Talked about on today’s show:
A $10 bounty on The House by Fredric Brown, a $10 bounty on The Last Druid by Joseph E. Kelleam, Thomas Pynchon’s masterpiece Gravity’s Rainbow finally in audio, compare Samuel R. Delany’s Dhalgren, William Gibson’s The Peripheral, we bet Fred Kiesche has read it, The Fire Seekers by Richard Farr, Time’s Edge by Rysa Walker, reminds Paul of Charles Stross’s Merchant Princes books, Tad Williams’s Otherland series (a favorite of Paul’s), compare to Vernor Vinge’s True Names, Second Life, Otherland has some disabled characters — Special Needs In Strange Worlds, Nnedi Okorafor’s Goodreads Otherland review, Jesse’s not a series guy, The Book of Strange New Things by Michel Faber, Mary Doria Russell’s The Sparrow, the spoiler horn, Willful Child by Steven Erikson, not Paul’s favorite, The Enemy of an Enemy by Vincent Trigili, the description is missing the “but”, Horatio Hornblower type series, The Night Terrace (Audio Drama) Nightterrace.com, Spark by John Twelve Hawks, Cotard’s syndrome makes you a good assassin, origin of his pen name, Hawks’s nonfiction Against Authority, Chimpanzee by Darin Bradley, possible mashup?, China Miéville’s New Crobuzon series, The Slow Regard Of Silent Things by Patrick Rothfuss, is his prose like dark chocolate like a fan said on The Geek’s Guide To The Galaxy podcast?, Heraclix and Pomp by Forrest Aguirre, combining two reviews, Dead But Not Forgotten by Charlaine Harris (Editor), the True Blood tv show, “small town fantasy”, Shadow of the Ancients by Pierre Grimbert (translated from French), genre books from other languages are cool, Tam likes French comics (Moebius), Visitors by Orson Scott Card, not a Pathfinder tie-in, Pathfinder vs. Dungeons and Dragons explained by Paul, Of Bone and Thunder by Chris Evans, Shaman, Healer, Heretic by M. Terry Green, Scalped comic was a bit grim, The Snowden Files by Luke Harding, Snowden’s politics, Collapse by Jared Diamond, societies ending, The Dream-Quest of Unknown Kadath by H. P. Lovecraft, The Statement Of Randolph Carter Sffaudio readalong, The Vines by Christopher Rice, Rice’s photo gallery, Anne Rice’s son, 20,000 Leagues Under the Sea by Jules Verne, Jesse’s not that into it, The Island Of Doctor Moreau audiodrama, Robert Sheckley audiobook releases, The Story of English In 100 Words by David Crystal, G. Willow Wilson’s Ms. Marvel No Normal is in Jersey City
Posted by Tamahome
A double Halloween treat, my favourite Edgar Allan Poe short story, a Gothic Horror tale as narrated by two of my favourite people.
The Oval Portrait
By Edgar Allan Poe; Read by Julie Davis
1 |MP3| Approx. 10 Minutes [UNABRIDGED]
The injured narrator finds, upon the pillow of a bed in an abandoned castle in the Appenines, a book describing the many paintings that adorn the room he lies in.
First published in Graham’s Magazine, April 1842.
And from the voice of Lovecraft and his WeirdAudiobooks.com, the great Wayne June!
And here’s an illustrated |PDF| version!
Posted by Jesse Willis
Macrieve (Immortals After Dark #13)
By Kresley Cole; Narrated by Robert Petkoff
Publisher: Simon & Schuster Audio
Publication Date: July 2013
[UNABRIDGED] – 13 hours, 51 minutes
Themes: / fantasy / werewolves / romance /
Uilleam MacRieve, a centuries-old Lykae warrior, was captured, caged, and experimented on by a shadowy human order, along with other immortals. During a prison break that devolved into one of the bloodiest massacres in recent history, he escapes. But the aftermath of his unspeakable torture preys on his damaged mind, while the wolf inside him roars for vengeance and carnage. In the days leading up to the full moon, can MacRieve rein in his beast, even when he encounters his mate – a vexingly impossible female unlike anything he’d ever dreamed for himself?
MacRieve is quite a bit different than the other Immortals After Dark series. Uilleam MacRieve is a Lykae, a werewolf with a twin brother, Munroe. He finds his eternal Mate in the form of Chloe Todd, daughter of Preston Webb. Webb is the Commander of the Order, a group of humans striving to contain and study those creatures know as the Lore. It doesn’t feel as essential to the overarching story as the other books, but if you enjoy the series, it was an OK entry, although Chloe is pretty great.
