You are a former player of pen and paper (and dice) role playing games.
You feel bummed out that you don’t (or can’t) play anymore (or as much as you’d like).
You have heard of “actual play podcasts*” but you haven’t listened to one before. And there has always been one module, in your collection, that you never got the chance to play, but always wanted to:
Tomb Of Horrors is considered one of the greatest Dungeons & Dragons modules of all time, as well as one of the most difficult.
The mound of the grinning skull awaits.
Dare you listen?
AD&D Dungeon Module S1 – Tomb Of Horrors
By Gary Gygax; Dungeon Mastered by Monty Martin
13 MP3 Files – Approx. 29 Hours 39 Minutes [ACTUAL PLAY]
Podcaster: The Shattered Sea
Podcast: October – December 2010
In the far reaches of the world, under a lost and lonely hill, lies the sinister TOMB OF HORRORS. This labyrinthine crypt is filled with terrible traps, strange and ferocious monsters, rich and magical treasures, and somewhere within rests the evil Demi-Lich.
Session 1 Part 1 |MP3|
Session 1 Part 2 |MP3|
Session 2 Part 1 |MP3|
Session 2 Part 2 |MP3|
Session 2 Part 3 |MP3|
Session 3 Part 1 |MP3|
Session 3 Part 2 |MP3|
Session 4 Part 1 |MP3|
Session 4 Part 2 |MP3|
Session 5 Part 1 |MP3|
Session 6 Part 1 |MP3|
Session 6 Part 2 |MP3|
*An “actual play podcast” is a recording of a role playing game session played either at a table or over the internet, most often audio only, featuring multiple players and Dungeon Master (or Game Master, Keeper etc.).
[Thanks to John ONeill at Black Gate for the reminder]
Posted by Jesse Willis
There’s a terrific radio drama series available via torrent over on RadioArchive.cc.
Broadcast late last year on BBC Radio 4, December 17 – 21, 2012, Modesty Blaise: A Taste For Death is truly lovely listening!
I listened to the entire five part serial two or three times. That’s something I rarely do. Yet even after multiple listens this program has left me wanting more.
Blaise, as voiced by Daphne Alexander, is a confident, mysterious, and thoughtful secret agent. The supporting cast is top shelf, as is the sound design, editing, and music. This show is unmissably great.
In tone it’s probably not what you expect, being more of a cozy version of The Sandbaggers than a feminized James Bond. Not campy, exactly, as it is far too reverent for that.
Indeed, this particular adventure features far more than just 007 style espionage, romance, and action – it features friendship, teamwork, kindness, thoughtfulness, and a light-handed touch.
Best of all the producers aren’t at all above teasing the audience – the very first sounds from episode one are a total tease!
I love it.
Also cool, Modesty Blaise: A Taste For Death seems to be set in the period the novel of the same name was written (1969). Blaise, a child escapee from a WWII era displaced person camp, drives a “Jensen” (in my mind it’s a Jensen Interceptor).
Here’s the description from RA.cc:
She’s glamorous, intelligent, rich and very, very cool. Modesty Blaise has been called the female James Bond but she’s much more interesting than that. With her expertise in martial arts and unusual weapons, the ability to speak several languages and her liking for fast cars, twenty-something Modesty became a female icon long before the likes of Emma Peel, Lara Croft, or Buffy.
In Stef Penney’s brand new radio adaptation of Peter O’Donnell’s novel, Sir Gerald Tarrant, Head of a secret British agency, tempts Modesty out of retirement and into a job involving a young woman with extra sensory powers, an exotic desert location, and a larger than life public school villain, intent on murdering his way to a vast fortune. With its perfect cocktail of glamorous settings, hidden treasure, a twisting turning plot, and characters to root for, A Taste for Death is an action packed treat – and a guilty pleasure.
With an original score by Goldfrapp’s Will Gregory, arranged by Ian Gardiner, and performed by the BBC National Orchestra of Wales, conducted by Ben Foster.
Modesty Blaise ….. Daphne Alexander
Willie Garvin ….. Carl Prekopp
Sir Gerald Tarrant ….. Alun Armstrong
Simon Delicata ….. Sam Dale
Steve Collier ….. Geoffrey Streatfeild
Dinah Pilgrim ….. Samantha Dakin
McWhirter ….. Alex Fearns
Skeet Lowry ….. Jeff Mash
Sir Howard Presteign ….. Nigel Anthony
Produced and Directed by Kate McAll
Modesty Blaise’s comics origin:
And here’s the movie trailer, yikes!
Posted by Jesse Willis
We recently received four collections from Speculative! via Brilliance.
Murray Leinster Collection
Includes: The Pirates of Ersatz, The Aliens, Operation Terror
By Murray Leinster; Read by Jim Roberts and Ran Alan Ricard
In The Pirates of Ersatz, Murray Leinster presents a fast-paced, light-hearted adventure story with a touch of Monty Python and much derring-do. The hero, Bron Hodon, comes from a planet where there is only one vocation – space piracy. His dream is to become an electrical engineer so he makes his way to a planet with a “perfect society” and invents a power source that should benefit all. The perfect society does not appreciate it, accuses him of creating “death rays” and forces him to flee to Darth, a much more primitive planet. There, and in space, he undergoes a number of rollicking adventures that make him wonder if space piracy – with a twist – might not be so bad after all. This tongue-in-cheek space adventure has often been compared to The Stainless Steel Rat by Harry Harrison.
