Talked about on today’s show:
Childhood’s End, The Expanse, The Magicians book adaptions on Syfy tv, Caprica, Star Wars: The Force Awakens by Alan Dean Foster, Alien by Foster is Scott’s favorite adaptation, Scott liked the Revenge of the Sith audiobook, The Tunnel Under the World by Frederik Pohl, (circled back to the Childhood’s End adaption), Arthur C. Clarke’s Guardian Angel, the original short story, on the pdf page, King of Shards by Matthew Kressel, Dhalgren by Samuel R. Delany, narrated by Stefan Rudnicki, is it a literary marvel?, Golden Fleece by Robert. J. Sawyer is a murder mystery on a generation starship, Sawyer’s dinosaur book End of an Era, cover of Far-Seer, The Long List Anthology [of Hugo nominations], The Year’s Top Short SF Novels 5, audiobooks are the new ebooks, audio that comes before print, Welcome to Night Vale:A Novel by Joseph Fink and Jeffrey Cranor, zombies are mentioned, A Borrowed Man by Gene Wolfe, sounds like Dixie Flatline from Neuromancer, The Bands of Mourning (Mistborn #6) by Brandon Sanderson, The Seventh Bride by T. Kingfisher, scary fables, The Anubis Gates by Tim Powers, the lost episode about On Stranger Tides, I reviewed it, Penric’s Demon by Lois McMaster Bujold, old audiobooks on cassette, a whole lotta Philip K. Dick short stories, what is the order?, how to consume short story collections, alien sex books!, approaching 100% PKD audio saturation, Podkayne of Mars by Robert A. Heinlein, has a feisty girl, humble-bragging, 19 Great Northern Audio titles, The Coming by Joe Haldeman, why Haldeman is good for Jesse’s brain, skim reading, SFBRP #294 – Elizabeth Moon – Trading in Danger,
Posted by Tamahome
The SFFaudio Podcast #324 – This Crowded Earth by Robert Bloch; read by Gregg Margarite. This is an unabridged reading of the novel (3 hours 30 minutes) followed by a discussion of it. Participants in the discussion include Jesse and John Feaster.
Talked about on today’s show:
the only public domain novel by Robert Bloch, a member of the Lovecraft circle, fans of Lovecraft vs. the public at large, The Shambler From The Stars, a sense of humour, Leffingwell = livingwell, a Nazi-esque character, Paul F. Thompkins, 1958, Make Room, Make Room, 1968, overpopulation, The Population Bomb, the baby boom, the Asiatics, a terrible book, a monster of a book, the yardsticks aren’t a metaphor for racism, “midgets”, The Lonely Crowd, the women in this story…, housewives and pretend nurses, not a pure SF novel, Slaughterhouse Five by Kurt Vonnegut, a sociological novel, Jesse isn’t a fan of Psycho, Yours Truly Jack The Ripper, mainstream hack solutions, Bloch is a fan of science fiction, he’s talking about Clifford [D.] Simak here, the solution to overpopulation is to make everybody smaller, you have to lean into that, a weird pacing, Game Of Thrones, an underground secret society, the meta stuff is pretty good, the opening chapter, 70s era Jack [L.] Chalker, caesarian section is the solution?!, an entertaining story, why the heck is little Harry Collins named Harry Collins?, “you’ve dropped your premise”, western wildernesses, why is the President of The United States so excited about 20 pounds of hamburger, really undercooked (hamburger), the 7 hour workday, the 5 hour workday, the 4 hour workday, a 15mph commute, population efficiency, just fix the trains in this world, Soylent Green, not enough room (physical space), telecommuting, personal transport laws, a mash-up of Nineteen Eighty-Four, the Project Mayhem portion of Fight Club and The Wizard Of Oz, Collins is constantly searching for the wizard, mistaking Beatniks for a religious order, a high-Daddio, The Planet Of The Apes premise, a dog and cat disease, accepting the premise, playing with science fiction tropes, an impressionistic idea of the world and the path it is on, the naturals or naturalists, its almost hippies, a generational metaphor, drug use, everybody takes yellow jackets, barbiturate, mixing with alcohol, a one child policy is IMPOSSIBLE?, emigration is IMPOSSIBLE, faster maturity faster death, living on Mars would make you barrel chested, island isolated animals change their size (Island gigantism or Insular dwarfism), pilots need to be short, small people and women endure g-forces better, little