talked about on today’s show:
Space Science Fiction, May 1953, usual playfulness, written for the market, military guys, Imposter by Philip K. Dick, Imposter (2012), shield technology, replicants (androids), implanted memories, how many Philip K. Dick stories have androids in them?, an abiding theme, foregrounded or backgrounded, robot balls, little boys, wounded soldiers, beautiful women, they’re fighting each other now, evolution, Richard Dawkins’ The Selfish Gene, the 1995 movie Screamers, aging special effects, very very faithful to the story, an alien planet (not Earth), “trade federation”, new Cold War, sympathetic Ivans, colonel not major, the double twist ending, something Dick would have been happy with, the hand slash, even more human, it was a different time, in the 1990s a sponge-bath was romance enough, that’s all it takes Paul, movie reality, Phillip K. Dick read (and loved) the script, a tremendous shriek, “better than my original story”, which ending is he happy about?, “I’m an andorid”, David’s robot teddy bear, Teddy Ruxpin conquers the Earth, The Little Movement by Philip K. Dick, Philip K. Dick fans site, Dan O’Bannon, filmed in Quebec, Alien (1979), he really got SF and PKD, a remake?, the sequel, one teddy bear vs. the world, a teddy bear with an autofac, the premise of The Little Movement, Lifeforce (1985), Space Vampires, Total Recall, the red cigarettes, keeping all the smoking, a solider thing, senet (an ancient Egyptian board game), Peter Weller, Mozart, long hair music, Don Giovanni, good writing, tossing the coin, the chips, swords instead of claws, better than expected, complete rubbish, “and me too!”, greenlit because of Blade Runner and Total Recall, the sequel movie: Screamers: The Hunting, and the sequel story Jon’s World, the female lead, LV386, Sirius 6B, how do we raise the stakes?, the script from Aliens jammed into the Screamers story, tying back to Dan O’Bannon, no-James Cameron, Hendrickson killed himself, Peter Weller acts as Sigourney Weaver for Screamers: The Hunting, as you do, time travel and a lobotomized boy, one of Philip K. Dick’s worst stories, definitely interesting (but a bad story), deconstructing the ending, an unpolished story, why the knobs and turrets?, well actually the submarine was blah blah blah, underlines and notes, more for the Philip K. Dick rhetorizer, session writing, “rigid”, Jon the boy, an autistic kid (son or neighbor?), the lobotimization was kinda random, going back in time to get the plans for the artificial brain, stories set after nuclear wars, happy go lucky mutants, grey dust, ash and pain, the wheel was a good thing, wheels on tanks and wheelbarrows, recreating the brains, Asimov robots, Elon Musk, high-brows, Ex Machina (2015), A.I. (2001), crapsack future, puttering along, Millennium by John Varley, Captive Market by Philip K. Dick, Marissa has met such psychic time travelers in Los Angeles, The Terminator, Screamers and Second Variety lead to The Terminator, what are the claws if not Terminators?, infiltration units, Michael Biehn (Kyle Reese), hypnagogic dream flashbacks, they bleed (they’re cyborgs), a natural extension, Do Androids Dream Of Electric Sheep?, Oblivion (2013), Battlestar Galactica‘s cylons (are claws), a long lost colony of Earth, the lobotomized kid baggage, licked the proclivity, unconnected thoughts, preferring illusion to reality, the world of ultimate reality, terror of the world, the harsh world of reality, beyond and above, paths for people to walk, men and women in robes, not like our cities, the best lobotomist, shadows of the ultimate reality, fucked with reality, a utopian paradise that’s fictional, recursive, if Dick was still alive he would have mined these stories for a novel, a Jon’s World podcast, more than four varieties, a parallel time sense, Philip K. Dick talking about himself, whole new lines of speculation, other futures, the visions of the eternal unchanging, this story exists out of time, THIS world, Greek oracles, prophecy in general, this crazy story, if you want to call it a story, on a tour bus through PKD’s mind, jazzy, totally not resolved, the trees beyond the ship, evergreen trees, briefcase, why is he taking the briefcase?, discussing things, metaphysical things, temper tantrums or whatever it is, PKD’s idea of utopia, robes instead of t-shirts, deer running free, we’re supposed to see this vision as suspect, steel isn’t just for tanks, the clean utopia is an artificial vision, horror movies, the horrible burning, it was worth it, escaping into an artificial reality, they’re all escaping the horror of their lives into Jon’s world, yeah we’ve all got to get lobotomized, in an insane asylum drooling, we’re the apex predator, the ending for Brazil (1985), a couple of weeks ago a kid was mauled by a bear near Jesse, nature wants to fucking kill you, the garden of Eden is a myth, bad affectation, the word lobotomy is scary, seizures vs. visions, religious ecstatic tradition, tribal society, Vikings, vikings a native North Americans with steel, Progeny by Philip K. Dick, Martian Time-Slip, a false impression of PKD, a Philip K. Dick action story ends with a guy sitting on a park bench, Second Variety is so good but less interesting than Jon’s World
Posted by Jesse Willis
The SFFaudio Podcast #390 – Second Variety by Philip K. Dick, read by Gregg Margarite.