What makes this different from the other books in the series is a focus on sexual violence and abuse. Uilleam was raped repeatedly by a Succubus for years, and the book actually starts during one of these later sexual encounters. The Succubus had claimed to be his Mate, and started molesting him when he was nine, grooming the child so that he didn’t recognize it as abuse. His mother found out and went to confront her, only to be slain by one of the Succubus’ other lover, a Vampire. His father soon followed, leaving Uilleam and Munroe alone.
Chloe is an Olympic-level soccer player, focused on her career path. Her father is busy as a military consultant but supportive until she begins to notice some changes in her body, like super-hearing and sensitivity to touch. He abandons her with only a book on the Lore as a clue to the changes she’s experiencing. Chloe is captured by a group of Witches and auctioned off to the highest bidder. Most of the Lore shows up, eager to use and abuse her as a lure for her father, whom she discovers is not the retired consultant she thought, but the mastermind behind the Order.
Rape is brought up repeatedly to Chloe, as everyone points out that the Pravus army would gang-rape her as revenge for her father’s crusade against the Lore. She discovers she’s half-Succubus after a sexual encounter with Uilleam, and he repeatedly verbally abuses her about her sexual hunger. Uilleam struggles with the scars of his childhood abuse, but the Beast inside him loves Chloe. He even vomits after the first time they have sex, as it dredges up memories of the Succubus who raped him. Overall, this book tackles child abuse, rape, and emotional abuse more than the other books, but it can be pretty uncomfortable to have those episodes interspersed with some rather complicated sexual scenes. Cole does address childhood sexual abuse with an understanding hand, however, so if you can handle it, the book can be rewarding. Chloe is one of her best female characters, strong and brave with amazing attitude. She might be worth wading through the unsavory parts, even if there is a heavy dose of “I’m not like those dumb girly-girls” in both her thoughts and how she’s described.
The narrator does an amazing job, slipping between a neutral and Scottish accents for the werewolves. His voice goes up slightly for Chloe, but otherwise he has a warm, enthusiastic tone throughout.
Posted by Sarah R.
The Kingmakers (Vampire Empire #3)
By Clay Griffith and Susan Griffith; Narrated by James Marsters
Publisher: Brilliance Audio
Publication Date: 29 January 2014
[UNABRIDGED] – 14 hours, 49 minutes
Themes: / vampires / steampunk / fantasy / post-apocalpyse /
The Kingmakers is the long-awaited climactic end to the Vampire Empire trilogy.Bogged down by winter warfare in Europe, humans are suffering crushing losses to the surprisingly well-organized vampire clans of the north. The courage and commitment of the Equatorian troops and their allies cannot hold out against the overwhelming onslaught of the enemy.Treachery from within deals the Equatorian forces greater damage than any delivered by the vampire hordes. The only weapon left capable of smashing through enemy lines and annihilating the packs is the Empress Adele herself. Her geomantic talent and skills are formidable, but she is just one person, and the very forces she can bring to bear are also slowly draining her of her life-force.Prince Gareth, the vampire lord of Scotland, known as The Greyfriar to the humans, both slave and free, is at a loss. His brother, Cesare, has outmaneuvered him at every turn. Brilliant, ruthless and without honor, Cesare is confident in his ability to control destiny. His goal is to become king of kings and ruler of the world. Unless the rightful heir, Gareth, can prevent him from assuming their father’s throne, Cesare’s unified vampire clans will destroy Equatoria’s forces and set humanity, if it survives, back a hundred years.
This is the third book of what we could call a steampunk vampire trilogy. I still like the first book the best but this one competes with the second as far as things go. The story once again carries a strong sense of Beauty and the Beast mixed with Romeo and Juliet with a strong steampunk flair. If you liked the first two books, you’ll like this book since everything wraps up rather nicely in the end. One ding I had was that I still didn’t think there was a satisfactory explanation of why Gareth is different from the other vampires. More on that…
This book is very similar to the previous two books to the point that they kind of blur together in my mind when I think back on it. The steampunk aspect is kicked up a notch with some mech suit / tanks in this one but you’ll mainly see lots of swordplay, gunfire, goggles, and airships again. These are some of the things that kind of run together on me mainly because many of the same characters are involved in similar scenes but the overall plot obviously moves forward to a satisfactory conclusion.
Don’t get me wrong – there are many good things that have carried over from the previous two books. The language and prose used in the previous books still give the feel of characters stuck in the past caused by the vampire attack. The action is crazy and fun with lots of epic battles ranging across Europe. The characters are likable for the most part, although Gareth can be a bit one-dimensional sometimes (His primary motivation seems to be his love for Adele to the discount of everything else).
Speaking of Gareth, I still don’t understand why he is different from all other vampires (I guess you could say his manservant shares his values but he also seems kind of like he’s reluctantly dealing with a neurotic master). There was this whole explanation about how Gareth’s father didn’t like wasting things but that doesn’t seem to explain how he could go from seeing people as food to loving a human to the level he does. Even his friend in Paris held similar values but not to the extremes Gareth does. I’d hoped for something like what happened with Angel on Buffy but it was kind of left out there.
