The SFFaudio Podcast #352 – TOPIC: Doors, Gates, and Portals (and Rubicons)

January 18, 2016 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #352 – Jesse, Mr Jim Moon, and Prof. Eric S. Rabkin talk about doors, gates, and portals (and rubicons)

Talked about on today’s show:
thinking about doors, individual phenomena, a phenomenological way, white and purity, water, Edmund Husserl, an intensional act of consciousness, the conquistadors, when did WWII happen?, what kind of a phenomenon is a door?, doors are artificial, Narcissus and the lake, a boundary, passages for the whole body, windows, two-way passages, quicksand, horizontal movement, four qualities, the story of Oedipus, the riddle of the Sphinx, man -> mankind, the founding myth of Western culture, Aristotle, from one world to another, Eric in his professorial mode, the word world, were = man, the age of Man, in the world of…, the social domain that human beings create for themselves, prisons, doors as phenomena are artificial boundaries between two different worlds, social changes from one side of a door to another, doors as a phenomenon represent changes from consciously defined worlds, outdoors vs. indoors, inside and outside the gingerbread house, the morning thesis, the idea for this show, windows as opposed to doors, The Wonderful Window by Lord Dunsany, wanting to turn windows into doors, a rich example, sliding doors vs. sliding windows, in Science Fiction…, Robert A. Heinlein, defining the writing style of Science Fiction, the ideal Science Fiction sentence, Beyond This Horizon, “The door dilated and a voice from within said ‘Come in Felix.'”, wasting energy, one little change makes it a Science Fiction world, Heinlein invented the word “slideway”, Friday, from the reader’s armchair world it the fantastic world, folklore, liminality, crossing rivers, wandering into the forest, a wild world with gods and monsters, agrarian rural society -> industrial living, the wardrobe, The Door In The Wall, The Gable Window by H.P. Lovecraft and August Derleth, Dreams In The Witch-house, a locked-room mystery, The Secret Garden, a Wellsian door in the wall, what’s behind the door could be anything, mythical monsters, vampires need your permission to cross your threshold, Dracula comes in through the window, defying gravity and the phenomenology of windows, an instant subliminal marker, ho ho ho, Murders In The Rue Morgue by Edgar Allan Poe, the lore of changelings, leaving the house by the chimney, Little Red Riding Hood, “dispatched by typical female means” (cooking), Alice In Wonderland and Through The Looking Glass, Alice is fantasizing before she leaves the bank of the river, the river side is a liminal domain, dazing, daisies, crossings, protective imagination, opening the door for a sequel, Neverwhere by Neil Gaiman, a girl named Door, London’s underclass, being homeless is living outdoors, a hunter named Hunter, Door’s father is Lord Portico, a door back into Heaven, another rich text, worlds within worlds, the word hinge, ideas hinge upon something, stiles aren’t like doors, stiles don’t have hinges, lichgates and side doors to churches, the dead enter the church through a different door than the living, The Superstitious Man’s Tale by Thomas Hardy, shades of everybody, fourteen saints, a holiday in Germany, the blood of a sacrificial lamb, Exodus, keeping death from the door, all saints day, Jack-O-Lanterns scare off the returning dead, nature, walking through a gate, spirits pass through, how do gates function in keeping out the spirits of the dead, gates as territorial boundaries, “you come in through here”, the laws of territoriality, a keeper of the gate, the gate is the cover of the book, the door is what we cross “Once upon a time…”, “the second page of the first paragraph of a famous book”, why round?, why the exact center?, why green?, Eric’s eyes are green, The Door In The Wall has a green door, magic doors are often green, The Magic Door The Green Door (aka The Little Green Door) by Mary E. Wilkins-Freeman, horrible and messy and smelly, fundamental jokes in the Shrek series, Shrek is green too, kids love farts, About Time (2013), Domhnall Gleeson going through doors, “doors are amazing”, The Phantom Tollbooth by Norton Juster, the Chinese Scholar’s garden at Snug Harbour cultural center, moon gates, gates post signs, gates offer viewpoints, from The Haunted Palace by Edgar Allan Poe:

And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.

But evil things, in robes of sorrow,
Assailed the monarch’s high estate;
(Ah, let us mourn!—for never morrow
Shall dawn upon him, desolate!)
And round about his home the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.

