June 2014 – SFFaudio

Review of William Shakespeare’s The Jedi Doth Return

SFFaudio Review

William Shakespeare’s The Jedi Doth Return
By Ian Doescher; Narrated by Marc Thompson, Jonathan Davis, Daniel Davis, Jeff Gurner, January Lavoy, and Ian Doescher
Publisher: Random House Audio
Publication Date: 1 July 2014
[UNABRIDGED] – 3 hours, 35 minutes

Listen to excerpt: | MP3 |

Themes: / Shakespeare / iambic pentameter / full cast / Star Wars /

Publisher summary:

Return to the star-crossed galaxy far, far away as the brooding young hero, a power-mad emperor, and their jesting droids match wits, struggle for power, and soliloquize in elegant and impeccable iambic pentameter. Illustrated with beautiful black-and-white Elizabethan-style artwork, these two plays offer essential reading for all ages. Something Wookiee this way comes!

The jedi doth return indeed. The final book of the Shakespearean Star Wars trilogy keeps pace with the first two books with regard to author Ian Doescher’s ability to come up with interesting rules for his writing. I enjoyed this book as much as the first and highly suggest experiencing the full performance of the audio book as it works quite well in the form of a radio play.

If you really want to follow all that’s going on, listen to the author’s note after the story first. Doescher explains all of the rules he came up with in previous books and the ones he added for himself in this play. Some rules are more obvious like writing in iambic pentameter and Boba Fett’s prose but others are more interesting. For your assistance and enjoyment, here is a list of those I can remember:

Most lines are written in iambic pentameter (including the last two lines of a scene rhyming).
Han and Leia speak to each other in rhyming couplets when alone.
Boba Fett speaks in prose.
Yoda speaks in haiku.
Ewoks speak in a mix of Ewok and broken English

Doescher adds a decent amount of literary mechanisms like foreshadowing, aside, foils, and soliloquy to really give this play the Shakespeare feeling. I could go on more about this but a cool benefit these gave is that he’s able to get into character’s heads to show what they’re thinking at times I’ve never thought about while watching the movie. For instance, what is Han thinking when he’s woken up from his carbonite sleep? What is Leia thinking when Luke breaks the news of his family tree? I really like how this was used to highlight the inner struggles that Luke and Darth Vader have during their final confrontation.

The audio book performance is great. All the character voices are done superbly, the sound effects are all there, and the music is well used. The use of a cast definitely lends well to the presentation of this as a play. There are even a few…musical surprises. The note on the audio version is that the lines are read for performance and not to emphasize the iambic pentameter…so Doescher’s efforts in keeping the pattern aren’t really noticeable (you remember from English class right? da-DA-da-DA-da-DA-da-DA). This isn’t a detractor since most would prefer this to be acted but just noting it.

Posted by Tom Schreck

Review of The Beast of Calatrava

SFFaudio Review

The Beast of Calatrava: A Foreworld SideQuest
By Mark Teppo; Read by Luke Daniels
Publisher: Brilliance Audio
Publication Date: 26 February 2013
[UNABRIDGED] – 4 hours

Themes: / Mongoliad / knights Templar / alternate history / fantasy / Foreworld /

Publisher summary:

After a battle left Ramiro Ibáñez de Tolosa’s face terribly disfigured, the knight of the Order of Calatrava abandoned his sword for a pastoral existence. But his beastly appearance horrifies all those who cross his path — with the exception of his adoring and pregnant wife. Can he keep Louisa and their unborn child safe from the war that is coming to Iberia? As Ramiro prepares for his child’s birth, Brother Lazare of the Cistercian order searches for a means to inspire men as he travels with the crusading Templars. He seeks swords of legend — named blades carried by heroes of old — believing such symbols have the ability to rally men in a way no king could ever accomplish. But when he learns of the stories told of the mysterious monster that haunts the Iberian battlefields, he wonders what sort of power this new legend might contain — the legend of a man whose scarred face and cold demeanor cannot hide his heroic soul.

Note: This book is available individually (as I listened to it) or as a part of the book SideQuest Adventures No. 1, which includes The Lion in Chains, this story, and The Shield-Maiden: A Foreworld SideQuest.

As with The Lion in Chains, this story is a “SideQuest” in the Foreworld Saga, basically a side story to the main-line books intended to give readers more information on certain characters. Unfortunately, unlike The Lion in Chains, even after I finished the book, I wasn’t 100% certain where this fit within the grand scheme of the world. The main characters in this story were not in the main Mongoliad books, and without taking some time to look at the print/ebook versions of this and the other books, I’m not sure I could draw a straight-line reference. I’m equally uncertain as to when, relatively speaking, this book takes place (relative to the events in The Mongoliad: Book One).

