Themes: / fantasy / Discworld / machines /
Change is afoot in Ankh-Morpork. Discworld’s first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.
Like other novels in the Discworld series, Raising Steam has a tasty mix of internal referencing, matter-of-fact world bending, and playfulness. Exploring the idea of what the industrial revolution may have been like in a world with magical powers and
creatures beings (oh the trollmanity), Pratchett also somehow manages to sneak in the occasional sharply satirical quip (quite a feat given the fantastic nature of the Discworld).
I found that the reader in the audiobook provided a good listening experience as his reading neither distracted from the plot nor made the book boring. Raising Steam was an overall good reading experience that seemed to slide easily into its place among the Discworld series.
Posted by Trant Thumble.
Themes: / fantasy / brothers/ monks /
The emperor of Annur is dead, slain by enemies unknown. His daughter and two sons, scattered across the world, do what they must to stay alive and unmask the assassins. But each of them also has a life-path on which their father set them, their destinies entangled with both ancient enemies and inscrutable gods.
Kaden, the heir to the Unhewn Throne, has spent eight years sequestered in a remote mountain monastery, learning the enigmatic discipline of monks devoted to the Blank God. Their rituals hold the key to an ancient power he must master before it’s too late.
An ocean away, Valyn endures the brutal training of the Kettral, elite soldiers who fly into battle on gigantic black hawks. But before he can set out to save Kaden, Valyn must survive one horrific final test.
At the heart of the empire, Minister Adare, elevated to her station by one of the emperor’s final acts, is determined to prove herself to her people. But Adare also believes she knows who murdered her father, and she will stop at nothing—and risk everything—to see that justice is meted out.
I’m not sure what in the description made me choose this book to review. Maybe it was simply the fact that it was the first in a series. Since doing so I’ve seen a bit of buzz about this book, so I was eager to get my hands on my review copy.
This being the first book of a new series, there is a lot of character development and world building to get through. For the most part I think Mr. Staveley does a good job of this, especially as a first time author. However it does suffer from a few slower parts and some predictable twists.
His characters are interesting and have depth. The lore of his world is intriguing. The prologue seems confusing at first, but later on the reader discovers its significance, so just tuck it away for future reference.
For the most part this is the story of two brothers. They just happen to be sons of the Emperor of the largest nation in the world. First there is Kaden, the heir to the throne who is studying with the monks of the Blank God in an isolated monastery. Then there is Valyn, who is training with the Kettral, an elite military force made up of the best of the best.
Both suffer a bit from some of the fantasy school tropes. Valyn especially has his small group of friends and his rival with his group of cronies. However this being a military training facility, things are a lot more serious than bullying in the hallways.
We also get a few chapters with their sister, Adare, who has remained with their father in the capital. These are short, but politically charged. I hope we see a more prominent role from her in the books that follow. This highlights the main flaw of this book. Like many fantasy books, the women are mostly relegated to secondary characters. They suffer a bit from stereotypes, but I think he does have some strong female characters that just don’t receive as much focus as I’d like. In general, the secondary characters are all pretty interesting and have enough depth so as not to be interchangeable.
Each brother’s story starts off in very different places but eventually converge with one another at the end. Things really pick up when they do. Strange things are happening around both brothers and they appear to be linked to a conspiracy to kill the emperor and his family. This makes for a lot of politics and conspiracy theories.
One of biggest concerns when reading books in a series is how the author chooses to end it. You need to strike a good balance between leaving the reader wanting more and wrapping up the main conflicts of the book. I think Mr. Staveley does a great job here and I’m looking forward to jumping right into book 2 when it comes out.
I’ve listened to a few books read by Simon Vance now, and I always enjoy his narration. Not only is his normal reading voice clear and easy to understand, but he does a variety of voices and accents. His reading definitely added a little extra something to the book. As a first time author, Mr. Staveley lucked out to get such a quality reader. I plan to continue this series in audio as a result.
Review by Rob Zak.
