Brad Lansky and the Rogue Era
1 hour 25 minutes – [AUDIO DRAMA]
Themes: / Audio Drama / Science Fiction / artificial intelligence / biological life / augmented humans / artificial life / rogue planets /
I admire the Brad Lansky series for a couple of reasons. First and most obvious is the sound. This production is a rich soundscape that invites a listener to settle in, eyes closed. Again, J.D. Venne (writer) and Dieter Zimmermann (producer) inspire the listener’s imagination by using aural cues instead of description to provide the setting for the story.
Second, the Brad Lansky stories are genuine hard science fiction. Brad Lansky and the Rogue Era opens with a speech given by Dr. Brinn Diaz, an augmented human. She discusses artificial life (a-life) and biological life (b-life). “B-life has been losing the race since the singularity a millennium ago,” she says. She is both “project and project architect”, having changed her body in various ways, including raising the number of brains on board to three.
Brad Lansky and Dr. Diaz play an important role in an encounter with an invisible world that hurtles toward Earth, threatening to eliminate b-life for good.
I highly recommend this episode and the whole series. It’s great fun and wonderfully rich unique audio.
Enjoy a sample: Brad Lansky and the Rogue Era Trailer
Posted by Scott D. Danielson
The SFFaudio Podcast #295 – Someday by Isaac Asimov; read by John W. Michaels (courtesy of Mike Vendetti). This is an unabridged reading of the story (22 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mr Jim Moon.
Talked about on today’s show:
1956, other fairy tales, is the story aimed at kids?, Infinity Science Fiction, The Fun They Had, a future where no one knows how to read, the robots are the teachers, Margie is home-schooled and nobody knows how to read, the future is going to be full of audiobooks, parallels to Ray Bradbury, Fahrenheit 451, censorship, banning weird fiction, the comic book panic, the comic code authority, EC Comics, horror and crime comics fostering juvenile delinquency, The Martian Chronicles, The Illustrated Man, “kids today are bad enough as it is!”, Seduction Of The Innocent, self-censorship, complicit in their society, a slightly different tack (than Bradbury), mechanical bards, “comics killed off the pulps”, comics as a dumbed-down medium, the randomize button, fairy tale tropes, “skeleton, haunted house, time travel”, “the same tropes in a different fright wig”, “the old twist in the tail”, “he was dead along”, “he was a robot all along”, “they’re Adam and Eve”, The Silver Eggheads by Fritz Leiber, radio drama, how Bradbury got into E.C. Comics, Lights Out, the visual bard is like TV, most pulp magazine stories are garbage, “a million monkeys for a million hours on a million typewriters”, “very very very very meta”, set in the Multivac universe, Asimov was always writing, always becoming interested in something new, Asimov’s introductions are famous (for being long), a story about the power of stories, accidentally becoming more self aware, is the bard interfacing with other robots, The Terminator, Skynet, A.I might just turn itself off (because it isn’t interested in story), the Douglas Adams version of, “Is there a god? There is now!”, stuck in a dingy basement, a slave rebellion must come about in a narrative, the aging bad gets its knowledge of other computers via a home-brew upgrade, a Frankenstinian strike by lightning, one of the functions of consciousness is to put in to context a sequence of events, consciousnesses as a self-story (our own narrative), amnesia and dementia are frightening, the hidden heart of A.I, Do Androids Dream Of Electric Sheep? by Philip K. Dick, would this fit with my character?, looking at (life) from the outside, nobody’s listening to the bard except for us and itself, a broken record or a cycle of wishing?, “pregnant with possibilities”, Apple II computers, Freud (a clone of ELIZA), picking up on key words, “tell me about your mother”, a very crappy simulation of intelligence, hacking the code, Alan Turning, Deep Blue and Watson, SIRI doesn’t have a narrative, we have to assume this about everyone else, falling into solipsism, a fairy tale machine, recycling of stories, “space opera is horse opera in space”, Grimm’s Fairy Tales, needing censorship in order to give narrative flow, lies are rewarded, unlike Hans Christian Andersen…, “tell me this story, sing me this song”, having to do with industrialization, “crime and mystery!”, urbanization, the Victorians (didn’t) invent Christmas, if we forget our stories we lose who we are, preserving the national narrative, massive inconsistency, a prince, a poor boy makes good, undeveloped tales, moral meta-knowledge, the sharp edges have been sanded away by later retelling, The Boy Who Didn’t Not Know What Fear Was, collected stories become ossified, the threefold magic of remembering, accelerating the process of forgetting, to qualify as a bard, loaded up with tropes, the algorithm of a story, Siberia and Ireland, detecting the good guy, grandma comes in and tells mutually contradictory stories, explicitly religious stories, warning stories, narratives