And travellers, now, within that valley,
Through the red-litten windows see
Vast forms that move fantastically
To a discordant melody;
While, like a ghastly rapid river,
Through the pale door
A hideous throng rush out forever,
And laugh—but smile no more.

the mouth as a door for voice and wisdom (and later a gate for flies and maggots), orifices, doors are artificial, eyes as windows, windows as natural, calm water as a window, the night sky as a window into the universe, window = wind and eye, a metaphor switching meaning, a heart is like a pump and a pump is like a heart, Babylon 5, star-gates, the Twilight Zone show inside Futurama: The Scary Door, Fredric Brown: “The last man on Earth sat alone in a room. there was a knock on the door.”, William F. Nolan’s the door problem, a seventy-foot bug, the imagination trumps revelation, film, Shiley Jackson’s The Haunting Of Hill House (in the book and the film), banging vs. knocking, the unopened door, the end of The Monkey’s Paw by W.W. Jacobs, The Psychoanalysis Of Fire by Gaston Bachelard, “fire: fine servant, horrible master”, poor little rich boys, the ultimate irony: Arbeit Macht Frei, an open gate, the phenomena interpenetrate, Rubicon (lost and found), The Cold Equations by Tom Godwin, “h amount of fuel will not power an EDS with a mass of m plus x”, uni-directional time travel as a kind of rubicon, Julius Caesar’s crossing, Alea iacta est (“The die is cast”), suicide, Jean Paul Sartre, Rip van Winkle, rubicons are natural, driving in Los Angeles county, counties and shires divided by rivers, the mouth as a (mostly) one way door into the body, Protector by Larry Niven, the tree of life root is a one way door (a rubicon), The King In Yellow by Robert W. Chambers, The Ring, the River Styx, ancient heroes and gods crossing back and forth across the river Styx, biological machines, Jesus Christ’s tomb door, a locked room mystery, doubting Thomas, The Cold Equations as a demarcation between materialist SF and all other kinds, rejecting the premise of the story, two kinds of laws, “Marilyn willingly walks into the airlock and is ejected into space.”, myth vs. hard Science Fiction vs. soft Science Fiction, The Hitch-Hiker’s Guide To The Galaxy by Douglas Adams, a few examples in literature, The Pied Piper of Hamelin, seven gates to Hell in Pennsylvania, Hell, Michigan, Audie Murphy’s To Hell And Back, a rubicon as an irrevocable choice, The Subtle Knife by Philip Pullman, Will cutting portals to other realms, “the ability to create portal given to someone on the cusp of puberty”, age 21 (given the key to the door), Key to the city, garter -> gate, barbicans, walled homes in the northern Mediterranean, doors within doors, protected by the laws of the city, the freedom of the city given to military units, Janus -> January, a two faced god and the god of doors, the doors to the temple of Janus are closed, open cities, Brussels, the locking of doors, growing up in New York you’re never fully at peace, living in Strawberry Point, Iowa, wifi open vs. wifi encrypted, wardriving, keeping the door open, the subspecies, dutch-doors, squeaky hinges, a door that opens up, China Mountain Zhang by Maureen F. McHugh, “falling backwards into a world in which a consciousness extends infinitely in all directions”, “the phenomenology changes the epistemology”, ontological differences, The Star Rover by Jack London, a portal to other places and times via astral projection, even in confinement one can find ways out, The Demolished Man The Stars My Destination, Hypnos by H.P. Lovecraft, the restriction of the coffin of the body, jaunting, The Count Of Monte Cristo by Alexandre Dumas, The Twilight Zone episode The Hunt, a country bumpkin -> a rural American, all dogs go to heaven, gatekeepers and doorkeepers, porter, the Battle of the Teutoburg Forest, wine drinkers and beer drinkers, the Sapir-Whorf hypothesis, was anything down that hatch on Lost?

Beyond This Horizon - Astounding Science Fiction April 1942 - illustration by Hubert Rogers

Dr. Sun Yat Sen Classical Chinese Garden

Posted by Jesse Willis

The SFFaudio Podcast #345 – READALONG: Star Maker by Olaf Stapledon

November 30, 2015 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #345 – Jesse, Paul Weimer, Bryan Alexander, and Professor Eric S. Rabkin talk about the Star Maker by Olaf Stapledon.

