The SFFaudio Podcast #443 – READALONG: Ubik by Philip K. Dick

October 16, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #432 – Jesse, Paul Weimer, and Marissa VU, talk about Ubik by Philip K. Dick

Talked about on today’s show:
1969, the third most popular PKD novel, not much new in here, a lot more costumes, very familiar things, a pretty good book, the top half of the bottom half, for Dick connoisseurs like us, a tonne of Philip K. Dick, the end of the most lucid stage, things are starting to slide, conapts, strange realities, mysterious forces, a relatively coherent whole (except for the last chapter), we’ve done 40 episodes on Philip K. Dick, thank you, a Ubik ad, one of the first Philip K. Dick books Marissa read, well put together, loving this crazy guy’s writing, a different appreciation, What The Dead Men Say by Philip K. Dick, Virgil Finlay illustrations, this novel contains one page of that novelette, some crossover, names and concepts, no Joe Chip, amazing illustrations, a lot fewer angry wives, “wife”, become my wife, now you’re just a girl, that scene where some guy comes by with a girlfriend for the main character, Lord Runningclam, you’re depressed you need a girlfriend, G.G. Ashwood, on coffee and cigarettes and speed, a nice big fat commission, a sad sack Dick protagonist, Galactic Pot-Healer, so many connections, who is the Glimmung in this book?, strange messages on packages, notes, Ubik is the Glimmung, a thing or a tool?, a McGuffin, a random line, “I am”, God talking (from the Bible), one of those bathroom revelations, I am alive!, Chapter 17, “before the universe was, I am,” my name is never spoken, I am called Ubik, the little bon mots at the beginning over every chapter, “only as directed”, Christ Sally!, but now – wow!, the enterphone, my apartment’s a mess, a vague memory of going shopping the night before, the conapt’s super-maket, a green ration stamp, all drugs, expensive coffee, soporific, ubiquitous throughout the novel, in our higher moments, drug induced experiences of god, Ubik as an anti-psychedelic, legit, his novel is decaying, the world is regressing, Runciter, amphetamines, delusion and paranoia, Faith Of Our Fathers by Philip K. Dick, ubik reifies reality, after the explosion on the moon who is alive and who is dead?, are they all in coldpac?, is the entire novel a false world?, the facile answer, the central attraction of the novel, managing the question, a screenplay, skillfully done, Solar Lottery, an anti-telepath, the twitching of the bottle, feeling the echoes, Eye In The Sky, Ten Little Indians by Agatha Christie, a bomb, Impostor by Philip K. Dick, the bevatron novel (Eye In The Sky), Deus Irae by Philip K. Dick and Roger Zelazny, they’re all merging into one, Time Out Of Joint, recycling, somehow it still works, all the pieces fit together, good writing, comedy, horror, The Cookie Lady, a little boy named Bubber, a retelling of Hansel and Gretel without Gretel, a bundle of rags and a tumbleweed, the sick my duck website, Chapter 16, fades, “an evening wind rustled at him”, a real feeling, super-coffee, perked up, he let his unconscious take over early in the book, the Hour 25 interview, $0.06 for every novel sold, Ubik my dear sir, Gresham’s law, Ubik The Screenplay, 1985, a digital ebook, he’s kind of like us, reinterpreting his own work, visual metaphors, being told what you’re seeing, clothing description, playing up against the retro elements, 1939 -1933, dressing like Sgt. Pepper’s Lonely Hearts Club Band members, captain’s hats, when Pat comes, she starts taking her clothes off right away, you don’t remember, hence this, her breasts wagging forward, take-off, electric yellow cummerbund, knee hugging hose, gauntlets, “Gosh Jill, I wish I knew what was wrong with me lately”, inertia inertial, tousled woolly hair, luminous gypsy, jangled taughtness, wagging a goatish beard, gold lame trousers, kelp green minty blouse, cowboy chaps, a weak nosed young man in a maxi-skirt, hippie-fashion, green and tumbled stones (for eyes), tumbled eyes, tumbling black hair, is it a mistake or something he’s coding into the book, eye-colour changes, tipped me, here’s what good is and here’s what bad is, genocide is a bad thing, increase the amount of suffering make more things that can suffer, getting eaten or crushed by a rock, it doesn’t end well for any piece of life, Fred Saberhagen’s Berserker books, kinda makes sense, H.P. Lovecraft, The Turning Wheel, life is suffering, escaping from the cycle, life is the only thing in the universe that is anti-entropic, trying to fight entropy, God is the one who created life in the mythology, hence all the suffering, the demiurge, what half of PKD novels seem to be about, a booster-strap for life itself, the sub-worlds of Runciter, the final narrator, the Gnostic interpretation of Ubik, a coin with Joe Chip’s face on it, Inception is the movie adaptation of this, The Matrix, time is frozen, coldpac and moratorium, we’ve seen that in other Dick novels, racist, Dr. Futurity?, there sitting to close together in the freezer, The Crack In Space, escaping from entropy, the fundamental grounding, the Gaurdian article: it’s squishy, there’s no firm ground, life is very problematic, the horror of entropy, never a permanent solution, the DNA breaks down, fiction, especially novels can be preserved, the preservation of the text is like the preservation of DNA, finding the earliest publication, Edgar Allan Poe’s The Valley Of Unrest, as time goes by in the publication industry people fiddle with stuff, italics, a poem is a super concentrated story, each sentence is an image, Jesse do you like pizza?, who likes pizza is the question, the question of the correct text, a novel is a fixed thing, does the font effect it?, formatting, outside of our reality, a way of preserving history, in a meta-context, he’s holding some ubik in his hand and it starts regressing, the changing context showing there’s no escape from the dread horror of entropy, we don’t want it to change anymore, constructing it on the fly, coins at the beginning, her special psychic power is to change reality in the past, some politician coming on to TV to talk about What Happened, is that really what happened?, our default is to just believe what we hear, we believe our sense, we start with believing our senses, everything is deceiving including our memories, if everyone around us in believing it, if everyone is delusional, they have to hang together, their tomb world, another TOMB WORLD!, invoking the name: Palmer Eldritch, what is an S. Dole Melipone?, he doesn’t know what he’s doing yet, the entire last chapter:

