The Time Traveler Show Podcast # 5 : Conclusive Proof That Podcasts Rule

SFFaudio Online Audio

Podcast - The Time Traveler ShowThe Time Traveler Show podcast #5 is ready for consumption, in between it’s delectable beginning and the yummy ending you will find the tasty conclusion of Jerome Bixby’s much lauded It’s A Good Life Science Fiction story, as well as the second half of the scrumptious interview with professional audiobook narrator William Dufris.

It’s A Good Life
By Jerome Bixby

To read the complete show notes for podcast #5 click HERE or download the show directly by clicking HERE.

To ensure you don’t miss any episodes plop this feed into your podcatcher:

http://www.timetravelershow.com/shows/feed.xml

BBC Radio 4 Delivers Erewhon by Samuel Butler

Online Audio

Online AudioOur British friend Roy recommends a program that aired yesterday in BBC Radio 4‘s Classic Serial slot. He thinks it a classic fantasy not unlike Gulliver’s Travels. Details follow…

Erewhon
By Samuel Butler; Dramatised by Eamonn O’ Neill, Martin Shea and James O’Neill
2 Parts – 60 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Sunday August 20th Repeats next Saturday at 21:00. Part 2/2 likewise will air a week later.

And remember folks, this serial will be available on “listen again” service for 6 days following the broadcast.

Review of Superman: UP, UP, and Away!

Science Fiction Audiobook Review

Science Fiction Audiobook - Superman: Up Up and AwaySuperman: UP, UP, And Away!
Starring Bud Collyer as Superman
2 CD’s – 2 hours – [AUDIO DRAMA]
Publisher: Radio Spirits
Published: 2006
ISBN: 1570197806
Themes: / Superheroes / Superman / Old Time Radio /

A Review by Jake Black

Long before anyone named Reeves, Routh, or Welling portrayed America’s greatest hero, there was Bud Collyer. Collyer played Clark Kent and Superman on the Radio for close to a decade. During that time, he also voiced Superman and Clark Kent in the beautiful Fleisher cartoons.

I recently heard Superman: UP, UP, and Away, a two-CD set that covers the first 12 episodes of the epic radio series. The series itself is notable for its many contributions to the Superman mythos, including kryptonite, Jimmy Olsen, and the famous catchphrases “Look, up in the sky,” and “Up, Up, and Away,” used because the visual of flying couldn’t be accomplished, because it was, after all, radio.

This CD set is enjoyable for its historical significance. The radio show really was that important to the mythos. Bud Collyer’s first performance as Superman is notable as he drops his voice when Superman, and speaks higher as Clark. A clever way to distinguish between the two.

There are two stories featured in the set. The first begins with the explosion of Krypton, and a very unusual origin of Superman. It is as though the adult Clark had been secluded for 30 years, wandering the Earth without talking to anyone. His earthly parents are conspicuous by their absence in the story, and Superman seems to be created by two regular Joes that Clark runs into. In fact, these strangers give him the name Clark Kent!

As one who has studied the evolution of Superman, this new origin took me out of the set, but I did enjoy the rest of the story – partially because it deals with a train and Salt Lake City (where I live). It was fun for me to hear that my hometown was featured in the first non-comic presentation of Superman!

The second story deals with a crazed scientist, and an attack with an “Atomic Beam” on the Daily Planet building, among other stereotyped Superman situations. The second story is focused on Lois, and is her debut “off the pages.”

Throughout both stories, Superman seems to hide in the shadows, more like Batman of today. No one really ever *sees* Superman. Kind of funny when compared to today’s version.

The sound quality is very clear. I am certain that it has been digitally remastered as it doesn’t sound like it is inside a tin can, as other radio plays on CD have. I really appreciate that.

The actors are wonderfully committed to their characters. Even though the occasional mad scientist laugh occasionally takes me out of the moment, there is a high level of commitment. The flying sound effects are well done. They remind me of the wind-blowing sound that was utilized successfully in the George Reeves television series. (They also remind me of the flying Superman toy that was found in Burger King Kid’s Meals this summer.)

One of the strengths on the CD is that each episode (6 episodes per story/disc) is it’s own chapter. Plus each features a short recap of where we are in the story as it begins. This is helpful, though if you sit for an hour to listen to each story straight through, it gets a bit redundant, as does the “Superman is a copyrighted character” spiel that closes each episode. But this is such a minor issue, that it hardly detracts from the whole presentation.

The biggest weakness of the set is the lack of music. Some scenes seem to move much more slowly because there is no music in the entire set. No opening credit music, no background music. It is noticeably absent, and hurts the set overall.

Hardcore Superman fans will really enjoy this CD set, if only for its historical value. The performances are wonderful, there are only a couple of minor complaints about it (the music, primarily) but over all it a fantastic addition to a Superman CD collection.

