Talked about on today’s show:
1981, to a professor of Slavic languages, H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, the “First Age”, Hyperborea, At The Mountains Of Madness, The Mound, high fantasy, monstrous survivals, “two-fisted mighty thewed”, meeting the monster, this is not Lovecraft anymore, “big speeches very evil”, the movie, HBO, the sword is a laser beam?, that thing from Krull?, like Skeletor but less impressive, D’Spayre (Marvel Comics), “I expected you to come in evening-wear”, “He’s not Hitler”, WWII, can you use evil to fight evil, Cuza, shades of grey, chancellorship, “are you with the forces of good?”, a pretty amazing book, the Adversary Cycle, The Tomb, the “Repairman Jack” cycle, Equalizer-style, ancient Hindu mythology, deeply interested in its subject, re-reads, “written with the energy and verve and economy of a pulp novel all the themes, and character and depth of a literary novel”, Protecting Project Pulp, yellow peril, “I’ve heard Lovecraft was good for sales”, Conan The Barbarian (1982), Thulsa Doom, red hair and olive skin, a mystery novel, making assumptions, is Glen a Templar?, “What’s in the box?”, Portugal, Spain, Wales, a little map, not a castle, not a keep, built backwards, go kill Hitler, The Salem’s Lot route, a mute Nosferatu, the seduction of Cuza, Glen is a morally ambiguous character, Magda is the main character, the resonance of the title, Rasalom, Hitler, Molosar, the SS dude (Kaempffer), Woermann, moving the date 1941 to 1942, in 1941 there really is no hope (as opposed to 1942), Twitter, which evil is worse?, Gabriel Byrne, Sir Ian McKellen, WWI, the Spanish Civil War, the Condor Legion, the German anti-fascist legion, “you collaborate with anti Wallachians?”, punch-ups, Germany back on its feet, dissension in the ranks, The Psychology Of Power, George W. Bush, Obama was reading Team Of Rivals, torturing folks but not prosecuting folks, John’s second book, The Beast Within by Edward Levy, The Shining by Stephen King, Dungeons & Dragons, Pnakotic Manuscripts, Cuza uses the manuscripts as a red herring, you can’t destroy knowledge, when Jesse was less sophisticated, somebody’s got to be the publisher that published Mein Kampff, Dianetics, maybe you’re not as committed to the cause?, letting the adults slide, the Hitler Youth was mandatory, excuses might have been deadly, The Machine Gunners by Robert Westall, school children were terrifying, Nineteen-Eighty Four, informing on mommy and daddy, The Cultural Revolution, Die Brucke (aka The Bridge), Volkssturm, MG-42, April 27th, 1945, Doctor Who, Beau Geste, Magneto (Marvel Comics), J. Michael Straczynski, J.R.R. Tolkien, the Vorlons and the Shadows, Chaos and Order, put these old gods to bed, maybe I can finally die, appeasement, Glaeken returns, The Strain by Guillermo del Toro and Chuck Hogan is a retelling of Dracula and Salem’s Lot, more gloopy gloppy blood, John Carpenter’s The Thing, this book has zombies, traditional zombies, the rats, the muddy boots, the fingers, the reversal, Molosar sounds like a mid-dark age wizard or Romanian lord, Rasalom sounds like a Doctor Who character or Absalom, Mordred, Woermann -> War Man, Kempffer -> fighter, Magda -> Mary Magdalene, Cuza -> count, Glen -> valley, Glaeken -> Glaaki (Ramsey Campbell), the Fungi From Yuggoth sonnet cycle, The Courtyard, Neonomicon by Allan Moore and Jacen Burrows, Aklo,
It was the city I had known before;
The ancient, leprous town where mongrel throngs
Chant to strange gods, and beat unhallowed gongs
In crypts beneath foul alleys near the shore.
The rotting, fish-eyed houses leered at me
From where they leaned, drunk and half-animate,
As edging through the filth I passed the gate
To the black courtyard where the man would be.
The dark walls closed me in, and loud I cursed
That ever I had come to such a den,
When suddenly a score of windows burst
Into wild light, and swarmed with dancing men:
Mad, soundless revels of the dragging dead –
And not a corpse had either hands or head!