Talked about on today’s show:
1937, Jesse has a radical thesis, is this book a true story?, I’m not really happy I just think that I am, Alice In Acidland, drugs, what do we mean by true?, arachnoids and ikthyoids, a summary of Last And First Men, the unnamed narrator, astral projection, the contents of this book, not history but a personal experience (of imagination), standing on a hill, an interesting fantasia, considering the size of the universe, Star Trek with Nazi costumes is possible and perhaps even inevitable, The Truman Show, the nature of infinity, an Italian who would be perfectly happy to use the word true about this book, “Midway upon the journey of our life I found myself within a forest dark.”, bitterness, Dante Alighieri, a lyric poem, Olaf Stapledon was a philosopher, a blazing panoply, an image of the rose, OS, “One night when I had tasted bitterness I went out on to the hill.”, an abiding faith, the original meaning of comedy, comedies end in marriage, sitcoms, both narrators acknowledge their psychological state, an exponential rhythm, overhead obscurities in flight, a Doppler shift, the other Earth, Bvalltu, a composite character, planets – > solar systems -> galaxies, a fractal experience, an encompassing wisdom, marriage as a small atom of community, spirit inhabited rock, a World War I novel, 1986, Eric taught Star Maker to Bryan, memories imbricated upon each other, the preface, Stapledon was an ambulance driver in WWI, looming WWII, militarism, seeing the sunny side of a ruined planet, Merseyside, too smashed up to really be alive, a 1930s novel, fascism vs. communism, how to organize the self and society, a secular myth, a shock to civilization, the cycle of mechanization, terrible mutations, the onset of the tank, a sense of horror, WWI and WWII as two different episodes, the Spanish Civil War, shaking off colonialism, materialistic industrialization, the only wait out is an act of faith, how can we not think of the Star Maker as a monster, “struck dumb with shame”, limitations of the audio medium, Bryan’s keyboard, C.S. Lewis, why C.S. Lewis didn’t like Star Maker, a Lewis-nemesis, crusades, the Great War on Terror (2 decades old), mindless religious violence, anticipations of subsequent Science Fiction, The High Crusade by Poul Anderson, two 20th century philosophies, Freud and Marx, neurosis and sublimation, genitals with sense organs, radio pornography, the feelies from Brave New World, crisis of labour, ideologies as philosophical artifacts, not Dave Singer, separated by space and time, supplementary parentheses, adduction of Christianity, three linked universes, playing for the souls of the creatures, a timeless heaven and a timeless hell, Earth, Mars, and Venus in C.S. Lewis’ Space Trilogy, suffering for the redemption of the Earth, explicitly not a Christian view, C.S. Lewis’ Space Trilogy as a response to a paragraph in Star Maker, all the Christs of all the worlds, “a basket of Christs”, this is Arthur C. Clarke, a tour of Science Fiction in the future, this is The Mote In God’s Eye, The High Crusade, the novel itself is a universe, cosmos vs. universe, Jesse’s theory about the Game Of Thrones universe in the TV show, what Clarke does this in slight watercolours Stapledon paints in bold oils on a massive canvas, Arthur C. Clarke’s life changing moment, copying out the scales of magnitude, Bryan’s son, encapsulating, it is Stapledon, Dante is Dante in The Divine Comedy, The Divine Comedy as political revenge, Niven and Pournelle’s Inferno, Stapledon is not a punishment guy, when Lovecraft looks out of the universe…, when Stapledon looks at the same vista he’s not as melancholy about it, The Cats Of Ulthar, contemporaries, philosophical horror, long distance psychology, like Poe, fairy tales, handling fears, we get to feel, this is an education effort, quite special, a genre issue, the roller-coaster moment, looking at the vocabulary, eldritch and ichor, lucidity, feeling, the etymology of the word “vermin”,

I reflected that not one of the visible features of this celestial and
living gem revealed the presence of man. Displayed before me, though
invisible, were some of the most congested centers of human population.
There below me lay huge industrial regions, blackening the air with
smoke. Yet all this thronging life and humanly momentous enterprise had
made no mark whatever on the features of the planet. From this high
look-out the Earth would have appeared no different before the dawn of
man. No visiting angel, or explorer from another planet, could have
guessed that this bland orb teemed with vermin, with world-mastering,
self-torturing, incipiently angelic beasts.

the stellar wars, too lucid for more tribal patterns, sympsychic partnership, angelic vermin, more real than all the stars, like two close trees grown together, difference can be strength, the Orson Welles radio version of The War Of The Worlds, versus the Martians our differences don’t make a hill’s worth of difference, The Lord Of The Rings, looking for the Ents and the Entwives, there are Ents in Star Maker, the holy sex transmission that never got off, the ships worlds,

It was a strange experience to enter the mind of an intelligent ship to
see the foam circling under one’s own nose as the vessel plunged through
the waves, to taste the bitter or delicious currents streaming past
one’s flanks, to feel the pressure of air on the sails as one beat up
against the breeze, to hear beneath the water-line the rush and murmur
of distant shoals of fishes, and indeed actually to hear the
sea-bottom’s configuration by means of the echoes that it cast up to the
under-water ears. It was strange and terrifying to be caught in a
hurricane, to feel the masts straining and the sails threatening to
split, while the hull was battered by the small but furious waves of
that massive planet. It was strange, too, to watch other great living
ships, as they plowed their way, heeled over, adjusted the set of their
yellow or russet sails to the wind’s variations; and very strange it was
to realize that these were not man-made objects but themselves conscious
and purposeful.