people on generation starships, food consumption, he follows through with his own joke, a buffet of ridiculous premises, a strange buffet, an entertaining buffet, politics and the super-rich go hand-in-hand, “the little plan”, “small government”, “it’s a small world after all”, Little John, silly, packed with a lot of weirdness, like a season of Star Trek, written over a weekend?, such a little apartment, “he’s living in a closet”, this would have to be a cartoon if it were a film, the world is a Flintstones background, if there had only been a female character who…, Stephen King loves westerns but can’t write them, lean into it, so why is this world not our problem?, LosSisco, William Gibson’s the Sprawl, Chicago and Milwaukee, well crafted characters (for talking heads), Pol Pot, no actual shitbags, the story of a 15 year old, sociologically and emotionally, the Goodreads reviews, Isaac Asimov’s the Hari Seldon plan, Marching Morons by C.M. Kornbluth, breeding a crazy man, West End Games, Paranoia, the crappy text adventure games (that were fun to play), walking off to the unmapped areas, what about this bugbear?, in a future where cows are caviar, “bring your wife, we’ll have a party”, I’ll bang off something for Planet Stories, Psycho, 1959 and 1960, John defends Psycho, Bloch’s Star Trek script “Wolf In The Fold“, Bloch’s obsession with Jack The Ripper, Richard Matheson’s Night Gallery episode, Time After Time, a future thrill kill story [sounds somewhat like The Roller Coaster by Alfred Bester], before The Silence Of The Lambs, Hannibal, charismatic serial killers is a trope now, Ed Gein, H.H. Holmes (not H.H. Munro), the Chicago murder castle, a writer re-writing and thinking about an idea over and over again, serial writers must do it again, to “recreate it”, seeing a writer writing outside of his main genre, Stephen King’s The Dark Tower series, it’s a little 15-year old, simply written to pay a bill, finally Scotty gets his own episode, I canna remember, Star Trek with a serial killer is weird, That Hellbound Train, The Gold Key The Twilight Zone comics, an EC Comics knockoff, I’m being published for crappy reasons, nobody’s going to read this in two weeks so read it now, this story is a bird-house made by a talented mechanic, a giant truck that is the internet, 60s and 70s era Robert Bloch are sealed up outside of the trunk that is the internet, accept it within its boundaries, a character from the 1950s in a crazy 1950s future, how does the story affect you?, a Rorschach test, it doesn’t care about you, this story is a friend of yours off in the corner playing with LEGOs and the only thing you can do is criticize what he’s building.
Posted by Jesse Willis
Talked about on today’s show:
Philip K. Dick’s first published novel, The Demolished Man by Alfred Bester, the Psi-Corps, a solar empire, getting away with murder, raw power, a telpath’s guild is a logical consequence, a 1950s idea, Dune, the John Preston sub-plot, Prester John is middle age superhero fan fiction, Marco Polo, Robert Silverberg, “the cynicism of later Dick”, the quizmaster bodyguard plan, Dickian action sequences, the conclusion on Mars, Batavia, that’s the cover too, androids on the Moon, Ace Books, how do you explain the guy not in the space suit, the protagonist, Doctor Who, the culture, androids, surprisingly little info-dumping, minimax (game theory), there’s so much going on, loyalty oaths, corporate feudalism, cheap Chinese goods, fealty to corporations, Total Recall, Johnny Cab!, distinguishing between male and female, imagine how difficult it will be for robots to determine gender, an elegant solution, the world is amazing, The Golden Man, nuclear war, post nuclear war, Indonesia, Batavia, no mention of the USA at all, such an ambitious book, it gets better in the re-reads, everyone’s obsessed with good luck charms, a metaphor for the whole society, stifling progress, very The Man In The High Castle, The Price Is Right, sell more goods, increasing demand for supply, pacifying the population, what does the quizmaster actually do?, lingering through the subways, algae growing on the bathroom pipes, a literal channel, a metaphorical channel, Channel M, Ted Bentley, his favourite bedgirl agency, the McDonalds of