the headless corpse, “leave my house”, shaping Cuza, we get tricked, there’s something you’ve both overlooked, “Draculian harmonics”, old Slavonic, he can’t be both ignorant and knowledgeable, psychological warfare, Molasar is so much smarter, Cuza is super-manipulative, double bluff, the Dracula mystique, Molasar has to be telepathic, Bela Lugosi, Christopher Lee, Woermann mentions having seen a pirated version of Nosferatu, Molasar was aware of Cuza’s previous visits, he’s had a lot of time to think, bad dreams, he’s not interested in crumbs, the Popes forgot about it, the battery for the enchantment of the keep, the evil events begin on April 30th (Walpurgisnacht), the birds as a barometer of evil, no sequel possible, a blue winged bid with a beak full of straw, Moroi, Highlander, Highlander II (the worst movie ever made), “that’s the quickening McLeod”, a Spanish Egyptian with a Scottish accent, where did Highlander come from?, magic swords drinking power, a katana for cutting wasabi, 1980s movies came out of nowhere (seemingly), Elric (Michael Moorcock), Highlander: The Series, The Red One by Jack London, collecting heads, headless soldiers are unthinking soldiers, puppets of dark sorcery, vampires have the power to heal?, True Blood, did Cuza get the illness as a part of Molasar’s long game?
Posted by Jesse Willis
The Rift Walker (Vampire Empire #2)
By Clay and Susan Griffith; Read by James Marsters
Publisher: Brilliance Audio
[UNABRIDGED] – 14 hours
Themes: / vampires / steampunk / fantasy / post-apocalpyse / humanism /
The Rift Walker is the second installment in the Vampire Empire book trilogy. Set in a post-apocalyptic world, this tale of courage, sacrifice, and heroism takes place against the backdrop of an age of steam and rational humanism, where the social elite have rejected religion and spiritualism as nothing more than quaint superstition.
Brutal Vampire Clans rule half the world keeping human herds for food, and Princess Adele, heir to the throne of Equatoria, is faced with grim choices. War is imminent and her marriage to the odious Senator Clark of America will cement an alliance uniting the Equatorian Empire and the American Republic. This integration of war machines is to be the opening volley in the campaign to reclaim the Northern Hemispheres. Unfortunately, Adele’s betrothed has a bloodthirsty war strategy, one the Princess finds as repulsive as the actions of the vampires they fight.
Moments in advance of the Princess’s marriage to the Senator, the Geryfriar, legendary champion of the human resistance, rescues Adele before vampire assassins can murder her. While on the run from the agents of Prince Cesare, the acting Clan Lord of the Northern Vampires, Adele seeks to discover a way to protect her beloved Equatoria and prevent the genocide Clark intends to implement, all while trying to free herself from an unwanted marriage. Meanwhile, Cesare’s agents have struck deep at the heart of Equatoria and will stop at nothing to keep Adele from ascending to the throne.
Treachery abounds; friendship, loyalties, and allegiances are tested. Will Princess Adele be able, with the help of her beloved Greyfriar, her devoted guard and faithful officer Anhalt, and her mentor Mamarou, to turn the tide before human civilization is forever shattered?
This review is going to read a lot like that of the first book in the series, The Greyfriar. If you read that book and enjoyed it, you’ll like this one too. Where the first book was kind of (Zorro + Beauty and the Beast + Vampires), this one kind of leans more toward Romeo and Juliet. The protagonists love each other but everyone from their respective houses pretty much hates on the other. Wrap all that up with another fantastic narration by James Marsters and this book is over before you know it.
I still like the way these books are written. The vocabulary and use of idioms gives the story an older feel that matches the semi-steam punk world where the story takes place. More of the less important characters even show a bit more depth in this story which was pretty nice. I like that there was clearly a bit of a plan in writing the trilogy and that some things were revealed in this book that I was wondering about since the first one.
I had some minor plot issues with the story but overall the whole thing went by very fast. This is in the description of the book so whatever: I don’t understand why the Greyfriar swoops in to the save the princess when he uncovers a plot to kill her and her betrothed….instead of trying to save them both or ration out the situation without making frenemies. I’m sure it’s something like “all he could think about was saving her” or “he didn’t know who to trust” but the way it was carried out didn’t really work well for me. There were a few other moments like this but they’re minor gripes at best.
As for the audio side of things, James Marsters did a fantastic job. You’ll once again hear many voices you recognize from Dresden but I didn’t have any problem keeping things straight in my head. I started this series because it’s read by him and I’m definitely not sad at the decision.
Book 3 here I come!
Posted by Tom Schreck
Fool’s Assassin (Fitz and the Fool #1)
By Robin Hobb; Narrated by Elliot Hill
27 hours, 18 minutes [UNABRIDGED]
Publisher: Random House Audio
Publication Date: 12 August 2014
Themes: / fantasy / assassin / fool /
FitzChivalry – royal bastard and former king’s assassin – has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.
Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past…and his future.
Now, to protect his new life, the former assassin must once again take up his old one.