More frustratingly, I found myself lost while listening to this story. As happened other times during my reading of the Mongoliad main-series books, it was easy to get confused as to which character was which and who was who. If I haven’t said it before, this is a series begging for a good wiki with a character roster, and possibly a map. While these things may show up in a print/ebook edition, they were not easy to find on the web for quick perusal while listening (at least, I couldn’t easily find anything). The overall thrust is that it’s a story about a former knight, abandoned for dead when his order was defeated, who has turned into “The Beast of Calatrava,” basically a disfigured killer, killing to protect his property and the people (generally) of Iberia, no matter their creed. In parallel, the Templars have arrived in Iberia on a crusade, and brought with them some other soldiers, including some monks, on the search for a legendary weapon. Much of the book is dedicated to The Beast’s personal demons and the growing tension in the “Christian Army” that includes the Templars, monks, and other religious figures, and moves these characters around like chess pieces in seemingly unrelated matches. In the last 30 minutes or so of the audiobook, the story lines somewhat converge, and the ending comes more or less as might be expected.

I don’t know what to say about this story. It really seemed to wander, and was hard to follow along. While I was somewhat used to this in the main Foreworld books, I was able to accept temporary confusion, knowing it would get brought together later, and that my persistence would pay dividends. In this story, with everything being self-contained, that payoff wasn’t there, and in the grand scheme, I’m not sure why much other than the last 30 minutes of the story made any difference…and, since this story doesn’t relate directly to the main-line books, it didn’t feel like it made “sense” in the bigger picture. Without the tie-in to the larger world, this could have been any story set in the same world, so therefore didn’t feel as satisfying.

It will be interesting to see how the final book in SideQuest Adventures No. 1 plays out, whether it will be more like the first story (which was great) or this one (which was unsatisfying).

Posted by terpkristin.

Review of Dragon Bones by Patricia Briggs

SFFaudio Review

Dragon Bones (Hurog #1)
By Patricia Briggs; Read by Joe Manganiello
Publisher: Brilliance Audio (print 2002)
Publication Date: 1 May 2014
[UNABRIDGED] – 8 discs, 10 hours

Themes: / fantasy / dragons / Hurog /

Publisher summary:

We all play roles at times. Wardwick of Hurog played the role of a fool till he reached adulthood, just to keep his father from murdering him. Now he must overcome the image he so carefully built and fight not simply for his birthright but to free the five Kingdoms from tyranny and the rising tide of darkest magic that threatens his world.

Riding into a war that’s heating up on the border, Ward is sure he’s on the fast track to glory. But soon his mission takes a deadly turn. For he has seen a pile of magical dragon bones hidden deep beneath Hurog Keep. The bones could prove to be dangerous in the wrong hands, and Ward is certain his enemies will stop at nothing to possess them.

This is my first novel by Patricia Briggs. The name was familiar to me, but I wouldn’t have been able to have named you any books or series by her.
I couldn’t tell you if this is her usual style of book, but if it is, I’ll definitely be interested in reading more. This doesn’t seem to be as popular as some of her other series though. I found this a quick and enjoyable listen.

It’s a play on the chosen one trope, but there is more of a focus on politics. Our protagonist has been playing stupid for years in an effort to reduce the chances his father finds him a threat and killing him. Unfortunately for him, this means that his father also doesn’t trust him to take over after he’s gone and names his uncle to rule in his place, at least until his 21st birthday. So of course our hero sets out to make a name for himself and show his uncle that he’s not really the fool he’s been pretending all these years. He gets swept up into events bigger than himself and must rise to the occasion or see his friends, family and home suffer.

In a worlds where dragons are long extinct and magic is dwindling, this is more political than fantastical overall, but there is certainly enough in there to make it more than a historical fantasy.

This is book one of a duology, but I feel like it came to a pretty good stopping point where I don’t feel I need to rush out right away to read the second book, or (given it’s shorter length) like it was simply one book that was split in half.

Joe Manganiello is a fine reader, though nothing special. He neither adds nor detracts from the story at all.

Overall, I found this a fun and lighter book and I’m looking forward to listening to the conclusion soon.

Review by Rob Zak.

