Talked about on today’s show:
the Pulpscans Yahoo! Group, how to do copyright renewal searches properly, the tools, The Cold Equations by Tom Godwin, Astounding Science Fiction, two ways stories can be protected by copyright, before 1963, publisher renewals, author renewals, renewals after 1950 are on copyright.gov, 1923-1950, a text file for magazine renewals, and a text file for author renewals, Weird Tales, 1920s to the 1950s, OCR failures, looking for something to not be there, a very heavy burden, pseudonyms, false renewals, erroneous renewals, the pre-internet days, the Philip K. Dick estate’s copyright “pattern of abuse”, revisions, the 36 public domain Philip K. Dick stories, “they never got it wrong the other way”, a statistician could do something very interesting there, The Adjustment Bureau / Adjustment Team, the H.P. Lovecraft estate (if there is such a thing), the S.T. Joshi corrected texts, Home Brew (magazine) with Clark Ashton Smith, ebooks, paperbooks, and audiobooks, the Science Fiction Megapack, trademarking, licensing stories, horror, fantasy, golden age of science fiction, Lester del Rey, Westerns, length is not an issue in, Eando Binder, short stories in comics, Jack Binder, Captain Marvel, Whiz Comics, Captain Video, Tom Corbett, the Adam Link stories, Otto Binder, banned from Amazing Stories, “E” and “O”, unattributed short stories in comics, Fawcett Comics, Westbrook Wilson, Richard Lupoff, the space patrol stories, Joseph J. Mallard, a Nazi saboteur lost in the north woods, a dodge for a cheaper rate, silver age comics drop text stories, early DC Comics, Night Of The Living Dead, Zulu, fanzines in the public domain, Ray Bradbury in the public domain, copyright notification is no longer required, USA copyright lifetime + 70 years, 1984 by George Orwell is public domain in Canada but not yet in the USA, Donald A. Wollheim, a quasi-legal loophole, The Lord Of The Rings by J.R.R. Tolkien was briefly public domain in the USA, the scarcity of the Ace paperbacks of The Lord Of The Rings, the state of Ace doubles etc., unless it’s work made for hire, children’s books, Nancy Drew, Tom Swift, copyright compilation renewals, Analog renews a magazine…, how would we know if an author asks for his or her rights back?, the Guy de Maupassant Megapack, a victim of availability, Jules Verne, translations, a recent obsession, a gold mine [metaphor], an estimated 85% of books and stories published before 1964 are in the public domain, reading the letters pages of Weird Tales, Robert Bloch, spotty renewals, Ray Bradbury changed the name of stories a lot, pulp magazine editors, editorial meddling, respecting the text but keeping your job, annotated text links, nothing new can enter the public domain in the USA, corporate copyright to 95 years, the puppet Sonny Bono, life +70 years for authors is, 1922 and before is without question in the public domain in the USA, Mack Reynolds, buying author estates, Lester del Rey, H.B. Fyfe, unpublished manuscripts, John W. Campbell, Ellery Queen’s Mystery Magazine, archaeology for writers, 37 unpublished Mack Reynolds novels were thrown away, what is an author’s estate worth?, thousands of $$, R.A. Lafferty estate sold for $70,000.00, a major SF author’s estate was worth 1/4 million $$, the trend in ebooks, 14,000 different paperbooks and 1,100 ebooks and the ebooks earn 4 times as much as the paperbooks, the audiobook trend, Audible.com, Lois McMaster Bujold audiobooks, 200 audiobooks, a value added for authors, because Amazon owns everything…, a benign dictator forever?, when all competition is gone…, Amazon vs. Hachette, Amazon is demanding a higher and higher cut of ebook sales, 85% of ebook sales are through Amazon, a giant anti-trust situation, it’s like Highlander … there can be only one, when everything goes seamlessly into the Kindle…
Posted by Jesse Willis
Much has been said about Orson Scott Card’s novel Ender’s Game from 1985 and there is still much to discuss. Of course there is much more than the ‘Oh, the titular game was real!’ ending. This ending may appear to be a very cheap solution to the reader today. But despite this, the novel’s implications are still delivering up-to-date topics for us to discuss. When the game was manipulated by the military and the kids had been hoodwinked into committing genocide against the Buggers – we can ask ‘what does that say about grown-ups manipulating kids in general?’ Orson Scott Card’s novel remains a classic SF because it constructs ideas within us.