Themes: / fantasy / magic / crystals / visions / aliens /
Two hundred years after the Forbidding was broken, Santhenar is locked in war with the lyrinx – intelligent, winged predators who will do anything to gain their own world. Despite the development of battle clankers and mastery of the crystals that power them, humanity is losing. Tiaan, a lonely crystal worker in a clanker manufactory, is experimenting with an entirely new kind of crystal when she begins to have extraordinary visions.
The crystal has woken her latent talent for geomancy, the most powerful of all the Secret Arts – and the most perilous. Falsely accused of sabotage by her rival, Irisis, Tiaan flees for her life. Struggling to control her talent and hunted by the lyrinx, Tiaan follows her visions all the way to Tirthrax, greatest peak on all the Three Worlds, where a nightmare awaits her.
The start of this book was promising, but things went off the rails. Then, just as they seemed to be recovering, I found the end to be awful. I think my main problem this book is the characters and their dialogue. In part one of the book Mr. Irvine introduces us to several characters that I despised almost immediately. In part two he seems to be trying to elicit sympathy from the reader via self-pity from internal monologue and sympathetic back story. It might work for some readers, but not for me. At best instead of coming around to like the characters as complex and flawed, I find myself mostly indifferent about what might happen to them.
The main character is mostly likable, although some of her thoughts rubbed me the wrong way. I assume this is another attempt to give her depth through flaws instead of being a hero trope. Maybe my dislike of almost all the characters is just an inability for me to understand their society, but I doubt it. The most likable characters are minor ones who don’t seem to stick around very long. It’s really hard for me to enjoy a book when I don’t like the people I’m reading about.
The main story is interesting. The world is at war with much more powerful alien creatures. Humanity have built machines called clankers in order to be able to fight back, but they are still mostly outmatched. At first this seems more like sci-fi than fantasy, but the clankers are powered by crystals and there a mostly unexplained magical system based on them and their connection to power nodes around the world. So really it’s some sort of mix that has more of a fantasy feel than science fiction.
There are a lot of political and social issues that play into things. With so many young men dying in a seemingly endless war, everyone is expected to produce children to essentially provide the next generation of fodder. Anyone accused of a crime is sent to one of two places depending on their gender. Males are sent to the front lines where they will likely die in short order. Women are sent to “breeding factories” which are exactly what they sound like. Entirely too much time was spent on the breeding factories, and the notion of a society so desperate to survive they force women to sleep numerous partners in the hopes of producing the most helpful offspring as frequently as possible is downright horrifying to me.
This is apparently the second series of Mr. Irvine’s Three Worlds sequence. Having never read the first (The Mirror Quartet), I’m sure I’m missing some references to things from that series. My understanding is this is set hundreds of years later, and possibly on a different world. I never felt lost but it’s possible I would understand more about the crystals and their powers if I had read that series first.
Overall it wasn’t a very good book and it was not as well executed as I would have liked. I found myself cringing at some of the writing in places, especially the dialogue. The ending of the book really was really off-putting – it felt like a bad soap opera on television.
Grant Cartwright, the narrator, is the only bright spot of the book, and a large part of me being able to get through the worst parts. I’m not sure if he exclusively reads books targeted at an Australian audience, but if so that’s a shame. He does a good amount of voices for the various characters and his normal reading voice is clear and easy to understand. Some of his voices are grating, but I think that’s fitting for the characters he is portraying. Maybe this partnership between Bolinda and Random House will bring more of his work to North America. I’d like to see what he does with a better book.
Review by Rob Zak.
Themes: / epic fantasy / dynasties / civil war / warrior-mage /
An uneasy peace has existed since the fall of the Awakened Empire centuries ago. Now the hybrid Avān share the land with the people they once conquered: the star-born humans; the spectral, undead Nomads; and what remains of the Elemental Masters.
With the Empress-in-Shadows an estranged ghost, it is the ancient dynasties of the Great Houses and the Hundred Families that rule. But now civil war threatens to draw all of Shrīan into a vicious struggle sparked by one man’s lust for power, and his drive to cheat death.
