The SFFaudio Podcast #341 – Jesse, Mr Jim Moon and Bryan Alexander talk about The Boats Of The Glen Carrig by William Hope Hodgson.
Talked about on today’s show:
1907, the publishing order vs. the writing order, The Night Land, more realistic and tighter, why The Night Land is so rambling, there’s still a romance element, The House On The Borderland, slash fiction, Mary, Job, Leviathan, the Wikipedia entry, science fiction, the alien flora and fauna, what the fuck is going on?, is this what happened to the couple in The Voice In The Night?, H.P. Lovecraft’s assessment, a romance in both senses, The Lost World, a lost world novel, The Lost Continent (film) is based on a Dennis Wheatley novel, the technical stuff, desalination, a fun mashup of Edwardian SF, the devil people, 7 year old “fresh” pork?, long pig?, Creutzfeldt jakob disease, classic horror, Edgar Rice Burroughs, the “angler” tree, decoys to attract food, a spongy fungal horror, must have fungus and pigs, a Philip K. Dick nightmare monster, we are totally missing a scientist, Jules Verne’s The Mysterious Island, how The House On The Borderland uses a book to tell the story, Mary Celeste, what happened to the crew?, The Horror Of Fang Rock, sample wrappers as the leaves of an unbound journal, a soft chamois, the missing pages, the intertextual thing, The Life and Strange Surprizing Adventures of Robinson Crusoe, Of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver’d by Pyrates, Castle Of Otronto, Frankenstein, embedded text, Melmoth The Wanderer, As taken down very carefully by his son, James, what of the Glen Carrig itself, boat(s), why this structure, here’s evidence we’re not all liars, random authentic, why does it have two boats?, what was the boatswain’s name, what was their route?, what were they carrying?, the mighty man, for reasons of decorum…, modern nitpicky things, Edgar Allan Poe, in the year 19__, the British were the last people to figure out the novel, Moll Flanders, a neat device, omitting the names and dates and places, M.R. James, Christmas performances, a novel of extremity, like a suspense novel, by crossbow or kite, bastard children and a shipboard marriage, in fact I applaud you, such as cannibalism, seven years trapped in the weeds, a fresh ham? come on!, an enormous supply of foodstuffs, Swiss Family Robinson, you could keep the pigs going, Metro 2033, mushrooms and pigs, Russian political satire, Russian political humor, pigs will eat anything, bread, wine, ham, and cheese, the 1968 movie The Lost Continent, so many cool things happening in it, a tramp steamer from Africa to Venezuela, lithium?, explosive when wet, a proto-disaster movie, in the weed lands, a burial, mariners from all different times (conquistadors), various barques, a Hammer movie, When Dinosaurs Ruled The Earth, Wheatley was clearly a fan of Hodgson, Uncharted Seas, a noir-ish disaster movie, like Casablanca on a ship, again Mysterious Island, they hit a hidden rock, because it is told from the father’s point of view…, not a story for the little ones, because terror is not what the children want, an unreliable narrator, something that Lovecraft does, the effect something has on a character, the description of the weed-men is left to our imagination, “he was very disturbed”, when the bosun heard that the youngest crewman had forgotten an axe, the bosun as the steady-man, make work project, PTSD, vampires, Job gets drained, a disinterment from a beachy grave, vampire bats?, “the thing that made search”, priming us, audio theatre, it would make an excellent audio drama, weird is suited to the short form, a slur of a snake, The Haunting Of Hill House, the land of loneliness, The Captain Of The Pole Star by Sir Arthur Conan Doyle is a “pocket Moby Dick”, a mini-version of The Boats Of The Glen Carrig, The Narrative Of Arthur Gordon Pym Of Nantucket, “tekeli-li tekeli-li”, aural ghosts, weird fiction, sanity blasted, how Poe ends Pym, why do we spend so much time on that crossbow?, reality vs. an adventure story, “I went below in a massive sulk”, what if the island was the back of a creature?, a blow hole of a giant whale, Terry Gilliam’s The Adventures