This UNABRIDGED AUDIOBOOK (1 Hours 42 Minutes) comes to us courtesy of LibriVox.org. Second Variety was first published in Space Science Fiction, May 1953.
We will discuss it next week.
Talked about on today’s show: Published 60 years ago; research is Jesse’s “security blanket”; The Black Stone by Robert E. Howard; stone of Erech has parallels to the Kaaba in Mecca; Moses’s ill-fated water-rock in Old Testament; the Stone of Scone; palantíri; War? What is it good for? We aren’t fans of all the battles; Éomer’s poetic “all is lost” moment; The Last Samurai and heroic fatalism; World War I; Faramir’s dislike of war; the movies’ over-reliance on spectacle; the power of words; the Lord of the Nazgûl; Éowyn’s badassery; Houses of Lamentation vs. Houses of Healing; the strength of the weakest; parallels between Merry and Pippin; the flaws of film versions of Éowyn–and Faramir; great deeds vs. duty; Éowyn as Old Norse valkyrie archetype; the twisting of the Nazgûl; debating the corporeality of Sauron; Sauron and Denethor use others for their dirty work; Ghân-buri-Ghân and other marginalized figures; woodwoses; no authorized Lord of the Rings fan fiction; Jesse wants public domain story following Gimil and Legolas on postwar adventures; Fifty Shades of Grey as Twilight fanfiction; Tolkien’s scholarly inside jokes; we don’t know our Greek numbers; on foils, parallels, and the integrity of Tolkien’s work; Théoden and Denethor; Gandalf’s healing power, “see the light”; Denethor’s false wisdom; Denethor passages have quality of a Greek tragedy; modern society, like Denethor, can’t see the whole picture; film portrayal of Gandalf whacking Denethor is not canon; Christ parallels and the resurrection of hope; the layering of symbolism; barrow wights and Théoden’s barrow; Korean harvest festival Chuseok; the aggression of the Tolkien estate; the Hobbit and Lord of the Rings animated movies of yore; “the hands of the king are the hands of a healer”; athelas (kings foil) to the rescue!; the king’s power to call the wounded back from the dead; the title of lore master; the last big distraction and self-sacrifice at the Black Gate; on the division of Lord of the Rings into books and volumes; on the pleasures of slow reading; more discourse on Denethor; Pippin and Merry are interchangeable (!?); even Sauron is just one evil power, parallels cyclical historical events in our world (cf. resurgence of Russia under Putin); no spoilers for Maissa!; the Mouth of Sauron’s terms, and what if Gandalf had surrendered?; Hitler, appeasement, and Alexander the Great; envisioning flamethrower guitarist from Mad Max: Fury Road at the Battle of the Black Gate;
Posted by Jesse Willis
Talked about on today’s show:
1968, science fiction by Philip K. Dick, Blade Runner, abridged version, audiobook, repetition of theme, an introductory novel to Philip K. Dick, The Man In The High Castle by Philip K. Dick, jam packed with action, one long day, the fake police station, a classic Dick move, how many androids are there in this book?, movies, androids, legitimate slavery, Luba, minority, androids v. slaves, reality of humans, psychological tests, visuals, dialogic science fiction, Wilder Penfield, The Terminal Man by Michael Crichton, mood organ, existential humor, satire, artificial, unbelievable world, endless competition, goat glands, Sydney’s Catalog, the BBC Radio 4 audio drama by Jonathan Holloway & Kerry Shale, parallel characters, undercut truth, an animal theme, religious allusions, Mercer, Unbreakable (M. Night Shyamalan), lurker, detective story, lack of world descriptions, less striking scenes in the movie, Galactic Pot Healer by Philip K. Dick, tomb world, fraud corpses, Mercer v. Jesus, lack of introduction in the movie, Frankenstein by Mary Shelley, the maker, hope of freedom, androids as fiends, humans yet not humans, what is the definition of human?, the question, the title, empathy to androids, Deckard’s predictions, Ubik by Philip K. Dick, predestination, fake things, simulacra, electrically modified ecology, emotional drug, consumerism, The Days of Perky Pat by Philip K. Dick, Nanny by Philip K. Dick, the vale of reality, the cuckoo clock in Blade Runner, layered symbols, visualizing future technologies, Kayla Williams, unobvious connections, paranoia, suspicion of government, The Exit Door Leads In by Philip K. Dick, unimportance of religious reality, environmental awareness, Silent Spring by Rachel Carson, dehumanization in war, androids = inverted human, Fahrenheit 451 by Ray Bradbury, television, The Veldt by Ray Bradbury, 1984 by George Orwell, podcasting, Metropolis (Fritz Lang), Max Headroom, “Five Minutes Into the Future”, The Red Room by H.P. Lovecraft, haunted media.
