The SFFaudio Podcast #241 – Jesse and Jenny discuss the 1913 novel Goslings: A World Of Women by J.D. Beresford and the 2013 audiobook from Dreamscape Audiobooks.
PUBLIC DOMAIN |ETEXT|
Talked about on today’s show:
Dreamscape Audiobooks, narrator Matthew Brenher, English dialects (and accents), a casual apocalypse, running out of water, “he’s going to beat his family”, “and we’re very English and we’re moving on”, a world of women,
A global plague has decimated England’s male population and the once-predictable Gosling family is now free to fulfill its long-frustrated desires. When Mr. Gosling leaves his family to peruse his sexual vices, the Gosling daughters, who lack experience and self-independence, find shelter in a matriarchal commune. However their new life is threatened by the community elders’ views on free love.
that’s not what it feels like, what do the women want?, Thrail and his perspective, the Gosling’s perspective, Thrail’s journal, an implicit trust in the British authorities, fathoming an empty world, what is Mother Gosling’s ultimate fate?, a very gentle book, the cruelest moment in this book is the confrontation at the tobacconist’s, “you stupid slut”, a gentle apocalypse, 70% of the population dies, The Stand by Stephen King, exploding heads, Earth Abides, the war of all against all, almost all the men die, the harem, Thrail is asexual, a dalliance with a coquette, Jenny blames Father Gosling, the proximal cause, “we’re wasting the potential of women”, Eileen (aka Lady Eileen), marriage never really protected women, a world of slaves, men can be feminists too, why does it take a man to write a book about a world of women?, J.D. Beresford modeled Thrail on H.G. Wells, Jack London, the 1910s, the Bolshevik revolution, Mastering The Art Of Soviet Cooking, Mastering the Art of Soviet Cooking: A Memoir of Food and Longing by Anya Von Bremzen, an anti-disestablishment bill, the Anglican Church, church and state, the fundamentalist religious people in this book, so many critiques, a very thoughtful book, intellectualism, “you don’t want books, keep your eyes open and think”, Thrail worked on every continent, Thrail is needed for his manly skills (not just his sperm), “the Jewess”, is this casual racism?, this is a weird book because its about fashion, a Science Fiction novel about FASHION!, the clothing, pants, work clothing, Thrail is the Beresford mouthpiece, Thrail’s Dr. Watson, “you’re so mighty!”, women want to attract mates but their worried about what other women think, and men are into fashion too, a vigorous bike ride, “get out of the city”, the suppressed lech, “I saw the god in the father”, a transition back to nature, Sterling, the ending, what’s going on in America, this story would never work now, Goslings is completely of its time, a really well written book, Beresford wrote a book about H.G. Wells, Neil Gaiman, the neat ending undercuts the book, a new way to be, why do we like these downer books, Jenny likes to see what happens when things get torn apart, a farm commune, the thieving, the religious group, class distinctions, fashion and class, Louis Vuitton, a signifier of class, men are not the oppressors, people are oppressing themselves, we weren’t even slaves to intelligence and efficiency, a strong educated woman, a funny utopian book, utopia/dystopia, compared to the end of Earth Abides, the war bride phenomena, think of the children, Virus (1980) aka Day of Resurrection (PUBLIC DOMAIN), an inversion of the situation in Goslings, rape is not okay, how do we rebuild the world with only eight women and eight hundred men?, The Best Of All Possible Worlds by Karen Lord, On The Beach by Nevil Shute, Gooses?, Ganders?, goslings grow up, growing up, Blanche is the elder daughter, Millie becomes a harem girl, beautiful hair, “if you stop I’m gone”, Thrail doesn’t want to suffer the fools, sex in that bush, the women are jealous, “history is a series of stories about the worst fucking people in the world”, bastard after bastard, asshole after asshole, “slut” is the insult word for women, etymology of swear words, bitch, bastard, a term of unworthiness, men worry about bastard children, women are worried about having sluts near their husbands, the terms don’t apply anymore, religious sects that don’t sexually reproduce, the Shakers, the rapture, J.D. Beresford was agnostic and then a theosophist, Paris intellectuals, Madame Blavatsky, the universal over-soul, séances, the cause, the 19th century, “newspapers newspapers newspapers”, disposable income, social negotiations, the girls could push their dad’s buttons, when the hard truth comes…, Jean Claude Van Damme, Jenny plows her own fields, “more beets, less kale”, the prepper phenomenon, a seed bank, all the planting zones are shifting, growing beets and kale in Antarctica, there are only two flowering plants in Antarctica.
Posted by Jesse Willis
Virtually all of Bierce’s tales are tales of horror; and whilst many of them treat only of the physical and psychological horrors within Nature, a substantial proportion admit the malignly supernatural and form a leading element in America’s fund of weird literature.”