of Baron Munchausen, The Empire Strikes Back, did the Millennium Falcon it fly up the anus?, famous last words, very nautical, in the belly of the whale, EC style comics, a shipwreck survivor in a black cave that turn out to be in the belly of a whale, a happy ending, The Ghost Pirates, how can you go wrong with ghost pirates?, Hodgson as an SF writer vs. being a fantasist, Carnaki is sometimes a debunker, Scooby Doo style villains, The Hog, an uber-demon swine entity, what is it with Hodgson and pigs?, M.R. James’ phobia of spiders, dread specters, Amnesia: The Dark Descent, Amnesia: A Machine For Pigs, the beautiful images of The Boats Of The Glen Carrig from Famous Fantastic Mysteries, how the hell is this from 1907, set in the early 1700s, what Hodgson gets wrong, a careful 18th century novel, Thomas Pynchon’s Mason And Dixon, John Fowles’ A Maggot, Stanley Kubrick, a nautical doom metal band: Ahab, a weed-man hand, the horror of inter-species sexuality, miscegenation, not The Shadow Over Innsmouth, Sargasso style, Mark Turetsky, he’s porkist not racist, Providence by Alan Moore and Jacen Burrows, everything that Lovecraft hates Moore turns inside out, horror vs. love, I get to live forever, I get to live in a palace made of coral, what Randolph Carter never got, the cosmic horror vs. the cosmic awesome, the hero won, The White Ship, his fishy glory, Guantanamo Bay style concentration camps, he loves being on the Innsmouth Swim Team, crossing over to Beyond The Wall Of Sleep, The H.P. Lovecraft Literary Historical Society’s adaptation of Dagon: The War Of The Worlds, a San Fransisco garret, seeing it live in Providence, RI, the newspaper, really obsessive, the atmosphere of war, the weed men, the devil men, claws and tentacles, evoking the alien, more like Edgar Rice Burroughs, a great visual, the biggest cone hat you’ve ever seen, into the pit of sarlacc, so many good structural ideas, what you think is a liability…, animal skin hot air balloons, a noirish touch, why it isn’t better known, She, A Million Years B.C., At The Earth’s Core, ships trapped in time, trapped in the Sargasso Sea, tramp steamer movies, Raider’s Of The Lost Ark, Tin Tin also has tramp steamers, Captain Haddock, rife for adventure, more tramp steamer stories please!, The Sargasso Of Space by Andre Norton.
Posted by Jesse Willis
Here’s an Octobery treat for you, The Homecoming by Ray Bradbury as read by Scott Lefebvre.
Timothy feels like an outsider at his family reunion – he just doesn’t fit in; he doesn’t drink blood, he can’t fly, and isn’t immortal – not the rest of the family, which is made up of witches, vampires and werewolves.
Here’s Lawrence’s stunning illustration of The Homecoming from Famous Fantastic Mysteries, December 1952:
“Homecoming”, as it was first titled, was first published in Mademoiselle, October 1946, and was “plucked from the pile of unsolicited manuscripts” by Mademoiselle’s editorial assistant, Truman Capote. This came, apparently, after its rejection by Weird Tales – a market where Bradbury had often earlier seen print. Mainstream publication lead to mainstream awards, and to more mainstream publications. But, it also showed up, as did so many of Bradbury’s works as reprints in genre magazines, like Famous Fantastic Mysteries, and in more recent years even as picture book version, with illustrations by Dave Mckean.
Posted by Jesse Willis
Once thought to have been written by Lord Byron, The Vampyre is one of the earliest fictions about vampires. It precedes Bram Stoker’s Dracula by 78 years!
In the summer of 1816 Europe suffered a climate abnormality. Holed up in a chateau near Lake Geneva, Lord Byron, Percy Shelley, Mary Shelley, Claire Clairmont and Dr John Polidori were kept inside by three days of rain. To pass the time indoors yhe five romantics read aloud from a French anthology of German ghost stories, Fantasmagoriana. Inspired by these, and their own experiences, both Mary Shelley and Dr John Polidori would produce their own fantastic tales. Mary Shelley’s was of course Frankenstein, Polidori’s was The Vampyre.
Check out narrator Gregg Wagland‘s worthy reading of The Vampyre by Dr John Polidori.
