The SFFaudio Podcast #237 – Jesse, Tamahome, Julie Davis, Seth, and Jimmy Rogers talk about podcasts.
Talked about on today’s show:
Jimmy’s Synthetic Voices, Jenny’s Forgotten Classics and A Good Story is Hard to Find, podcasts are a house of mirrors, we have reached the podcast singularity, Julie’s podcast highlight feature, Edgar Allan Poecast, Dickens and Hawthorn podcasts on Julie’s wishlist, Jimmy’s podcast group meetup, Washington Science Fiction Association, Jimmy’s segment on StarShipSofa, the value of curated podcasts about podcasts, Luke Burrage’s geek Venn diagram (see below), Julie on the intimate nature of podcast listening, Jesse on the rarity of finding people who speak like they write, podcasts invite listeners into the conversation, “Tam listens to all podcasts”, SFSignal, Sword & Laser, mainstream podcasts, Security Now, ABC News, Agony Column, Jesse wants to hit Margaret Atwood again, 99% Invisible funded by KickStarter, Julie scans the new releases section in iTunes, KCRW’s DnA and Martini Shot, Inside the New York Times Book Review Podcast, NPR’s Car Talk, Wait! Wait! Don’t Tell Me!, Nature podcast, Science Update, Encounters, 60 Minutes is tightly edited (and that’s how it is!), Vice podcast (HBO show tie-in) and Dennis Rodman, Freakonomics, Day 6, Dan Carlin’s Common Sense and Hardcore History, CBC embraces podcasters, Garrison Keillor’s Writer’s Almanac makes Seth sound smart, audio drama, the Lovecraftian Welcome to Night Vale, Nerdist podcasts, Twin Peaks, Wormwood, Decoder Ring Theatre‘s shows, Julie Hoverson’s 19 Nocturne Boulevard, Leviathan Chronicles, podiobooks, Scott Sigler‘s BloodCast and Rookie series, J.C. Hutchins, Mur Lafferty‘s Heaven series, We’re Alive zombie podcast, Julie educates us on the Texas definition of “fine”, The Monster Hunters is zany UK comedy (not related to Larry Correia‘s Monster Hunters International), Plants vs. Zombies, HG World (not related to H.G. Wells), Ace Galaksi features Douglas Adams humour, meritocracy in podcast recommendations, “podcasting makes anyone a celebrity”, so does blogging (Julie’s Happy Catholic blog), Seth is the new intern (but can’t afford the Night Vale intern shirt), CromCast discusses Robert E. Howard whilst eating Chinese food, the nature of an author’s writing informs the nature of podcasts about them, H.P. Lovecraft Literary Podcast, Philip K. Dick Philosophical Podcast (not just on Facebook anymore), the importance of a well-researched podcast, Mr Jim Moon’s Hypnogoria, Peter Kushing, Chop Bard Shakespeare podcast, Julie challenges Jesse to do a podcast on The Tempest, SFFAudio’s Odyssey podcast series, Julie’s Genesis podcast series (based on Robert Alter‘s translation and commentary), Uncle Tom’s Cabin, Born Yesterday history podcast featuring an objective history of the gay bar, History According to Bob, British History Podcast, History of Philosophy without any gaps, Mike Duncan‘s History of Rome and Revolutions podcasts, When Diplomacy Fails, alternative iOS podcast apps, Stitcher, Swell Radio is Pandora for podcasts, Downcast ($0.99) is chock full of functionality, Huffduffer creates custom podcast feeds, if you don’t have RSS it’s not a podcast!, Free MP3 Downloader, fiction podcasts, Escape Artists Network (Escape Pod for SF, PodCastle for fantasy, and PseudoPod for horror), StarShipSofa’s Tales to Terrify, Clarkesworld Magazine, John Joseph Adams’s Lightspeed Magazine, Nightmare Magazine, DrabbleCast, different approaches to horror narration, Night of the Living Dead, don’t listen to horror before bed, Journey Into podcast, Seeing Ear Theatre on archive.org, Jimmy and Tam like to support creators of new content (but, asks Jesse, is new necessarily better?), CraftLit is way more than just knitting, podcasts about writing (Jesse hates them), Mur Lafferty’s I Should be Writing, Writing Excuses (Brandon Sanderson, Howard Tayler, Dan Wells, Mary Robinette Kowal), NaNoWriMo, Neil Gaiman on writer’s block, writing podcasts offer writers a sense of community, Adeventures in Science Fiction Publishing, Terry Pratchett “just makes things up”, the importance of writers reading classic works, Jimmy argues that ‘short stories offer writers more opportunity to extemporize and gives readers a sense of immediacy’, writing for deadline, Adventure magazine, Lord of the Rings, Tolkien Professor Podcast, J.R.R. Tolkien, Jane Austen, the Budweiser frogs, advertising as a source of drama, commercialization and ownership of brands, Jimmy on how podcasts build community, an intense debate about layering spoken word audio over music, This Week at NASA, DribbleCast is a fan spin-off of DrabbleCast, The NoSleep Podcast just won Parsec Award for Best New Podcast, Classic Tales Podcast (links are ephemeral), we all love podcasts–surprise!, Warrior Queen of Mars by Alexander Blade, if Doctor Who were a podcast the audience could request an episode with tribbles, Rappuccini’s Daughter by Nathaniel Hawthorne, The Cricket on the Hearth by Charles Dickens, podcast production has left overhead than traditional media offering greater flexibility and responsiveness.