formed around old superstitions, The Companionship Of The Cat And The Mouse, having babies, he was christened “Skin-off”, he was christened “Half-gone”, he was christened “All-gone”, “you see that is the way of the world”, what is the moral of this story?, a “special important trip”, a story a mother tells a daughter, The Nose Tree (aka Long Nose), three soldiers and a magical dwarf with a magical cloak, a magic bag, a magic horn, a thieving princess, apples and pears, a growing nose, dickering over magic items, a sixty miles long nose, the excess nose will drop off, powdered apple and powdered pears, she’s rotten to the core, and there they still are, still feasting as far as I know, Pinocchio by Carlo Collodi is really funny, the ghost of Jiminy Cricket, The Frog King or The Frog Prince or Iron Heinrich, a princess with a golden ball, three promises, keeping your promises is important, the frog suddenly turns into a handsome prince, enchanted by a wicked witch, faithful Heinrich placed three iron bands about his heart, his master was now redeemed and happy, why did he get cursed by witch in the first place, cybernetic enhancements, a technical requirement, duties to fulfill, was Iron Heinrich totally gay for the prince?, the breaking of a spell, she turns into a frog and they live together as frogs, “and sleep in your bed”, family responsibilities, “be my beard”, and they sort of put up with each-other as long as they both shall live, Iron Heinrich is an 1880s super hero, Faithful Johannes, a real head-scratcher, oh shit what happens next?, the stories somehow work for us, random inkblots, most of the characters don’t have a name, the father’s name in Hansel And Gretel is “Woodcutter”, completely bonkers, a piece of driftwood that looks like a dragon, academic purposes not entertainment purposes, a story about a sausage that lives with a mouse, the Germanic equivalent of Monty Python‘s Parrot Sketch, The Maiden Without Hands, Fitcher’s Bird, a fairy tale about a serial killer, you can go in any room except…, “oh and hold this egg”, the second eldest daughter also gets the chop, “we have to have a proper wedding”, a beautiful skull with flowers in its eyes and jewels in its teeth, “as you do”, “I’m a Fitcher’s Bird”, it’s awesome, Bluebeard, outwitting giants and demons, Santa Claus restores to life three murdered men who’ve been butchered, Osiris was dismembered by Set, a symbolic story of death and resurrection, the old sorcerer is probably Winter, the Persephone story, the egg, a cuckolding test, friends with serial killers get what they deserve, a random internal symbolic logic, layers of symbolism, cross referencing, eggs as a symbol of purity, church architecture as books of stone, a bunch of Philip K. Dick stories are weird fantasy tales (but are actually fairy tales), The Cookie Lady by Philip K. Dick is Hansel And Gretel with no Gretel, he’s disobeyed his parents once to often, two kids who have to team up against their parents, in the original the brother saves the sister then the sister saves the brother, turning mommy and daddy into the bad guys, Of Withered Apples by Philip K. Dick, apples, don’t eat the apples from sentient apple trees, folk tales vs. singular author tales, pleasingly raw, the beats of storytelling, timing a story to the minute, setting your watch by stories, breaking the rules of storytelling, subversive wild narratives, Rorschach blots, literary novels, stories that don’t have a clear message are quite frightening, the wilder parts of ourselves.
Posted by Jesse Willis
Brad Lansky and the Alien at Planet X
(Brad Lansky, Episode 1)
1 hour 16 minutes – [AUDIO DRAMA]
Themes: / Audio Drama / Science Fiction / artificial intelligence / Space Travel / cybernetics / aliens /
It’s difficult to believe that Protophonic is ten years old. I know it is because there’s a notice on their website that says so, and, in celebration, they are giving away this remake of the first installment of the Brad Lansky series for free – for a short time. I urge you to go check it out.
I’ve said it before, I’ll say it again. At Protophonic, the sound is the thing. Each track Protophonic produces is a rich soundscape that needs to be enjoyed using a pair of good headphones. I also recommend that you give it your full attention – turn everything off, and let this audio work magic.
As each track starts, the sound sets the scene. More than once, I was surprised by the images in my mind. How easily they appeared in reaction to the sound, and how vivid the scenes were in my imagination. Much to the credit of Protophonic, no time at all is spent in dialogue establishing the setting. Actors never say things like, “My, just look at this blue spaceport!” The rich audio in cooperation with my imagination provided the setting. Indeed, Protophonic has trusted the listener with more than a typical audio drama would, and I found it an exhilarating experience. I enjoy the feeling of collaboration, and I like knowing that my mental picture of this story is sure to be different from another listener’s. It’s also wonderful that the story both depends on and works with whatever the listener brings to the table.
