linked stories. Very exciting concept, and as the Queen of Apocalypse there is no way I couldn’t read this.
Here are my more detailed impressions, story by story!
By Seanan McGuire; Read by Mary Robinette Kowal
Publisher: Brilliance Audio
Publication Date: 4 March 2014
[UNABRIDGED] – 13 hours
Themes: / metafiction / urban fantasy / fairy tales
I’m usually opposed to quoting the synopsis in my reviews–it’s just fluffing my word count! But I’m not even going to try to explain the premise of Indexing myself, so this time I’ll let the synopsis do all the heavy lifting.
“Never underestimate the power of a good story.”
Good advice…especially when a story can kill you.For most people, the story of their lives is just that: the accumulation of time, encounters, and actions into a cohesive whole. But for an unfortunate few, that day-to-day existence is affected—perhaps infected is a better word—by memetic incursion: where fairy tale narratives become reality, often with disastrous results.
That’s where the ATI Management Bureau steps in, an organization tasked with protecting the world from fairy tales, even while most of their agents are struggling to keep their own fantastic archetypes from taking over their lives. When you’re dealing with storybook narratives in the real world, it doesn’t matter if you’re Snow White, Sleeping Beauty, or the Wicked Queen: no one gets a happily ever after.
Indexing is New York Times bestselling author Seanan McGuire’s new urban fantasy where everything you thought you knew about fairy tales gets turned on its head.
As the author of both the October Day series and, under the pseudonym Mira Grant, the Newsflesh trilogy, Seanan McGuire is no stranger to writing urban fantasy. But, as you may have deduced from the blurb, Indexing is not your run-of-the-mill hot vampire-on-werewolf ménage-a-trois urban fantasy. Instead, it’s populated with fairy tales. Here be Pied Pipers, Frog Princes, and Mother Gooses (Geese?) in spades. In the moribund desertscape of urban fantasy, Indexing is a cool refreshing garden grown wild with novelties. McGuire’s writing is dynamic enough to play fair with both the here-and-now realities of an urban setting and the timeless terrible beauty of fairy tales. Like quicksilver, the tone can glide from spunky 21st-century dialogue riddled with F-bombs to an ethereal transcendence full of snow and moonlight.
The presence of stories come to life in the world of Indexing places it squarely in the realm of metafiction. In fact, the book takes its title from the very real Aarne-Thompson Index, a comprehensive listing of folktale types compiled in the early twentieth century. In the land of metafiction, Indexing has some pretty affluent neighbors, such as Italo Calvino’s If On A Winter’s Night A Traveler and Jorge Luis Borges’s The Library of Babel. Unfortunately in this regard the book fails to measure up, like that rundown house you drive by on your street and mutter about how you wish the neighbors would cut their grass. The premise itself is intriguing in exactly the way that speculative fiction is supposed to be, but the underlying worldview is overly pessimistic. In this story, Narrative itself is a character, or at least a vital force, trying to impose itself onto our order of reality. According to the world of Indexing, this is almost always a very bad thing, something that needs to be stopped. The novel’s closing chapters bring to light some extenuating circumstances that lend this structure a modicum of feasibility, but the reader still comes away with the sense that our world is better off without fairy tales made manifest stalking our streets.
As I write this, it occurs to me that this bothers me so much because it’s at odds with why I read speculative fiction in the first place. I firmly believe that these stories really do make our world better, in a very tangible way. I’m not saying we should unleash every fictional character on the streets of New York–there would probably be utter chaos. But there would be hope too. There would be Aragorn, for example, and Optimus Prime, and–you get the idea. The influx of story into our own world, “mimetic incursions” as they’re called in Indexing, needn’t always be the harbingers of misery and ruin. In fact, I think I took personal offense at the book’s denigration of stories. And then, of course, there’s the added irony that we’re actually reading, or listening to, a story. Just what sorts of mimetic incursions will Indexing spawn, I wonder. Ahh, the joys of peeling the layers of metafiction, kind of like an onion, but pointier and more slippery.
To be clear, my criticism of the novel’s metafiction is purely ideological. Leaving those aside, McGuire tells a damn good story. The pacing ratchets up the suspense like a mystery novel, and the writing, as I said, is sturdy as a house made of bricks. (See what I did there? Three Litle Pigs reference? Okay, never mind, on with the review.) And even if the book’s metafiction elements are problematic, its exploration of storytelling does succeed on a psychological levee. Narrative psychology and therapy have become buzz words in the last twenty years, and on both individual and cultural levels we do think of our lives, both individually and collectively, as stories. In that sense, the main characters of Indexing become archetypes for ways in which people deal with their stories, their past, their trauma, whichever psychobabble catch phrase you like. Some fight it, others embrace it, while still others have more of a story than they think they do. Like most good speculative fiction, Indexing succeeds because of its powerful characterization.
