Review of Dragon Blood by Patricia Briggs

SFFaudio Review

dragonbloodDragon Blood (Hurog Duology #2)
By Patricia Briggs; Performed by Joe Manganiello
Publisher: Brilliance Audio
[UNABRIDGED] – 10 hours
Themes: / fantasy / dragons / Hurog /

Wardwick of Hurog wishes to live in peace. Destiny has other plans. He is about to be arrested and imprisoned in the Asylum for Nobel Embarrassments and Inconveniences. Worse still, Ward has learned that the same man bent on his imprisonment, Jakoven Tallven, High King of the Five Kingdoms, is seeking Hurog blood to activate the supernatural equivalent of a weapon of mass destruction.Once again Ward must play the fool to survive. Yet, that will not suffice. Ward’s closest companions all must risk their lives and fortunes to keep Jakoven and his malevolent mage Jade Eyes from destroying their world.

After finishing Dragon Bones I was left with some lingering questions and looking forward to this book. For some reason this story wasn’t as much fun. It’s hard to put my finger on exactly why.  My best guess is the pacing. For such a short book, it felt like the plot meandered too much on unimportant details. The beginning was strong. It pulled me right back in again, and I thought everything was good to go. But then it got slow in middle, and felt sort of rushed at the end. I was sort of underwhelmed by the final confrontation especially.

I guess since I wasn’t having as much fun with the story this go around and it made the quality of the writing more noticeable. I’m not one to spend much time commenting on the writing too much. I tend to leave that for English teachers/literary types. I care a lot more about story and character development than I do about how elegant the prose is. If you’re entertaining me, I’m not going to notice bad sentence structure/dialogue.

If I had to sum this book up with one sentence it would be “Hurog means Dragon.” Why you ask? Well because it’s said at least once per chapter. Often more than once. Or at least that’s how it felt. Eventually I groaned every time another character said it.  I wonder if the writing was just as bad in the first book and I didn’t notice. “Hurog means dragon” was said a few times in that book as well, but it didn’t seem nearly so frequent. I didn’t really find the dialogue or prose that bad.

Glancing over other reviews it seems like I may be in the minority. It’s quite possible that if you liked the first book, you may enjoy this as well, but I mostly found it to a disappointing sequel.

As far as the audio goes, Joe Manganiello once again does a fine job without really adding or subtracting from the story.

Review by Rob Zak.

This Craft Of Verse: lectures by Jorge Luis Borges (1967 – 1968)

SFFaudio Online Audio

Jorge Luis Borges - This Craft Of Verse

Recorded in 1967 and 1968, at Harvard, these Jorge Luis Borges lectures on poetry are a wondrous treasure.

A part of the long running “Charles Eliot Norton Lectures” the collection is entitled This Craft Of Verse.

Introduction |MP3|
The Riddle Of Poetry |MP3|
Metaphor (part 1) |MP3|
Metaphor (part 2) |MP3|
The Telling Of The Tale |MP3|
Word-Music, And Translation |MP3|
Thought And Poetry (part 1) |MP3|
Thought And Poetry (part 2) |MP3|
A Poet’s Creed |MP3|

And here’s a podcast feed:

http://huffduffer.com/tags/thiscraftofverse/rss

[via Open Culture]

Posted by Jesse Willis

Review of Steel World by B. V. Larson

SFFaudio Review

Steel World steelworldSteel World (#1 in Undying Mercenaries)
By B. V. Larson; Performed by Mark Boyett
Publisher: Brilliance Audio
Publication Date: 3 December 2013
[UNABRIDGED] – 10 hours

Themes: / dinosaurs / regeneration / military sf / alien bean counters / science fiction /

Publisher summary:

In the twentieth century Earth sent probes, transmissions and welcoming messages to the stars. Unfortunately, someone noticed.The Galactics arrived with their battle fleet in 2052. Rather than being exterminated under a barrage of hell-burners, Earth joined their vast Empire. Swearing allegiance to our distant alien overlords wasn’t the only requirement for survival. We also had to have something of value to trade, something that neighboring planets would pay their hard-earned credits to buy. As most of the local worlds were too civilized to have a proper army, the only valuable service Earth could provide came in the form of soldiers…someone had to do their dirty work for them, their fighting and dying.

I’d recommend this to anyone looking for a soft and accessible military SF walk-through. If tropes don’t pose a nuisance, this might just graze your fancy.

B. V. Larson’s Steel World is passable military SF, but it’s not a genre standout. If you’re looking to scratch that itch, this will do the trick, but it may not satisfy. All the ingredients are here. We have humans from Earth fighting on a distant planet inhabited by aliens, futuristic weapons, and the technology to make death nearly nonexistent. All the trope-trappings are here of course too, a young recruit, training, deployment, battles, technology, spaceships, etc. But what we don’t have? Genre originality. But it should be said that one doesn’t need break the mold of military SF to have good military SF. In Larson’s case though, it may have helped to step outside the lines in order to make a memorable impression.

For the most part I enjoyed the ride, but I was ready for it to end. The writing affected a forced feel. I was disappointed with the glossed over battle scenes, stereotypical gruff commander, manor in which the recruits fraternized, and the abrupt ending reinforcing the soldier’s inability to “come home” again all felt too prepackaged to ring that bell of authenticity. I struggled with the at times awkward anachronisms. Similes sporting pigs at county fairs, and basic phrases referencing the Internet, the act of brown-nosing, shopping cart wheels, horseshit, and people being pricks kept pulling me out of the future and plunking me back in the contemporary.

Mark Boyett narrates the audiobook, and does a nice job. Boyett has a clean yet slightly senior sounding voice that is incongruous with the main character’s youthful inexperience. While this is feasible to overlook, it never fully leaves the listener’s consciousness. Boyett sounds more like an old man on a porch than a jacked up soldier full of bloodlust and vitality who never stops checking out the backsides of female officers.

Posted by Casey Hampton.