As for the audio side of things, I still enjoyed James Marsters’ performance this third time around. He speaks well, uses recognizable voices, and is a pleasure to listen to. I would say that I’d go out looking for books narrated by him, but that’s why I listened to this trilogy in the first place ;-).
Posted by Tom Schreck
Themes: / fantasy / Farseer / assassin / witch /
For fifteen years FitzChivalry Farseer has lived in self-imposed exile, assumed to be dead by almost all who once cared about him. But now, into his isolated life, visitors begin to arrive: Fitz’s mentor from his assassin days; a hedge-witch who foresees the return of a long-lost love; and the Fool, the former White Prophet, who beckons Fitz to fulfill his destiny.
Then comes the summons he cannot ignore. Prince Dutiful, the young heir to the Farseer throne, has vanished. Fitz, possessed of magical skills both royal and profane, is the only one who can retrieve him in time for his betrothal ceremony, thus sparing the Six Duchies profound political embarrassment – or worse. But even Fitz does not suspect the web of treachery that awaits him – or how his loyalties will be tested to the breaking point.
Dangerous Women: Stories
Edited by George R. R. Martin and Gardner Dozois
Narrated by Scott Brick, Jonathan Frakes, Janis Ian, Stana Katic, Lee Meriwether, Emily Rankin, Harriet Walter, Jake Weber
Publisher: Random House Audio
Publication Date: 3 December 2013[UNABRIDGED] – 32 hours, 49 minutes
Listen to an excerpt: | MP3 |
Themes: / short stories / fantasy / women /
All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors’ bestselling continuities—including a new “Outlander” story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones.
Also included are original stories of dangerous women–heroines and villains alike–by Brandon Sanderson, Joe Abercrombie, Sherilynn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
Writes Gardner Dozois in his Introduction, “Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more.”
Stories and Narrators (in order of appearance):
“Some Desperado” by Joe Abercrombie; Read by Stana Katic
“My Heart Is Either Broken” by Megan Abbott; Read by Jake Weber
“Nora’s Song” by Cecelia Holland; Read by Harriet Walter
“The Hands That Are Not There” by Melinda Snodgrass; Read by Jonathan Frakes
“Bombshells” by Jim Butcher; Read by Emily Rankin
“Raisa Stepanova” by Carrie Vaughn; Read by Inna Korobkina
“Wrestling Jesus” by Joe R. Lansdale; Read by Scott Brick
“Neighbors” by Megan Lindholm; Read by Lee Meriwether
“I Know How to Pick ’Em” by Lawrence Block; Read by Jake Weber
“Shadows for Silence in the Forests of Hell” by Brandon Sanderson; Read by Claudia Black
“A Queen in Exile” by Sharon Kay Penman; Read by Harriet Walter
“The Girl in the Mirror” by Lev Grossman; Read by Sophie Turner
“Second Arabesque, Very Slowly” by Nancy Kress; Read by Janis Ian
“City Lazarus” by Diana Rowland; Read by Scott Brick
“Virgins” by Diana Gabaldon; Read by Allan Scott-Douglas
“Pronouncing Doom” by S.M. Stirling; Read by Stana Katic
“Name the Beast” by Sam Sykes; Read by Claudia Black
“Caregivers” by Pat Cadigan; Read by Janis Ian
“Lies My Mother Told Me” by Caroline Spector; Read by Maggi-Meg Reed
“Hell Hath No Fury” by Sherilynn Kenyon; Read by Jenna Lamia
“The Princess and the Queen” by George R. R. Martin; Read by Iain Glen
It took me a really long time to make it through this book, even with skipping stories, and that was a big sign that it wasn’t working for me. I love and read a lot of anthologies, and Dangerous Women was odd in that it only paid lip service to the theme. Most of these stories had nothing to do with women, dangerous or otherwise, instead focusing on men talking about women. Overall, while I was disappointed in this anthology, and would not recommend it, here are my spoiler thoughts on some of the best and worst individual stories (scroll to the end for a link to more!):
“The Hands That Are Not There” by Melinda Snodgrass
Jonathan Frakes from Star Trek: the Next Generation is the narrator!!! Fortune 500? Strip club? OK, I’m missing the dangerous women portion of this story at the beginning, and am a little confused overall. The main character doesn’t seem to have a great opinion of women in general. Suppose that’s not surprising considering this takes place during a bachelor party. “Sassy little buttocks”? I giggled when he shouted “blackout’. Genetic manipulation? What am I listening to?