Review of Starship Grifters by Robert Kroese

SFFaudio Review

Starship Grifters (Rex Nihilo #1)
By Robert Kroese; Read by Kate Rudd
Publisher: Brilliance Audio
Publication Date: 24 June 2014
[UNABRIDGED] – 8 hours

Themes: / witty SF / robot sidekick / Chaotic Equilibrium / galactic irony /

Publisher summary:

A space-faring ne’er-do-well with more bravado than brains, Rex Nihilo plies the known universe in a tireless quest for his own personal gain. But when he fleeces a wealthy weapons dealer in a high-stakes poker game, he ends up winning a worthless planet…and owing an outstanding debt more vast than space itself!

The only way for Rex to escape a lifetime of torture on the prison world Gulagatraz is to score a big payday by pulling off his biggest scam. But getting mixed up in the struggle between the tyrannical Malarchian Empire and the plucky rebels of the Revolting Front—and trying to double-cross them both—may be his biggest mistake. Luckily for Rex, his frustrated but faithful robot sidekick has the cyber-smarts to deal with buxom bounty hunters, pudgy princesses, overbearing overlords, and interstellar evangelists…while still keeping Rex’s martini glass filled.

The answer is yes.
The question? Should I read this book?

Funny SF is tricky. Funny SF that holds up over an entire novel is a rarity. The writing in this book is sharp, tight, and clever. I laughed out loud enough to lose track of tally or occurrence. In a word, this novel is SMART.

Robert Kroese delivers an action-stuffed SF adventure packed with funny acronyms, believable and outlandish characters, and a plot with more twists than a page of calligraphy or a barrel of monkey tails. Set in a future galaxy, far far away, Starship Grifters tickles our nostalgia with SF references that most should recognize. From those expendable red shirt wearers to large starships that have the capacity for destroying planets, this book is accessible. It is also wonderfully layered for you deep-rooted SF aficionados. I mean when a starship is named Flagrante Delicto, which is Latin, it’s hard to go wrong.

Now, does this mean you’ll love this as much as me? Nope, it don’t. Humor is painfully relative, but I imagine you’ll at least crack a smile or whack a knee. I laughed, often, at times uproariously. It’s been a while since I’ve had such fun with an SF adventure. The key is that this doesn’t take itself too seriously, and neither should we.

Kate Rudd narrates the audiobook, and I highly recommend this for listening. Rudd is amazing! She infuses each character with a sense of individuality and the breath of life. At first I was a little anxious, but within five minutes Rudd had won me over, and within ten, I was a staunch Rudd believer.

Now, go grab a martini and let the listening begin. “It’s time for piggy to go to market!”

Posted by Casey Hampton.

Review of The Lion in Chains by Angus Trim and Mark Teppo

SFFaudio Review

The Lion in Chains (A ForeWorld SideQuest #3)
By Angus Trim and Mark Teppo; Read by Luke Daniels
Publisher: Brilliance Audio
Publication Date: November 2012
[UNABRIDGED] – 2 hours

Themes: / Mongoliad / Roman Empire / King Richard / crusades /

Publisher summary:

Many were displeased with the “peace” King Richard of England brokered in the Holy Land, and his return from the Crusades wasn’t greeted with cheers, but rather shackles. Now a “guest” of the Holy Roman Emperor, the Lion-Hearted is being held for an exorbitant ransom…so much money that it seems unlikely that the silver will make its way from Britain to Germany. For converging on the caravan are a number of groups with very different motives: French troops who want the silver to continue their war with the English, mercenaries intent on causing chaos, English longbowmen looking to protect their country’s future, and Shield-Brethren hoping to ensure King Richard’s freedom. With a surprising cast of characters, The Lion in Chains is a Foreworld SideQuest that illuminates a decisive moment in European history in an unexpected way, revealing another secret in the long-reaching narrative of the Shield-Brethren.

Note: This book is available individually (as I listened to it) or as a part of the book SideQuest Adventures No. 1, which includes this story, The Beast of Calatrava: A Foreworld Sidequest, and The Shield-Maiden: A Foreworld SideQuest.

This story is a “sidequest” in the Foreworld Saga, basically a side story to the main-line books intended to give readers more information on certain characters in the Mongoliad series. The events in this book are well before the events in The Mongoliad: Book One and provide some background on Ferrenantus, one of the Knights Brethren who features prominently in the main Foreworld books as the leader of the Knights Brethren involved in defeating the Kahn of Kahns. The events in this book may actually form some of the basis for a flashback Ferrenantus has in Katabasis.

Set in the late 1100’s, The Lion in Chains tells the story of Richard the Lionheart’s capture by then Holy Roman Emperor Henry VI. There is tension between England and the Holy Roman Empire, and even some of King Richard’s subjects are frustrated with his peace deal with Saladin. Henry VI comes to the great fortune of having King Richard more or less fall into his lap, so he captures him and holds him for a large ransom. There is a game of chess going on, though, and Henry VI has plans to get the ransom through unofficial channels, though Richard expects this and maneuvers to stop the trickery. King Richard uses his “serving man,” Ferrenantus, and Maria, a woman sent to Richard by his wife, to thwart Henry’s plans.