Mary Robinette Kowal, a weaver of fantastic tales in her own right, shines as Indexing‘s narrator. Her performance of Henrietta Marchen, a recovering Snow White through whose eyes we see most of the book’s events, is at once confident and vulnerable in perfect measure. And I don’t think I’ve ever heard a female narrator quite reach the baritone depths that Kowal does when she voices the burly Andy Robinson. The only blemish in the performance is her portrayal of Sloan Winters, whose incurably foul mouth is already grating enough without eery sentence curling up at the end like a skunk’s tale. Perhaps Kowal is simply trying to instill in us, the listeners, the same distaste that Sloan’s teammates feel towards this Wicked Sister. But that’s the only cloud in the sky. The glamour of Kowal’s voice captures the capricious fairy-tale heart of Indexing.
In spite of my significant ideological qualms with the book, I thoroughly enjoyed McGuire’s foray into the world of fairy tales. There’s no indication that a sequel is in the works, which is a shame. I’d gladly spend more time with this world’s colorful characters and fairy tales, morose and morbid though they may be. And I would dearly love to learn that Narrative isn’t so bad after all.
Posted by Seth Wilson
Talked about on today’s show: We help Jesse clear off his desk by discussing books in paper (dead trees and rags), “like e-books but thicker”; Tropic of Serpents by Marie Brennan, second in the Lady Trent series, gorgeously illustrated, Darwin meets dragons; why are illustrations dying out, even in e-books?; Scott Westerfeld’s Leviathan features good illustrations; The Raven’s Shadow, third in Elspeth Cooper’s Wild Hunt series; how many print pages in an hour of audio?; more from L.E. Modesitt Jr’s Imager series; John C. Wright’s The Judge of Ages, with allusions to Cordwainer Smith; The Goblin Emperor by Katherine Addison, smarter steampunk?; a tangent on translating page to screen; Tam likes more fantasy in his fantasy; a tangent on Game of Thrones; a tangent on Citizen Brick and the expiration of the LEGO patent; The Revolutions by Felix Gilman; science fiction was once planetary romance; The Prestige; Best Science Fiction and Fantasy of the Year vol. 8 edited by Jonathan Strahan, now published by Solaris, featuring a lot of great stories; and we finally reach audiobooks!; The Scottish Fairy Book, Volume 1; the timeless quality of folktales; Classics Lesson of the Day: Ovid’s a boy, Sappho’s a girl; Steles of the Sky by Elizabeth Bear; we try to puzzle out what a stele is; we praise Bear’s interview on Geek’s Guide to the Galaxy; Elizabeth Bear’s Hammered isn’t romance “because fifty-year-olds never have romance”; Without a Summer, third in Mary Robinette Kowal’s Glamourist Histories series, expertly narrated by the author; Dreamwalker by C.S. Friedman doesn’t seem to be your run-of-the-mill urban fantasy (suburban fantasy?); Indexing by Seanan McGuire, urban fantasy with a postmodern twist; mimetic incursion and Jorge Luis Borges’s Averroes’s Search; Night Broken by Patricia Briggs, eighth in her Mercy Thompson series; a tangent on midriff tattoos and names for tattoos on other parts of the body; Jenny has created a new genre, Scientific Near Future Thrillers!; in the future, iPods will be merged into our eyebrows; science and technology don’t evolve quite how we expect; Neil Gaiman discusses the influence of Ballard and other classic SF writers on the Coode Street Podcast; Sleep Donation by Karen Russell; Strange Bodies by Marcel Theroux; Boswell is Samuel Johnson’s biographer; Afterparty by Daryl Gregory is blowing up on Goodreads; pre- and post-apocalyptic fiction–no actual apocalypse this time; The End is Nigh, first in the Apocalypse Triptych edited by John Joseph Adams and Hugh Howey; the tech gremlins didn’t want us to discuss Dust, the third in Hugh Howey’s Silo series; Lagoon by Nnedi Okorafor; The Forever Watch by David Ramirez, Jesse thinks the protagonist has too many jobs; “pause resister”, WTF?; Dark Eden by Chris Beckett, already reviewed here at SFFaudio; we struggle to define Pentecostal; religious opposition to the film adaptation of Philip Pullman’s The Golden Compass; Hiroshi Sakurazaka’s The Edge of Tomorrow (originally entitled All You Need Is Kill), Groundhog Day meets Fullmetal Jacket, film adaptation features Tom Cruise; Red Planet Blues by Robert J. Sawyer, a hardboiled detective story on Mars; Noggin by John Corey Whaley; Decoded by Mai Jia; Desert of Souls by Howard Andrew Jones is a refresh of The Arabian Nights; Frank Herbert’s Direct Descent is about a library planet; novella is the best length for SF; Night Ride and Other Journeys by Charles Beaumont, a “writer’s writer” who wrote for The Twilight Zone; Christopher Moore’s The Serpent of Venice is an irreverent Shakespeare/Poe mashup.
Posted by Jesse Willis