To me this novel is a very particular story and after a long hiatus in the SF field I wanted to go back to the roots of my usual reading habits which used to be SF, Fantasy and Horror. I listened to the episodes of The SFFaudio Podcast and the name Orson Scott Card was sprinkled in here and there. In Cologne I went into an English bookstore named “Fine Tea and Books,” run by a very friendly guy named Christopher Potter – he also happens to be a Conan fan expert in recommending SF. He told me to read Orson Scott Card’s novel “Ender’s game” and so I did and I was immediately immersed into it.
Then I heard about a German audio drama, exclusively published by Audible. And then too I heard of an English language version. Orson Scott Card himself wrote the script for the show and it was translated into German by Andrea Wilhelm. A very experienced director of the audio drama, Balthasar von Weymarn (also well regarded as producer of the audiodrama company “Interplanar”). In addition von Weymarn is head of the Mythological RoundTable® Charter Berlin der Joseph Campbell® Foundation, and a screenwriter who no doubt knows his stuff.
Together with audio technican Jochen Simmendinger, von Weymarn had to coordinate 101 voice actors, including 40 child and teen voice actors at a recording studio in Berlin. The deadline was very tight because the German audio drama had to be released simultaneously with the start of the movie adaptatoion. The pressure was high but Baltashar von Weymarn loves challenges as he said “A challenge makes it fun.”
Von Weynarm is into the story and knows the novel well. A good director does not only consult the script, but researches much about the author and the cicrumstances around which the novel was written. Von Weynarm knows it all, he wonders why kids are trained that way, what kind of government rules Earth, and he goes deep into the story itself. And this hard thinking shows up in the production. The director’s interpretation of the audiodrama script, as well as of the novel, drives his imagination, evokes mind pictures that von Weynarm is able to explain to his actors. Perhaps every director has to work that way. However, Balthasar von Weynarm had to do it with 40 young and 61 adult actors, each one had to fulfil her or his part and the director had to explain how it all had to be done. This is an amazing achievement.
Due to the fact that the script was written by Orson Scott Card himself the director’s interpretation has it’s limits. But von Weynarm’s production maximizes the script’s power. There is no narrator. All “off-screen” information is given to us via comments by spectators of certain scenes. These spectators observe actions that are happening somewhere else and then anallyze these action right away. This is the issue director and his ensemble can show action. All that can be explained through the voice is well done. Music is also used, but shows up more between the scenes. And so as to fuel the listener’s imagination there are also addedsound effects, created by sound designer Tommi Schneefuss. Schneefuss does a terrific job because the sound effects are not intrusive nor too disturbing. They fit into the setting.
A special issue must have been the casting of the kid actors especially because there were strict specifications by the author. The central character Ender was played by 12-year-old Arne Kapfer. And because his mother was cast for this audio drama he was asked to join the cast. This is a tricky part in all audio drama productions, von Weynarm reports, because boys at that age can suddenly have their voice change. Arne Kapfer though is a pro himself, and brings in five years worth of experience as TV commercial actor. And at home his parents have their own recording studio. It was great to hear the development of Ender was transported through Arne Kapfer’s voice. His slight intonations toward sarcasm, in particular scenes in the Battle School, were very well performed. Kapfer brought in a lot of talent – though voice acting is only a hobby as he has career aspirations toward geology.
The producer of the audio drama is the Lauscherlounge company that works together with most of the best voice artists in Germany – many of whom t apper in “Ender’s Game.” Take for example one of my all-time-favourite voice actors Udo Schenk, who played Colonel Graff. Schenk is the voiceover artist for Garry Oldman, Ralph Fiennes, David Morrissey, Ray Liotta and many more. Timmo Niesner for Chamrajnagar (who dubs Elijah Wood), and Erich Rauker as Mazer Rackham (artist for Will Patton). Their talents form a neat audio drama that is both enjoyable and the very essence of the novel. Does this audiodrama replace the book? No, but it enlarges the listener’s understanding of the novel and it’s a whole lot of fun to hear. The seven hours pass almost too quickly.
Until recently the book itself was long out of print in Germany but because of the movie it was re-published in the general SF section of the Heyne Verlag and not marked out as a YA book.