Posted by Seth Wilson
Also known as “Stand Up And Slug” this humourous boxing story is told in the first person. Narrator Jim Philips does a great job characterizing the wharfies, boxers, and floozies that populate its seedy Honolulu docklands.
“I do not believe in too much thinking; it gives a fighter the headache.”
Protecting Project Pulp No. 30 – Waterfront Fists
By Robert E. Howard; Read by Jim Philips
1 |MP3| – Approx. 1 Hour 4 Minutes [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: February 5, 2013
Trouble never troubled Steve Costigan, for trouble meant action with a capital A—and action was what Steve craved. This time it was Honolulu, waterfront cabarets, and—guess what—a beautiful girl! First published in Fight Stories, September 1930.
Posted by Jesse Willis
The Tower Of The Elephant
By Robert E. Howard; Read by Jason McMullan
2 MP3 Files – Approx. 91 Minutes [UNABRIDGED]
Podcaster: Athena Audio Theater
Podcast: April – May 2013
A strange, blood-freezing story of an idol that wept on its throne, and a valorius barbarian from the fringes of an elder civilization. First published in Weird Tales, March 1933.
Podcast feed: http://www.athenatheater.org/book-show/rss.xml
Posted by Jesse Willis
Here is Donald A. Wollheim’s introductions to A Witch Shall Be Born, as published in Avon Fantasy Reader, #10:
Robert E. Howard’s stories of the wanderings of Conan the Cimmerian through the realms of the pre-Glacial era were based upon a carefully structed “history” of those ages devised by Howard before starting his series. It is, we think, this careful groundwork which makes these tales so colorfully realistic, so vivid, so varied in background. We sense that he has woven into his literary tapestry not merely varicolored threads but clothes of different textures, so that his prehistoric kingdoms are national not merely because he calls them by different names but because he has thought of them as different in culture, approach, tradition. This is no mean feat for a purely imaginary world and it is one of the things that have made Robert Howard’s stories so much more memorable than attempts at similar construction by more commercially slanted writers.
A Witch Shall Be Born
By Robert E. Howard; Read by Phil Chenevert
6 Zipped MP3 Files or Podcast – Approx. 2 Hours 5 Minutes [UNABRIDGED]
Published: June 17, 2013
The kingdom of Khauran is admittedly small, but blessed with an abundance of rich soil, hard working inhabitants and much gold but most of all by a sweet young queen who is as wise and beneficent as she is beautiful. But then a horrible witch (her evil twin sister) secretly replaces her and introduces devil worship, human sacrifice and other things too repulsive to mention. Conan, who was the captain of her guard is captured and crucified in the desert. First published in Weird Tales, December 1934.
Podcast feed: http://librivox.org/rss/7946
iTunes 1-Click |SUBSCRIBE|
And here’s a |PDF| of A Witch Shall Be Born as scanned from Avon Fantasy Reader #10.
[Thanks also to Britannia and Phil]
Posted by Jesse Willis
Sailing Alone Around The World
By Joshua Slocum; Read by Alan Chant
1 |M4B|, 22 Zipped MP3 Files, or Podcast – Approx. 7 Hours 52 Minutes [UNABRIDGED]
Published: May 9, 2007
Joshua Slocum was the first man to sail around the world alone in a small boat. He personally rebuilt an 11.2 metre sloop-rigged fishing boat that he named the Spray. On April 24, 1895, he set sail from Boston, Massachusetts. More than three years later, he returned to Newport, Rhode Island, on June 27, 1898 having circumnavigated the world, a distance of 46,000 miles (74,000 km). In 1899 he described the voyage in Sailing Alone Around the World now considered a classic of travel literature. It is a wonderful adventure story from the Age of Sail and a book of which Arthur Ransome declared, “boys who do not like this book ought to be drowned at once.”