Chapter 17
I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, they do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be.

Glen Runciter could not find the moratorium owner.

“Are you sure you don’t know where he is?” Runciter asked Miss Beason, the moratorium owner’s secretary. “It’s essential that I talk to Ella again.”

“I’ll have her brought out,” Miss Beason said. “You may use office 4-B; please wait there, Mr. Runciter; I will have your wife for you in a very short time. Try to make yourself comfortable.”

Locating office 4-B, Runciter paced about restlessly. At last a moratorium attendant appeared, wheeling in Ella’s casket on a handtruck. “Sorry to keep you waiting,” the attendant said; he began at once to set up the electronic communing mechanism, humming happily as he worked.

In short order the task was completed. The attendant checked the circuit one last time, nodded in satisfaction, then started to leave the office.

“This is for you,” Runciter said, and handed him several fifty-cent pieces which he had scrounged from his various pockets. “I appreciate the rapidity with which you accomplished the job.”

“Thank you, Mr. Runciter,” the attendant said. He glanced at the coins, then frowned. “What kind of money is this?” he said.

Runciter took a good long look at the fifty-cent pieces. He saw at once what the attendant meant; very definitely, the coins were not as they should be. Whose profile is this? he asked himself. Who’s this on all three coins? Not the right person at all. And yet he’s familiar. I know him.

And then he recognized the profile. I wonder what this means, he asked himself. Strangest thing I’ve ever seen. Most things in life eventually can be explained. But – Joe Chip on a fifty-cent piece?

It was the first Joe Chip money he had ever seen.

He had an intuition, chillingly, that if he searched his pockets, and his billfold, he would find more.

This was just the beginning.

ravelling around Runciter, Jesse casts a spell: Counter-Clock World,

“I was dreaming,” Ella said. “I saw a smoky red light, a horrible light. And yet I kept moving toward it. I couldn’t stop.”

“Yeah,” Runciter said, nodding. “The Bardo Thodol, the Tibetan Book of the Dead, tells about that. You remember reading that; the doctors made you read it when you were-” He hesitated. “Dying,” he said then.

“The smoky red light is bad, isn’t it?” Ella said.

“Yeah, you want to avoid it.” He cleared his throat. “Listen, Ella, we’ve got problems. You feel up to hearing about it? I mean, I don’t want to overtax you or anything; just say if you’re too tired or if there’s something else you want to hear about or discuss.”

“It’s so weird. I think I’ve been dreaming all this time, since you last talked to me. Is it really two years? Do you know, Glen, what I think? I think that other people who are around me – we seem to be progressively growing together. A lot of my dreams aren’t about me at all. Sometimes I’m a man and sometimes a little boy; sometimes I’m an old fat woman with varicose veins… and I’m in places I’ve never seen, doing things that make no sense.”