Posted by Mirko
Dan Stevens on Narrating the Audible’s new audiobook version of Frankenstein by Mary Shelley
Posted by Jesse Willis
Talked about on today’s show:
Jonathan Davis, Pat Fraley, Scott Brick is the Brad Pitt of audiobooks and Simon Vance is the George Clooney of audiobooks, how Simon Vance got started, reel to reel tape recorder, Winnie The Pooh, BBC Radio 4, 1980s, Brighton, RNIB, Grover Gardner, George Guidall, The Book At Bedtime, Margaret Thatcher, California, San Francisco, Christian and devotional audiobooks, “we sound more intelligent (but we’re not)”, Stieg Larsson, Dracula by Bram Stoker, Audiofile Magazine, Earphone Awards, England, Sweden, The Girl With The Dragon Tattoo, the apprenticeship, Market Forces by Richard K. Morgan, a classic dystopia, Thirteen (aka Black Man), The Steel Remains, The Cold Commands, artfulness and in-artfulness of narration, Doctor Who, overwhelming music -> overwhelming emotion, The Lord Of The Rings, the good narrators do the unexpected, “boo”, Dune by Frank Herbert (the full-cast audiobook), Goodreads.com, Simon Prebble, V For Vendetta by Steve Moore, the comic + the movie + Simon Vance = great audiboook, Natalie Portman was awesome, Stephen Rea, most novelizations are terrible, Hugo Weaving, James Bond, Ian Fleming, AudioGo, Blackstone Audio, the Green Knowe books, Listen And Live, Kate Fleming, The Prestige by Christopher Priest, a complicated book, a second chance, The Science Fiction Book Review Podcast review of The Prestige (episode #177), the movie of The Prestige, a final trick, one of the best Science Fiction movies of the last ten years, a thinking man’s book (and movie), The Illusionist, stage magic vs. CGI magic, The Magic Circle, Left for Dead: The Untold Story Of The Tragic 1979 Fastnet Race by Nick Ward and Sinead O’Brien, survival, Antarctica, fiction vs. non-fiction, a cabinet of heads, WWII, the Patrick O’Brian books (the Aubrey–Maturin series), Master And Commander, the incomplete book 21, Robert Hardy and Tim Piggot-Smith, what SFF Simon Vance book should we check out?, The Darwin Elevator by Jason M. Hough, The Exodus Towers, The Plague Forge, zombie apocalypse, aliens, “good honest adventure”, Pan Books Of Horror, c, Rama, Rama II, The Man In The High Castle, Philip K. Dick, Mark Twain, Anthony Trollope, Charles Dickens, a PDF listing Simon Vance’s audiobooks, out of print audiobooks, Audible.com, Christopher Priest’s other audiobooks are done by other audiobook narrators, Peter Ganim, Robert J. Sawyer, The Player Of Games by Iain M. Banks, rights issues, keep your audiobooks.
Posted by Jesse Willis
The SFFaudio Podcast #221 – Jesse and Jenny talk about audiobook NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s podcast:
“Spaaaaaaaaace and Military Sci-Fi and Aliens”, Humans by Matt Haig, Mark Meadows, Simon & Schuster Audio, Publisher’s Weekly, Jenny is a librarian, Douglas Adams, The Radleys, Boo Radley’s family?, The Simpsons Futurama Crossover Crisis, Marvel Comics, DC Comics, Red Dwarf, Atticus Finch, To Kill A Mockingbird, a whole pile of stereotypes, Space Magic by David D. Levine, Tk’tk’tk, Escape Pod, aliens, Ancient China, Rewind, The Tale Of The Golden Eagle, are author collections more rare these days?, Charley The Purple Giraffe Was Acting Strangely, Twitter authority, Jenny’s stereotypical powers, “Classic/Epic/Traditional Fantasy (swords! magic! etc!)”, unclothed unicorns, A Discourse In Steel by Paul S. Kemp, Nick Podehl, Angry Robot, Brilliance Audio, Bryce L., Jenny’s fault!, Elisha Barber by E.C. Ambrose, James Clamp, terpkristin, historical epic fantasy, a biblical name, the Fellowship of the Royal College of Surgeons = Doctor -> to Mr., Ms., or Mrs., The Coming Of The Ice by G. Peyton Wertenbaker, urban