prostitution, virgin’s milk and boiled owl spit, all of his psychological problems were solved for the day, bare breasted, quivering breasts, his interests coming to the fore, cheating may or may not be legal, cynicism, the public service, bio-chemical engineering, secretaries, a minimum quality of life for everyone, defeating corruption by subverting competition, power cards, p-cards, figuring out how the lottery actually works, The Library Of Babylon by Jorge Luis Borges, the lottery starts as something for the lower classes, an interplanetary society, it just so happens that this story is in the the public domain, the 1962 English publication of The Library Of Babylon, great minds think…, I’m not playing this game, defeating corruption, avoiding cynicism, a total inversion of meritocracy, how the assassin as an anti-corruption measure, corrupting the anti-corruption measure, crackpots in power, the cynicism of Glory Road by Robert A. Heinlein, fatalism, am six year old wife, France, the premise of Glory Road, a sense of futility, SFF writers for and against the Vietnam War, International Science Fiction Magazine, a response to America 1950s, getting out of the system somehow, when do you not obey the law, so not full of philosophy, courtroom drama, Marissa needs to expand this book, “cluttered”, Dick’s later works are meditations, René Descartes, what the hell is the Flame Disc?, John Prester wrote four books, Prester is dead on Earth, Prester is dead in a bottle, what does 2 plus 2 equal?!, a buoy, Sky Captain And The World Of Tomorrow, unanticipatable, keep cooking that idea, looking for the 10th planet, bedgirls working in the mines on Mars, work-camps, random punishments, very Borgesian, neo-colonialism, Call Me Joe by Poul Anderson, Avatar, Desertion by Clifford D. Simak, just like in Avatar, him and his dog, escaping reality, A Princess OF Mars and Glory Road, let’s go live in this book, The Peripheral by William Gibson, time travel, computer simulations of historical characters, Socrates is a troll, Socrates trolls Francisco Pizarro, Keith Pellig has the bomb, another android with a bomb, Imposter by Philip K. Dick, Impostor, Astounding Science Fiction, it’s not terrible at all.
Posted by Jesse Willis
Themes: / future / time travel / drugs / veterans / crime /
Where Flynne and her brother, Burton, live, jobs outside the drug business are rare. Fortunately, Burton has his veteran’s benefits, for neural damage he suffered from implants during his time in the USMC’s elite Haptic Recon force. Then one night Burton has to go out, but there’s a job he’s supposed to do – a job Flynne didn’t know he had. Beta-testing part of a new game, he tells her. The job seems to be simple: work a perimeter around the image of a tower building. Little buglike things turn up. He’s supposed to get in their way, edge them back. That’s all there is to it. He’s offering Flynne a good price to take over for him. What she sees, though, isn’t what Burton told her to expect. It might be a game, but it might also be murder.
Reading a new William Gibson novel is both delightful and exciting. He delights with the cool, sardonic yet imaginative visions of the present and future. He excites with his uncanny glimpses of the future, grounded in canny selections from our time.
The Peripheral offers another pleasure, that of Gibson trying something new. His recent brace of novels looked at the very near future, each following a normal linear path. His classic cyberpunk or Sprawl trilogy envisioned a medium-term future, also tending to thriller linearity.
But in The Peripheral we see a very different conceit and narrative structure. This novel relies on two timelines, one in the near-to-medium term future, and one almost a century away. At first we follow these in parallel, trying to infer connections. Then we learn that the further-along future has discovered a form of time travel – well, information exchange with the past, to be precise. The far-future signals the closer-to-us future, and has a proposition. Or two. Then more, which aren’t propositions but assassinations.
This dual-track time-travel-ish idea owes much to Gregory Benford’s 1980 novel Timescape. Other parallels appear; see spoiler section at the bottom of this post.
