The SFFaudio Podcast #319 – Jesse, Julie Davis, Seth, and Maissa continue their journey through The Lord of the Rings by J.R.R. Tolkien with a discussion of Book III “The Treason of Isengard” (aka the first half of The Two Towers).
Talked about on today’s show:
Lord of the Rings was published in three volumes instead of six volumes due to paper shortages; surprise, Jesse prefers shorter volumes; Ayn Rand’s thick books, and thin books like Anthem; pocket editions of The Hobbit; small books make us feel like giant Alice in Wonder characters; The Two Towers is the shortest volume, though Return of the King is bulked up by appendices; as a first-time reader, Maissa appreciated the quick pacing; Anthony Boucher’s review claims the volume makes “inordinate demands” on readers; overwhelming back history; the difference of reading review and reading for pleasure; reading at Shadowfax speed!; “hope is in speed”; the poetry of Tolkien’s prose; Anglo-Saxon influence on alliteration in Rohan speech; the beauty of Tolkien’s descriptions; Gimli’s descriptions of the caves; the illegitimate heirs of Tolkien can’t compete with Tolkien’s command of language; the Orcs as comic relief; three factions of Orcs set against the three races of runners; Legolas and Gimli working through their differences; evil by definition does not make alliances; Saruman’s cloak of many colors as a symbol of evil; the Orcs’ lack of coöperation; who is the wandering old man in the hat?; the contrast between the Orc draught and Ent draught, similar to Gandalf’s flask of Miruvor in Book II; the persistent symbolism of waters and drinking in this volume; similarities between Rohan and Anglo Saxon culture; linguistic parallels between the speech of the Rohirrim and Old English; “sister-daughter” and different familial relations in Rohan; the emerging importance of Éowyn; the underpopulation of Middle Earth; parallels between the Third Age of Middle Earth and Europe after the “fall” of Rome; Gondor = Rome to some Tolkien scholars; Dan Carlin’s Blueprint for Armageddon on World War I; the influence of World War I on Tolkien’s writing; flood and trench imagery of Orthanc recalls the devastation of World War I; Middle Earth (and the modern world) is in a time of transition; conversation with Éomer about the persistence of legends; “not we, but those who come after, will make the legends of our time”; people tend not to recognize they’re in a time of transition; Jesse deftly defines “Flotsam and Jetsam” for us and ties them into the book’s backward-looking and forward-looking symbolism; Tolkien’s love of etymology; action like the Ents’ storming of Isengard happens off-stage; Agatha Christie style foreshadowing with Longbottom Leaf; we don’t really care about Helm’s Deep; “Aragorn joined Éomer in the van”; horrible tree puns; Old Forest as the Fangorn of the West; we’re pretty sure the Entwives are hanging out there; the Elves are less interesting than Ents because the Elves are too perfect; the Elves talked the Ents into wakefulness; Shadowfax’s race of horses can understand the speech of men; the pre-speech age of human beings and Koko the gorilla; the Rangers are the detectives of Middle Earth; Voltaire’s Zadie and Poe’s C. Auguste Dupin from The Murders in the Rue Morgue; debate about existence of evidence for the Entwines–stay tuned to the next volume!; finding the Entwives = Mission Impossible (cue theme); the growth (in many ways) of Merry and Pippin; Gandalf’s foresight in allowing them to join the Fellowship; “they are the pebbles that began the avalanche of the Ents’ rising”; the three runners sped 220 kilometers in four days; it proved fortuitous that Pippin found the Palantir; the Palantir is FaceTime with Sauron; Merry and Pippin were key to Boromir’s redemption; return of the black swans–and the eagle!; Ariel in The Tempest by Shakespeare does all the work for Prospero, just like the eagles; Gandalf actually performs magic in “The Voice of Saruman” chapter; the voice in Dune; Gandalf takes over the council of wizards; the blue wizards aren’t present because they’re too “swear-y”; the recurring importance of choice; Tolkien is always on the side of free will; Aragorn’s decision not to follow Frodo; Palantir are the “seven stones” of Gondor’s flag; the Palantir is neither good nor evil; Palantir symbolizes communication of superpowers between the world wars, and the iconic red phone; The Victorian Internet by Tom Standee: the telegraph is the best thing since sliced bread; the lazy visual shortcuts that the movie takes with the Palantir and with Saruman’s influence on Théoden; The Man Who Never Was; meanwhile, Sam and Frodo are slogging through; the inevitable breaking of the Fellowship; the four elements in Gandalf’s death and resurrection; more Lovecraftian weirdness in the bowels of Middle Earth; Gandalf has changed; Norse worm gnawing at the roots of the World Tree; Treebeard as shepherd of the trees; “boom, boom, dahrar!; Net names tell the whole story of things; Freebeard’s bed isn’t for sleeping; Shakespeare’s disappointment at Shakespeare’s sleight-of-hand with the trees of Birnam Wood not actually coming to life in Macbeth; “fear not, till Birnam wood do come to Dunsinane” almost perfectly echoed in The Two Towers; nobody does Elves better than Tolkien; the joy Tolkien must have had writing about trees.