“Well, like they say, you’re heading for a new womb to be born out of. And that smoky red light – that’s a bad womb; you don’t want to go that way. That’s a humiliating, low sort of womb. You’re probably anticipating your next life, or whatever it is.” He felt foolish, talking like this; normally he had no theological convictions. But the half-life experience was real and it had made theologians out of all of them. “Hey,” he said, changing the subject. “Let me tell you what’s happened, what made me come here and bother you. S. Dole Melipone has dropped out of sight.”

A moment of silence, and then Ella laughed. “Who or what is an S. Dole Melipone? There can’t be any such thing.” The laugh, the unique and familiar warmth of it, made his spine tremble; he remembered that about her, even after so many years. He had not heard Ella’s laugh in over a decade.

“Maybe you’ve forgotten,” he said.

Ella said, “I haven’t forgotten; I wouldn’t forget an S. Dole Melipone. Is it like a hobbit?”

consulting the dead in order to make corporate decisions, we just drop it, what’s he visiting her for, there’s no business in this book at all, the business of being alive, an excuse to go to Switzerland and see his dead wife, step-up your TV ads, you need to send off more manuscripts, Ella, it’s a cryogenics book, it’s all bullshit, it’s just a way of avoiding death, if you’re living in a half-life, fundamentally there’s a really weird long part of the interview that’s pretty interesting, how the Soviet Union that had scientists that wanted to talk to him, from the Soviet embassy, I played dumb, classic Dick, A Scanner Darkly, he’s both the drug deal and the drug cop, he’s informing on himself, worlds inside worlds, to connect it to our reality, we only have access to the constructs of reality, What It Is Like To Be A Bat?, swapping genders, Philip K. Dick creating these characters, if you have a fixed text you can escape from your shared reality, it isn’t as squishy as regular reality, its only you who change between readings (we hope), the anomalies are the clues, that wouldn’t negate the point, after the explosion when they’re all on the Pratfall II, Glen Runciter’s POV, his transparent plastic casket,

Removing the plastic disk from its place, its firm adhesion to his ear, Glen Runciter said into the microphone, “I’ll talk to you again later.” He now set down all the communications apparatus, rose stiffly from the chair and momentarily stood facing the misty, immobile, icebound shape of Joe Chip resting within its transparent plastic casket. Upright and silent, as it would be for the rest of eternity.

Sarapis, plastic rosebuds, “A man that vital. And vitalic.”, that’s a weird error, upright, her sagacity, a wisdom not based on knowledge and experience, maybe the whole thing is in Ella’s world, the cop with little blonde pig-tails and red shoes, she’s changing characters, maybe they all fit together, the Technovelgy website, artiforg = artificial organs (also artificial and forged) = a fake fake, automatic apartment maintenance, homeopapes are Twitter feeds, high gossip vs. low gossip, physiognomic template, a tranquilizing gum, amazing technobabble:

“What is Ubik?” Joe said, wanting her to stay.

“A spray can of Ubik,” the girl answered, “is a portable negative ionizer, with a self-contained, high-voltage, low-amp unit powered by a peak-gain helium battery of 25kv. The negative ions are given a counter-clockwise spin by a radically biased acceleration chamber, which creates a centripetal tendency to them so that they cohere rather than dissipate. A negative ion field diminishes the velocity of anti-protophasons normally present in the atmosphere; as soon as their velocity falls they cease to be anti-protophasons and, under the principle of parity, no longer can unite with protophasons radiated from persons frozen in cold-pac; that is, those in half-life. The end result is that the proportion of protophasons not canceled by anti-protophasons increases, which means – for a specific time, anyhow – an increment in the net put-forth field of protophasonic activity… which the affected half-lifer experiences as greater vitality plus a lowering of the experience of low cold-pac temperatures. So you can see why regressed forms of Ubik failed to-”

Joe said reflexively, “To say ‘negative ions’ is redundant. All ions are negative.”

complete bullshit, this is how people buy products, all that babble mixed with the Amazing promises, Deepak Chopra, self-criticizing, chapter 16:

Under a streetlight he held up the spray can of Ubik, read the printing on the label.
I THINK HER NAME IS MYRA LANEY, LOOK ON REVERSE SIDE OF CONTAINER FOR ADDRESS AND PHONE NUMBER.

“Thanks,” Joe said to the spray can. We are served by organic ghosts, he thought, who, speaking and writing, pass through this our new environment. Watching, wise, physical ghosts from the full-life world, elements of which have become for us invading but agreeable splinters of a substance that pulsates like a former heart. And of all of them, he thought, thanks to Glen Runciter. In particular. The writer of instructions, labels and notes. Valuable notes.

like the Glimmung, Jesus: Don’t worry guys I’m going away for a while buyt I’ll be back!, they are Jesus for each other, the Inception situation, there’s no top level, there’s only the outside of the book, the writer is dead (Dick) but he’s in half-life becasuue we can read his book, maybe we’re all dead, Ubik is real!, Jesse’s Satoshi Nakamura theory, why graphics cards are so expensive, video cards are reality simulators, BitCoin, he’s gone dark, Satoshi Nakamura is a benevolent AI trying to fix our world, economic theory, an indefeatable unstoppable way to subvert the power of the banks, like the Glimmung, it’s not all powerful, it’s just an AI, it’s a demiurge of some-kind, kind of what Neuromancer is, the end of True Names by Vernor Vinge, Neuromancer also has a half-life in the form of a hacker on a ROM-chip (Dixie Flatline), thanks for helping me pull this heist, turn me off, a completely different kind of writer dealing with the same kind of stuff, hack to hard, episode 136, while trying to crack an AI, the lesson for Runciter, does it even matter what the status, it’s the old trick, the best trick there is, he’s always pulling the same exact move and you see it coming, getting close to book length, the swerve, curling back on itself, peak Dick, most popular Philip K. Dick books in order of popularity, Martian Time-Slip, what you’ve read of him before, Evan Lampe’s American Writers: One Hundred Pages At A Time podcast, how Philip K. Dick is always thinking about the frontier, the horror world, The Father Thing, The Simulacra, The Pentultimate Truth, the big surprise Now Wait For Last Year, Valis, the titles all flow together, the alternate titles for Ubik: Death Of An Anti-Watcher a new spin on the last chapter?, who is dead?, One theory: everybody died except for Runciter, The Half Life Of An Anti-Watcher?, a story about a dead-guy: Runciter, Runciter is the main character, the pixie-like Pat, maybe she is Ella as an older woman, there’s no answer here, who is that Ubik girl, ultimately Marissa and Jesse are figments of Paul’s imagination, this is Philip K. Dick doing Philip K. Dick.

Blackstone Audio - Ubik by Philip K. Dick

What The Dead Men Say by Philip K. Dick - illustrated by Virgil Finlay

What The Dead Men Say by Philip K. Dick - illustrated by Virgil Finlay

What The Dead Men Say by Philip K. Dick - illustrated by Virgil Finlay

What The Dead Men Say by Philip K. Dick - illustrated by Virgil Finlay

Posted by Jesse Willis

The SFFaudio Podcast #201 – AUDIOBOOK/READALONG: The Inn by Guy de Maupassant

February 25, 2013 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #201 – The Inn (aka Ulrich The Guide) by Guy de Maupassant, read by Mirko Stauch. This is a complete and unabridged reading of the short story (34 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mirko.

Talked about on today’s show:
Where and why, more and more Maupassant, is there a definitive list of Guy de Maupassant SFF stories?, German translations, the BBC audio drama adaptation of The Inn, RadioArchive.cc, a ghost story, the twist in the end or the twist middle, great writing, an ambiguous ghost story, a psychological happening, the dog’s reaction, revenant, “it becomes the monster”, Louise Hauser, is Ulrich dead?, Gaspard, The Others, Maupassant tricks us, “they bury themselves”, Ulrich is punished for no reason, the voice, white noise, Ulrich’s religious beliefs, Cologne on a cold night, the ravens!, the audio drama improves on the short story!, a filling metaphor, “the immense ocean of pale mountain summits”, mainstream, the vertical issue, Wolfgang von Goethe, “only a very stable character”, a proto-cosmic horror, The Festival by H.P. Lovecraft, a Christmas story, describing nature, the second meaning, “arose from the snow itself”, “he’s alone on the Moon”, being alone, cabin fever, we are alone in the cosmos, community allows us to hide from the harsh truth, gambling, “I would have brought a bunch of books”, “illiterate mountain peasants”, a lonely island, did Gaspard fall into a crevasse?, nature is the monster, the unknown is more terrifying, the terror of the soul, undeserved guilt, “eighteen degrees of frost”, “he was of a sleepy nature”, 1886, Guy de Maupassant visited the Alps, riddled with disease, the Inn at Schwarenbach, The Shining by Stephen King, an internal flaw, “he could speak no human words”, Nightflyers by George R.R. Martin, Perry Rhodan, Silent Running, I Am Legend by Richard Matheson, the dog as a symbol, the dog as a companion, the importance of routine for the lonely, the demon of loneliness, “all is busy work before the grave”, Robinson Crusoe by Daniel Defoe, Castaway, The Piece Of String (aka The Piece Of Yarn), “eating a sandwich that you find on the sidewalk”, he dies alone and unloved, “two feets”, every Norman is trapped in disbelief, it could have happened to us!, his hair turned white, Supernatural Horror In Literature by H.P. Lovecraft, “the unseen”, “the outer blackness”, able to appreciate the immensity of reality, Honey Boo Boo, The Horla by Guy de Maupassant, The Call Of Cthulhu, “when I think of H.P. Lovecraft I don’t think of immense tentacles.”