Sometimes we saw two of the living ships fighting, tearing at one
another’s sails with snake-like tentacles, stabbing at one another’s
soft “decks” with metal knives, or at a distance firing at one another
with cannon. Bewildering and delightful it was to feel in the presence
of a slim female clipper the longing for contact, and to carry out with
her on the high seas the tacking and yawing, the piratical pursuit and
overhauling, the delicate, fleeting caress of tentacles, which formed
the love-play of this race. Strange, to come up alongside, close-hauled,
grapple her to one’s flank, and board her with sexual invasion. It was
charming, too, to see a mother ship attended by her children. I should
mention, by the way, that at birth the young were launched from the
mother’s decks like little boats, one from the port side, one from the
starboard. Thenceforth they were suckled at her flanks. In play they
swam about her like ducklings, or spread their immature sails. In rough
weather and for long voyaging they were taken aboard. At the time of our
visit natural sails were beginning to be aided by a power unit and
propeller which were fixed to the stern.

nothing like this in Science Fiction, Lloyd Abbey’s The Last Whales, an elegiac book, another sub-genre of Kindle based pornography, much of William Wordsworth’s poetry is admired too simply, Eric reads Lines Composed Upon Westminster Bridge, the houses with windows like sleeping eyes, watching the lives of dreams, the houses are sleeping not the people within them, the smokeless air, lying still, what makes the beauty, The World Is Too Much With Us, a cry for God, Fungi From Yuggoth (IX): The Courtyard by H.P. Lovecraft:

It was the city I had known before;
The ancient, leprous town where mongrel throngs
Chant to strange gods, and beat unhallowed gongs
In crypts beneath foul alleys near the shore.
The rotting, fish-eyed houses leered at me
From where they leaned, drunk and half-animate,
As edging through the filth I passed the gate
To the black courtyard where the man would be.

The dark walls closed me in, and loud I cursed
That ever I had come to such a den,
When suddenly a score of windows burst
Into wild light, and swarmed with dancing men:
Mad, soundless revels of the dragging dead—
And not a corpse had either hands or head!

deemed unfit, body horror, Robert E. Howard, M.R. James, ever more capacious mentalities, being taught by groups, the Star Trek: The Next Generation episode The Inner Light, The Horla by Guy de Maupassant as a horrible version of this, Passengers by Robert Silverberg, Boneland by Jeffrey Thomas, from a microscopic perspective, these things pass, bodyless timelords, a swarm of locusts, eugenics, Chapter 9, cultural and eugenical means, The King In Yellow (The Repairer Of Reputations) by Robert W. Chambers, the lethal chamber, Futurama, Providence, Alan Moore, criticism of Moore, turning everything Lovecraft hates into love, Last And First Men was a bestseller in 1930, the fifth generation, the Martian hive-mind, what is the moral ideal that Stapledon hopes that we move toward?, individuality in community, a literary allusion, a race on Venus, from epoch to epoch, that scaling thing again, the problem with fascism, fasces, is this a Darwinian book?, parasitism, symbiosis, evolution, Marx dedicated Capital to Darwin, getting rid of Harper, mutual aid, The World, the Flesh & the Devil by J.D. Bernal, astronomy, Peter Kropotkin (Mutual Aid: A Factor Of Evolution), mutual slaughter, profit in fraternization with the enemy, like Rod Serling The Monsters Are Due On Maple Street, gentleness as a religion, the entangled bank (in Origin Of Species), functional stability arising out of local possibilities of violence, virtue in the creator is not the same of virtue in the creature, a third position, the sense experience of a star, in the center of this paragraph, free will and determinism are compatible, always bigger, a selfless star, the normal voluntary motor activity of a star, if you empty your ego and just feel others, perfect selflessness allows entrance into perfect community, getting your karma clean, dark matter, the science is pretty damn good, the key word is “lucid”, the vast emptiness enables the insight into the stars, rubies lay behind me, the sky’s familiar diamonds, all possible light, watch Steven Universe, ageless like Star Maker, the tag cloud, world and worlds, Oswald Spengler, growth -> change -> decay, the myth at the end, the course of empire paintings, The Decline Of The West, Arnold J. Toynbee, future histories, we could see if we were lucid, a great Götterdämmerung moment, the Russian civil war, The White Goddess, The Golden Bough, subsequent Science Fiction, for those who haven’t yet read the book…, the most disliked and most liked book, what kind of a novel is this?, an epic poem crossed with a lyric poem, erroneous expectations, feel better about your fishwife and your step children, back to Lovecraft, a writer of ideas, Odd John and Sirius are more like regular novels, Jack London’s Star Rover, more swords fewer wives, Frank Herbert, God Emperor Of Dune, when you frame it that way…, Accelerando by Charles Stross, full time IT professionals writing SF, Ted Chiang and Cory Doctorow, Ted Chiang can do anything, lapidary, Jorges Luis Borges wrote an introduction for Star Marker, A Story Between Jest and Earnest, Love and Discord.