When I first heard confirmation that the rumors of a new Fitz and Fool series were true, I was full of mixed emotions. I loved Fool’s Fate. I’ve enjoyed all of Ms. Hobb’s books but that is the only one I’ve given 5 stars too. I was just so satisfied with how it ended. There were questions, but all the big things were resolved in the end.
So would this book ruin my favorite book? Well not yet, but it certainly hasn’t alleviated my fears that the events of this trilogy might tarnish things for me.
Like many books by Ms. Hobb, things start out slow. I don’t mean that in a negative way, however. Somehow she is able to write in such a way that I don’t mind the day to day life of her books. Despite my trepidation, it just felt nice to be back with characters I love. If you’re looking for a lot of action or a flashy start, you’ll be disappointed. I imagine that anyone picking up this book is already going to be a Robin Hobb fan and used to her style.
More than anything, Ms. Hobb’s writing is able to evoke strong emotions in me as I read. Love, anger, happiness, frustration. Few other authors can make me despise a new character so quickly or completely. Similarly Fitz continues to frustrate me with the way he does things in a way that is just all too human. Often times the protagonist in a fantasy book faces external adversity and rises to the occasion. Meanwhile Fitz is frequently his own worst enemy. Poor Ms. Hobb loves putting him through the ringer too, and this book is no different.
I had three issues with this book. First, the series is called Fitz & Fool. The book is called Fool’s Assassin. So why did it take so long for us to see the Fool? He’s mentioned often enough, but I want to spend time with him just as I am spending time with Fitz. So far this series seems a lot more like Farseer than Tawny Man in that regard.
The second thing was the addition of a POV besides Fitz. I guess I’m a very jealous reader. I originally hoped it was a one off thing early in the book, but when it turned out to be a regular thing it bothered me. I felt robbed of time I could be spending with Fitz. By the end of the book it grew on me and I came to look forward to those chapters nearly as much as I did the Fitz ones.
The final issue I had was the ending. I know this is the first book of a trilogy, but I hate cliffhanger type endings, and this one seemed pretty bad to me. If you’re the type of person who hates waiting for the next book, you may be better off waiting until the final book is either published or has a release date. It’s going to a be a LONG wait for me until book 2.
Overall I really liked, but didn’t love this book. I’m still pretty nervous about what may happen next. I think that above all shows how great a writer Ms. Hobb is to fill me with both a sense of anticipation and dread for the next book in the series.
As a narrator, I really didn’t like Elliot Hill much at first. He grew on me by the end though. I don’t normally hear characters speaking in my head as I read and haven’t had any issue listening to books I had previously read and finding the voices wrong.
I did here for some reason. Fitz just didn’t sound right to me. Same thing with Molly. Bee seemed fine, but really she sounded almost like Molly. I liked his voice for Chade though.
Mr. Hill does a few voices and accents and does a fine job of it. It just took me a very long time to get used to. By the end though I seemed to get over it. I likely won’t do the audio again unless I get another review copy, but I’d guess many people won’t have the same issues I did with it.
Review by Rob Zak.
The Magician’s Land (The Magicians #3)
By Lev Grossman; Read by Mark Bramhall
Publisher: Penguin Audio
Publication Date: 5 August 2014
[UNABRIDGED] – 16 hours, 27 minutes
Themes: / Fantasy / Magic / Wizard School / Meta Fiction / Alternate Worlds /
Quentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him.
Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of grey magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica and the Netherlands, and buried secrets, and old friends he thought were lost forever. He uncovers the key to a sorcerous masterwork, a spell that could create magical utopia, a new Fillory – but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything.
This series gets better book by book. I liked the story of the first but didn’t like any of the characters. I liked the story of the second and the characters grew on me quite a bit. This third book to the trilogy is definitely my favorite of the three. The story is interesting and has some throwbacks to the previous installments, Grossman’s dry humor is completely on point, and the characters are the best of this trilogy yet. My favorite part is Grossman’s use of humor throughout the book and his breadth of imagination with the use of magic throughout the book. Grossman brings the trilogy to a satisfying conclusion that you should definitely experience if you’ve already read the first two books of the series.
If you’re even considering reading this book, I’m sure you’ve already read the first two (if not, I’ll wait here while you go take care of that). Quentin is left shut out from Fillory so what is he to do with himself? Surprisingly enough, he does NOT turn into the miserable wreck of a creature he became after graduating in the first book – thank goodness for that. Quentin seems to have grown quite a bit from his past adventures and finds more purpose in his life. It’s really cool to see him develop that way across the books.
Grossman adds a few other point of view characters in this novel and all were nice additions to Quentin’s typical somber tone. You get to find out what other members of the old gang are getting up to as Grossman approaches the climactic conclusion of the trilogy. I particularly like Plum, a brilliant student at Brakebills that also gets involved in the adventure. Those who read Dangerous Women will recognize part of her story from Grossman’s submission to the anthology.