-H.P. Lovecraft, from Supernatural Horror In Literature
A 1,500 word horror tale by Ambrose Bierce, typically bundled as the final of seven short horror stories, under the collective “Some Haunted Houses”, The Thing At Nolan was first published on its own. And that’s why I’ve edited up a special The Thing At Nolan from a larger LibriVox version.
The Thing At Nolan
By Ambrose Bierce; Read by Peter Yearsley
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
First published in San Francisco Observer, August 2, 1891.
And here’s a |PDF|.
There’s also a CBS Radio Mystery Theater adaptation, adapted by actor Arnold Moss! It fills in a lot of the details from the very sketchy sketch of Bierce’s original story. Moss also takes a role!
CBSRMT #0920 – The Thing At Nolan
Adapted from the story by Ambrose Bierce; Adapted by Arnold Moss; Performed by a full cast
1 |MP3| – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 20, 1978
When a father vanishes while digging a ditch in frontier Missouri, suspicions fall on the rebellious son who recently threatened him with bodily harm. His mother believes his claims of innocence, but the rest of the townsfolk do not.
Posted by Jesse Willis
The SFFaudio Podcast #214 – The Shadow Over Innsmouth by H.P. Lovecraft; read by the fabulous Mike Bennett. This is a complete and unabridged reading of the novella (3 hours 2 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, and Mr. Jim Moon.
Talked about on today’s show:
My only holy book, Deities & Demigods, Deep Ones, Dagon, serving the will of Cthulhu, “they can only be killed by violent death”, why are they evil, seafood, miscegenation, the war on alcohol, they like to drink and wear jewelry, are there Deep Ones in Guantanamo Bay?, only crackers and soup, Innsmouth, Massachusetts, Captain Obed Marsh, persuaded to breed with a deep one, immortality, 19th century, “festering quietly”, “a nice family reunion”, why is The Shadow Over Innsmouth so cherished?, Call Of Cthulhu The Dark Places Of The Earth, a Skyrim mission, Dagon and Mother Hydra, Dagon, New England Tahitians, Walter Gilman in The Dreams In The Witch House, The Thing On The Doorstep, Doctor Who’s The Sea Devil is The Shadow Over Innsmouth with less schtupping, The Silurians, can’t go wrong with a good sea monster, The Creature From The Black Lagoon, Julie’s adaptation will have more sex!, Alan Moore’s Neonomicon, g-men, an Esoteric Order Of Dagon style-cult, a traumatic read, the end, the film of Dagon (set in Spain), Stuart Gordon, Castle Freak is one of the best dramatic Full Moon films, the Masters Of Horror adaptation of The Dreams In The Witch House, The H.P. Lovecraft Historical Society adaptation (Dark Adventure Radio Theatre), the framing story, The Statement Of Randolph Carter, who is our protagonist confessing to?, Double Indemnity, heredity and atavism, 1920s, 1930s, Zadok Allen, Julie’s adaptation of The Rats In The Walls, The Picture In The House, female characters in Lovecraft, Cool Air, Lovecraft cares about words, House Of The Dead, the San Juan Islands, the naming of islands, Lovecraft crafts with love, August Derleth!, “the full gibbous moon”?, racism, the “Gilman Inn” is a pun, The Whisperer In Darkness, he’s there for the architecture, “reluctant fascination”, that old uncle who smells weird, The Shuttered Room by August Derleth, the worst fanfic writer ever, posthumous collaboration, Fishhead by Irvin S. Cobb, The Harbor-Master by Robert W. Chambers, an inbred wild-man, local rednecks, “a bit too close to the sea”, an economic depression, isn’t it a good deal?, arranged marriages, what’s with the Innsmouth Chamber Of Commerce?, in the Octopus’ garden, Brown Monkey, Dick Dynamo: The Fifth Dimensional Man, meta, 118 Migration, Afterlives (a Bangsian fantasy), the golden era of internet audio drama, a new idea, Hypnobobs, classics vs. moderns, old books have vocabulary, Jack London, MTV saturated audiences?, Goodreads reviews of Dracula, Fifty Shades Of Grey, atheist vicars?, the stress on the importance of reading may breed bad books, teachers pick books with big social value, Little Dorrit by Charles Dickens, A Christmas Carol, turning kids off literature, Wilkie Collins, The Moonstone, using Robinson Crusoe as a guide to life, police procedural, obstreperous, The Murders At The Rue Morgue by Edgar Allan Poe, the audiobook of The Moonstone.