Star Maker by Olaf Stapledon

Posted by Jesse Willis

It’s A Good Life by Jerome Bixby

October 1, 2013 by · 1 Comment
Filed under: Online Audio 

SFFaudio Online Audio

It's A Good Life by Jerome Bixby

It's A Good Life by Jerome Bixby - illustration by Quinn

It's A Good Life by Jerome Bixby - illustration by Quinn

It’s A Good Life is a 1953 short story by Jerome Bixby. Set in the small town that used to be in Ohio. It’s entire population loves and fears three year old Anthony Fremont. Anthony is omnipotent.

This story has been adapted several times by The Twilight Zone. The original series did a very faithful adaptation, a sequel episode, “It’s Still A Good Life“, featured a grown-up Anthony and his daughter. There was also an adaptation within Twilight Zone: The Movie. Even The Twilight Zone radio drama series adapted it.

Here’s the audiobook, as podcast in two parts on Rick Jackson’s The Time Traveler Show (along with an interview with the narrator, William Dufris).

The Time Traveler Show PodcastIt’s A Good Life
By Jerome Bixby; Read by William Dufris
Part 1 |MP3| Part 2 |MP3| – Approx. 2 Hours 4 Minutes [UNABRIDGED]
Podcaster: The Time Traveler Show
Podcast: August 2006
Anthony Fremont can go anywhere he wants, he can read thoughts, he can project sensory information, he can create, he can destroy, he can mold reality, he can kill. Anthony Fremont is three years old. First published in Star Science Fiction Stories No.2.

Podcast feed:

http://www.timetravelershow.com/shows/feed.xml

Here’s a |PDF| made from the publication in Science Fantasy, #16, 1955.

Posted by Jesse Willis

The Chaser by John Collier

March 18, 2013 by · 1 Comment
Filed under: Online Audio 

SFFaudio Online Audio

The Chaser by John Collier

John Collier’s modern fairy tale, The Chaser, was adapted as an episode of the first season of the original The Twilight Zone. And now the story has just been narrated for Tom Elliot’s The Twilight Zone Podcast.

The Twilight Zone PodcastThe Chaser
By John Collier; Read by Danny Davis
1 |MP3| – Approx. 11 Minutes [UNABRIDGED]
Podcaster: The Twilight Zone Podcast
Podcast: March 18, 2013
Alan, a lovelorn man, desperate for the object of his affections to return them, visits a queer chemist for a solution. First published in The New Yorker, December 28, 1940.

Podcast feed: http://feeds.feedburner.com/TheTwilightZonePodcast

iTunes 1-Click |SUBSCRIBE|

Here is a |PDF| of the story, and here is another |PDF|.

And here’s The Twilight Zone adaptation:

The story also inspired a Tales From The Crypt story, in issue 25:

Tales From The Crypt #25

That, in turn, was adapted for the television series, using the same name:

Posted by Jesse Willis

Review of Steel by Richard Matheson (from Steel And Other Stories)

July 12, 2012 by · 1 Comment
Filed under: Reviews 

SFFaudio Review

BLACKSTONE AUDIO - Steel And Other Stories by Richard MathesonSteel And Other Stories – Steel
By Richard Matheson; Read by Scott Brick
Approx. 59 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2011
ISBN: 1455112127
Themes: / Science Fiction / Boxing / Robots /

Steel, a novelette, was first published in the May 1956 issue of The Magazine of Fantasy & Science Fiction.
The editorial introduction preceding it described Steel as a “tale of strength and endurance” and as “a science fiction sports story so realistic, simple and powerful that it should prove moving even to sports-loathing readers who have never let a boxing bout darken their television screens.” The story would just a few years later, in a 1963 adaptation as an episode of the Twilight Zone brighten the living rooms of many. And, in 2011 it would inspire the big budget movie Real Steel. So, how does the original novellete, stand up to repeated blows of history?