Visions have foretold that Corajidin, dying ruler of House Erebus, will not only survive, but rise to rule his people. The wily nobleman seeks to make his destiny certain—by plundering the ruins of his civilization’s past for the arcane science needed to ensure his survival, and by mercilessly eliminating his rivals. But mercenary warrior-mage Indris, scion of the rival House Näsarat, stands most powerfully in the usurper’s bloody path. For it is Indris who reluctantly accepts the task of finding a missing man, the only one able to steer the teetering nation towards peace.
I was a little hesitant approaching The Garden of Stones by Mark T. Barnes in audiobook form as I’d heard it was a bit akin to Steven Erikson (more than Garden in the titles) where the reader is simply thrown into the action without much, if any explanation. It turns out my fears were not unfounded and yet I would still highly recommend this book.
I’ve noticed in reading books or listening to audiobooks, there are some books I have a harder time with given the medium through which I am experiencing them. I had the hardest time getting into Dune by Frank Herbert when I tried it in paperback because I kept feeling like I had to look up every single word I didn’t understand and I quickly grew tired of it and gave up.
Later, I picked up the audiobook thinking I needed to at least finish this classic of the genre and not only did I do so, I loved the crap out of it. It’s still one of my favorite books and I’ve been meaning to go back and read it in paperback again.
I know, this isn’t a Dune review, but it illustrates the point that some books are more accessible if you just let go, trust that the author will lead you where you need to go, and leave your worries behind. You’ll get it, even if it’s tough. And audiobooks allow you to do so because you don’t have that handy dandy glossary to look through. That’s also not to say that all books and stories work this way.
With The Garden of Stones, I wonder if I would have stalled in my reading. I’m no stranger to being thrown into the action having survived (and thoroughly enjoyed!) Erikson’s masterpiece, The Malazan Book of the Fallen, so that probably wouldn’t have been a problem. I did, however, have a difficult time keeping a lot of the characters, names, and races straight through listening only. Had I had my eyes on this one, I probably would have enjoyed it even more than I already did.
I’m sure I missed a lot of the connections that were being made early on, but I did get my bearings by the end and quite enjoyed this world that Barnes has created. It’s full of wonder and imagination, tons of creatures, and races that were well-crafted and constantly interesting. I enjoyed exploring each new thing in this world and many kudos to Barnes for that. The characters are also highly interesting, Barnes even plays with an Erikson-like main character who is supremely powerful and someone you really don’t want to mess with. I love a good character like that and feel many shy away because it’s easier to write about characters with many weaknesses.
In the competition between paper and audio, I really do think The Garden of Stones would probably work better in paper, though it’s definitely enjoyable in audio.
Another hesitation I had when starting this audiobook is that it’s read by Nick Podehl. The only experience I had with Podehl prior to this was his reading of Kemp’s A Discourse in Steel. In Discourse, there’s quite a bit of banter and it’s overall a light-hearted piece with lots of jokes and humor even in the most deadly situations.
Hearing that same voice again brought back those memories of slapstick from Discourse, when Garden is actually a serious piece lightly sprinkled with humor if at all. It was about midway through the book when I realized that I no longer thought of Podehl that way, as the joke-telling, razzing narrator, but instead I heard him as the serious purveyor of piety. Okay, not that far, but suddenly I was sucked into Podehl’s storytelling and the story itself. I think that says a lot about both Podehl’s strengths as a narrator and the book’s story as well.
4 out of 5 Stars (highly recommended)
Posted by Bryce L.
The Savage Tales of Solomon Kane
By Robert E. Howard; Narrated by Paul Boehmer
Publisher: Tantor Audio
[UNABRIDGED] – 12 hours, 30 minutesThemes: / pulp / fantasy / hero / short stories / Publisher summary:
With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century—he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard’s fertile imagination.
He was…a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan…. A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things…. Wayward and restless as the wind, he was consistent in only one respect—he was true to his ideals of justice and right. Such was Solomon Kane.
