Follow this link for a list of our latest arrivals. Note that not all books listed are discussed in the podcast.
Talked about on today’s show: Unwrapped Sky by Rjurik Davidson, “minotaurpunk”; the Thirty Years War; 1634 by David Weber and Eric Flint; The New Food by Stephen Leacock; LEGOs!; “A horse! A horse! My kingdom for a horse!”; we love narrator Jonathan Davis; Runcible spoon and vorpel sword; intentionality of names in Philip K. Dick’s work; place names in Sussex and Middle Earth; class structure from Plato to Huxley; Beyond Lies the Wub, Philip K. Dick’s first published short story; Screamers film based on Dick’s Second Variety; Jenny would like to be a rutabaga; American Gods and rereading books; The Status Civilization and Mindswap by Robert Sheckley; Jeff VanderMeer’s Southern Reach trilogy; Metro 2033 became a video game; Aristotelian unity of time, place, and action in post-apocalyptic genre; non-Western tropes take us off the beaten path; The Queen of Air and Darkness by T.H. White; tattoos make urban fantasy; prevalence of science fiction and fantasy in YA; the rule of three in fiction and humor; books about books; Sex Criminals comic by Matt Fraction; the Comics Squee podcast discussed it; the singular strengths of the comics medium; The Prestige; mirroring in fiction; The Prisoner of Zenda; Lovecraft writing Houdini; Pinkerton and Blackwater; Second Hand by Rajan Khanna featured in Lightspeed podcast; Felix Gilman’s The Half-Made World; Robert Bloch’s Hellbound Train; Joe Abercrombie’s Red Country; space operas are repurposed westerns; westerns don’t feature enough women; Star Trek; westerns on Mars; The Audiobookaneers blog might drive us out of business; Jenny looks to the future of bleakness and paranoia; Best of all Possible Worlds by Karen Lord; Saturn’s Children by Charles Stross, reviewed by Jesse.
Posted by Jesse Willis
The SFFaudio Podcast #200 – Jesse, Mirko, and Gary Lovisi discuss the Science Fiction novel Mars Needs Books! by Gary Lovisi.
Talked about on today’s show:
the great description, Audible.com, it’s a prison novel, it’s a dystopian science fiction novel, it’s a book collector’s novel, Philip K. Dick, a reality dysfunction, The Man In The High Castle, 1984 by George Orwell, “retconning“, Stalin, airbrushing history, a new Science Fiction idea!, Amazon’s Kindle, Mark Twain, “The Department Of Control”, J. Edgar Hoover, Simon is the most evil character ever, oddball individualists, a straw man gulag, one way of keeping the population in control is to send troublemakers away, another is to give them someone to hate, The Moon Is A Harsh Mistress by Robert A. Heinlein, the Attica Prison riot (1971), Arabella Rashid, entertainment media, when you can’t tell what the truth is anymore it’s very easy to control people, maybe it’s an allegory for our times, Paperback Parade, SF writers were wrong about what our times are like, Mars, crime novels, Science Fiction as a metaphor, people are scared of reading, “I like good writing”, Richard Stark’s Parker novels, getting the word out about Mars Needs Books!, Gargoyle Nights, H.P. Lovecraft, Clark Ashton Smith, Jack Vance, horror, fantasy, nice and short, short books pack a punch (and don’t waste your time), Stephen King, Patrick O’Brian, ideas, paperback novels from the 1950s, 1960s, and 1970s, customers want thick books, Winter In Maine by Gerard Donovan, were looking at a different readership today, James M. Cain’s The Postman Always Rings Twice, there’s nothing that doesn’t add to the story, “Lawrence Block is scary good”, Donald E. Westlake, Robert Bloch, Eight Million Ways To Die, A Pair Of Recycled Jeans by Lawrence Block, Evan Hunter (Ed McBain), Charles Ardai (was on SFFaudio Podcast #090), book-collectors, Murder Of A Bookman by Gary Lovisi (is also on Audible.com), collectable glassware, Sherlock Holmes Mystery Magazine, cool dialogue, Driving Hell’s Highway by Gary Lovisi (also on Audible.com), That Hell-bound Train by Robert Bloch, noir, Violence Is The Only Solution by Gary Lovisi (paperback), hard-boiled, revenge, betrayal, personality disorder, Sherlock Holmes, westerns, “if there’s one truth in the universe that I know it’s that Germans love westerns”, which frontier are you talking about?, The Wild Bunch, a western with tommyguns, Akira Kurosawa, Outland (is High Noon in space), Altered Carbon by Richard K. Morgan, hard-boiled, violence, the Martian national anthem, Prometheus Award, libertarian motifs, world-building, GryphonBooks.com, Hurricane Sandy, Wildside Press, POD Books, eBooks, fire and water, that paperback is still in readable condition in 150 years?, fanzines, Jack Vance, The Dying Earth, Robert Silverberg, Dell Mapbacks, paperbacks were disposable, used bookstores, sex books.