Aside from the novelty of the narrator, this was just bad. The characterization of women left a bad taste in my mouth. The prose was an unfortunate shade of purple. The plot twist was silly. So. Bad.
“Bombshells” by Jim Butcher – A Harry Dresden story
I’ve never read any of the Dresden books, although I’m vaguely familiar with the story, and this was a sorely needed palette cleanser after the last story. Except for the leg-shaving bit. Wut? That came across as trying a bit too hard. Bit more telling than showing than is to my taste. And hearing the phrase ‘soul gaze’ spoken out loud just pointed out how silly it is. Holy infodump on how magic works, but overall both the narrator and writing was A+.
“Raisa Stepanova” by Carrie Vaughn
Eeeeeee! Night witches! I love female pilots!
The writing is concise and easy to follow, but full of effective details that really conveyed the feeling of a fire fight. The plot was just heartbreaking. And a lovely relationship between siblings is the focus, rather than a romantic one. Such a nice change! This was an excellent portrayal of female non-competitive friendship. So good. One of the highlights of the anthology.
Narrator had a distinctive, lovely voice.
“I Know How to Pick ’Em” by Lawrence Block
Noir up the wazoo! This was a man’s man kind of a story, I guess. Wow. I had to skip this after he started fantasizing about beating the woman he was with. He had so much hate for women. I felt a little sick just listening.
Narrator has great, gritty voice.
“Shadows For Silence in the Forests of Hell” by Brandon Sanderson
This was a great story. Silence was amazing, and the world had just enough detail for you to believe and fill in the rest of the blanks. Her background as a bounty hunter was inventive, and I loved seeing the people people who crossed her get their eventual comeuppance.
Narrator had just enough weariness in her voice to be pleasing and appropriate to the story.
“The Girl in the Mirror” by Lev Grossman – A Magicians story
Fabulous characterization of mischievous girls at a magical school. Their talk is real, and the details are well delineated. Think Harry Potter but darker and meaner. Adorable short story. Just lovely.
As an added bonus, Sophie Turner, who plays Sansa Stark on Games of Thrones, was the narrator. She hit the perfect tone, and I would definitely listen to her narration again.
“Second Arabesque, Very Slowly” by Nancy Kress
This was a very quiet, intense, and bleak story. The women are essentially kept for breeding in a post-apocalyptic setting, but during a young girl’s ‘budding’ ceremony, one woman voices her desire to be more. The narrator is the nurse, in charge of the health of the other women. There’s an undertone of packs and the urban forest in this story, like I was waiting for them to turn into werewolves. Women have dressed codes to avoid tempting men, but are somewhat in charge of deciding who they have sex with. The group finds a TV and get it to work. They watch a ballet. Now one of the beta males wants to learn how to dance to entertain the pack. They find a moment of beauty, but lose it just as quickly.
The narrator has an understated style that worked really well for this.
“Pronouncing Doom” by S.M. Stirling – An Emberverse story
This was the most unpleasant part of this whole experience.
At first I was interested, as there was a main character traveling with a baby and some practical discussion of how life with children after the apocalypse works. There were disabled characters, and the women seemed to have some autonomy in the society.
However, the story then turned into a rape trial. The victim recounts escalating abuse from one man, and how the other women blamed her for his actions. Then she describes his violent sexual assault of her, and I turned it off. I had no motivation to finish this story.
The narrator was very pleasant, and her deadpan accounting of the assault was chilling.
“Caretakers” by Pat Cadigan
It starts out with an innocent question about female serial killers. These two sisters live together and while one is obsessed with Red Dawn (Go Wolverines!) the other loves to watch shows about serial killers. There was a lot of realistic characterization driving the story, and rising tension as you begin to wonder exactly how much the sister likes serial killers.
Narrator did a fantastic job, fading back to let the story stand on its strengths.
“Lies My Mother Told Me” by Caroline Spector – A Wild Cards story
I felt a little behind by the abrupt entrance of the first scene, but loved the discussion of prettiness in relation to society. Parades and zombies and consumerism. Mothers and daughters and self-esteem. Fat and bubbles as defense. The villain was such a dick, and such a stereotype of gamer dudes. Overall amazing!
“The Princess and the Queen” by George R.R. Martin – A Song of Ice and Fire story
Finally. this is the whole reason I was interested in the first place. I’ve read a couple of the ASOIAF books, so I was interested in what Martin would do with two super-powerful women. Not much, it turns out.
Sooooo – everyone in Westeros has always been terrible and power-hungry? OK then. First Night rites? Really? Ahhhh I am so bored. Never has anything with dragons in it bored me as much as this has. It’s about queens, yes, but it’s still the men who do almost everything.
Good narrator, though.
Sarah reviewed each and every story, which you can see on her GoodReads review.
Posted by Sarah R.