Themes: / fantasy / golem / magician / magic / faery /
Heraclix was dead and Pomp was immortal. That was before Heraclix’s reanimation (along with the sewn-together pieces and parts of many other dead people) and Pomp’s near murder at the hands of an evil necromancer. As they travel from Vienna to Prague to Istanbul and back again (with a side-trip to Hell), they struggle to understand who and what they are: Heraclix seeks to know the life he had before his death and rebirth, and Pomp wrestles with the language and meaning of mortality. As they journey across a land rife with revolution and unrest, they discover that the evil necromancer they thought dead might not be so dead after all. In fact, he might be making a pact to ensure his own immortality….
There are some books that are just magical, that are written in such a way that you can’t help but be drawn into a new world even if it’s set against our own. Neil Gaiman writes this way and so does Susanna Clark in Johnathan Strange and Mr. Norrell.
Forrest Aguirre, World Fantasy Award winner for his editorial work in the Leviathan 3 anthology, has created such a tale. The story of Heraclix and Pomp is magical before the magic even begins, or possibly just at the same time.
Because this is the story about a golem, who has been fabricated by a magician, and Pomp, a faery.
They go on a journey to find out what exactly Heraclix is made of … in more ways than one. Being a golem, he’s been formed from different parts of various bodies and some behave abnormally to say the least.
I knew I would enjoy this tale right away, however, my main problem actually has nothing to do with the writing or the story itself, it’s the audio narration.
I almost put the book down because the narration was just plain hard to listen to. Brandon Massey’s narration was dull and monotone, almost robotic even, with words over-pronounced so that each letter is sounded out. I don’t like listening to audiobooks on faster speeds, because I like to appreciate the acting and the reading itself, but 1.75 speed actually made this much better to listen to. At least there was a reason for the robot-sounding voice.
As much as I wanted to love every moment of the book, I was so off-put by the narration that it made it really hard to enjoy the story. I didn’t look forward to my car rides and sadly I don’t have the time to go back and read, which I’m sure I will enjoy much more.
Despite these facts, I could still see the glimmer of lyrical beauty in the narrative. It’s a great story and wonderfully written and my reduced rating is mainly a factor of the audio presentation.
3.5 out of 5 Stars (recommended, but not on audio)
Posted by Bryce L.
The SFFaudio Podcast #305 – The Night Land by William Hope Hodgson, read by Mark Nelson.
This UNABRIDGED AUDIOBOOK (18 hours 40 minutes) comes to us courtesy of LibriVox.
The Night Land was first published in 1912.
Posted by Jesse Willis
The Shield-Maiden (The Foreworld Saga: A Foreworld SideQuest #4)
By Michael Tinker Pearce and Linda Pearce; Narrated by Mary Robinette Kowal
Publisher: Brilliance Audio
Publication Date: 4 January 2013
Themes: / Mongoliad / Vikings / fantasy / warriors /
Sigrid is a Shield-Maiden who yearns to break free of the restrictions of her father’s home and join the Sworn Men in an actual raiding expedition. When a small diplomatic party that includes members of the Shield-Brethren lands at her family’s holding on Göttland, the party’s second in command, Halldor, sees in Sigrid a vision of beauty and power that might challenge – and even destroy – many men.
And when bloody chaos ensues at a nearby Viking fishing village, Sigrid proves she has more than mere talent: she has Vor – the fate sight – an astonishing focus in fighting that sets her apart from nearly all who have ever lived and puts her in the rare company of the finest Shield-Brethren.
But as Sigrid and her family confront her otherworldly ability, will it prove to be a gift to be celebrated, or an affliction to be cured?
Note: This book is available individually (as I listened to it) or as a part of the book SideQuest Adventures No. 1, which includes The Lion in Chains, The Beast of Calatrava: A Foreworld Sidequest, and this story.
As with The Lion in Chains and The Beast of Calatrava: A Foreworld Sidequest, this story is a “sidequest” in the Foreworld Saga, basically a side story to the main-line books intended to give readers more information on certain characters. As with The Beast of Calatrava: A Foreworld Sidequest, this story seemed to be farther removed from the main crusades in The Mongoliad world, taking place in the north sort of near where the Shield Brethren have their main training facility, though one of the characters, Halldor, may have been a minor character in the main series (his name was familiar, at least).
This short story explores the mysterious “Vor,” the somewhat mystical “force” that overtakes many of the Shield Brethren when they fight. In this story, we see that this force, which is often mentioned in reference to the visions that some of them have (notably, Percival), can also afflict female warriors, and that it is also attributed to feats of amazing bravery and strength, that it is what enables the Shield Brethren to be victorious even against crazy odds. The main character in this story is a young woman, Sigrid, the daughter of the land owner where the story occurs. She has trained as a Shield Maiden, though still lives on her father’s lands, hasn’t been allowed (by her father) to join any of the local skirmishes, even though she’s taken a vow to be a Shield Maiden. Things change, however, when her people find themselves under attack by some Danes, where Sigrid’s ability in battle helps win the day–plays a key role in the victory, in fact. Suddenly, her family, her people, and Sigrid herself, must come to terms with what she is and what she can do. This story was refreshing in that it was primarily about a female warrior, though some of the reactions from the other characters were all too familiar.