Grossman’s writing comes off smooth and natural. His dry tone and humor stand out as in the first two books and the book was completely enjoyable. He makes references to other works of fiction and modern influences like Harry Potter without feeling forced or making the book feel like it will be dated. There are some points in the plot where things come together far too well by happenstance, but that doesn’t hurt the story too much if you don’t focus on it.
As for the audio side of things, Mark Bramhall continues to perform his role as narrator superbly in this book. He handles the tone of the book so well – executing the voices of characters with all the sarcasm or droll tone you’d expect from these characters. Such simple ways of saying the lines Grossman has written actually made me laugh out loud in some places (“Wands out Harry”). I will definitely be looking for other books narrated by Bramhall.
Posted by Tom Schreck
The Folklore of Discworld: Legends, Myths, and Customs from the Discworld with Helpful Hints from Planet Earth
By Terry Pratchett and Jacqueline Simpson; Narrated by Michael Fenton Stevens
Publisher: Random House Audio
Publication Date: March 2014
[UNABRIDGED] – 12 hours, 59 minutes
Themes: / folklore / discworld / fantasy /
Most of us grew up having always known when to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly some of these things are beginning to be forgotten. Legends, myths, and fairy tales: Our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination – like vampires, trolls, witches and, possibly, gods – are real, alive and, in some cases kicking, on the Disc.
In The Folklore of Discworld, Terry Pratchett teams up with leading British folklorist Jacqueline Simpson to take an irreverent yet illuminating look at the living myths and folklore that are reflected, celebrated and affectionately libelled in the uniquely imaginative universe of Discworld.
The Folklore of Discworld is as capricious and lovely a reference book for the Discworld series as the Discworld itself. It seems to drift between our world and the Discworld with a strangely organic ease, and, given the breadth and depth it covers, doesn’t assault the listener with too much. Instead it reads like any of the other books in the Discworld series, with light, comforting reassurances to the reader that everything is just exactly where it needs to be.”
Posted by Trant Thumble.
Spell or High Water (Magic 2.0 #2)
By Scott Meyer; Narrated by Luke Daniels
Publisher: Brilliance Audio
Publication Date: June 2014
[UNABRIDGED] – 11 hours, 39 minutes
Themes: / hacker / time travel / fantasy / humor / Atlantis /
The adventures of an American hacker in Medieval England continue as Martin Banks takes his next step on the journey toward mastering his reality-altering powers and fulfilling his destiny. A month has passed since Martin helped to defeat the evil programmer Jimmy, and things couldn’t be going better. Except for his love life, that is. Feeling distant and lost, Gwen has journeyed to Atlantis, a tolerant and benevolent kingdom governed by the Sorceresses, and a place known to be a safe haven to all female time-travelers. Thankfully, Martin and Philip are invited to a summit in Atlantis for all of the leaders of the time-traveler colonies, and now Martin thinks this will be a chance to try again with Gwen. Of course, this is Martin Banks we’re talking about, so murder, mystery, and high intrigue all get in the way of a guy who just wants one more shot to get the girl. The follow-up to the hilarious Off to Be the Wizard, Scott Meyer’s Spell or High Water proves that no matter what powers you have over time and space, you can’t control rotten luck.
I’m convinced Luke Daniels could read the phone book and make it sound interesting. When given a funny book to read he shines even more. He may be my favorite audio book reader. His voices are great and seems to really bring the characters to life. I grabbed the first book in this series a few months ago because partially because it sounded interesting, but mostly because it was read by Luke Daniels. I grabbed this book however because I really enjoyed the first one and was excited to see that a second book was out.
My favorite character in the series is probably Philip, and he seemed to get more focus in this book. This book also addressed my major criticism of the first book: Where are all the women? This book sees us visit Atlantis, which was used as the explanation for why there was almost no women. I enjoyed the female characters introduced in this one, especially the Brits.
Time travel stories are really hard to write well as it can all be very confusing. I think Mr. Meyer does a great job of handling this by having the characters be just as confused as everyone else. They offer several theories to explain things, but seem just as unsure of the plausibility as I was. This is definitely not a hard sci-fi book.
The humor in this book probably wasn’t as good as the first one, but that didn’t make the story any less fun. I did find the parts focused on Jimmy to be less enjoyable than the stuff with Philip and Martin however.
Overall I think this was another great entry in this series. Almost everything was nicely wrapped up, while the epilogue planted the seeds for a possible third book. I hope he does write a third because I’ll happily listen to it. If not, maybe I can get Luke Daniels to read me the phone book.
Review by Rob Zak.