Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
The End is Nigh (Apocalypse Triptych #1)
Edited by John Joseph Adams and Hugh Howey (full author and performer list below)
Publisher: Broad Reach Publishing
Publication Date: 8 April 2014
[UNABRIDGED] – 15 hours, 8 minutes
Themes: / apocalypse / destruction / short stories /
Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
Table of contents and audiobook narrator listings copied directly from John Joseph Adams’ website. If you want more detailed summaries of each story, I found the review at Tangent very good, particularly because it is so hard to keep track of short stories when you are listening instead of reading!
The audio was an incredible asset to this anthology, although I will probably also need to buy this for my shelf o’ anthologies. The best in audio are Removal Order, BRING HER TO ME, and The Fifth Day of Deer Camp.
My favorite stories were BRING HER TO ME and Goodnight Moon.
I’m most interested in the next installment (so please let there be a next installment) of Removal Order, Pretty Soon the Four Horsemen are Going to Come Riding Through, and Spores.
What do I mean by next installment? The End is Nigh is the first volume of a triptych. It will be followed by The End is Now and The End Has Come, with some authors contributing linked stories. Very exciting concept, and as the Queen of Apocalypse there is no way I couldn’t read this.
Here are my more detailed impressions, story by story!
I’m writing about what I listen to, what it makes me think about and what you might find interesting. Let me know if you think there’s something important I’m missing and if there’s a SFF related podcast you listened to during the week (no matter when it was published) that I should spotlight here.
I’m still catching up on the SF Squeecast. This week I listened to Episode Two: Dystopia A-Go-Go!. It’s a stretch to wrap the label of dystopia around the particular squeeables, much less the places the discussion wanders, however they cover some fun stuff. I like their coverage of David Louis Edleman’s Jump 255 series. I read and loved Infoquake. I really should go back and read the rest. I love how passionate and detailed reviews of music (even music I may not care for) can be. In this case, our panel of designated squeers really bring David Bowie‘s Outside to life. I’ll definitely be giving this concept album a listen. The post-apocalyptic novel The Chrysalids by John Wyndham and an episode of the cartoon Phineas and Ferb round out the discussion. |MP3|
I listened to two Beneath Ceasless Skies stories this week. Both dealt with ways in which magic users are oppressed. The magic in Gone Sleeping by Heather Clitheroe |MP3| had horrific cascading consequences. It’s interesting how we assume a naive child narrator to be unreliable, but she’s been told stories and been given warnings… The Magick by Kristina C. Mottla |MP3| involves slavery. It’s a slavery built on fear of the other, but much like in Gone Sleeping it is magic users that are feared. The magic is more controlled in this story, but obviously there are two meanings for control in this case. These are both decent fantasy stories, but they’re even stronger side by side.
I’m not sure if the Angry Robot Podcast, hosted by Mur Lafferty, is still a going concern. It’s definitely not playing nice with Google Listen and the last episode was released in July. Huffduffer may have to come to the rescue. I listened to episode #11, an interview with Lavie Tidhar. I’ve really enjoyed Lavie’s short fiction and he gives a great interview. Definitely need to read one of his novels. The interview focused on Camera Obscura, sequel to The Bookman (both from Angry Robot), but also discusses HebrewPunk, other books, and Lavie’s status as an international man of mystery. |MP3|
Two from Drabblecast:
- Episode 217 is Followed by Will McIntosh. It uses zombies as an allegory for externalized human cost. This is the type of story that’ll drive mad anyone too set in their mind about what zombie fiction is supposed to be, but it’s a great story. It drives home a difficult moral point. |MP3|
- Episode 219 is The Big Splash by George R. Galuschak. The oceans have risen and a lone alien smokes out on the beach observing humanity. Splash is as light as Followed is heavy, in spite of the shark attack and dying dog. |MP3|
SFBRP #138 is a review of Gene Wolfe’s The Sword of the Lictor, 3rd in The Book of the New Sun. This is the first episode of this podcast I’ve listened to. While I was listening, I thought possibly that the podcaster, Luke Burrage, might me insane. I hoped that he was playing around with the unreliable narrator concept that’s one of the important components of this series. It turns out the latter was the case. For the record, Gene Wolfe is a master at this technique – Luke Burrage: not so much, but it was an amusing review. |MP3|
The Coode Street Podcast always provides a spectacular reading list. Gary and Johnathan mention scores and scores of books in a podcast, most of which they make me want to read. The same thing happens when they interview someone. In the case of episode #72 that would be Ian McDonald. His latest is the first in a young adult multiverse adventure called Planesrunner. This has been mentioned before on the podcast and sounds like a ton of fun. The discussion was pure gold for those of us that are fascinated by the publishing aspects of genre fiction. McDonald’s River of Gods, which was followed by the acclaimed progressively nearer future novels: Brazyl and The Dervish House, was published in the US by Pyr and marketed 100% as science fiction. However in the UK it was marketed as mainstream fiction by Simon & Schuster. Even if the mechanics of publishing bore you, McDonald has a very cool Bibliography and you’ll come out of this podcast wanting to read all of it. |MP3|
Writing Excuses 6.21 was hilariously awesome. All 4 brainstormed the kernel of a story from the same collection of random elements. Each of their processes are different and unique voices come through. Great stuff/Small package as always. |MP3|
There’s not much story in Joe Haldeman’s Never Blood Enough (Starship Sofa 208). The world building is pretty intriguing and the main character is as well developed as space allows, however, the story is murder mystery. What could the murderer be on a planet of dangerous lifeforms? Possibly a dangerous lifeform… As a subplot in a larger work, this might have more meat. There’s more than just one story in an episode of Starship Sofa. I’m quite surprised how much I enjoy the Poetry Planet feature. It was good to hear that Tobias Buckell’s Kickstarter program worked and he’ll be writing the rest of his space opera series. I quite enjoyed all 3 of the previous novels Crystal Rain, Ragamuffin and Sly Mongoose. Be sure to check out the sneak peak of Apocalypse Ocean he gave us in Placa del Fuego. |MP3|
Sometimes, listening to two new voices on a podcast it’s difficult to tell them apart. Andy Duncan and Jeff Ford (Locus Roundtable Podcast) have VERY distinct accents so this wasn’t even vaguely a problem. I’d just read Ford’s Bright Morning that was mentioned near the end of the podcast, so it was quit interesting to hear the discussion of writers inserting themselves into their stories. The discussion was heavily weighted in the direction of “what can be done with fiction” vs “how does it happen.” I’m realizing more and more that that’s an important distinction. The more I write about discussion podcasts the more I want a better vocabulary for what TYPE of discussion podcast it is. I’ll explore this in a dedicated post. |MP3|
And the final podcast for the week, SFFaudio #97. I listened to this as the sun set while literally parked on the 405 (I was about 100 yards away from a motorcycle vs big-rig accident that had shut down the freeway), so I probably payed a bit more attention to it than I otherwise would have. They discussed Jose Luis Borges’ The Garden of Forking Paths and Fair Game by Philip K. Dick. I was introduced to the Borges story by my academic adviser during a quantum mechanics class he was teaching and I was not groking. Interestingly I was introduced to Borges for the first time during a mathematics seminar by a visiting professor who specialized in the math underlying String theory. Borges’ writing is fractal. The deeper you dig into it the more you find and the more it makes sense (or the more confused you get – most often both if you really understand the issues he’s wrestling with.) Grab a collection of Borges Collected Fictions. And keep it close at hand for when you need some mental exercise. Fair Game sounds neat too. |MP3|
Posted by Steven Klotz