Narrated by Mary Robinette Kowal, it was fitting to have a female voice narrate the story of the female warrior. Kowal’s narration was quite good, far superior to the narrator in Siege Perilous (the only other Mongoliad-world story I’ve listened to not narrated by Luke Daniels). That said, sometimes the pronunciation was odd, for places or things mentioned in this book and in others. For example, the island where the Shield Brethren do their initiation was pronounced by Kowal as “Tear’s Hammer” where Daniels pronounced it “Tear-shamar). This sometimes made it confusing to keep the entire world in my head as I listened, but did not detract from the overall story.
All in all, it was a nice diversion for a Saturday afternoon. Read more
[UNABRIDGED] – 25 hours
Most of the time the Moontide Bridge lies deep below the sea, but every 12 years the tides sink and the bridge is revealed, its gates open for trade. The Magi are hell-bent on ruling this new world, and for the last two Moontides they have led armies across the bridge on “crusades of conquest”. Now, the third Moontide is almost here, and this time the people of the East are ready for a fight… but it is three seemingly ordinary people that will decide the fate of the world.
Overall, 2.5 stars. I prefer character driven stories, and this is definitely that. So why didn’t I enjoy it? The answer for me at least is the characters. I found most of them unenjoyable. If I have no one to really root for, the story has to be that much better or I’ll be bored. Don’t get me wrong, there are things to like about Alaron and Elena, but there is a lot not to like. I don’t need perfect characters who fall into the chosen one trope, but something about their faults really just rubbed me the wrong way and I often found them frustrating and unlikable.
The best character in the book was Alaron’s friend Ramon, who while he was basically a walking trope, was brought excellently to life by Mr. Podehl’s narration and added some nice comic relief to the story. Most of the other characters are flat, or too trope heavy. We have some mustache twirling bad guys, and the helpless Ramita who seems to merely be there to drive the plot as a goal/pawn for the other characters in the book.
The world building here was alright, but seems to borrow too heavily from actual cultures (in particular the Middle East, and religion of Islam) that it didn’t feel much like being transported to another world apart from the magic. And that was another issue I have. I guess Brandon Sanderson spoiled me for poorly developed magic systems, but it all felt just a bit too hand wavy to me.
Overall this book was just too uneven. There were some parts I really enjoyed, and there are questions I’d like to keep reading to get the answers too, but it’s just not worth it for me. There is too many other things I’d rather be reading.
This is my first audio book read by Nick Podehl. I’ve heard mixed, though mostly positive things about him as a narrator, especially for the Kingkiller series.
I thought he was excellent here, and really helped me get through the unenjoyable parts of this book. I think if I was reading this rather than listening, I might have quit the book without finishing.
I look forward to listening to other books read by him in the future, just not the other books in this series.
Review by Rob Zak.
The Legend of Drizzt: The Collected Stories
By R. A. Salvatore
Publisher: Audible Studios
Publication Date: 12 August 2014
[UNABRIDGED] – 10 hours, 27 minutes
Themes: / Forgotten Realms / dark elf / fantasy / short stories /
The Legend of Drizzt: The Collected Stories expands upon the epic legend of the dark elf with 12 tales performed by the all-star cast of Felicia Day, Dan Harmon, Greg Grunberg, Tom Felton, Danny Pudi, Sean Astin, Melissa Rauch, Ice-T, Wil Wheaton, Al Yankovic, Michael Chiklis, and David Duchovny!
For years, the Legend of Drizzt has included short stories published in Forgotten Realms anthologies and Dragon magazine. Available here for the first time in audio are all the classic stories by the New York Times best-selling author R. A. Salvatore!
From the startling origin of Drizzt’s panther companion, to the tale of Jarlaxle and Entreri’s first encounter with the dragon sisters, the tales in The Collected Stories enrich this vividly-imagined series by building the world around Drizzt through exploring the backstories of side characters and magical locations.
Wizards of the Coast outdid themselves on this one and brought in a cast that’s actually hard to believe unless you start listening.
I thought the stories were excellent and for the most part the readings were well done. Ice-T was decent, but extremely slow and kept pronouncing the “w” in “sword” and that word is used a ton in his story. It drove me nuts.
Weird Al did a good job, especially with the voices, but his voice is a little too … bubbly … silly … there’s got to be a better word … for this type of serious story.
Usually Wil Wheaton does a good job, but I don’t rate him super high as a narrator because he never does different voices for the characters, at least not well. This one he did an excellent job with the voices. He’s another, however, that might have too much sarcasm in his voice for this type of story. Which is why he is the perfect narrator for anything from John Scalzi.
