Themes: / fantasy / warrior /
Vaelin Al Sorna, warrior of the Sixth Order, called Darkblade, called Hope Killer. The greatest warrior of his day, and witness to the greatest defeat of his nation: King Janus’ vision of a Greater Unified Realm drowned in the blood of brave men fighting for a cause Vaelin alone knows was forged from a lie. Sick at heart, he comes home, determined to kill no more. Named Tower Lord of the Northern Reaches by King Janus’s grateful heir, he can perhaps find peace in a colder, more remote land far from the intrigues of a troubled Realm.
But those gifted with the blood-song are never destined to live a quiet life. Many died in King Janus’ wars, but many survived, and Vaelin is a target, not just for those seeking revenge but for those who know what he can do. The Faith has been sundered, and many have no doubt who their leader should be. The new King is weak, but his sister is strong. The blood-song is powerful, rich in warning and guidance in times of trouble, but is only a fraction of the power available to others who understand more of its mysteries. Something moves against the Realm, something that commands mighty forces, and Vaelin will find to his great regret that when faced with annihilation, even the most reluctant hand must eventually draw a sword.
How do you follow up a debut novel that seems to be almost universally loved by those who have read it? By writing a book that may be even better in my opinion. My opinion may not be shared by everyone who loved Blood Song. This is definitely a different book from that.
Instead of a single narrative about Vaelin told in the form of a flashback, we are instead given three new point of view characters in addition to Vaelin and the interludes from the perspective of the chronicler. Two of the characters, Frentis and Lyrna, will be instantly familiar from the first novel. The fourth, Riva, was probably my favorite. As a new character she probably got the most character development of the four. I think having two male POVs and two female ones gave the novel a good balance.
I found Lyrna’s story to start a bit slow, but I was quickly grabbed by the book as a whole and eventually sucked into her narrative as well. Much like Blood Song this is one of those books that grabbed hold and didn’t let go. I hated to put it down and loved to pick it back up.
I’m glad for the format change as I think Mr. Ryan was able to tell a much larger story as a result. There were parts of the story where the various POV’s overlapped, but there were also a lot of things that would have gone otherwise unmentioned if he stuck with just Vaelin’s story.
There are some excellent action scenes, though probably fewer overall than the first. While the first book was more a hero’s journey, this book is more epic fantasy with larger implications to the realm as a whole.
There are answers to many of the big questions I had from the first novel. Often times it seems like authors jealously guard all their book’s secrets and wait until the last possible minute to reveal them. Not so with this series. I felt there were several big reveals in parts 2 and 3 that other authors might have held back. There are plenty of new questions to take the place of those that are answered that kept me wanting to keep listening and find out what would happen next.
Mr. Ryan has put himself in a precarious position of writing two really excellent novels in what I believe is supposed to be a trilogy. Now the expectations are that much higher for the finale of what has quickly become one of my favorite series.
Stephen Brand is a great narrator that could stand to have his volume boosted. He does an excellent job with voices and inflections, but can be frustratingly quiet in places.
If you haven’t read this book yet, do yourself a favor and pick it up. And if you haven’t read/heard of this series you should check out Blood Song as soon as you can.
Review by Rob Zak.
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis
Pilo Family Circus
By Will Elliot; Read by Mark Stephens
Publisher: Audible Studios for Underland Press
Publication Date: 27 May 2014
[UNABRIDGED] 11 hours 5 minutes
Themes: / horror / circus / psychotic clowns /
“You have two days to pass your audition. You better pass it, feller. You’re joining the circus. Ain’t that the best news you ever got?” Delivered by a trio of psychotic clowns, this ultimatum plunges Jamie into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between Hell and Earth from which humankind’s greatest tragedies have been perpetrated. Yet in this place – peopled by the gruesome, grotesque, and monstrous – where violence and savagery are the norm, Jamie finds that his worst enemy is himself. When he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead! Echoes of Lovecraft, Bret Easton Ellis, Chuck Palahniuk, and early Stephen King resound through the pages of this magical, gleefully macabre work nominated as Best Novel by the International Horror Guild.
I almost hate to recommend this book because … what does that say about me?
The Pilo Family Circus is both completely creepy and absolutely fascinating. If you like clowns, you might change your mind after this. If you already don’t like them, you’ll probably think I knew it!
Jamie almost runs down an odd-looking clown and quickly finds his life changing forever. He has 48 hours to pass his “audition” and failing is not an option.
With some creativity, he finds himself in a circus that’s strange even for circus standards … and deadly. Monsters lurk in dark corners and out in the open too and you don’t even want to mess with the proprietor of the whole thing.
Then there are the factions, some of whom absolutely despise each other, such as the Clowns and the Acrobats and what happens in the circus, even a death or two, is overlooked for the most part.