iTunes 1-Click |SUBSCRIBE|
I was listening to an episode of the CBC Radio One Ideas podcast, entitled Sailing Alone Around The World |MP3|, and was struck by the story of the first man to do that very thing. The program uses excerpts from Slocum’s book of the same name, and interviews those modern solitary sailors who’ve followed in Slocum’s wake. The fact that, in some sections of the sea, the next nearest human being to a lone sailor might be someone on the International Space Station, was an astounding revelation to me. The fact that there have been fewer solitary circumnavigators than there have been people in space, also astounding. So, not even half-way through the show I set my sights on LibriVox, where I searched for, found, and downloaded an M4B of the audiobook.
Slocum was an Canadian by birth and a naturalized American. In the late 19th century, upon finding himself out of work (the age of coal powered ships had begun in earnest), Slocum found there was no more call for a tall ship captain. One day Slocum finds himself having been gifted with an aged sloop. And so he sets about refitting it, hires himself out to himself plans to write a book (serialized in the Century magazine), loads up his cabin with food, supplies and lots of books, and sets sail on a solitary circumnavigation of the planet earth.
What he finds in the adventure is, simply put, real adventure! Slocum is alone for the entire trip except for The Spray itself, Slocum’s sloop, which is full of emotions (it feels happy when the sailing is good, and becomes anxious when in port too long). Similarwise he has a few passengers, there’s a hungry goat, a sneaky bilge rat, and a long suffering spider (it meets another just like it half a planet away from where it was born).
In his more than three years at sea Slocum meets with ship thieves, admirals, colonial governors, the widow (and adopted son) of Robert Louis Stevenson, friendly natives, hostile natives, officious bureaucrats, friendly bureaucrats, storms, reefs, sickness, and even a ghost!
Along the way he salute’s the sea god Neptune, ports at many memorable anchorages, including the island of the real life inspiration for Daniel Defoe’s Robinson Crusoe (Alexander Selkirk), and becomes an international celebrity.
Slocum’s narrative is helped by his enjoyable sense of humor and hindered by his prejudices. And while the various characters that he meets in the book may sometimes benefit from Slocum’s breezy writing style I got no real sense of the other side of the story. Incidents with thieves, one man steals his pistol, and one South American boy tries to steal his ship, come across as far less frightening than they might really have been. Indeed, there’s something of a deliberate storyteller to this travel narrative, something which reminds me of Sławomir Rawicz’s extraordinary adventure memoir The Long Walk (it may have been entirely made up). That said, the documentation seems far more present, and the journey here does seem to have actually occurred.
Narrator Alan Chant has an English accent and a relaxed reading style. There’s a bit of background noise in the recording, but the audio is very serviceable. Each chapter begins and ends with a bit of seabird song. Recommended.
Posted by Jesse Willis
You are a former player of pen and paper (and dice) role playing games.
You feel bummed out that you don’t (or can’t) play anymore (or as much as you’d like).
You have heard of “actual play podcasts*” but you haven’t listened to one before. And there has always been one module, in your collection, that you never got the chance to play, but always wanted to:
Tomb Of Horrors is considered one of the greatest Dungeons & Dragons modules of all time, as well as one of the most difficult.
The mound of the grinning skull awaits.
Dare you listen?
AD&D Dungeon Module S1 – Tomb Of Horrors
By Gary Gygax; Dungeon Mastered by Monty Martin
13 MP3 Files – Approx. 29 Hours 39 Minutes [ACTUAL PLAY]
Podcaster: The Shattered Sea
Podcast: October – December 2010
In the far reaches of the world, under a lost and lonely hill, lies the sinister TOMB OF HORRORS. This labyrinthine crypt is filled with terrible traps, strange and ferocious monsters, rich and magical treasures, and somewhere within rests the evil Demi-Lich.
Session 1 Part 1 |MP3|
Session 1 Part 2 |MP3|
Session 2 Part 1 |MP3|
Session 2 Part 2 |MP3|
Session 2 Part 3 |MP3|
Session 3 Part 1 |MP3|
Session 3 Part 2 |MP3|
Session 4 Part 1 |MP3|
Session 4 Part 2 |MP3|
Session 5 Part 1 |MP3|
Session 6 Part 1 |MP3|
Session 6 Part 2 |MP3|
*An “actual play podcast” is a recording of a role playing game session played either at a table or over the internet, most often audio only, featuring multiple players and Dungeon Master (or Game Master, Keeper etc.).
[Thanks to John ONeill at Black Gate for the reminder]
Posted by Jesse Willis