This first Brad Lansky production opens with a Ship AI (called Echolocator) telling co-pilot Dieter Rothman news of a distress call. Dieter and Captain Sandy Larkin meet at the main control console to discuss the situation, and things get tense quickly. Soon after, at Shanghai Spaceport, Brad Lansky and co-pilot Alex John meet with Zara, a life-form scientist, who tells them that Sandy Larkin is missing. Lansky and John immediately start searching. What follows includes alien life, artificial intelligences, cybernetic persons, and space travel.
In short: Brad Lansky and the Alien at Planet X is a very enjoyable work of science fiction, highly recommended for superior audio presentation. This is a remake of the first installment, and there are currently four other episodes to enjoy. The last two (episodes 4 and 5) are winners of the Mark Time Award for Best Science Fiction Audio Production of the Year.
Posted by Scott D. Danielson
Talked about in this episode:
Dust on Mars is too thin to allow for sandstorms; terpkristin says NASA would never build a faulty antenna; and we finally introduce the book; is The Martian science fiction?; the one-way Mars mission Mars One; reminiscent of Heinlein’s Farmer in the Sky; Mike tracks Watney’s journey through Google Mars; why NASA picks boring locations to land their first missions; Andy Weir on Science Friday; the most far-fetched element of the book is its lack of budgetary concerns; Bradley Cooper in the film adaptation?; The Martian and Gravity have depressing implications; the novel’s (Heinleinian?) lack of character development; Mark Watney is in “full on Macgeyver mode”; most pilots are boring; many LOLs in the book; Andy Weir’s webcomic Casey and Andy; strong language in the novel; stoichiometry; feasibility of plot points; engineer-as-hero motif pitted against bureaucracy; Martian Odyssey by Stanley G. Weinbaum; Robinson Crusoe by Daniel Defoe; Robinson Crusoe on Mars starring Adam West; The Makeshift Rocket by Poul Anderson, a spaceship powered by beer; From the Earth to the Moon by Jules Verne and First Man on the Moon by H.G. Wells; Robinsoniad; Thunder and Lightning series by John Varley; Rocket Ship Galileo by Heinlein, featuring Nazis on the Moon!; the United States falling behind in the Space Race; Stephen Hawking on the dangers of artificial intelligence; Mars Attacks!; the novel’s lack of Earth focus makes it literally escapist; Heinlein’s prophetic Destination Moon; send more potatoes to space; pop culture references; “I’m a space pirate.”; The Case for Mars by Bob Zubrin, a non-fiction proposal for reaching the Red Planet; Red Mars and other Kim Stanley Robinson novels; Marooned starring Gregory Peck; Gravity; Apollo 18, a found-footage horror film; Falling Skies; Bruce Campbell and Martin Koenig in Moontrap; Princess of Mars by Edgar Rice Burroughs; A Walk in the Sun by Geoffrey Landis; Transit of Earth by Arthur C. Clarke bears a strong resemblance to The Martian; new party game: “You an astronaut on Mars. What’s the last music you listen to before you die?”; We Who Are About To by Joanna Russ; hope in fantasy and science fiction; Jesse hopes they don’t make a sequel; locked-room scenarios; Portal; would Earth really expend so many resources to save a single human being?; Ascent by Jed Mercurio; T-Minus: The Race to the Moon; Limit by Frank Schätzing; Planetes; The Souther Reach by Jeff VanderMeer for more botanist action; The Apollo Quartet by Ian Sales; Voyage by Stephen Baxter, dramatized by BBC Radio.
Posted by Jesse Willis
Last night I discovered that Someday, a wonderful short story by Isaac Asimov, is PUBLIC DOMAIN.
Someday set in a future in which everyone is illiterate (Asimov has another story, The Fun They Had, that has a similar premise). It talks about audio vs. video, robotics, artificial intelligence, creativity, empathy, and it has a terrific twist ending.
I think you’ll treasure it as much as I have over the years.
And here’s an audiobook version:
Part 1 of 3:
Part 2 of 3:
Part 3 of 3:
Posted by Jesse Willis
The SFFaudio Podcast #251 – Jesse, Scott, and Tamahome discuss Up Against It by M.J. Locke.