“Aragorn and Legolas went now with Eomer in the van.”
By Seth Wilson
The SFFaudio Podcast #306 – The Fall Of The House Of Usher by Edgar Allan Poe; read by Mike Vendetti. This is an unabridged reading of the story (49 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Davis, Bryan Alexander, and Mike Vendetti
Talked about on today’s show:
LibriVox.org, Audible.com, a Reader’s Digest version, a ponderous vocabulary, prolixity, Poe the hoaxer, the part of him that invented the mystery short story, a corpse flower, this is what Lovecraft does, “he’s done his research!”, words made by mad men, mapping the elephant’s outline, the movies, the comics, the Wikipedia entry, The Haunted Palace by H.P. Lovecraft, the Roger Corman movie, the poem is the outline for the story, the history of the house of usher, dead trees with white trunks, New Jersey, the lutes well tuned law, porphyrogene – “born to the purple”, synecdoche, a photo negative, upside down and inverted, golden banners, the fungi, The Tell Tale Heart, The Bells, a republic society in love with aristocracy and royalty, The Masque Of The Red Death is a dystopia, Hop Frog, “its beautiful … but horrible things happen”, John Buchan, broken off pieces of themselves, Thomas A. Shippey, the Vatican astronomer, no titles allowed anymore, Queen Elizabeth II, Br. Guy Consolmagno, absentee royalty, a super-mix, “evil things in robes of sorrow”, entombed, equating architecture and person, you can’t separate Roderick from his sister, “I heard it man”, why did he dare not speak?, buried alive, twins and twinning, the 1989 adaptation of The Fall Of The House Of Usher, why they can’t just tell the story in adaptations, this is hospice care, was Roderick tormented by his twin sister?, I see a skull, the house is a skull, the trees are ribs or arm bones, a ghost, dying of old age, reason, rationality, Guy de Maupassant’s Who Knows, the furniture represents the faculties, the end of The Life Of Pi, the miasma, an unhealthy atmosphere, in awe of Poe, Everything That Rises Must Converge by Flannery O’Connor, the Usher stump, the stump of the tree of Jesse, a tottering mind, everything’s lined with copper, a Frankenstein motif, a long family line of incest, “it had put forth no enduring branch”, “so lain”, viewing it as a story about incest, set in the location of Hammer Horror, Middle Lovecraft, seeing Lovecraft through Poe, a cyclopean vocabulary, H.P. Lovecraft’s Favorite Weird Tales edited by Douglas A. Anderson, crazy complicated sentences, Walden by Henry David Thoreau, CraftLit, the prologue to The Scarlet Letter, reading Poe aloud, Supernatural Horror In Literature, oral cadence, the very summits of artistry, fictional miniaturists, Ligeia, another dead woman story, so Lovecraft, he loves his architecture, “sharing a single soul”, the crack, “the eye of a scrutinizing observer”, laughing out loud, the unnamed narrator is of the same class as Roderick, context for the story, science stories, buried alive stories, The Pit And The Pendulum, sense experience, again New Jersey, Italy, The Scarlet Letter by Nathaniel Hawthorne, weird fiction out to wazoo, why do they do that?, demented messed up stories, Young Goodman Brown, Rappaccini’s Daughter, supernatural elements, sense experience, an utter depression of soul, the after dream of the reveler upon opium, the dropping of the veil, the veil of dreams, the after-dream is after the dream?, the veil is beautiful, a shout-out to Thomas de Quincey, crawling fungi, red-litten windows, “laugh but