Couple the imaginative world-building with a knack for storytelling and a dark sense of humor (you know, where you laugh and cringe at the same time) and you’ve got a book I couldn’t put down.
I know I go into sales-pitch mode when I talk about a book I really enjoyed, but this one’s highly recommended. The audio on this was astounding too. Mark Stephens does a wonderfully creepy job with his Australian accent. Fishboy alone killed me. This character has a high voice, such as when someone inhales helium, and Stephens stuck it perfectly.
This is an unusual book for me to love, but it’s a true love. It’s different and gruesome and somehow I couldn’t put it down. I stayed longer in the car on my drives, I brought headphones to bed when I usual save bedtime reading for my eyes. This is one of those unique books that really stunned me.
4.5 out of 5 Stars (very highly recommended)
Posted by Bryce L.
Caves of Steel (Robots #1)
By Isaac Asimov, read by William Dufris
Publisher: Random House Audio
Publication date: 15 July 2014
[UNABRIDGED] – 7 hours, 43 minutes
Listen to an excerpt: | MP3 |
Themes: / science fiction / robots / detectives / over-population / colonization /
A millennium into the future two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov’s Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together. Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions.
“Like most people on the over-populated Earth, New York City police detective Elijah Baley has little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to help track down the killer. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the ” R” stood for robot.”
I originally read this book when I was a teenager and loved it from the beginning. Isaac Asimov’s descriptions of an overpopulated future Earth were de rigueur for science fiction of the time. What gave this story a fresh spin was that it was a bona fide mystery.
Many years later, listening to William Dufris’ splendid narration, it still holds up. I still remembered the main points of the mystery and detective Lige Bailey’s personality. This left me free to fully appreciate the details of Asimov’s imagined future society, complete with spacemen and robots to provide tension and interest.
I’m not sure if I completely forgot or just never registered the points Asimov was making in this book about technology, adaptation, and the human soul. I was quite surprised to see that Lige Bailey knew his Bible so well that he could quote it in either the King James version or the modern version. And that he used religion as a main point of differentiation (along with art, beauty, and other intangibles) between humans and robots. Atheist Isaac Asimov didn’t deny that faith can lift people higher and that is something one rarely, if ever, sees these days in science fiction.
I also was really interested in watching the way the germ of an idea took hold and was spread from person to person. It was fascinating to see how many things that idea applied to once it had wormed its way into the person’s consciousness.
All in all, this short but satisfying mystery is much richer than I recalled. It was greatly enhanced by the audio where William Dufris became a one man theater company in the way he voiced different characters. There was never any fear of my mistaking who was talking in straight exchanges of dialogue. He was simply masterful whether it was world-weary detective Bailey, slightly robotic Daneel Olivaw, jumpy Jessie, or the nervous Commissioner.
INTERESTING SIDE NOTE
It is a detective story and illustrates an idea Asimov advocated, that science fiction is a flavor that can be applied to any literary genre, rather than a limited genre itself. Specifically, in the book Asimov’s Mysteries, he states that he wrote the novel in response to the assertion by editor John W. Campbell that mystery and science fiction were incompatible genres. Campbell had said that the science fiction writer could invent “facts” in his imaginary future that the reader would not know. Asimov countered that there were rules implicit in the art of writing mysteries, and that the clues could be in the plot, even if they were not obvious, or were deliberately obfuscated.
All hail opinionated John Campbell and Isaac Asimov’s determination to prove him wrong. Today there are a lot of different mash-ups included in the science fiction genre and Asimov led the way with this book.
Posted by Julie D.
Listen to an excerpt: | MP3 |
Themes: / druids / urban fantasy / plague /
For nearly 2,000 years, only one Druid has walked the Earth – Atticus O’Sullivan, the Iron Druid, whose sharp wit and sharp sword have kept him alive as he’s been pursued by a pantheon of hostile deities. Now he’s got company. Atticus’ apprentice, Granuaile, is at last a full Druid herself. What’s more, Atticus has defrosted an archdruid long ago frozen in time, a father figure (of sorts) who now goes by the modern equivalent of his old Irish name: Owen Kennedy. And Owen has some catching up to do.
I’ll start by saying that this is my first foray into the Iron Druid series so this review is from the perspective of someone who hasn’t done the previous books. I would not suggest this book as a great place to start this series. I heard this was a great entry point into the series for fans of urban fantasy but so much of what’s going on in the plot is lost that I missed the overarching significance of what happened in the story. Now that that’s out of the way…
Shattered is an urban fantasy story about one of the last druids in the world trying to live his life while trying to survive the crazy plots of mythical creatures and gods. Hearne’s writing style flows easily and his characters are enjoyable, but I thought the story lacked focus and almost felt like two disjoint stories that didn’t really relate to one another until both ended into a third thread. I liked the use of the urban setting and the creative use of different abilities/powers that characters. There are many quotes and references to geek culture in there but so much that it kept pulling me out of the story.