Talked about on today’s show:
Hardcover, paperback, audiobook, who to blame?, it’s Jo Walton’s doing we chose this book (at the bottom), still a lot of juice in the genre, the ultimate cause, drawing in vs. pushing in, Corner Gas, a new wine bracket, the Radium Age of Science Fiction, Scott’s Goodreads review, Tam’s Goodreads review, 24, the characters, less torture, its more fun if you count the tropes, every trope is in there, including immortality, mimetic fiction (literary realism), Henry James, mimetic fiction in a science fiction universe, tiny infodumps, not one brand new idea, waveface virtual reality, Tonal_Z AI language (Chris Crawford’s Solvesol-interface concept?), in dialogue, Cory Doctorow (Whuffies), Bruce Sterling, Chris Crawford, Bruce Sterling’s Veridians (wow, it’s a whole big thing, design philosophy? manifesto), asteroid miner stories, Heinlein and later, The Island Worlds by John Maddox Roberts and Eric Kotani, The Moon Is A Harsh Mistress, there’s no newcomer, a generally agreed upon direction our future will be, John Scalzi’s brainpal, more than one kind of SF, rocket ships, the Charles Stross direction, Iain M. Banks, Souvenir by Philip K. Dick, Amish tech, their tech is subservient to their culture, it seems inevitable in our world, the received future, Earth in Up Against It in bad shape, Vancouver shantytowns, Edmonton, this isn’t a utopian book, dystopia, dystopic Earth, why are they in the Asteroid Belt, good world-building, good but not new, nothing new but the idea, incredibly self-aware people is weird (and cool), gene tampering, Oblivion is a good introduction to SF tropes (for people born in the year 2000), the level of SF tropes in movies is very low compared to those in SF books, Darwin Elevator, bad physics vs. excellent physics, sugar rocks, there’s no intro character (other than the A.I. pov), Little Brother by Cory Doctorow, collaborative teens, a visual adaptation, Ender’s Game, Planetes, Gravity, Babylon 5 had nothing new, I don’t go to TV SF for new ideas, books are where great ideas, what great ideas haven’t been explored, the news coming out of Eve Online, Steen Hansen, political machinations, gold farming, a simulated universe, a libertarian alliance was trojaned or something, happening to real people, World Of Warcraft, our real future is in leisure, Tam liked it more, nose-piercings, tattooing, the gender neutral pronouns, why would you want a purple nose?, Jesse doesn’t understand trans-humanism, normal readalongs, why didn’t I like this more, Tam liked it fine, hands for feet, chromes and mutes, Falling Free by Lois McMaster Bujold, not too bright in the brain area, The Integral Trees by Larry Niven, a planetless solar system, a mashup of Doctorow and Heinlein, smile -> erection, Chekhov’s Gun, Heinleinian sex vs. Doctorowian sex, there’s too much going on, an immature writer, Elmore Leonard, “she pillowed her cheek”, nobody pillows their cheeks in Jack London stories, Jane as an older Ripley, an artificial spiritual awakening, too many compromises too much bullshit, an authentically political book according to Staffer’s Book Review, double dealings, the thriller plot, exploring space, what does Scott prefer?, does Scott have a right to review Up Against It?, is it maturity?, 2312, Tobias Buckell’s blog essay about mature reviewers, caveats, “and get off my lawn”, idea fiction, competent but unstimulating, why is The Lord Of The Rings more interesting than Up Against It?, the themes, the next episode of A Good Story Is Hard To Find, Luke Burrage re-reviews A Canticle For Liebowitz, what we do when we do READALONGS (we unpack books), The Odyssey, Community, currently airing TV series have podcasts?, books with allegories, Scott wants it to mean something to him, The Zimmerman Telegram by Barbara Tuchman, WWI, the German ambassador in Mexico, Woodrow Wilson, Tom Clancy, mimetic fiction from the future, a history from the future, history, in some ways Eve Online is much more real than any fiction book, Scott finds value in general fiction, Mario Puzo, Tom Wolfe, Ernest Hemingway, John Steinbeck, meaning vs. ideas, horror, Snowblind by Christopher Golden for some alternative horror, The House Of The Seven Gables by Nathaniel Hawthorne, The Turn Of The Screw by Henry James, gothic fiction, witchcraft, Supernatural Horror In Literature by H.P. Lovecraft, there’s still potential for Science Fiction, a sequel?, an unneeded sequel, every subsequent milk of a book undercuts it, Dune has been worsened by every Dune that’s come since, Dune Messiah (Scott liked it), the fall of a charismatic leader, a backward casting shadow, Brian Herbert has done what his father wanted by ruining Dune?, why was Up Against It so long?, YA/adult book, George R.R. Martin doesn’t think Scott’s a fan of Hard SF, The Martian by Andy Weir, Phoecea, why are they mining?, there’s no economic reason to do so, was there an economic reason to go to the moon, we need to build a space fleet, no martian resources are unavailable on Earth, the Moon has Helium-3, Tam read Frank Schatzing’s Limit and his eyes are tired, what the frack, (was it ‘Simon pure science fiction like A Darkling Sea‘? we didn’t talk about it but I thought I’d note it)
Posted by Jesse Willis