Posted by Jesse Willis
Much has been said about Orson Scott Card’s novel Ender’s Game from 1985 and there is still much to discuss. Of course there is much more than the ‘Oh, the titular game was real!’ ending. This ending may appear to be a very cheap solution to the reader today. But despite this, the novel’s implications are still delivering up-to-date topics for us to discuss. When the game was manipulated by the military and the kids had been hoodwinked into committing genocide against the Buggers – we can ask ‘what does that say about grown-ups manipulating kids in general?’ Orson Scott Card’s novel remains a classic SF because it constructs ideas within us.
To me this novel is a very particular story and after a long hiatus in the SF field I wanted to go back to the roots of my usual reading habits which used to be SF, Fantasy and Horror. I listened to the episodes of The SFFaudio Podcast and the name Orson Scott Card was sprinkled in here and there. In Cologne I went into an English bookstore named “Fine Tea and Books,” run by a very friendly guy named Christopher Potter – he also happens to be a Conan fan expert in recommending SF. He told me to read Orson Scott Card’s novel “Ender’s game” and so I did and I was immediately immersed into it.
Then I heard about a German audio drama, exclusively published by Audible. And then too I heard of an English language version. Orson Scott Card himself wrote the script for the show and it was translated into German by Andrea Wilhelm. A very experienced director of the audio drama, Balthasar von Weymarn (also well regarded as producer of the audiodrama company “Interplanar”). In addition von Weymarn is head of the Mythological RoundTable® Charter Berlin der Joseph Campbell® Foundation, and a screenwriter who no doubt knows his stuff.
Together with audio technican Jochen Simmendinger, von Weymarn had to coordinate 101 voice actors, including 40 child and teen voice actors at a recording studio in Berlin. The deadline was very tight because the German audio drama had to be released simultaneously with the start of the movie adaptatoion. The pressure was high but Baltashar von Weymarn loves challenges as he said “A challenge makes it fun.”
Von Weynarm is into the story and knows the novel well. A good director does not only consult the script, but researches much about the author and the cicrumstances around which the novel was written. Von Weynarm knows it all, he wonders why kids are trained that way, what kind of government rules Earth, and he goes deep into the story itself. And this hard thinking shows up in the production. The director’s interpretation of the audiodrama script, as well as of the novel, drives his imagination, evokes mind pictures that von Weynarm is able to explain to his actors. Perhaps every director has to work that way. However, Balthasar von Weynarm had to do it with 40 young and 61 adult actors, each one had to fulfil her or his part and the director had to explain how it all had to be done. This is an amazing achievement.
Due to the fact that the script was written by Orson Scott Card himself the director’s interpretation has it’s limits. But von Weynarm’s production maximizes the script’s power. There is no narrator. All “off-screen” information is given to us via comments by spectators of certain scenes. These spectators observe actions that are happening somewhere else and then anallyze these action right away. This is the issue director and his ensemble can show action. All that can be explained through the voice is well done. Music is also used, but shows up more between the scenes. And so as to fuel the listener’s imagination there are also addedsound effects, created by sound designer Tommi Schneefuss. Schneefuss does a terrific job because the sound effects are not intrusive nor too disturbing. They fit into the setting.
A special issue must have been the casting of the kid actors especially because there were strict specifications by the author. The central character Ender was played by 12-year-old Arne Kapfer. And because his mother was cast for this audio drama he was asked to join the cast. This is a tricky part in all audio drama productions, von Weynarm reports, because boys at that age can suddenly have their voice change. Arne Kapfer though is a pro himself, and brings in five years worth of experience as TV commercial actor. And at home his parents have their own recording studio. It was great to hear the development of Ender was transported through Arne Kapfer’s voice. His slight intonations toward sarcasm, in particular scenes in the Battle School, were very well performed. Kapfer brought in a lot of talent – though voice acting is only a hobby as he has career aspirations toward geology.
The producer of the audio drama is the Lauscherlounge company that works together with most of the best voice artists in Germany – many of whom t apper in “Ender’s Game.” Take for example one of my all-time-favourite voice actors Udo Schenk, who played Colonel Graff. Schenk is the voiceover artist for Garry Oldman, Ralph Fiennes, David Morrissey, Ray Liotta and many more. Timmo Niesner for Chamrajnagar (who dubs Elijah Wood), and Erich Rauker as Mazer Rackham (artist for Will Patton). Their talents form a neat audio drama that is both enjoyable and the very essence of the novel. Does this audiodrama replace the book? No, but it enlarges the listener’s understanding of the novel and it’s a whole lot of fun to hear. The seven hours pass almost too quickly.