The Aliens: Among other things, Murray Leinster is credited with the invention of “parallel universe” stories and in 1956 he won the prestigious Hugo Award for Best Novelette. Leinster wrote over 1,500 short stories in his career and two of the best, “First Contact” and “The Aliens”, deal with humanity’s first encounter with an alien race. In this story, the human race is expanding through the galaxy and so are the Aliens. When two expanding empires meet, war is inevitable. Or is it?
Operation Terror: Murray Leinster’s science fiction stories typically dealt with themes of frustration with human frailty and its limitations, cynicism vs. idealistic ethics, and romance. When a mysterious alien spacecraft lands in a lake in Colorado and the invaders begin using a paralyzing ray that no one can understand or stop, it takes an ingenious man like Lockley to save the girl and solve the mystery of the aliens.
Kurt Vonnegut Jr. Collection
Includes: The Big Trip Up Yonder, 2BRO2B
By Kurt Vonnegut, Jr.; Performed by Emmett Casey and Kevin Killavey
The Big Trip Up Yonder: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this story. It was written in 1954 and first appeared in Galaxy Science Fiction. In the chronology of his works, it came between Player Piano and The Sirens of Titan. The story takes place in a future in which the population has grown so huge, due to an anti-aging product, that generations are forced to live together in crowded apartments. The family in this story is ruled by a dictatorial grandfather, the owner of the apartment and oldest of the clan.
2BR02B: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this little gem of of a story from 1962. In the chronology of his works, it came between Mother Night and Cat’s Cradle. The title is pronounced “2 B R naught 2 B” and references the famous phrase, “To be or not to be” in Shakespeare’s Hamlet. The story takes place in a future when diseases and aging have been eliminated and, as a result, the government has taken measures to insure population control
Edmond Hamilton Collection
Includes: City at World’s End; The Stars, My Brothers
By Edmond Hamilton; Performed by Jim Roberts
City at World’s End: The midwestern town of Middletown is the “first strike” of a new super bomb. However, instead of destroying the town, the attack rips a hole in the space-time continuum, sending the town and it’s inhabitants to a distant Earth, cold and foreboding. The story of their struggle, survival, and ultimate success in rekindling the planet and dealing with the people and aliens of the future is the stuff of great science fiction. As you listen, see if you agree with the many who think this story was the origin of the Star Wars characters Chewbacca and Leia.
The Stars, My Brothers: Edmond Moore Hamilton was a popular science-fiction author during the “Golden Age” of American science fiction. “The Stars, My Brothers” is considered one of his best, and certainly most imaginative, stories. A spaceman is killed in space and frozen. He is left orbiting the space station where he was killed in the hope that a method will be found to bring him back to life. That day finally comes a hundred years later, when he awakens to a very different world and comes to realize he has become both a symbol and a pawn in a human/alien conflict.
Alan Edward Nourse Collection
Includes: The Coffin Cure, Image of the Gods
By Aland Edward Nourse; Performed by Ben Hurst
The Coffin Cure: No one likes a cold. It has plagued mankind for generations. When Dr. Coffin and his colleagues finally devise a cure for this ailment, the discovery is met with excitement worldwide. A month later though, noses everywhere start to rebel. Can they find a cure for the cure and do it in time to save their own necks?
Image of the Gods: In this story, an earth colony discovers that their relationship with the mother planet has suddenly changed due to an overthrow of the Earth’s government. They decide not to go along with the new totalitarian regime and to declare their independence. They expect a fight for liberty and get it. However, their relationship with the natives of the planet, the “dusties”, changes the whole situation in a very dramatic way.
The SFFaudio Podcast #188 – First podcast in 2008, in seven separate installments, here it is, the legendary, unconquerable epic that they didn’t want you to hear. It’s back, stronger, and wholly united into one massive adventure … the mighty BrokenSea Audio Productions adaptation of The Queen Of The Black Coast by Robert E. Howard!
Posted by Jesse Willis
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism,
Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Posted by Jesse Willis
Here’s a terrifically interesting story of romantic adventure, and love, between two very heterosexual men.
Did I mention they are heterosexual?
Well they are.
They have wives!
That’s all there is to it.
The Heathen interweaves Jack London’s racist ideas with his experiences as a sailor to make a truly he-manish tale of two macho sailors who form an unbreakable seventeen-year bond after being shipwrecked in the South Pacific. This is manly beefcake Jack London from 1910, working the blood and breed obsessed vein of fiction and friendship that Robert E. Howard did so masterfully in stories like Queen Of The Black Coast and Hills Of The Dead.
Unfortunately, the version that my good friend Gregg Margarite read for LibriVox, a couple years back, was abridged (or perhaps sanitized) – the PDF version below includes a couple of extra lines here, there, and at the end. Important lines. It also includes more swearing.
Damn those abridgers and sanitizers.
Gregg is dead.
I’m confident he’d have wanted to have read the unsanitized and unabridged original had it been available.
Here’s a beautiful |PDF| made from a scan of the magazine.
Here are the rest of the terrific illustrations by Anton Fischer:
Posted by Jesse Willis