fantasy, Cast In Shadow by Michelle Sagara, Khristine Hvam, “something is stirring again”, “vaunted”, Gameboard Of The Gods by Richelle Mead, Emily Shaffer, Penguin Audio, Dawn V., Infinite Jest by David Foster Wallace, ONAN, The United States of North America, H20 (TV miniseries), a crime novel set in the future, steampunk, Romulus Buckle & the City of the Founders by Richard Ellis Preston, Jr., Luke Daniels, Springheeld Jack, fun names, do we have aliens in steampunk?, high-octane steampunk?, Rose Davis, cyberpunk, post-humans, robots, iD (Machine Dynasty #2) by Madeline Ashby, Luke Daniels, self-replicating human robots must have rights too!, The Year’s Top Ten Tales of Science Fiction 5 edited by Allan Kaster, Tom Dheere, Nancy Linari, Dara Rosenberg, Infinivox, Invisible Men by Christopher Barzak, Close Encounters by Andy Duncan, Bricks, Sticks, Straw by Gwyneth Jones, Arbeitskraft by Nick Mamatas, The Man by Paul McAuley, Nahiku West by Linda Nagata, Tyche And The Ants by Hannu Rajaniemi, Katabasis by Robert Reed, The Contrary Gardener by Christopher Rowe, Scout by Bud Sparhawk, katabasis as a trip to the underworld, Carniepunk by Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson, Kelly Meding, Candace Thaxton, Kirby Heyborne, Simon & Schuster, Sweeney Todd, carnival themed, Joyland by Stephen King, Like Water For Elephants, The Night Circus, The Boys In The Boat: Nine Americans And Their Epic Quest For Gold At The 1936 Berlin Olympics by Daniel James Brown, Edward Herrman (the grandpa on Gilmore Girls), At The Mountains Of Madness by H.P. Lovecraft, Charlie Chan At The Olympics, Mary Lou Retton, Doctor Jekyll And Mr. Hyde by Robert Louis Stevenson, Wayne June, Algernon Blackwood, William Hope Hodgson, Jesse thinks Wayne June is awesome, not scary but chilling, Neonomicon by Alan Moore and Jacen Burrows, Jenny hates censorship!, a horrifying book, Mike Bennett’s narration of The Shadow Over Innsmouth, this horrible wonderful book, necessary but not shown, From Hell, Johnny Depp, Jack The Ripper, Watchmen, what would that do to our world?, The Fall (TV miniseries), Gillian Anderson, Dexter, Breaking the Fourth Panel: Neonomicon and the Comic Book Frame, don’t look under the bed, angry reviews, Alan Moore is working on a new comic book series set in Providence and with H.P. Lovecraft as the main character, The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft (edited by S.T. Joshi), A Good Story Is Hard To Find, The Dunwich Horror, ragged end paper?, Classic Tales Of Vampires And Shapeshifters, Mileskelly.net, The Horla by Guy de Maupassant, The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer, Ghosted, Image Comics, WWW: Watch by Robert J. Sawyer, Luke Burrage’s Science Fiction Book Review Podcast, inaudible audioboks from Audible!, podcasts have had this problem, the cost of not proof listening an audiobook or podcast is multiplied by its number of listeners, how many new audiobooks have been published through Audible Frontiers, unnecessary info-dumping, The Ocean At The End Of The Lane by Neil Gaiman, self-identity, Among Others by Jo Walton, statue wedding, performing as a living statue, Viking Boy, Mike Vendetti, new short audiobooks, Science Fiction: A Very Short Introduction by David Seed, Brian Holsopple, “Lit Crit Punk”, how we got Rabkin, The Great Courses are now on Audible.com, TheGreatCourses.com, the popularity of MOOCs, Eric loves fairy tales, no homework!, Heartburn by Nora Ephron, Meryl Streep, thanks Eric!
Posted by Jesse Willis
The SFFaudio Podcast #218 – Jesse, Luke Burrage, and David Stifel and John Feaster discuss the audiobook of The Land That Time Forgot by Edgar Rice Burroughs (narrated by David Stifel) – you can get the free podcast of the audiobook HERE.