Collected in this volume are all of the stories that make up the thrilling saga of the dour and deadly Puritan: “Skulls in the Stars,” “The Right Hand of Doom,” “Red Shadows,” “Rattle of Bones,” “The Castle of the Devil,” “Death’s Black Riders,” “The Moon of Skulls,” “The One Black Stain,” “The Blue Flame of Vengeance,” “The Hills of the Dead,” “Hawk of Basti,” “The Return of Sir Richard Grenville,” “Wings in the Night,” “The Footfalls Within,” “The Children of Asshur,” and “Solomon Kane’s Homecoming.”
I don’t normally seem to enjoy older works of Sci-Fi and Fantasy, and unfortunately, things were no different here. I was never a Conan fan growing, so I’d never read any of Mr. Howard before. The audiobook collection stars with an obituary or memorium written by H.P. Lovecraft with whom Mr. Howard apparently corresponded.
Mr. Howard is probably best known for his character Conan, but Solomon Kane is often credited as the first “Sword & Sorcery” character.
In this collection of stories Solomon Kane fights Pirates, Ghosts, Vampires, Sorcerors, Harpies and more. Solomon Kane wields daggers, pistols a sword, and in later stories, a magical staff. Sounds like it would be great! Unfortunately I was mostly bored. The best story of the bunch for me was The Children of Asshur, which was only a fragment and therefore ends somewhat abruptly. I would have liked to see where Mr. Howard intended to go with that story.
There are certainly things to like here. The writing isn’t bad and the adventures are certainly varied enough, but it just seemed like not much really happens most of the time. And then there is the racism. You can pull out the usual excuses, when the book what written, or the fact that the racism portrayed is probably accurate to the characters themselves. That doesn’t change the fact for me that it kept pulling me out of the stories. It’s not in every story, but is present in most, especially those where Solomon Kane travels to Africa. Many times it seemed like an unnecessary aside, rather than an important plot point for or character motivation.
All in all, as I believe these stories are in public domain you might be better off picking one or two to check out rather than the whole collection. I think the best complete story was The Hills of the Dead, where Kane first gets his magic staff and fights a horde of vampires.
Review by Rob Zak.
Themes: / fantasy / giants / children /
The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It’s lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants – rather than the BFG – she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!
The BFG is classic Roald Dahl: a blend of lighthearted playfulness and bone-crunching, child-munching wickedness.
The story is about a gentle 20-foot-tall giant who lives in Giant Country with a bunch of other giants. The BFG taught himself English by reading Charles Dickens, and he mangles language in beautiful ways: “What I mean and what I say is two different things.”
The other giants, who have adorable names like Bloodbottler, Meatdripper, Childchewer, and Bonecruncher, are all much bigger than the BFG (“at least two times my wideness and double my royal highness!”) and bully him for being vegetarian. While they eat humans of various nationalities (like people from Turkey, who apparently taste like turkey, or people from Jersey, who taste of cardigans), the BFG eats only a disgusting vegetable called a snozzcumber. As he says, “I squoggle it! I mispise it! I dispunge it! But because I is refusing to gobble up human beans like the other giants, I must spend my life guzzling up icky-poo snozzcumbers instead! If I don’t, I will be nothing but skin and groans.”
The story starts when the BFG befriends a little human girl named Sophie, who he takes home with him to Giant Country, where he must hide her from the meaner giants who would eat her on sight. Together, the BFG and Sophie decide to try putting a stop to the terrible child-guzzling that’s been going on.
The narrator David Walliams did such an awesome job with the voices, from Sophie’s soft feminine inflections to the BFG’s indignant horror and naive befuddlement with humankind’s weird ways. It must have been difficult to perform the BFG’s dialogue with all the backwards idioms and inside-out clichés and weird pronunciations, but somehow Williams makes it all flow seamlessly and naturally.
The audio production is also something special, with all kinds of sound effects in the background: bubbling and burping and scraping and gurgling. These special effects didn’t seem intrusive to me at all (despite preferring straight readings usually), and seem to fit perfectly with Roald Dahl’s storytelling style.
Everything else aside, the BFG character alone makes this story worth listening to. How can you not love a creature whose ears are so sensitive he can hear the faraway music of the stars, and who desperately wants to learn how to “make an elephant” so he can ride it around, picking peachy fruits off the trees all day long!
Posted by Marissa van Uden