The future-near-to-us characters are also the more sympathetic. They focus on a young, poor Southern woman, Flynn Fisher, and her family. They live in a postwar backwater, where the economy barely exists apart from illegal drug manufacture. Flynn helps her vet brother, Burton, with an online job and witnesses what seems to be a strange murder. In the future-farther-away we see a PR flack, Wilf Netherton, working with a Russian crime family and their staff. Wilf has made an unspecified bad move, and is trying to improve his situation.
The plot ratchets up slowly and steadily to climax in a party, where multiple schemes intersect. Some, not all, is revealed, and the Fishers end up alive, very rich, and with a powerful edge on their present. Wilf somehow survives, and ends up in a relationship. This is too brisk and cursory a summary, but will do for now.
One of the pleasures of reading William Gibson is tracking his experimental words and phrases. These are concentrated projections of a possible future. Let me list some that caught my eye: klepts, artisanal AIs, battle-ready solicitors, court-certified recall, the viz, hate Kegels, autonomic bleedover, continua enthusiasts, drop bears, period trains, neo-primitivist curators, quasi-biological megavolume carbon collectors, heritage diseases, directed swarm weapons, a synthetic bullshit implant, surprise funeral, mofo-ettes, and a neurologer’s shop. One near-future treat is the “freshly printed salty caramel cronut”.
Some of today’s words mutate in these two futures. For example, poor folks don’t cook, but build drugs with some form of 3d printers. “Homes” refers not to homies or residences, but to Homeland Security. A very bad crisis happened between now and 2025 or so. People afterwards refer to it as the Jackpot.
Some of the language is simply cute. One character has her name changed slightly, and refers to it as “amputating the last letter of her name.” Another speaks of “cleaning up the afterbirth of Christmas ornaments”. The Fisher family shops at a Hefty Mart.
In a sense The Peripheral is Gibson’s gloomiest novel. Like the recent film Interstellar (my notes), this story begins in a bad situation, then gets worse. The Fishers are poor and ill (the brother has seizures, the mother seriously ailing) in a society that clearly doesn’t care for them at all. Their story reads like something from a late 19th-century Southern backwater, or like today’s worst countryside. Characters have little help for the future. What we learn about the Jackpot not only makes things horrible, but sets up a future that’s inhumane. Across all of these times looms the specter of vast economic inequality, of a society caring only for the <1%.
There is a powerful sense that the far-future is a kind of 1% taken to an extreme: a lonely elite, casually breaking off temporal worlds as a hobby, easily committing murders. Our lack of information about the world around London’s far-future elite disturbs me, the more I think of it. Conversely, the far-future world is situated in such total surveillance that they see our/Flynn’s sense of surveillance as charmingly antique.
Overall, The Peripheral offers solid future thought in an engaging narrative. Recommended.
I didn’t read this one, but listened to it on audiobook. Lorelei King was the reader and did a fine job, with the whole file running a touch over 14 hours. King does different nationalities well, which matters in the kind of multinational world Gibson loves. She reads with the right level of cool, too – not a thriller’s burning pace, but with a kind of observation acuity that I always associate with Gibson.
Here I reveal mysteries of the novel. Do not read any farther if you wish your brain to remain unsullied.
Here they come:
First, more on the plot: one agency in the far-off future is manipulating the past for its own reasons, and hires the Fishers as proxies. Another far-off-future group hires others to kill the Fisher family. Ainsley Lowbeer, a London cop, or something like that, appears in the far-future, with unusual connections to the Fishers’ time. Flynn and Burton are able to interact with their far-future employers via telepresence robots, the titular peripherals. Wilf explains the Jackpot to Flynn, describing a series of interconnected, overlapping crises that killed the majority of humans:
droughts, water shortages, crop failures, honeybees gone like they almost were now, collapse of other keystone species, every last alpha predator gone, antibiotics doing even less than they already did, diseases that were never quite the one big pandemic but just big enough to be historic events in themselves…
Flynn also learns that by intervening in her time, the far-future team has effectively broken off her world from the stream of time, creating a “stub” which can’t affect their future, and avoiding neatly some classic time travel problems.
Second, how does this gloomy novel end, then? Ah, it’s a happy ending, pretty much, although we don’t learn enough about what happens in the future. We – well, the Fisher stub – get to avoid the Jackpot. Whew!