The Inn by Guy de Maupassant

The Inn by Guy de Maupassant

Ulrich The Guide by Guy de Maupassant

Posted by Jesse Willis

New Releases: iambik audio

July 16, 2011 by · Leave a Comment
Filed under: Aural Noir, New Releases 

Aural Noir: New Releases

Iambik AudiobooksHere’s the latest crime collection from iambik audio. And while imabik offers excellent DRM free versions of their titles on their easy to use website you may also be interested to know that more than thirty titles are now available through Audible.com too.

The pick of the bunch, just going by the descriptions, appears to be The Vaults by Toby Ball. And based on the reviews of the print edition, which came out last September, it seems this debut novel is rather well regarded!

iambik audio - Hard Cold Whisper by Michael HemmingsonHard Cold Whisper
By Michael Hemmingson; Read by Adam Verner
MP3 Download – Approx. 2 Hours 56 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
David Kellgren is a process server, a job where everyone wants to kill the messenger and things can get a little bit dangerous and out of hand. David is attacked when trying to serve legal papers to a gang member and an angel comes to his rescue: nineteen-year-old Gabriella Amaya, trapped in a large dilapidated house, caring for her dying aunt. This elderly aunt has money, diamonds, and real estate, promised to Gabriella when the aunt dies. Is there any way the sultry caregiver can get her crafty hands on that wealth sooner? And share it with her new lover, the unsuspecting process server who starts to wonder if he’s become a patsy in an elaborate murder plot, or if he simply cannot allow himself to truest any woman who says, “I love you.” Set in San Diego, Chula Vista, and Tijuana, Hard Cold Whisper is Michael Hemmingson at his finest, most terse and torqued prose in the crime genre. — Hemmingson wrote Hard Cold Whisper as an experiment during the 2010 3 Day Novel Challenge during Labor Day Weekend, a concerted event where writers all over the world participate. The method here pays homage to hardboiled noir master Gil Brewer, who wrote many of his finest Fawcett Gold Medal titles in a possessed, white hot flash fury of several days or a week. Hard Cold Whisper is Hemmingson’s nod to the feel and atmosphere of the Gold Medal paperback.

iambik audio - Listen To The Dead by Randall PefferListen To The Dead
By Randall Peffer; Read by Art Carlson
MP3 or M4B Download – Approx. 7 Hours 27 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
Inspired by one of the largest unsolved cases of serial killings in the United States, the New Bedford Serial Killings of 1988. Harbormaster Corby Church finds the bones of a human body on Bird Island off Cape Cod. As brassy, young police detective Yemanjá Colón struggles with the case, she realizes that Church may know more than he’s letting on, and a trip he took to the Bahamas in the ’80s may prove the key.

iambik audio - Richmond Noir by variousRichmond Noir
Edited by Andrew Blossom, Brian Castleberry and Tom De Haven; Read by Charles Bice
MP3 or M4B – Approx. 7 Hours 51 Minutes [UNABRIDGED]
Publisher iambik audio
Published: July 15, 2011
Sample |MP3|
Collection edited by Andrew Blossom, Brian Castleberry and Tom De Haven. “In The Air-Conditioned Nightmare, Henry Miller tosses off a hard-bitten assessment of the City on the James: ‘I would rather die in Richmond somehow,’ he writes, ‘though God knows Richmond has little enough to offer.’ As editors, we like the dying part, and might point out that in its long history, Richmond, Virginia has offered up many of the disparate elements crucial to meaty noir. The city was born amid deception, conspiracy, and violence…

imabik audio - The Painted Messiah by Craig SmithThe Painted Messiah
By Craig Smith; Read by Clive Catterall
MP3 or M4B Download – Approx. 9 Hours 54 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
The Painted Messiah combines a blistering action thriller set in the streets of Zurich and on the lakes and wooded slopes of Switzerland with a compulsive and convincing account of first century Romano-Judaean politics and the real reason for Pontius Pilate’s condemnation and execution of Christ. A legend persists that, after the ‘scourging’, Pilate commanded that his victim be painted from life. Somewhere, the painting survives, the only true image of Christ, granting the gift of everlasting life to whoever possesses it. Kate Kenyon, the wealthy young widow of an English aristocrat killed on a Swiss mountain, has an addiction to mortal risk. She feeds it by engaging in the armed robbery of priceless artefacts with her accomplice and lover Ethan Brand, a Tennessean who owns a bookshop in Zurich. Their latest target is a priceless ‘Byzantine’ icon hidden in the tower of a chateau by Lake Lucerne. So far they have never had to shoot anyone. This time will be different.