Posted by Jesse Willis
I’ve posted about Robert Louis Stevenson’s murderous classic, Markheim, before (the audiobook and another radio drama). But, I’ve just discovered a very good new adaptation (from 2006) available at RadioArchive.cc. The sound design is excellent, and its lengthy enough to bring out most of the nuance in the text.
Adapted from the story by Robert Louis Stevenson; Adapted by John Taylor; Performed by a full cast
MP3 via TORRENT – Approx. 45 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: February 1, 2006
On Christmas Day 1886 with London shrouded in fog, a man shadows a girl across Blackfriars Bridge towards the back streets of Holborn. His name is Markheim and his intentions are unremittingly dark.
Directed by John Taylor
Tommy – Mark Straker
Markheim – Jack Klaff
Girl – Abigail Hollick
Visitor – Anton Rodgers
Crispin – Anthony Jackson
And for German listeners there’s THIS sexy sounding version produced as a part of a cool series called Gruselkabinett (which translates to “Chamber of Horrors”).
There is no finer model for the study of setting than this story affords. It is three o’clock in the afternoon of a foggy Christmas Day in London. If Markheim’s manner and the dimly lighted interior of the antique shop suggest murder, the garrulous clocks, the nodding shadows, and the reflecting mirrors seem almost to compel confession and surrender. “And still as he continued to fill his pockets, his mind accused him, with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour.” So he should for the murder; but for the self-confession; which is Stevenson’s ultimate design, no time or place could have been better.
There is little action in the plot. A man commits a dastardly murder and then, being alone and undetected, begins to think, think, think. It is the turning point in his life and he knows it. Instead of seizing the treasure and escaping, he submits his past career to a rigid scrutiny and review. This brooding over his past life and present outlook becomes so absorbing that what bade fair to be a soliloquy becomes a dialogue, a dialogue between the old self that committed the murder and the new self that begins to revolt at it. The old self bids him follow the line of least resistance and go on as he has begun; the newly awakened self bids him stop at once, check the momentum of other days, take this last chance, and be a man. His better nature wins. Markheim finds that though his deeds have been uniformly evil, he can still “conceive great deeds, renunciations, martyrdoms.” Though the active love of good seems too weak to be reckoned as an asset, he still has a “hatred of evil”; and on this twin foundation, ability to think great thoughts and to hate evil deeds, he builds at last his culminating resolve.
The story is powerfully and yet subtly told. It sweeps the whole gamut of the moral law. Many stories develop the same theme but none just like this. Stevenson himself is drawn again to the same problem a little later in “Dr. Jekyll and Mr. Hyde.” Hawthorne tried it in “Howe’s Masquerade,” in which the cloaked figure is the phantom or reduplication of Howe himself. In Poe’s “William Wilson,” to which Stevenson is plainly indebted, the evil nature triumphs over the good. But “Markheim,” by touching more chords and by sounding lower depths, makes the triumph at the end seem like a permanent victory for universal human nature.
If the story is the study of a given situation, Markheim, who is another type of the developing character, is the central factor in the situation. We see and interpret the situation only through the personality of Markheim himself. Another murderer might have acted differently, even with those clamorous clocks and accusing mirrors around him, but not this murderer. There is nothing abnormal about him, however, as a criminal. He is thirty-six years old and through sheer weakness has gone steadily downward, but he has never before done a deed approaching this in horror or in the power of sudden self revelation. He sees himself now as he never saw himself before and begins to take stock of his moral assets. They are pitifully meager, though his opportunities for character building have been good. He has even had emotional revivals, which did not, however, issue in good deeds. But with it all, Markheim illustrates the nobility of human nature rather than its essential depravity. I do not doubt his complete and permanent conversion. When the terrible last question is put to him – or when he puts it to himself – whether he is better now in anyone particular than he was, and when he is forced to say, “No, in none! I have gone down in all,” the moral resources of human nature itself seem to be exhausted. But they are not. “I see clearly what remains for me,” said Markheim, “by way of duty.” This word, not used before, sounds a new challenge and marks the crisis of the story. Duty can fight without calling in reserves from the past and without the vision of victory in the future. I don’t wonder that the features of the visitant “softened with a tender triumph.” The visitant was neither “the devil” as Markheim first thought him nor “the Saviour of men” as a recent editor pronounces him. He is only Markheim’s old self, the self that entered the antique shop, that with fear and trembling committed the deed, and that now, half-conscious all the time of inherent falseness, urges the old arguments and tries to energize the old purposes. It is this visitant that every man meets and overthrows when he comes to himself, when he breaks sharply with the old life and enters resolutely upon the new.
Posted by Jesse Willis
The SFFaudio Podcast #189 – Jesse, Tamahome, Jenny, and Tim Prasil talk about the six episode anthology series Marvellous Boxes, recorded and podcast by Decoder Ring Theatre. But first we play an episode, Facing Cydonia.