smile no more”, coffin worms, creeping into the crypt to often, The Conqueror Worm, a foreshadowing, reasons for laughter vs. reasons for smiling, the hideous throng, Usher II by Ray Bradbury, premature burial, Buried (2010), The Death of Olivier Bécaille by Emile Zola, Weird Tales, Poe is a hilarious writer, punning and japing, Mad Trist by Sir Launcelot Canning, Dead Families 101, How To Repair Your Doomed House, The Man Who Collected Poe by Robert Bloch, wacky moments, The Cask Of Amontillado, deGrave wine, The Tomb by H.P. Lovecraft, Jervas Dudley as one of the Usher descendants, a lot more Poey, there are not a lot of sisters in Lovecraft, The Moon Pool by A. Merritt, The Moon Bog by H.P. Lovecraft, Edgar Rice Burroughs, comparing Poe to Lovecraft, The Narrative Of Arthur Gordon Pym Of Nantucket, The Dreams In The Witch House, the novella (short story) vs. the novel, it starts off as a horror tale, What The Moon Brings, Ireland, a little bit ushery,
Posted by Jesse Willis
The SFFaudio Podcast #303 – READALONG: The Narrative Of Arthur Gordon Pym Of Nantucket by Edgar Allan Poe
Talked about on today’s show:
1838, Poe’s only completed novel, Paul’s Poe years, The Tell-Tale Heart, a macabre sort of phase, Deus Irae by Philip K. Dick and Roger Zelazny, fix-ups, Premature Burial, Ms. Found In A Bottle, The Oblong Box, The Gold Bug, secret codes, Poe is old and public domain and not particularly racist, The Pit And The Pendulum, the Poe theme, the death of a beautiful woman is conspicuous by her absence, the meta-commentary, Tristram Shandy, The Cask Of Amontillado, a dog named Tyger (burning bright?), William Blake, Jules Verne, An Antarctic Mystery, Ms. Found In A Copper Cylinder, Antarctica, “Ms. Found In A…”, “it was begun to have been serialized”, fake stories as true stories, Captain Cook’s Antarctic expeditions, “a labyrinth of lumber”, how to load a ship, Moby Dick by Herman Melville, Washington Irving, SF as a generally American phenomenon, a slow creep of fantastic elements, full-blown surrealism, the drinking, on the Grampus, dressing like a ghost, another phantom in white, “Mr. Pym is not available”, a genuine narrative, missing islands, a metaphor for alcoholism, sailing in a storm, half-sunk/drunk, echoes, the plague ship, the Penguin, echoes, all these lies, a note from the Wikipedia entry, fictional analogues for real events, autobiographical drinking, The Lighthouse by Edgar Allan Poe (a fragment), “I expected to inherit some money”, money problems, “he’s pouring his troubles into this manuscript”, this is Poe’s version of Dude, Where’s My Car?, an unreliable narrator, an excellent story, Samuel Taylor Coleridge’s The Rime Of The Ancient Mariner, albatrosses, thematic similarities, they eat many birds, “an unmentionable thought”, subsequent cannibalism, the same ghost ship as in Rime?, Antarctic spirits, H.P. Lovecraft, the subtitle:
Comprising the Details of Mutiny and Atrocious Butchery on Board the American Brig Grampus, on Her Way to the South Seas, in the Month of June, 1827. With an Account of the Recapture of the Vessel by the Survivers; Their Shipwreck and Subsequent Horrible Sufferings from Famine; Their Deliverance by Means of the British Schooner Jane Guy; the Brief Cruise of this Latter Vessel in the Atlantic Ocean; Her Capture, and the Massacre of Her Crew Among a Group of Islands in the Eighty-Fourth Parallel of Southern Latitude; Together with the Incredible Adventures and Discoveries Still Farther South to Which That Distressing Calamity Gave Rise.