Review of 7th Son Book One by J.C. Hutchins

SFFaudio Review

7th Son Book One7th Son Book One: Descent
By J.C. Hutchins; Read by J.C. Hutchins
Podcast Novel – Approx. 16 Hours [UNABRIDGED]
Publisher: J.C. Hutchins; Podiobooks.com
Published: August 2006
Themes: / Science Fiction / Suspense / Crime / Cloning / Conspiracy /

The President of the United States is dead. He was murdered in the morning sunlight by a four-year-old boy.

How does that grab you? These are the first two sentences from the prologue of the podiobook 7th Son, and it just gets better from there. Next, we meet our 7 main characters: John, Michael, Jack, Father Thomas, Jonathan, Dr. Mike, and Kilroy 2.0, as each are taken abruptly away from their individual lives and brought to the 7th Son Facility. They quickly learn that their lives – and their memories – are not as individual as one would think. Each man is a clone, and each had been implanted with the same memories from childhood, using Memory Recording/Installation (MR/I) technology. Each clone has their own personality trait (for instance, one is a priest, another is a Marine, and another is a musician), and though they are clones, their physical appearances do differ slightly.

What they come to discover is they were brought together to help catch the person who assassinated the President. The 7th Son facilitators believe that John Alpha, the source in which all the other clones were created, is behind the assassination. Only they don’t know how, or why. That is where the clones come in. Working together, they discover John Alpha’s whereabouts, at the same time learning more and more about their pasts that never were. The clones also discover they share the same mother, who was taken away by John Alpha. The memories of their mother are the same implanted memories, and they all share them, even though the woman, Danya Sheridan, is quite real and was a memory specialist at the facility.

We find out soon enough this is a conspiracy that goes much deeper than assassinating a President. Experimenting with memory technology also has its downfalls, when in Chapter 8 we learn about NEPTH Charge Technology (Neuro Erasure-Pulsed Technology Hardware), a technology that sends such a shockwave through the brain that every one of your memories are erased. Eventually a way to control that misstep is found, but the implications should the technology fall into the wrong hands are evident.

The very next chapter is an example of this, and is by far my favorite chapter in the book. I remember it very clearly because I cringed for the entire process. For onlookers, I must have looked like I was having some sort of seizure. It is that good of a chapter.

Hutchins captures your attention from the very beginning, and with a smooth voice is able to depict each character in such a way you begin to recognize each clone’s voice as their own. His writing is smart, descriptive, and his ideas are original, with plot twists that will keep you guessing right up until a secret is revealed (and there are quite a few). You’re guaranteed to gasp and talk to your computer or mp3 player while listening. J.C. Hutchins gives Stephen King a run for his money. Now that I think about it, someone should let King know about this podcast novel, if he’s not subscribed all ready, that is.

There are two ways to receive this podcast novel. One is through Podiobooks.com, where you will get nothing other than the chapters of the story, as if you’re listening to an audiobook. The other way is subscribing to the podcast feed directly through Hutchins’ website, which is how I listened. Listening to the book this way is a bit different than just listening to it as a straight audiobook. The set up is a weekly show, with an introduction, a recap of the last chapter, the chapter itself, then closing with voicemails and podcast promotions. A lot of listeners to the podcast listen week-by-week, as you would wait for the next episode of a television show. Each chapter is compelling enough, with just enough cliffhanger to keep you checking your podcatcher for the next chapter to be released. Other listeners, such as myself, joined the “Beta Clone Army” (as the fan-based Myspace group is called) later in the book. I listened to nothing else for a week-and-a-half, then had to wait like everyone else when I caught up. It was frustrating, but in a good way.

Also included in the podcast-show version of the novel is a bonus show, filled with Q&A from listeners, plugs for other podcasts, and acknowledgements. I loved listening to this extra show. Hutchins talks about his inspiration for the 7th Son story, as well as giving in-depth analysis of each clone, and how he created the characters. The hard-core fans will find it very informative, and I personally love to hear where writers get their inspirations for stories.

There is a ton of fan-hype surrounding this podcast novel, and it’s easy to be swept up in it. Whether you listen as a “podiobook” or as the podcast show, 7th Son will captivate your imagination and hold it hostage right up to the end. The writing is strong and easily stands alone, which is why it has the fan base it does. Book two begins September 26th, so there is plenty of time to subscribe to this book and catch up.

William Shatner Roast Covered by I-SCI-FI

SFFaudio News

Science Fiction - I-SCI-FI LogoI-SCI-FI is an internet radio show that focuses on media SF of all kinds. They were recently invited to cover the red carpet for the William Shatner roast, which will air this Sunday on Comedy Central. They’ve made their show available for download on their front page. Join in the fun as these guys describe their experience – Rex and crew have a great time doing what they do, and you will too. They’ll take you to the red carpet as the stars arrive (they get interviews with several of them, like Carrie Fisher and Rene Auberjonois to name a few), then describe the taping of the show itself, and the post-party!