iambik audio - Thought You Were Dead by Terry GriggsThought You Were Dead
By Terry Griggs; Read by Gregg Margarite
MP3 or M4B Download – Approx. 7 Hours 42 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
Meet the Perfect Man… no, no he’s not the hero of Thought You Were Dead. That would be Chellis Beith, literary researcher, slacker, reluctant detective, and a man bedeviled by every woman in his life. There’s his lost love, Elaine Champion, a now happily married inventor who uses him for market research, his best friend’s dotty ex-wife, Moe, his two vanished mothers, and his menacing boss, Athena Havlock, a celebrated writer who herself becomes embroiled in the dark side of fiction. The humour is wild, the language a thrill, the mystery within marvelously deft and daft. And as for the Perfect Man… well, nothing is as it seems. Is it? Thought You Were Dead is the most unconventional of all murder mysteries, turning the genre completely on its head, by bludgeoning flat language and Puritanical sensibilities with evident glee. This is further evidence that Terry Griggs is sui generis: an original and completely inimitable literary voice, with an eye for the cinematic.

iambik audio - The Vaults by Toby BallThe Vaults
By Toby Ball; Read by Michael Agostini
MP3 or M4B Download – Approx. 9 Hours 5 Minutes [UNABRIDGED]
Publisher: iambik audio
Published: July 15, 2011
Sample |MP3|
In a dystopian 1930s America, a chilling series of events leads three men down a path to uncover their city’s darkest secret. At the height of the most corrupt administration in the City’s history, a mysterious duplicate file is discovered deep within the Vaults—a cavernous hall containing all of the municipal criminal justice records of the last seventy years. From here, the story follows: Arthur Puskis, the Vault’s sole, hermit-like archivist with an almost mystical faith in a system to which he has devoted his life; Frank Frings, a high-profile investigative journalist with a self-medicating reefer habit; and Ethan Poole, a socialist private eye with a penchant for blackmail. All three men will undertake their own investigations into the dark past and uncertain future of the City—calling into question whether their most basic beliefs can be maintained in a climate of overwhelming corruption and conspiracy.

Posted by Jesse Willis

LibriVox: Heidi by Johanna Spyri

June 24, 2010 by · 2 Comments
Filed under: Online Audio 

SFFaudio Online Audio

I’m not sure Heidi can be properly classified as an “adventure” novel. But it sure has one adventurous little girl as it’s star! PLUS, Kara Shallenberg’ narration is TRULY OUTSTANDING! She’s got what sounds like an authentic pronunciation for all those Swiss place-names. And, be sure to check out the gorgeously illustrated edition on Gutenberg.org! Here’s an illustration from the edition that my great grand parents gave to my uncle Paul on August 2nd, 1955. It was his birthday present and he had just turned 8 years old.

Heidi by Johanna Spyri

LIBRIVOX - Heidi by Johanna SpyriHeidi
By Johanna Spyri; Translated by Elizabeth P. Stork; Read by Kara Shallenberg
23 Zipped MP3 Files – Approx. 9 Hours 45 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 8, 2006
Hear Heidi if you’ve ever longed to see the Swiss mountain slopes. This story transports the listener from the fine air and freedom of the mountaintop to the confines of Frankfurt, back to the peaks again, bounding in flowered fields with goats at your heels and sky utterly surrounding you.

We meet Heidi when she is 5, led up the mountain by her aunt who has raised the orphan but must leave now for a position in Frankfurt. In a mountain cottage overlooking the valley is Heidi’s grandfather, and there with him the girl’s sweet, free nature expands with the vista. The author’s voice is straightforward, and so is our reader’s, with the child’s wonder, devotion, and sometimes humorous good intentions. When Heidi is taken from the mountains and nearly doesn’t make it back again, the most humorous as well as most heart-wringing scenes occur. All she learns during her absence from the mountain she brings back as seeds that will grow to benefit everyone around her.