who wrote the subtitle?, they didn’t have the concept of spoilers, the opposite of a spoiler, The Savage Land (Marvel Universe), Edgar Rice Burroughs’ The Land That Time Forgot, a hollow earth theory, this is a Science Fiction book in a strange sense, what’s with the multi-layered coloured water?, the strange creatures, the creature’s corpse in the white waters, is Australia a place?, At The Mountains Of Madness, why Poe is not in outer space, basically these Antarctic people are aliens, this is very Stanley G. Weinbaum (A Martian Odyssey), Michael Moorcock’s Seas Of Fate, H. Rider Haggard, duplicitous natives in the black land, what will be in the white lands?, a heavily read book (in the 19th century), The House Of The Seven Gables by Nathaniel Hawthorne, when Lovecraft describes it…, haunted by the architecture of homes, Lovecraft’s description of Pym:
“In the Narrative of A. Gordon Pym the voyagers reach first a strange south polar land of murderous savages where nothing is white and where vast rocky ravines have the form of titanic Egyptian letters spelling terrible primal arcana of earth; and thereafter a still more mysterious realm where everything is white, and where shrouded giants and snowy-plumed birds guard a cryptic cataract of mist which empties from immeasurable celestial heights into a torrid milky sea.”
pouring into the hollow Earth?, Journey To The Center Of The Earth, At The Earth’s Core, Kublah Khan by Samuel Taylor Coleridge, leaving the ending open to the reader, how will he get back to Nantucket?, the names A. Gordon Pym and E. Allan Poe, framing devices, The Turn Of The Screw, a framing device gives the reader an extra distance, The Secret Sharer by Joseph Conrad, Robert Silverberg’s The Secret Sharer, the southern polar bear, “Tekeli-li, tekeli-li.” the face of an open book, downy feathers, what does it mean?, whiteness, philological scrutiny, “white-phobic”, the audiobook narration, copyright, a total Poe thing to do, Poe loved cryptography, Poe would be writing in Elvish, a font nerd, hanging out with Charles Stross and Alan Moore, can you imagine Poe at a Worldcon?, a drunkard’s story, shoplifting at The Innsmouth Bookshop, Fungi From Yuggoth XV: Antarktos:
Deep in my dream the great bird whispered queerly
Of the black cone amid the polar waste;
Pushing above the ice-sheet lone and drearly,
By storm-crazed aeons battered and defaced.
Hither no living earth-shapes take their courses,
And only pale auroras and faint suns
Glow on that pitted rock, whose primal sources
Are guessed at dimly by the Elder Ones.
If men should glimpse it, they would merely wonder
What tricky mound of Nature’s build they spied;
But the bird told of vaster parts, that under
The mile-deep ice-shroud crouch and brood and bide.
God help the dreamer whose mad visions shew
Those dead eyes set in crystal gulfs below!
the black cone, the primal sources, Lovecraft quoting himself, that shrouded white figure, “Tekeli-li don’t kill the albatross”, Lemuria, Thule, the novel as a journey, how do you return from the surreal?, what happened to Tyger?, they ate him!, Dirk Peters (so manly he has two penises), Tyger’s collar, someone was going to drown the dog, poor Tyger, a horrendously awful horrifying experience, when Paul Theroux visited Jorge Luis Borges he read him The Narrative Of Arthur Gordon Pym Of Nantucket, Borges thought Pym was Poe’s greatest work, the interest in the meta, strange runes, Lovecraft was a teetotaler, deep into madness (not drunken madness), genetic disease or confronting reality, The Call of Cthulhu, dreams, a fever dream?, forgetting, a change in tenses, the missing two or three final chapters, Xeno’s paradox, a Mercator map, and Greenland, is that all racism?, “a nautical negro”, Toni Morrison, the black cook, don’t go into a tiny box-canyon with natives of any colour, scrupulously honest, earlier bushwhacked voyagers, going piratical?, going whaling?, the mutiny, Mr. Starbuck, why is Pym stowing away in the first place?, the captain that ran them down was drunk, boating skills, Treasure Island, Augustus’ father, the inexplicable weevils, “taking liberally from the spirits”, this narrative is full of holes, a free sea voyage, Pym is a teenager, everybody has a boat on Nantucket, an adventure of a lifetime, Pym is “not available”, Jeremiah N. Reynolds, Poe’s last word was “Reynolds”, a possibly apocryphal story, Mocha Dick, the long conversation of conversation of Science Fiction, Moby Dick is in dialogue with Pym and Mocha Dick, bibliographic archaeology, The Island Of Doctor Moreau by H.G. Wells, in a dinghy, considering cannibalism, drawing straws, “and dropped like stones”, did their bones dropped likes stones?, the narrator becomes more and more unreliable, dis-masted, a teetotaler who drinks only coffee.
Posted by Jesse Willis
The SFFaudio Podcast #302 – AUDIOBOOK: The Narrative Of Arthur Gordon Pym Of Nantucket by Edgar Allan Poe
This UNABRIDGED AUDIOBOOK (6 hours 14 minutes) comes to us courtesy of Lit2Go.
The Narrative Of Arthur Gordon Pym Of Nantucket was first published in 1838.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
Talked about on today’s show:
North ANGER! Abbey, this is a comedy, parody and meta-gothic novel, The Mysteries Of Udolpho, an inversion, Jane Austen is hilarious, The Jane Austen Book Club (the movie), documentaries, “its very meta”, her first (and almost) last novel, the advertizement from the authoress, fashions of literature and clothing, Tilney and Thorpe, the price of everything, a braggart, going afoul, a terrible sketch,
A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, And the Things That Really Matter by William Deresiewicz, don’t just believe what everybody teaches you, desperate characters, Pride And Prejudice, letting you think, going along, women are supposed to be passive, a woman’s only right is to refuse, railroaded by stronger personalities, “…born to be an heroine”, a mundane life, Catherine is living her life in the third person as a Gothic romance heroine, 1,000 alarming presentiments, romance subverted, The Mysteries Of Udolpho as a less realistic and hyped up version of Northanger Abbey, the labyrinth is society not Mrs. Radcliffe’s Apennines, Emma, Mrs. Allen, it’s just not done, Isabelle’s master list of Gothic Novels, “there’s nothing I wouldn’t do for someone who isn’t my friend”, an open conversation, “I wish we knew someone here”, she’s 15, true to human nature, the arch narrator, hands and heads in the proper number to go around for all the children, Frederick, I’ve broken with my father, just like in a Gothic novel, the (BBC) audio drama of The Mysteries Of Udolpho, “you should really try Ursula K. Le Guin”, absolutely horrid!, the black wardrobe!, a character sketch (illustrated below), “She seized, with an unsteady hand, the precious manuscript, for half a glance sufficed to ascertain written characters; and while she acknowledged with awful sensations…”, a washing bill!, Eleanor, everything is explained, the volumes, a rushed ending?, the mysterious messenger, Henry’s true character, reining in your own imagination, Washington Irving’s The Legend Of Sleepy Hollow, he’s spooking himself, the description of the birds, the slaves, New York, giving facts and making comments, we are doing a lot of the colouring, the one thing we know about readers is that they read, the reading process, the black veil <-is from The Mysteries Of Udolpho, The Minister’s Black Veil by Nathaniel Hawthorne, a very funny (as in curious) story, Castle Of Otranto by Horace Walpole, supernatural elements, the refinements, the timelessness, Phyllis Whitney, Mrs. Radcliffe, The Oval Portrait by Edgar Allan Poe, what went wrong?, The Turn Of The Screw by Henry James, Herman Melville’s Billy Budd, The Devil To Pay, Sir Walter Scott, H.P. Lovecraft, Georgette Heyer, Northanger Abbey as a modern novel by Val McDermid, a YA novel, Fahrenheit 451, serving as a feeder, everybody is reading these trashy novels, an impassioned defense of the novel, you can’t live your life as if it was a novel, two movie adaptions, the 2007 ITV production, plot shorthand, Lord Byron, something terrible coming out of London, two tombstones and a lantern on the frontispiece, all of Jane Austen’s books have soldiers in them, a timeless focus on the people, when Julie met Jenny, these are characters not plots, sitting at the piano, The Many Lovers of Jane Austen, a Texas convention, with Klingons and Kirks, WWI, cigarettes and something to read, Mansfield Park, Mrs. Allen but with an edge, Juliet Stevenson as a narrator, 170 books read (in 2014), reading speed, a stumbling savourer, The Pickwick Papers by Charles Dickens, solitary reading vs. group reading, trains boost reading, “drawing room reading like singing, piano playing, and card”, scandalous reading, reading out loud, David Timson’s Dickens narrations, dramatic readings, Dickens invented the audiobook, Charles Dickens And The Great Theatre Of The World by Simon Callow, Elizabeth Klett’s reading of Carmilla, oh my!,
I leave it to be settled, by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience.
“Who? What? Your love? Well, that’s super”, he was not in the least addicted to locking up his daughters,
“…and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution.”
surrounded by children, they all have to tucked in, they’re genteel, it was wet that day, a good introduction to Jane Austen.
Posted by Jesse Willis
The SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.
Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,
“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others
the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.
Posted by Jesse Willis