Until recently the book itself was long out of print in Germany but because of the movie it was re-published in the general SF section of the Heyne Verlag and not marked out as a YA book.
Posted by Mirko
Talked about in this episode:
1976, “hey it’s Zelazny”, Tibor and whatnot, “The Great C.“, waking from a gnostic dream of oblivion, “the book is opaque to say the least”, “on the pilg”, recommended for super Dick-fans who like religion, New Wave (basically shitty), Christianity, Ted White, the Sector General novels, mythology and religion, 80-85% Dick, post-apocalyptic story, the local A.I., the sacrifice of the Athenians to the Minotaur, like a Jeopardy game, heliocentricity vs. geocentricity, “Benford, Bear, and Brin’s new Foundation trilogy”, Hari Seldon in a chimpanzee body, The Best Of Gregory Benford, it’s a paycheck, “If you wanna read this piece of shit that’s fine … I’m getting paid.”, cynicism, looking for the truth behind things, Do Androids Dream Of Electric Sheep?, Tibor’s conversations, there’s no fixed ground, Dr. Bloodmoney, Or How We Got Along After The Bomb, the fallout from nuclear fallout, Utah, Denver, “where are they getting this coffee?”, the socio-economic underpinnings of this book are fantasy, The Man In The High Castle, is he really worried about his bottle?, Autofac, the consequences of automated production, an economic weapon a weapon of war, Gresham’s law, The Crawlers, incs = incompletes, the thalidomide baby phenomenon, Arthur C. Clarke, Of Withered Apples (and our podcast about it), the apple tree scene doesn’t pay-off, the dog, episodic feel, the parallel pilgrimage of Peter Sands, the guy with the face problem, devil from the sky, Lufteufel (from the German words “Luft,” meaning “air,” and “Teufel,” meaning “Devil”), the class of people who engage with believers but don’t believe themselves, if you go into churches…, if there is a point to this story, representation, no photos of Jesus, does it matter if we worship a false image?, drawing a symbol, “the novel is extremely gnostic”, Zelazny’s Amber series, Islam goes the opposite way, depictions of Muhammad, believers tend not to worry about such details, the Klingons, the gnostic gloss, “it works as what it is”, the miracle of the arms and legs, a vision of the Deus Irae, what’s going on with the cow?, she’s a holy cow, the authors say?, “the cow slept and dreamed – Tibor ruminated.”, mechanical arms only (no legs), the crucifixion in reverse, the endings, Lufteufel and his daughter, dissolution, he does partake in divinity, Dr. Abernathy, Luke Daniels, the ozone in the air, an Arthurian motif, the healing of the wound, The Last Defender Of Camelot, dedicated Stanley G. Weinbaum and The Martian Odyssey, connecting the books, The Martian Odyssey is important and interesting but not great, “a classic of the field”, the first Science Fiction to come out of the 1920s, mostly junk, aliens that are just alien, where it fits in the history of Science Fiction, PKD’s favourite author was A.E. van Vogt, changing things up every thousand words, a formative influence on both Dick and Zelazny?, Eric S. Rabkin, maybe they had coffee together, A Canticle for Leibowitz by Walter M. Miller, Jr., dung beetles, the lizards (Lizzies), the talking bird, “the little black boys”, I Have No Mouth And I Must Scream by Harlan Ellison, transformed by Am, another name for God or Popeye, evil turns into good, it’s all for the best, the philosophy behind Voltaire’s Candide, “it was good that we had a nuclear war”, the story of Noah, the ultimate Spring cleaning, religious people don’t tend to get stuck at that point, “maybe I’m wrong”, somebody is going to enjoy that sermon by Dr. Abernathy, the passing of good out of evil, internal arguments, “good” is not as strong as “evil”, a very clever sophistic argument that kind of works, a lot of German, allusions to other literature, and “the stars threw down their spears”, William Blake’s Tyger Tyger, a gnostic poem, the currency of half-forgotten poems, funerals and weddings call for the imagery and vocabulary of poetry, cultural tools for sealing social relationships, The Stars My Destination, what is gnosticism?, going out into a cave…, a vision quest, revelations, Jesus’ marriage, canonized gnosticism, religion as Jesus fan fiction, fan service, Galactic Pot Healer, a crisis of faith, a god needs help, a lack of editing, the meditation/drug thing, pastors can be grumpy without coffee and cigarettes, Abernathy is an asshole.
Posted by Jesse Willis