Talked about on today’s show:
This Burroughs Guy, The Caspak Series, Irwin Borges biography of Edgar Rice Burroughs, Blue Book magazine, The Lost U-Boat, the 1975 movie (The Land That Time Forgot), The People That Time Forgot, weird science ideas, evolution, this is how evolution works here (maybe?), tadpoles, the irony, Tarzan Of The Apes, dead baby ape, “And now this creature of my brain and hand had turned Frankenstein, bent upon pursuing me to my death.”, WWI Germans, The Lost World by Sir Arthur Conan Doyle, Journey To The Center Of The Earth by Jules Verne, navigating an underground river with a u-boat, Yellowstone Park, lost continent, high tech, necessary irony, a classic story, Jurassic Park, a UNIX system, “Californians, as a rule are familiar with jiu-jitsu.”, casual racism, Japs vs. J.A.P.s, the Huns (the Bosch), the rape of Belgium, trouble with Germans in the 1920s, Tarzan The Untamed, “full German racism”, Greenland, “imaginative idiots”, the frame story, John Carter of Mars, the tides took a thermos from the Antarctic Indian Ocean to Greenland in the space of a year, very outlandish stories, sardonic humour, Luke on framing stories, werewolves, vampires, zombies, The Player, meta self-referential recursive, we never learn the protagonist’s name until the last chapter, Bowen, the Lafayette Escadrille, Earnest Hemingway, he’s no Tarzan, a techno-geek, a romantic flop, Crown Prince Nobbler aka Nobs (an Airedale), Tintin and Snowy, was Tintin gay?, strange lands, X-Men #10, The Savage Land (of Ka-Zar), fewer dinosaurs, Plesiosaur soup, Pterodactyls, Allosaurus attack, the farther north you go the farther you go in evolution, Ahm, Cro-Magnon man, Out Of Time’s Abyss, embryology, “we’ve all got gills at that point”, flowers, “it’s always below the surface”, “we are more developed from them <- is wrong", whaddya mean kinda racist??, "the black people are below the white people on this chart", H.P. Lovecraft, one could call it evil (but fun adventure), something else, action adventure story, refining your own oil, the hero must always find a dog and a girl and exactly what he needs, the damsel in distress is a bit wet, the movie commander is sympathetic, ape like monsters, Michael Moorcock, volcanic eruptions, Baron Friedrich von Schoenvorts, shelling the fort on the way, evil bastards, shelling the lifeboats is wholly malice, soooo propaganda, Prussian honor, who was the bad guy in WWI?, proposed German peace terms if they had won WWI, domino theory, communism, let's head for Caspak, The Temple by H.P. Lovecraft, an incident blown out of proportion?, terror attacks vs. gun accidents, war crimes?, water-boarding, Otto Skorzeny, bombing dykes and dams (not a war-crime because we did it too), conducting operations while in enemy uniforms, Harry Turtledove’s alternate history, Benito Mussolini, real-life James Bond (was Austrian), Skorzeny’s smite, more Burroughs, The Mucker by Edgar Rice Burroughs, “socially relevant fiction”, yellow peril looking dudes, quite adventurey but with interesting ideas, the pre-Socratics philosophers on spontaneous generation of life, spontaneous or parallel development, again with the weird women birthing practices, Marvel Comics, The Savage Land, Tarzana’s racial segregation, white supremacy, Glenn Beck’s planned community, racists believe in races, socially constructed, genetic racism?, the monkeysphere, H.G. Wells’ work, The War Of The Worlds, Burroughs’ heroic heroes vs. Wells’ horrible people, the sympathy is in us not the book, the artilleryman, a bit of a loon, the Zulu, the Martini rifle, one day one day!, Japan’s aspirations, we need some warships, we’ve got to control our own shit, navel vs. naval, it happened to Germany too, “too cold and full of penguin’s let’s take Poland instead”, The People That Time Forgot, Out Of Time’s Abyss, more Tarzan, how long does it take?, Tarzan And The Jewels Of Opar, the Venus series, Jerry Schneider, Pirates Of Venus, invalid copyright renewals, more Mars please, Mastermind Of Mars, permission requires money, the bigger gorilla, Audible.com, Burroughsguy.com, re-writing for less racism, a blow by blow comparison, lynching, The Lost Continent by Edgar Rice Burroughs (aka Beyond Thirty), perfidy, the lost continent is Europe, a black super-state!, 30 Longitude West, prejudices, vilontely pro-capitalist in the Ayn Rand sense, Burroughs loathed the labour movement, the Industrial Workers of the World are the real bad-guy, “women don’t really want to be equal to men”?, deep down atheists really believe in God?, the mystery will be unveiled.
Posted by Jesse Willis