Talked about on today’s show:
The Magic Of The Movies, The Crasher, horror, stage play (post Meridian Radio Players), Thinking In Trinary, Decoder Ring Theatre, Gregg Taylor, the Cobol Club, OTR, radio commercials, flash fiction, CBC, The Age Of Persuasion, “Sunday! Sunday! Sunday!”, Plotting For Perfection (the short story), stage play, the Vera Van Slyke stories, occult detectives, Fitz-James O’Brien, audio dramatizations of the Vera Van Slyke stories, Black Jack Justice, The Red Panda Adventures, why be locked into the 1/2 hour audio drama format?, A Demon Once Removed, a one set one act play, Nicole (the peripheral character with a personality), Chekhov’s Gun, an alternate history, “Gregg Taylor need not be played by Gregg Taylor”, Orson Welles, history, Frozen Words Thawed, Remembering The Martians, an all black cast of MacBeth, The War Of The Worlds, H.G. Wells, The Tempest (as an alien contact story), William Shakespeare, a controversy over the character names in Facing Cydonia, Jenny will sing us a song, the boxes, “are there more boxes in you?”, ghosts, the button, the wax cylinder recorder, the Piltdown Man hoax, Sir Arthur Conan Doyle, an authentic hoax, Conan Doyle is the most gullible, the Cottingley Fairies, FairyTale: A True Story, Harry Houdini, Terry Jones, Lady Cottington’s Pressed Fairy Book, the EULA on wax cylinders, Thomas Edison, the most science-fictiony story, Plotting For Perfection, a femme fatale story without the femme fatale, “talk about your retro-causality”, “a box with a hole in it”, Andrea Lyons?, Scene Of The Crime, Remembering The Martians, racism, difference, tolerance, Doctor Who – The Power Of Three, fish people, are the Martians really dead?, binary fission, fruitful names, Jacob, Jason, Easter eggs, Finbar, The Silver Tongued Devil, The Sonic Society, Roger Gregg, it’s a pseudo-documentary, a joke/haiku, “conclusions should be drawn with a pencil not a pen”, Aliens Are Like Mirages, “it’s an indictment I’m just not sure what it’s an indictment of”, “if we had this power would we use it?”, the curiousness of the chaplaincy, prequels are for readers not writers, the miracle, the yup, human history in a nutshell, To Serve Man, narrative structure, why is X-Minus One a good name?, Marvellous Boxes as a name doesn’t have a super-punch, steampunky, “steamy contraptions”, Murdoch Mysteries (CBC TV), “a little less steam and a little more electricity”, Netflix in Canada sucks, Weeds, Walk Off The Earth.
Posted by Jesse Willis
The SFFaudio Podcast #186 – An unabridged reading of The Lady, Or The Tiger? by Frank R. Stockton (17 minutes), read by David Federman – followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, and Julie Hoverson (of 19 Nocturne Boulevard).
Talked about on today’s show:
Monty Hall, Let’s Make A Deal, a can of sardines, a donkey and a block of hay, the Dungeons & Dragons meaning of “Monty Hall”, use in schools, weighting the scales, what is the character of women?, equally loving and equally jealous, love vs. jealousy, how barbaric are women?, where are the female criminals, a fully barbaric king, trial by ordeal, a box with a viper, a box with a knife, the swift choice, a curious justice system, jaywalking into the people’s court, like father like daughter, women were so emotional, unmodernizable sexism, guilt, there are tigers behind both doors, The Price Is Right, imaginary morality in an imaginary land, fairness conflated with arbitrariness, “when he and himself agreed upon anything”, Julie’s problem with philosophy, game theory, a thought experiment, Ray Bradbury style stories convey Bradburian feelings vs. Rorschachian style stories which elicit only the reader’s feelings, The Discourager Of Hesitancy (a sequel to The Lady, Or The Tiger?), smile vs. frown, Batman, Two-Face’s decisions are not actually coin tosses, The Man in The High Castle by Philip K. Dick, I Ching, “the tiger does not eat the straw because the duck has flown away”, phone psychics should agree with their customers, “the cards are telling me…”, psychics as impartial observers, a Ponzi scheme, selection bias, is it a double bluff?, does the father know that the daughter knows?, what is the punishment for adultery?, obsolete pop-culture, zoot suit riots (not just a joke, seriously), “six of one, half a dozen of the other”, “as snug as a bug in a rug”, we have to invent rug technology, nitpicking, Bugs Bunny dialogue, Max Headroom (is still ahead of it’s time), “blipvert”, They Live, shantytowns in the Regan era, Shock Treatment, The Rocky Horror Picture Show.
Posted by Jesse Willis