The first 2/3 of the story has two different threads that are both interesting in their own right but have nothing to do with each other. One thread is about a female druid trying to stop a plague happening in India while the other follows the eponymous iron druid as he introduces someone trapped in time centuries ago to modern culture. Neither story required prior knowledge of the series but the last 1/3 of the story seemed to be a culmination of events from previous stories that was mostly lost on me. I actually thought I was almost done with the audiobook 2/3 of the way through and it felt like a bit of a false ending.
The world and characters in this story are the best part. I liked most characters, thought they were well written, and stayed true to character. I really liked the old druid getting to know modern culture and hearing his take on how he sees things. The comedy relief and quotes/references to geek culture was a bit much at times and took me out of the story too much.
As for the audio side of things, Luke Daniels does a fantastic job reading this book. On one side of things I can hardly believe he does all the voices I heard in the book, on the other side the two main characters sound an awful lot like each other and I would get confused at the beginning of a chapter sometimes until I identified who was speaking. Both voices were great and it didn’t take away from the story, I just thought it was interesting considering how different many of the other voices are. I will definitely be looking for other audiobooks narrated by Luke Daniels.
Posted by Tom Schreck
Dead Man’s Hand: An Anthology of the Weird WestEdited by John Joseph Adams, by various (see table of contents below)
Read by Phil Gigante and Natalie Ross
Publisher: Brilliance Audio
Publication Date: 13 May 2014
[UNABRIDGED] – 15 hours, 59 minutes
Themes: / weird / western / short stories / dirigibles / dinosaurs / demons / clockworks /
The weird, wild west – an American frontier populated by gunslingers, rattlesnakes, outlaws, zombies, aliens, time travelers, and steampunk! Twenty-three of science fiction and fantasy’s hottest and most popular authors create all-new tales, written exclusively for this anthology. Aliens and monsters, magic and science are introduced to the old west, with explosive results.
Table of contents:
Introduction by John Joseph Adams
The Red-Headed Dead by Joe R Lansdale
The Old Slow Man and His Gold Gun From Space by Ben H Winters
Hellfire on the High Frontier by David Farland
The Hell-Bound Stagecoach by Mike Resnick
Stingers and Strangers by Seanan McGuire
Bookkeeper, Narrator, Gunslinger by CharlesYu
Holy Jingle by Alan Dean Foster
The Man With No Heart by Beth Revis
Wrecking Party by Alastair Reynolds
Hell from the East by Hugh Howey
Second Hand by Rajan Khanna
Alvin and the Apple Tree by Orson Scott Card
Madam Damnable’s Sewing Circle by Elizabeth Bear
Strong Medicine by Tad Williams
Red Dreams by Jonathan Maberry
Bamboozled by Kelley Armstrong
Sundown by Tobias S Buckell
La Madre Del Oro by Jeffrey Ford
What I Assume You Shall Assume by Ken Liu
The Devil’s Jack by Laura Anne Gilman
The Golden Age by Walter Jon Williams
Neversleeps by Fred Van Lente
Dead Man’s Hand by Christie Yant
I enjoyed this collection of odd tales from the weird west. It may not have knocked my boots off, but I felt them tugged from time to time. And really, what more can we ask from an anthology.
Stuffed with clockworks, vampires, dinosaurs, and aliens, John Joseph Adams (editor) has wrangled some fun stories. Each author strikes a unique set of harmonics on the scale of voice and tone, and yet the individuality of fellow contributors isn’t lost, but rather merged into a larger, primarily singular melody suiting this particular subgenre
My top five IOP (In Order of Printing):
* “The Hell-Bound Stagecoach” by Mike Resnick
* “Bookkeeper, Narrator, Gunslinger” by Charles Yu
* “Second Hand” by Rajan Khanna
* “Red Dreams” by Jonathan Maberry
* “Dead Man’s Hand” by Christie Yant
* And honorable mention goes to the introduction. John Joseph Adams sets the table for the reader, establishing a foothold on the subgenre through brief and accessible historical context.
The audiobook consists of dueling narrators. Phil Gigante and Natalie Ross take turns, with Gigante reading the majority. And while Ross has a rich and pleasing voice, she lathers on too much thick Southern-sweet for the ear to wholly appreciate.
All in all, a fun anthology.
I’d recommend this to anyone who enjoys tales set in the Ole West with a twist of odd fringed with funny.
Posted by Casey Hampton.