But Gibson doesn’t want us to relax. Note his comments in a Tor interview:
there may be readers who get to the end and they go, “oh, well, that’s okay, everything worked out for them!”
… But these guys had an immensely powerful—if possibly dangerously crazy—fairy godmother who altered their continuum, who has for some reason decided that she’s going to rake all of their chestnuts out of the fire, so that the world can’t go the horrible it way it went in hers. And whatever else is going to happen, that’s not going to happen for us, you know? We’re going to have to find another way. We’re not going to luck into Lowbeer.
Worse, the Fishers seem like good folks. But what will keep them (or their inheritors) from becoming klepts, with their vast power and advantages?
So this book ends up as a cautionary tale, a huge warning, and a goad to get us hauling ourselves away from the Jackpot.
Third, I mentioned earlier that The Peripheral has links to Benford’s Timescape. Benford’s future world is facing an existential crisis, due to events occurring in the past, so they reach out to communicate with the past to get them to change their ways. Gibson’s far-future has already experienced the Jackpot, but some of the survivors want to change the past to mitigate the experience. I dimly recall Benford’s future coming to an end, somehow, and the past branching off into a new, better world. This recalls Flynn’s world cutting its way into a different, hopefully non-Jackpotted world.
Posted by Bryan A.
Talked about on today’s show:
A $10 bounty on The House by Fredric Brown, a $10 bounty on The Last Druid by Joseph E. Kelleam, Thomas Pynchon’s masterpiece Gravity’s Rainbow finally in audio, compare Samuel R. Delany’s Dhalgren, William Gibson’s The Peripheral, we bet Fred Kiesche has read it, The Fire Seekers by Richard Farr, Time’s Edge by Rysa Walker, reminds Paul of Charles Stross’s Merchant Princes books, Tad Williams’s Otherland series (a favorite of Paul’s), compare to Vernor Vinge’s True Names, Second Life, Otherland has some disabled characters — Special Needs In Strange Worlds, Nnedi Okorafor’s Goodreads Otherland review, Jesse’s not a series guy, The Book of Strange New Things by Michel Faber, Mary Doria Russell’s The Sparrow, the spoiler horn, Willful Child by Steven Erikson, not Paul’s favorite, The Enemy of an Enemy by Vincent Trigili, the description is missing the “but”, Horatio Hornblower type series, The Night Terrace (Audio Drama) Nightterrace.com, Spark by John Twelve Hawks, Cotard’s syndrome makes you a good assassin, origin of his pen name, Hawks’s nonfiction Against Authority, Chimpanzee by Darin Bradley, possible mashup?, China Miéville’s New Crobuzon series, The Slow Regard Of Silent Things by Patrick Rothfuss, is his prose like dark chocolate like a fan said on The Geek’s Guide To The Galaxy podcast?, Heraclix and Pomp by Forrest Aguirre, combining two reviews, Dead But Not Forgotten by Charlaine Harris (Editor), the True Blood tv show, “small town fantasy”, Shadow of the Ancients by Pierre Grimbert (translated from French), genre books from other languages are cool, Tam likes French comics (Moebius), Visitors by Orson Scott Card, not a Pathfinder tie-in, Pathfinder vs. Dungeons and Dragons explained by Paul, Of Bone and Thunder by Chris Evans, Shaman, Healer, Heretic by M. Terry Green, Scalped comic was a bit grim, The Snowden Files by Luke Harding, Snowden’s politics, Collapse by Jared Diamond, societies ending, The Dream-Quest of Unknown Kadath by H. P. Lovecraft, The Statement Of Randolph Carter Sffaudio readalong, The Vines by Christopher Rice, Rice’s photo gallery, Anne Rice’s son, 20,000 Leagues Under the Sea by Jules Verne, Jesse’s not that into it, The Island Of Doctor Moreau audiodrama, Robert Sheckley audiobook releases, The Story of English In 100 Words by David Crystal, G. Willow Wilson’s Ms. Marvel No Normal is in Jersey City
Posted by Tamahome
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis