BBC R4 + RA.cc: Markheim by Robert Louis Stevenson [RADIO DRAMA]
I’ve posted about Robert Louis Stevenson’s murderous classic, Markheim, before (the audiobook and another radio drama). But, I’ve just discovered a very good new adaptation (from 2006) available at RadioArchive.cc. The sound design is excellent, and its lengthy enough to bring out most of the nuance in the text.
Markheim
Adapted from the story by Robert Louis Stevenson; Adapted by John Taylor; Performed by a full cast
MP3 via TORRENT – Approx. 45 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: February 1, 2006
On Christmas Day 1886 with London shrouded in fog, a man shadows a girl across Blackfriars Bridge towards the back streets of Holborn. His name is Markheim and his intentions are unremittingly dark.
Directed by John Taylor
Cast:
Tommy – Mark Straker
Markheim – Jack Klaff
Girl – Abigail Hollick
Visitor – Anton Rodgers
Crispin – Anthony Jackson
And for German listeners there’s THIS sexy sounding version produced as a part of a cool series called Gruselkabinett (which translates to “Chamber of Horrors”).
As a bonus I offer this newly created |PDF| and a vintage anlaysisby C. Alphonso Smith from Short Stories Old And New (1916):
Setting:
There is no finer model for the study of setting than this story affords. It is three o’clock in the afternoon of a foggy Christmas Day in London. If Markheim’s manner and the dimly lighted interior of the antique shop suggest murder, the garrulous clocks, the nodding shadows, and the reflecting mirrors seem almost to compel confession and surrender. “And still as he continued to fill his pockets, his mind accused him, with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour.” So he should for the murder; but for the self-confession; which is Stevenson’s ultimate design, no time or place could have been better.Plot:
There is little action in the plot. A man commits a dastardly murder and then, being alone and undetected, begins to think, think, think. It is the turning point in his life and he knows it. Instead of seizing the treasure and escaping, he submits his past career to a rigid scrutiny and review. This brooding over his past life and present outlook becomes so absorbing that what bade fair to be a soliloquy becomes a dialogue, a dialogue between the old self that committed the murder and the new self that begins to revolt at it. The old self bids him follow the line of least resistance and go on as he has begun; the newly awakened self bids him stop at once, check the momentum of other days, take this last chance, and be a man. His better nature wins. Markheim finds that though his deeds have been uniformly evil, he can still “conceive great deeds, renunciations, martyrdoms.” Though the active love of good seems too weak to be reckoned as an asset, he still has a “hatred of evil”; and on this twin foundation, ability to think great thoughts and to hate evil deeds, he builds at last his culminating resolve.The story is powerfully and yet subtly told. It sweeps the whole gamut of the moral law. Many stories develop the same theme but none just like this. Stevenson himself is drawn again to the same problem a little later in “Dr. Jekyll and Mr. Hyde.” Hawthorne tried it in “Howe’s Masquerade,” in which the cloaked figure is the phantom or reduplication of Howe himself. In Poe’s “William Wilson,” to which Stevenson is plainly indebted, the evil nature triumphs over the good. But “Markheim,” by touching more chords and by sounding lower depths, makes the triumph at the end seem like a permanent victory for universal human nature.
Characters
If the story is the study of a given situation, Markheim, who is another type of the developing character, is the central factor in the situation. We see and interpret the situation only through the personality of Markheim himself. Another murderer might have acted differently, even with those clamorous clocks and accusing mirrors around him, but not this murderer. There is nothing abnormal about him, however, as a criminal. He is thirty-six years old and through sheer weakness has gone steadily downward, but he has never before done a deed approaching this in horror or in the power of sudden self revelation. He sees himself now as he never saw himself before and begins to take stock of his moral assets. They are pitifully meager, though his opportunities for character building have been good. He has even had emotional revivals, which did not, however, issue in good deeds. But with it all, Markheim illustrates the nobility of human nature rather than its essential depravity. I do not doubt his complete and permanent conversion. When the terrible last question is put to him – or when he puts it to himself – whether he is better now in anyone particular than he was, and when he is forced to say, “No, in none! I have gone down in all,” the moral resources of human nature itself seem to be exhausted. But they are not. “I see clearly what remains for me,” said Markheim, “by way of duty.” This word, not used before, sounds a new challenge and marks the crisis of the story. Duty can fight without calling in reserves from the past and without the vision of victory in the future. I don’t wonder that the features of the visitant “softened with a tender triumph.” The visitant was neither “the devil” as Markheim first thought him nor “the Saviour of men” as a recent editor pronounces him. He is only Markheim’s old self, the self that entered the antique shop, that with fear and trembling committed the deed, and that now, half-conscious all the time of inherent falseness, urges the old arguments and tries to energize the old purposes. It is this visitant that every man meets and overthrows when he comes to himself, when he breaks sharply with the old life and enters resolutely upon the new.
Posted by Jesse Willis
The SFFaudio Podcast #212 – READALONG: The Willows by Algernon Blackwood
The SFFaudio Podcast #212 – Jesse, Mirko and Mr. Jim Moon discuss The Willows by Algernon Blackwood.
Talked about on today’s show:
Algernon Blackwood’s television show, “the ghost man”, the expansion of consciousness, the extension of human personality, ghosts, Saturday Night Story, H.P. Lovecraft’s essay Supernatural Horror In Literature, almost nothing happens, “ghoulish work”, cosmic horror, Mr. Jim Moon outlines of the story, the nameless Swede, travelogue, the Danube, a lonesome expanse, an elemental presence, the rising spirits, the shunned place, the man’s body (or the black otter), “never human in the first place”, overlapping dimensions, The House On The Borderland by William Hope Hodgson, The Black Stone by Robert E. Howard, why is it set in Europe?, The Wendigo, Blackwood actually canoed on the Danube, Marcus Aurelius, the Black Forest, Blackwood attended school in the area, hard guys, Famous Fantastic Mysteries, “the soul chilling fury of Nature’s terrible dethroned gods”, the joke becomes unfunny, Romania, Transylvania, “looks fantastic but no-one lives there!”, evidence of human habitation, we have to keep going farther and farther to find the borderlands, their thoughts are manifested, telepathy, With Morning Comes Mistfall by George R.R. Martin, a review of Bright Messenger by Algernon Blackwood from Fantasy & science Fiction, the “Diva”, nature spirits, sprites, fairies, planetary entities, nature’s policemen, WWI, haunted tree?, occult and paranormal writing, occultist jargon, the chain of being, neo-Platonism, intermediary spirits, what did these two dudes do wrong?, sacred groves, druids, devilish places, The Children Of The Stones, the stolid Swede, red Indians, the noble savage, Guy de Maupassant’s The Horla, the drowned peasant, the conical holes, Chupacabra?, alien sampling?, footprints?, fingerprints?, Jaws, the hidden monster, “having rid himself of the morsel”, empty planet, “the sounds a planet must make driving along through space”, J.R.R. Tolkien, Old Man Willow, the Withywindle, the evil trees, Tolkien was familiar with Blackwood, Tom Bombadil is a nature spirit, Goldberry is a river spirit, “he’s got a bloody song for everything”, the Wikipedia entry for willow, the bronze skinned figures, fairy mischief, fairies fuck with you, what’s with the paddles?, a sacrifice, man where was your editor?, you didn’t really do anything wrong but show up, canoeing ghost stories, Voyageurs, a deal with the devil on Christmas Eve, La Chasse-Galerie (aka “The Bewitched Canoe” aka “The Flying Canoe“), Deliverance, leisure travel vs. work travel, the drones, the last gasp of the Grand Tour, Alien vs. Evil Dead, the punishment of the idle, reckless youth, Cabin In The Woods, The Complete Weird Fiction Of Algernon Blackwood, short stories are best enjoyed in short doses.
Posted by Jesse Willis
The SFFaudio Podcast #212 - READALONG: The Willows by Algernon Blackwood Play Now | Play in Popup | DownloadThe City And The Sea by Edgar Allan Poe (read by Wayne June)
Wayne June‘s animated reading of Edgar Allan Poe’s The City And The Sea is absolutely haunting.
Posted by Jesse Willis
Review of The Blight of Muirwood
The Blight of Muirwood (Muirwood #3)
By Jeff Wheeler; Read by Kate Rudd
Publisher: Brilliance Audio
Published: 15 January 2013
11 hours [UNABRIDGED]
Themes: / fantasy / orphan / servant /
Publisher summary:
A devastating plague continues to rage through the land of Muirwood, and all hope is laid at the feet of the young woman Lia. Called as a magical protector, Lia volunteers to embark on one last quest to rescue the knight-maston Colvin – her great love – and his pupil, the alleged heir to the fallen kingdom of Pry-Ree. Undaunted by injuries, Lia sets off across land and sea warning the kingdom of the great plague that is upon them. The arduous journey leads her to the doors of Dochte Abbey, where her friends are supposedly held. However, a fallen enemy lies in wait for Lia, as well as an unbearable new truth. The revelation will pit Lia’s deepest desires against the fate of her enchanted world.
I finished this in the course of the weekend. This was partly due to various chores and activities I had to finish that allowed me the opportunity to get extra listening in, and partly due to my desire to finish the story. While I found it enjoyable, it’s ending was mostly predictable, and I didn’t think it was as strong as the previous novel.
One of the aspects of all the books in this trilogy that I didn’t hit upon in my previous reviews is the heavy use of Christian allegory. A key concept to the series is that your ability to channel “the Medium” is largely related to your belief in it. This relates to the notion of giving your will over to that of the Medium and faith that it will protect and bless you if you do so. Many of the abilities of the medium may only be used to the benefit of others and not oneself. There is also a large theme of life after death, and resurrection of the dead. While these themes are present throughout the whole trilogy, they weren’t as much at the forefront as they were in this book. The plot of this novel largely revolves around testing the main character Lea’s faith in the Medium.
I’m reluctant to throw out the term “Deus ex Machina” because I feel that all the events fall within the explained abilities of the Medium. Someone who is strong with it would be able to perform those actions, however I could see someone making a good case for it.
Overall, I think Mr. Wheeler does a good job of wrapping things up with a neat bow. There is certainly room for future stories in the world of Muirwood; the author’s note indicated he has a novella called Maia taking place many years after this trilogy available on his website.
Ms. Rudd is once again the narrator for the third and final book of the trilogy. As with the previous two, she a good, but not great reader with little variety in her character voices. She does attempt to do some accents for a few of the characters, but many of them sounded the same to me.
Review by Rob Zak.
The Wonderful Window by Lord Dunsany
Very comparable in theme to H.G. Wells’ The Door In The Wall is The Wonderful Window by Lord Dunsany. It’s a Fantasy about the silliest young man in Business, and his foolish acquisition of a small leaded glass window from an oriental vagrant. It was first published in Saturday Review (UK), February 4, 1911.
And here’s the cleaned up LibriVox version, read by Greg Elmensdorp. |MP3| Approx. 13 Minutes [UNABRIDGED]
The Wonderful Window by Lord Dunsany |PDF| 11 Pages
The Wonderful Window by Lord Dunsany |PDF| 4 Pages
Posted by Jesse Willis
The City In The Sea by Edgar Allan Poe
The City in the Sea by Edgar Allan Poe
Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently-
Gleams up the pinnacles far and free-
Up domes- up spires- up kingly halls-
Up fanes- up Babylon-like walls-
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers-
Up many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol’s diamond eye-
Not the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass-
No swellings tell that winds may be
Upon some far-off happier sea-
No heavings hint that winds have been
On seas less hideously serene.But lo, a stir is in the air!
The wave- there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide-
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow-
The hours are breathing faint and low-
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.
Here’s the audio, as narrated by Mister Jim Moon:
The City In The Sea was published in this form in the Broadway Journal, August 30, 1845:
Posted by Jesse Willis
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