Last one and I’m done talking, biggest surprise was Michael Chiklis, who did an insanely good job with EVERYTHING. I hope he does tons more audiobooks and quits acting for the real money … in audiobook narration! We all know Scott Brick is rollin’ in it, amiright?
Overall, it’s more than worth the price I paid and then some and pretty cool to have these celebrities reading names like Drizzt and Zaknafein and Menzoberranzan and I’m not even touching the dwarf names of the top of my head that us geeks love oh so much.
4 out of 5 stars (highly recommended)
Posted by Bryce L.
By Dan Simmons; Narrated by Kevin Pariseau
From the towering heights of Olympos Mons on Mars, the mighty Zeus and his immortal family of gods, goddesses, and demigods look down upon a momentous battle, observing—and often influencing—the legendary exploits of Paris, Achilles, Hector, Odysseus, and the clashing armies of Greece and Troy.Thomas Hockenberry, former 21st-century professor and Iliad scholar, watches as well. It is Hockenberry’s duty to observe and report on the Trojan War’s progress to the so-called deities who saw fit to return him from the dead. But the muse he serves has a new assignment for the wary scholic, one dictated by Aphrodite herself.With the help of 40th-century technology, Hockenberry is to infiltrate Olympos, spy on its divine inhabitants…and ultimately destroy Aphrodite’s sister and rival, the goddess Pallas Athena. On an Earth profoundly changed since the departure of the Post-Humans centuries earlier, the great events on the bloody plains of Ilium serve as mere entertainment.Its scenes of unrivaled heroics and unequaled carnage add excitement to human lives devoid of courage, strife, labor, and purpose. But this eloi-like existence is not enough for Harman, a man in the last year of his last 20. That rarest of post-postmodern men—an ‘adventurer’—he intends to explore far beyond the boundaries of his world before his allotted time expires, in search of a lost past, a devastating truth, and an escape from his own inevitable ‘final fax.’ Meanwhile, from the radiation-swept reaches of Jovian space, four sentient machines race to investigate—and, perhaps, terminate—the potentially catastrophic emissions of unexplained quantum-flux emanating from a mountaintop miles above the terraformed surface of Mars.
If someone were to describe this book to me (if they even could), I don’t know if I would believe how much I absolutely enjoyed it. Dan Simmons is a mad genius.
Shakespeare-quoting humanoid robots, Greek Gods, post-humans, and old-style humans somehow make the craziest awesome story imaginable.
Ilium is a story told through essentially three unrelated viewpoints. First, there’s Hockenberry. This is told in first person. Hockenberry is called a “Scholic,” a human from our the 20th century (our time) who was rebirthed in a future where Homer’s Trojan War is being fought. His job is to report on the war … to the Greek Gods.
At first, this is completely confusing. Why? is a question I asked myself over and over, but it begins to make sense with time. Plus, it’s hard not to be fascinated with the events of the Iliad. It’s also impressive how much research went into it, though that’s only an assumption since my knowledge of the Trojan War is essentially from the movie, Troy (but I have read the Odyssey!).
The second viewpoint is the humans, mainly Daemon. Daemon is a self-involved fool who is unlikeable to say the least. But who wouldn’t be when you have everything handed to you on a silver platter by robots called servitors (sp – I did listen to the audio so forgive me), like all humans everywhere. Pleasure is their life, knowledge … is lacking.
The third viewpoint is that of a sonnet-loving humanoid robot called a “moravec” and named Mahnmut. Specifically, and only, Shakespeare’s sonnets. It’s work consists of exploring the moon of Jupiter called Europa. Mahnmut is called in on a mission with a group of moravecs to explore some occurrences on the planet mars.
At first, I was highly entertained, though confused, with the events of the Trojan war and the other parts were just above boring. Slowly, the story takes hold and it had me hook, line, and sinker.
Listening to the audiobook, I was looking forward to my morning and evening drives and not too sad to do errands on my lunch hour either. Somehow, it ALL makes sense even though it sounds like the oddest collection of classics to make up a cohesive story all its own. What does Shakespeare have to do with the Iliad or Proust (his work makes appearances too) for that matter, all set in the future with technology that gives humans everything they ever want or need?
It’s crazy I tell ya. Crazy! How did I like this book this much? I’m telling you, Simmons is a mad genius. I will just sit back and let him take me on his journey. It’s amazing. I question not.
Kevin Pariseau is the narrator of this audiobook and while at first I thought he over-acted the part of Hockenberry, though somehow not the other parts, I really grew to like him and found out that it was literally just the character of Hockenberry that he was playing. And it’s impressive given how many Greek words and names he’s got to …erm… name.
The only problem is that Ilium is only half the story. It stops at a huge cliffhanger and I’m already heading to Olympos to see how this ends.
5 out of 5 Stars (Mind … blown)
Posted by Bryce L.