Posted by Jesse Willis
The SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.
Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,
“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others
the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.
Posted by Jesse Willis
The Kingmakers (Vampire Empire #3)
By Clay Griffith and Susan Griffith; Narrated by James Marsters
Publisher: Brilliance Audio
Publication Date: 29 January 2014
[UNABRIDGED] – 14 hours, 49 minutes
Themes: / vampires / steampunk / fantasy / post-apocalpyse /
The Kingmakers is the long-awaited climactic end to the Vampire Empire trilogy.Bogged down by winter warfare in Europe, humans are suffering crushing losses to the surprisingly well-organized vampire clans of the north. The courage and commitment of the Equatorian troops and their allies cannot hold out against the overwhelming onslaught of the enemy.Treachery from within deals the Equatorian forces greater damage than any delivered by the vampire hordes. The only weapon left capable of smashing through enemy lines and annihilating the packs is the Empress Adele herself. Her geomantic talent and skills are formidable, but she is just one person, and the very forces she can bring to bear are also slowly draining her of her life-force.Prince Gareth, the vampire lord of Scotland, known as The Greyfriar to the humans, both slave and free, is at a loss. His brother, Cesare, has outmaneuvered him at every turn. Brilliant, ruthless and without honor, Cesare is confident in his ability to control destiny. His goal is to become king of kings and ruler of the world. Unless the rightful heir, Gareth, can prevent him from assuming their father’s throne, Cesare’s unified vampire clans will destroy Equatoria’s forces and set humanity, if it survives, back a hundred years.
This is the third book of what we could call a steampunk vampire trilogy. I still like the first book the best but this one competes with the second as far as things go. The story once again carries a strong sense of Beauty and the Beast mixed with Romeo and Juliet with a strong steampunk flair. If you liked the first two books, you’ll like this book since everything wraps up rather nicely in the end. One ding I had was that I still didn’t think there was a satisfactory explanation of why Gareth is different from the other vampires. More on that…
This book is very similar to the previous two books to the point that they kind of blur together in my mind when I think back on it. The steampunk aspect is kicked up a notch with some mech suit / tanks in this one but you’ll mainly see lots of swordplay, gunfire, goggles, and airships again. These are some of the things that kind of run together on me mainly because many of the same characters are involved in similar scenes but the overall plot obviously moves forward to a satisfactory conclusion.
Don’t get me wrong – there are many good things that have carried over from the previous two books. The language and prose used in the previous books still give the feel of characters stuck in the past caused by the vampire attack. The action is crazy and fun with lots of epic battles ranging across Europe. The characters are likable for the most part, although Gareth can be a bit one-dimensional sometimes (His primary motivation seems to be his love for Adele to the discount of everything else).
Speaking of Gareth, I still don’t understand why he is different from all other vampires (I guess you could say his manservant shares his values but he also seems kind of like he’s reluctantly dealing with a neurotic master). There was this whole explanation about how Gareth’s father didn’t like wasting things but that doesn’t seem to explain how he could go from seeing people as food to loving a human to the level he does. Even his friend in Paris held similar values but not to the extremes Gareth does. I’d hoped for something like what happened with Angel on Buffy but it was kind of left out there.
As for the audio side of things, I still enjoyed James Marsters’ performance this third time around. He speaks well, uses recognizable voices, and is a pleasure to listen to. I would say that I’d go out looking for books narrated by him, but that’s why I listened to this trilogy in the first place ;-).
Posted by Tom Schreck
Vincent Price hosts this adaptation of J. Sheridan Le Fanu’s classic vampire story. The setting is changed, moving the events up to 1922, and placing the action in Vienna. Price begins the program quoting these lines from Lord Byron’s 1813 poem, The Giaour:
Bur first, on earth as Vampire sent,
Thy corse shall from its tomb be rent:
Then ghastly haunt thy native place,
And suck the blood of all thy race;
Sears Radio Theater – Carmilla
Adapted from the novella by Sheridan Le Fanu; Performed by a full cast
1 |MP3| – Approx. 47 Minutes [RADIO DRAMA]
Broadcast: March 7, 1979
[image by Dean Kotz]
Posted by Jesse Willis