Posted by Jesse Willis
Hollywood Fantasies – Ten Surreal Visions of Tinsel Town
By Robert Bloch, Harlan Ellison, Ed Gorman, John Jakes, David Morrell, Michael Reaves, David Schow, Robert Sheckley, Robert Silverberg and Henry Slesar; Read by Susan Anspach, David Birney, Harlan Ellison, Jamie Farr, Laini Kazan, Steve Kmetko, Harley Jane Kozak, Favid Madden and John Rubinstein
4 cassettes – Approx 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1997 – hardcopy out of print (available for download at Audible)
Themes: Fantasy / Hollywood / Movies / Television / Westerns / Witchcraft / Virtual Reality / Magic /
Learn the truth behind the mask of Hollywood in these ten bizarre tales of dreams and dream weavers, movies and movie-makers, by some of the most respected fantasy writers of our time.
This disappointing collection has a few redeeming tales, but few must-listen gems. The majority of the stories feel like filler – many feature tacked on twist endings that are less than stellar. Apparently Harlan Ellison’s reading of his own story, “Laugh Track,” has been modified in the performance – with the addition of a few lines here and there – if anybody’s gonna mess with a story it best be the author. The cover art is utilitarian but colorful, packaging for this audiobook is however very poor, most examples of these 4 cassette plastic cases with cardboard covers have become unbound as the glue holding the two together was not up to its task. Another minor annoyance, the mislabeling of cassette 4, Ed Gorman’s story “Gunslinger” is said to run through all of side 7 and onto 8, when it is the reverse. “Dead Image” starts on side 7 and runs through all of side 8.
“The Never-Ending Western Movie” by Robert Sheckley
Jamie Farr’s gruff cowboy voice successfully narrates this 1976 short story, which posits an alternate world in which the old-fashioned movie serial westerns and reality television have merged. This is hard enough on the actors, who now have to do their own stunts, but when the prop guns fire real bullets acting scared isn’t too tough.
“One For The Horrors” by David Schow
A run-down movie theater shows prints of lost movie masterpieces like The Man Who Would Be King starring Humphrey Bogart and Clark Gable? The only thing that could top that is what’s playing tomorrow night! This one really is fantasy! Strictly for film connoisseurs – it held my interest but could have exited the stage a little more interestingly. Author David Schow must have done some fascinatingly fun research for this one. Reader Steve Kmetko works some magic of his own in the theater of the ear.
“The Man Who Wanted To Be In The Movies” by John Jakes
George wants to be in movies, so he visits his local licensed witch to cast a spell that’ll do the job. Harley Jane Kozak, the narrator, is fine – but the story itself is absolutely pointless and uninteresting.
“Laugh Track” by Harlan Ellison
Have you ever wondered where the laugh tracks from television sitcoms come from? Meet Wally Modisett, the Phantom Sweetener. Originally appearing in “Weird Tales” Magazine in 1984, this overly lengthy tale is almost made up for in part by Ellison’s enthusiastic performance, told in first person.
“Reality Unlimited’ by Robert Silverberg
Virtual Reality movies. Neat idea, but that’s all it is, the idea is there but the story is M.I.A.. When this tale was written in 1957 it might have had some point to it, today it’s barely a curiosity. A disappointing story by the usually reliable Silverberg. But on the other hand Susan Anspach reading of it was fine.
“The Movie People” by Robert Bloch
Movie extras have been in Hollywood films since the silent era, but just because they have no lines doesn’t mean we can’t read between them. Adequate and with a modicum of originality this tale would have benefited from a few more drafts before publication – it wanted to be a better story. John Rubenstein takes his time with the telling – a laconic voice that doesn’t detract from the story.
“Werewind” by Michael Reaves
A serial killer and a lonely howling wind may be connected. The only question is how. Marginally listenable, Michael Reaves’ story isn’t predictable, but neither is it comprehensible. It feels like a refugee from a Danielle Steele novelization of A Nightmare on Elm Street – and that doesn’t make any sense to me either! David Madden’s reading is far better than this short deserves.
“The Movie Makers” by Henry Slesar
Henry Slesar’s ode to 1950’s science fiction b-movies succeeds – in disappointing the same way those bad movies do – minus the cheesy special visual effect. The twist ending is also predictable. Lainie Kazan’s serviceable reading is adequate to the story’s requirements – though consider the predominant male characterization a female narrator is a questionable choice.
“Gunslinger” by Ed Gorman
In the early Twentieth century cowboys were heading away from the range and towards Hollywood, where they’d take on roles in the burgeoning western film frenzy. One man however is has a score to settle with one of these cowboys turned film actors, and its gonna be real bullets that’ll fly. “Gunslinger is illogically placed in this collection – it is not fantasy. It is set in Hollywood, but isn’t particularly fanciful. David Birney doesn’t have much to do here, but neither does he fail to achieve what’s required – to tell the story.
“Dead Image” by David Morrell
A thinly veiled tale about movie rebel James Dean, that asks the question: If Dean had a second chance at life would he do things any different? This very interesting tale depends upon a listener’s knowledge of James Dean’s life and death – also neat was the appearance of a Dennis Hopper type. Morrell’s tale isn’t likely to be turned into a film itself, but it’s full of neat ruminations on destiny and fame. Jamie Farr’s deep voice makes a second, and very welcome, appearance in this collection. He’s becoming one of my favorite celebrity narrators.
Posted by Jesse Willis