This episode is available for download in MP3 format. Normally, I-SCI-FI runs live from 7p-9p Mountain Time every Thursday night, and listeners are invited to join their chat room during the broadcast.

Review of The Dark Worlds Of H.P. Lovecraft, Volume 4 by H.P. Lovecraft

Horror Audiobooks - The Dark Worlds Of H.P. Lovecraft Volume 4 - The Rats In The Walls, The Shunned House, The Music Of Eric ZahnThe Dark Worlds Of H.P. Lovecraft Volume 4: The Rats In The Walls, The Shunned House, The Music Of Eric Zann
By H.P. Lovecraft; Read by Wayne June
3 CDs – 2 Hours 41 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: 2006
ISBN: 1897304242
Themes: / Fantasy / Horror / Music / Atavistic Guilt / Cannibalism / Mushrooms /

Curse you, Thornton, I’ll teach you to faint at what my family do! … ‘Sblood, thou stinkard, I’ll learn ye how to gust … wolde ye swynke me thilke wys?… Magna Mater! Magna Mater!… Atys… Dia ad aghaidh’s ad aodaun… agus bas dunarch ort! Dhonas ‘s dholas ort, agus leat-sa!… Ungl unl… rrlh … chchch…

This collection from Audio Realms is the fourth in a series, and the second to be reviewed. There are three CDs and three complete and unabridged stories here, first published between 1922 and 1937. The tales are archaically constructed. If you sat down and try to read one of the paragraph-long sentences that Lovecraft wrote you’d probably begin to wonder why it actually works. Then if you considered that this is the guy who makes curious genealogists or amateur historians the center of his horror stories it becomes almost baffling how he manages to keep our attention at all. There is no doubt though: Lovecraft has our attention. I think I am on safe ground in calling him, at the very least, one of the true giants of Horror fiction. Here are three stories that will prove it…

The Rats In The Walls
The Delapore family, late of Massachusetts, has returned to its ancestral family estate in rural England. Their genealogical and historical research reveals that their ancestors have maintained a strange atavistic responsibility to the land and the ruin upon which their keep was built. Woe be to the friendly neighbors of the long-away Delapores, for the Delapore blood runs thick in their veins and loudly thrums with ancestral duty, as loudly perhaps as the “venimous slithering of ravenous rats in the walls.”

The Shunned House
The house of this story is reported to have been based on a couple of real houses that Lovecraft actually visited. One in particular in Providence, RI at #135 Benefit Street, as in the story, is supposed to be the main inspiration. This story also uses local Providence folklore and history for added depth, but I suspect that if even one fifth of the rest of this story were true we’d have to nuke Rhode Island from orbit, just to be sure. I think some people consider this to be one of Lovecraft’s lesser tales but this one really got me. I am probably a bit more mycophobic than your average person, though. If you don’t like mushrooms, or if you’re even a little afraid of them, listen to this one with the lights on.

The Music Of Eric Zann
One of the most frequently adapted of Lovecraftian tales. The narrator, a near-vagrant, recalls a fellow lodger of a mouldering lodging house in a mysterious French city. Erich Zann is being stalked by a nameless horror that comes to him at night. Only the eerie music he produced was not nearly as haunting as horror that chased him. First published in 1922, still powerful.

SFFaudio Essential narrator Wayne June is back! His grave rumbling voice and his letter perfect pacing makes each of these three tales a shuddersome experience. But I do have a one problem with this entry in the terrific Dark Worlds Of H.P. Lovecraft series. It isn’t the production; these CDs sound awesome. Wayne June’s reading of these three stories is absolutely definitive. His unaccompanied performance is utterly chilling – this series truly must be heard. It isn’t the packaging that is the problem, with original art by Allen K. The images on this series are reminiscent of the art found within the pages of the pulps in which these stories were first published. No, my problem isn’t with any of these things. My problem is with choice to censor a couple of lines of the text in The Rats In The Walls. It makes me want to cry. Maybe Lovecraft was indeed being a racist when he wrote the offending words (in naming Delacore’s cat “Nigger-man”), but I’m a purist. Instead of calling Delacore’s cat “Nigger-man” Audio Realms has changed it to “Blackman.” If the text is good enough to be republished year after year ought we not preserve it as it stands, racism and all? True horror is by its very nature transgressive, but I want all the horror in my life to be in fiction. A cannibalistic incestuous serial murderer of homeless children is scary in fiction but as long as its fiction I’m up for it. Keep all the racist crazy-talk in the fiction, I say, because that is where it all belongs.

Posted by Jesse Willis