Podcast feed: http://librivox.org/bookfeeds/heidi-by-johanna-spyri-solo.xml

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

Review of The Unincorporated Man by Dani Kollin and Eytan Kollin

February 5, 2010 by · 2 Comments
Filed under: Reviews 

SFFaudio Review

TANTOR MEDIA - The Unincorporated Man by Dani Kollin and Eytan KollinThe Unincorporated Man
By Dani Kollin and Eytan Kollin; Read by Todd McLaren
2 MP3-CDs – Approx. 24 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: May 2009
ISBN: 9781400161720
Themes: / Science Fiction / Utopia / Dystopia / Time Travel / Slavery / Economics / Business / Cryonics / Immortality / Virtual Reality / Philosophy / Law / Alaska / Colorado / Los Angeles / Switzerland / Nanotechnology / Space Elevator /

The Unincorporated Man is a provocative social/political/economic novel that takes place in the future, after civilization has fallen into complete economic collapse. This reborn civilization is one in which every individual is incorporated at birth and spends many years trying to attain control over his or her own life by getting a majority of his or her own shares. Life extension has made life very long indeed. Now the incredible has happened: a billionaire businessman from our time, frozen in secret in the early twenty-first century, is discovered and resurrected, given health and a vigorous younger body. Justin Cord is the only unincorporated man in the world, a true stranger in this strange land. Justin survived because he is tough and smart. He cannot accept only part ownership of himself, even if that places him in conflict with a civilization that extends outside the solar system to the Oort Cloud. People will be arguing about this novel and this world for decades.

Even though I had never heard of the authors I like this book right from the start. The title reminded me of a Philip K. Dick novel called The Unteleported Man. There are probably a whole bunch of SF books following the formula “The (negative attribution) Man”, with The Invisible Man perhaps being the first of them. But there’s a lot more to like about this novel than the title alone. Among the pleasures it brings is good, old-fashioned idea based SF. It has been quite a while since I was so intellectually engaged by a novel’s central premise. And The Unincorporated Man has one. Set on a future Earth The Unincorporated Man is fundamentally different in both tone and scope than most SF novels I’ve read recently. Authors Dani and Eytan Kollin have envisioned a future in which the institution known as “the corporation” has replaced the convention of “person.” When born each child has stock of 1000 shares issued in his or her name. 10 percent of these stocks are held by each parent, the government gets another 5 percent and the rest is held in trust until the age of majority after which the balance of the stock is given to the child-cum-adult. He or she can then sell, or keep his or her stocks as they so desire. Holding a majority of your own stock insures relative autonomy (based on the amount above 50% you hold). The primary difficulty comes when you realize that you’ll need to invest in yourself. If you want an education you’ll need to pay for it. But without an education the pay won’t be much. So, you can either get education money by working at a low-wage job, and deriving whatever profit percentage your current stock level allows, or by selling your stock off for cash. This typically manifests itself in the majority of humanity not owning majority in themselves. With the possibility of living for centuries, thanks to the ubiquitous nanotechnology, you’d be wise to invest in an education. But in so doing you’ll loose control of your majority, and thus perhaps have to work at jobs that your shareholders choose, take vacations when your shareholders agree and generally have your life dictated to you by those that hold your stock. Why not just take the money and loaf? Who cares what the shareholders say? They can’t make you work can they? Well, yes they can. The corporate system is enforced by a forced mental audit that is applicable whenever shareholders think a corporation, who they hold stock in, is committing malfeasance (shirking their job, deliberately getting fired, etc.). Every corporation is trackable, thanks to GPS-like implants, and is thus ultimately accountable to his or her shareholders. It is the ultimate invasive tyranny, a slavery to the bottom line, a profit motive enforced by an invisible hand that you shook a deal with.

But things aren’t all doom and gloom. Those who are lucky enough to have been born with enough money, drive, intelligence, talent or beauty are able to do pretty much whatever they like with their time – that is assuming they don’t loose too much of their stock in luxuries or in judgments rendered against them in civil lawsuits. You can live like a king, wear any kind of clothing you like, read the newsies and travel the world in an endless party. But, as the centuries have rolled past it seems that fewer and fewer people have found it fashionable (or is the correct word possible?) to retain or even re-seek their majority stock. After all, in their nanotechnological society material abundance sees that no-one starves, no-one remains un-housed. Freedom, it seems, is just out of fashion. Enter Justin Cord and his unincorporated status.

I really liked this novel, but it isn’t without a few caveats. I found the fascinating society portrayed to be the most interesting thing about The Unincorporated Man. The characters are all pretty stiff and the problems facing Jason Cord, our hero, were far less interesting than they were useful in exploring this strange new society. Like many novels I review this one suffers most greatly from excessive page count. At 480 pages the novel takes 24.5 hours to listen to. I’d have preferred the novel with a steadier editorial hand. The editor could have done two relatively easy things. First he or she could have cut out a lot of the filler. I’m not just talking about empty sentences, there are many scenes that could have been eliminated or described in just a sentence or two. There are, for instance, two big court cases in this nove. Would it have been impossible to tell this story in one? Second, there was a useless detour along the way. I enjoyed it, but don’t see any reason it was needed in this novel. It could have been easily explored separately, in another novel. Dani Kollin and Eytan Kollin wanted to talk about the relatively unexplored idea, a social scourge in the form of really vivid virtual reality. Larry Niven did something similar with his idea of the “tasp,” but that wasn’t exactly VR. If you could live your whole life in an artificial reality that was extremely cheap why wouldn’t you? The answer, cooked up by Kollins, is less persuasive than I’d have hoped. And again it doesn’t really need to be in this particular novel. They foresee a coming global catastrophe created not by ecological destruction, but rather by an addictive technological neuropathology. That’s great, but like I said it doesn’t need to be in this novel. When a false reality is far more enjoyable than a real one why should we care about the real one? Good question. Just don’t ask it here.

Narrator Todd McLaren, who I first encountered in Richard K. Morgan’s Altered Carbon |READ OUR REVIEW|, is very talented. He mispronounce one or two words. “Concomitant.” being one of them. McLaren isn’t called to do many accents here, but he gives voice to a fairly large cast of characters. There are also several scenes in which he is required to portray a man giving impassioned speeches to crowds. These don’t sound like shouts, thankfully, but instead give the impression of a strained voice, speaking so as to be heard.

Posted by Jesse Willis

Review of FlashForward by Robert J. Sawyer

January 10, 2010 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

Science Fiction Audiobook - Flashforward by Robert J. SawyerFlashForward
By Robert J. Sawyer; Read by Mark Deakins
9 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433252945
Themes: / Science Fiction / Hard SF / Time Travel / Disaster / Physics / Toronto / CERN / Murder / Mystery / Switzerland /
A scientific experiment begins, and as the button is pressed, the unexpected occurs: everyone in the world goes to sleep for a few moments while everyone’s consciousness is catapulted more than twenty years into the future. At the end of those moments, when the world reawakens, all human life is transformed by foreknowledge. Was that shocking revelation a peek at the real, unalterable future, or was it only one of many possible futures? What happens when a man tries to change it, like the doctor who has twenty years to try to prevent his own murder? How will the foreknowledge of a part of “then” affect the experience of the “now”?

This is the sixth Robert J. Sawyer novel that I have enjoyed. But, I didn’t get into it via the usual route. I started watching the TV series without explicitly knowing that it was an audiobook, that it was by Robert J. Sawyer, or that the novel even existed. But after seeing the TV series go into a mid-season hiatus I discovered the novel, and decided this was the perfect chance to read the story upon which it was based. Having seen the first half of the first season, and having read the novel, I recommend that you don’t watch any of the FlashForward TV series until you have read the audiobook. Both are really good and worthy, but different. The TV show is not spoiled by the audiobook, but seeing how it was adapted should add some value. The novel veers towards Hard SF, whilst the TV show is more of a Hollywood drama with SF leanings.

I personally found a couple of blemishes in the novel’s story that may only bother a few others. George Bernard Shaw and I agree that your particular country is not that interesting just because you were born there. I can understand mentioning TRIUMF and the Sudbury Neutrino Observatory, they are useful to the plot and interesting. But the Toronto Transit Commission (TTC)? I ride it every day, and I don’t care. This and a few other Canada Canada Canada details are like being beaten with a Canadian hockey stick. Does the truly “True Great North” need to be bragged about? How un-Canadian. Another quibble, for me, was Sawyer use of John A. Wheeler’s Participatory Anthropic Principle, where things exist only when observed by a consciousness. I cannot fathom anybody believing this anthropocentric twaddle, the idea should be banished like the dark matter, astrology, and celestial spheres. Humans are neither that powerful nor that important.

Despite these quibbles FlashForward has an obliging rationalistic science slant. Consistency reigns. If you like to hear scientists with reasonable amounts of emotions talking, this book is for you. The conversations were what I expect from physicists. The visions of the future, caused by the flashforwards of the title, were very down to earth and believable. The audiobook also mixes in a modicum of mystery, via a future “who done it.” I predicted some of the events and was pleasantly surprised by others in this not-too-long a story. The ending, though plausible, did not unfurl as I had expected.

Narrator Mark Deakins gave a realistic delivery. His only error being when he twice mis-pronunced “Dyson” with the accent incorrectly on the last syllable, as in “Die-sown.” FlashForward is definitely worth a listen.