Through the course of the rather short story, we meet not only Ferrentantus and Maria, but also Rutgar, another Knight Brethren who is in The Mongoliad, and Robin Hood and his band of men. There is humor, there are a couple battles/skirmishes, and of course, there is intrigue in the story. All in all, the short tale gives us a glimpse into what made Ferrenantus the character he was in the main Foreworld books and a bit of fan service with the Robin Hood aspect of the story. This book wouldn’t stand well on its own, but having read the main books in the Foreworld Saga, it was an entertaining diversion for an afternoon (well, part of an afternoon–after all, it WAS only 2 hours long).

Luke Daniels’ narration was a welcome return after the disappointing narration of the 5th book, Siege Perilous. His reading made it easy to listen to and pulled me into the world. Even his female voices weren’t over-the-top but still made it obvious who was speaking. With most of the other books in the series narrated by him, it felt “normal” and somewhat comforting to have him read this one, too.

In the end, it was a cute story that provided some interesting background to the main Foreworld story line. I definitely recommend this book to those who have read the other books in the Foreworld Saga, and possibly to others who might be interested but would like to “sample” the work and world before diving in headlong.

Posted by terpkristin.

Review of The Girl in the Road by Monica Byrne

SFFaudio Review

The Girl in the Road
By Monica Byrne; Read by Dioni Collins and Nazneen Contractor
Publisher: Random House Audio
Publication Date: 20 May 2014
[UNABRIDGED] – 11 hours, 7 minutes

Themes: / fantasy / near-future / dystopia / road trip / Ethiopia / Djibouti / India / ocean / metallic hydrogen /

Publisher summary:

In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.When Meena finds snakebites on her chest, her worst fears are realized: someone is after her and she must flee India. As she plots her exit, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation. Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, she sets off for Ethiopia, the place of her birth.

Meanwhile, Mariama, a young girl in Africa, is forced to flee her home. She joins up with a caravan of misfits heading across the Sahara. She is taken in by Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. They are trying to reach Addis Abba [sic], Ethiopia, a metropolis swirling with radical politics and rich culture. But Mariama will find a city far different than she ever expected—romantic, turbulent, and dangerous.

As one heads east and the other west, Meena and Mariama’s fates are linked in ways that are mysterious and shocking to the core.

This book defied my expectations at every turn. It is near-future but in two different times and locations. Mariama is in a caravan heading to Ethiopia across land, and Meena is heading to Ethiopia from India, across the Arabian Sea, on a floating road made of metallic hydrogen. Interesting concepts for the near-future, and nice to have African and Indian characters and settings. The writing is my type – emotional, internal dialogue, pondering greater meanings.Everyone keeps calling it sci-fi, I imagine because of the brief technology mentions, but I think it fits more in fantasy – people who may or may not be human/gods/ghosts, the quest/journey, the lesson, the good vs. evil, the superhuman moments – feels like fantasy to me! The cover also claims the book is like a hybrid of Neil Gaiman, Erin Morgenstern, and Margaret Atwood. I don’t see Gaiman or Morgenstern except for fantasy, but that is a pretty broad paintbrush, one that seems to grasp at the most popular authors in a genre that has better examples to draw from. Atwood maybe in the sense of timeline and natural disaster themes. Otherwise, I see this more like the fantastical imaginings of J.G. Ballard (such as The Unlimited Dream Company) with the setting and world building of Nnedi Okorafor (Who Fears Death?). So if we have to compare it to something, let it be those two instead.

I want everyone to read this book so we can discuss the ending. I listened to the last disc three times because I’m not entirely sure what happened. I’m still not. I have questions that will make no sense until you’ve read it. Questions like, “Where is Djibouti?” and “Is everyone insane?” I keep telling friends about the book and thinking about it, and it has one of the few five-star ratings I’ve given out in GoodReads so far this year. A week after finishing, I got into a conversation about metallic hydrogen and man-made floating islands in Facebook because a person had posted about Kiribati, a nation that is destined to disappear into the ocean. Their leader is seriously considering building a place to keep his people together, because what else can you do if your country slips beneath the sea? Monica Byrne touches on this same question.

The two readers, Dioni Collins and Nazneen Contractor, do a brilliant job in the performance of this book, particularly in the slipping between India and Africa the way any immigrant would, and that is crucial to the character of Meena.

Posted by Jenny Colvin