Pretty well. If you like Matheson’s writing Steel is definitely worth hearing. This story captures in a relatively short space the oddity, the kind of quirk that Matheson seems forever working on. It’s something I’ve noticed in practically every story by Matheson that I’ve read. His main characters always seem to want to make a human connection with strangers, and in their efforts to do so always fail – and always for the same reason. In their desire to be heard, and be understood, they always disregard the needs and desires of those strangers. I’ve never seen a writer tackle anthing like this, over and over, like Matheson always seems to. Let’s tale Steel as our example. One of the two main characters, Paul, goes to great lengths to get engage an uninterested stranger in a conversation about the exploits of his dilapidated robot boxer. That the stranger, who doesn’t know anything about boxing, doesn’t care about boxing, and has never even heard of Paul’s robot, is obviously completely uninterested in what Paul is saying. This doesn’t seem to occur to Paul. It’s as if Paul’s own need to reach out and be heard – to be something – is greater than the interests of the stranger – whatevber those interests might be. It’s not so much a Science Fiction issue as it is an existential one. It’s almost as if Matheson is using his fiction to try to find a way to navigate around a massive blind spot in human relations. Like in his novel The Incredible Shrinking Man Matheson has the plot of Steel be a manifestation of a character’s internal difficulties.

Scott Brick narrates this bare bones dialogue driven story. I’m often ambivalent about Brick’s narrations. Sometimes he works for me, sometimes he doesn’t – and I think I’ve finally realized why. Brick is excellent at delivering emotion. But if the emotion is from a third person perspective it comes across as too operatic. But, if the story is told in first person perspective then it work well. In Steel there are basically only two voices – Paul’s and Kelly’s. And when Brick voices either one I can’t readily enough distinguish difference between them. Yet when a story is told in first person Brick’s narration really works. Take this sample |MP3| from Nelson DeMille’s The Lion’s Game (which is first person perspective). And now compare it with this |MP3| from Steel.

I came away feeling somewhat unsatisfied with Steel. It’s not that the story is uninteresting, or unoriginal, Steel is both original and interesting. Kelly and Paul are a pair of boxing enthusiasts – and I’m more of an enthusiast of ideas. There’s just not enough intellectual heft to their journey. I think The Twilight Zone adaptation, penned by Matheson himself and starring Lee Marvin, does the story better mostly because it’s a lot quicker too it. The movie version is hardly an adaptation, being much more of a family father and son traditional conservative values tale than an existential exploration. None of versions of the story did what I wanted them to do, namely get into the robot’s POV. The fact that none of the adaptations treat the robot as anything other than an external manifestation of their root interests is kind of depressing. But then again, I don’t go to Matheson for uplifting, I like his depressing ideas.

Posted by Jesse Willis

Elegy by Charles Beaumont

April 6, 2012 by · 2 Comments
Filed under: Online Audio 

SFFaudio Online Audio

Elegy - ILLUSTRATION from  Imagination, February, 1953
Elegy by Charles Beaumont

Elegy, by Charles Beaumont, is available over on Gutenberg.org and that means it’s in the PUBLIC DOMAIN. This short story, by the legendary Charles Beaumont, was adapted as an episode of The Twilight Zone. That’s how I found it, and that’s why it was produced as an audiobook for Tom Elliot’s The Twilight Zone Podcast. But before I detail that let me first offer you this handy |PDF| version.

Here’s the audiobook:

The Twilight Zone PodcastElegy
By Charles Beaumont; Read by Jim Moon
1 |MP3| – Approx. 43 Minutes [UNABRIDGED]
Podcaster: The Twilight Zone Podcast
Podcast: June 27, 2011
|ETEXT|
It was an impossible situation: an asteroid in space where no asteroid should have been—with a city that could only have existed back on Earth! First published in Imagination, February 1953.

Podcast feed: http://feeds.feedburner.com/TheTwilightZonePodcast

iTunes 1-Click |SUBSCRIBE|

And here’s The Twilight Zone adaptation:

And here‘s Tom Elliot’s podcast review of the TZ adaptation |MP3|.

Posted by Jesse Willis

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