Beginning it seems in the mid-1970s Dudley Knight, a U.C. Irvine professor of drama, voiced a series called The Graveyard Shift on KPFK, Los Angeles. The purpose was to tell stories of the macabre. His broadcasts aired weekly with shows of variable length (between half and hour and two and a half hours).
Here is a list of broadcast stories, with links to audio when available:
Jan. ??, 1974- The Room In The Tower by E.F. Benson (34 min.)
May. ??, 1977 – Upon The Dull Earth by Philip K. Dick (55 min.)
Jun. 08, 1977 – I See A Man Sitting On A Chair And The Chair Is Biting His Leg by Harlan Ellison and Robert Sheckley (57 min.)
Jun. 22, 1977 – It by Theodore Sturgeon (57 min.)
Jun. ??, 1977 – Count Magnus by M.R. James (35 min.)
Jul. 06, 1977 – Children Of The Corn by Stephen King (71 min.)
Aug. 03, 1977 – Compulsory Games by Robert Aickman (56 min.)
Aug. 17, 1977 – The Yellow Wallpaper by Charlotte Perkins Gilman (37 min.)
Aug. 31, 1977 – Silent Snow, Secret Snow by Conrad Aiken (46 min.)
Sep. 21, 1977 – The Empty House by Algernon Blackwood (42 min.)
Oct. 19, 1977 – Armaja Das by Joe Haldeman (44 min.)
Nov. 08, 1977 – It Only Comes Out At Night by Dennis Etchison (33 min.)
Dec. 14, 1977 – Couching At The Door by D.K. Broster (59 min.)
Dec. ??, 1977 – The Aleph by Jorge Luis Borges (35 min.)
Jan. 18, 1978 – Suspicion by Dorothy L. Sayers (38 min.)
Jan. ??, 1978 – I Have No Mouth And I Must Scream by Harlan Ellison (41 min.)
Feb. 01, 1978 – The Gentleman From America by Michael Arlen (48 min.)
Feb. 08, 1978 – Bulkhead by Theodore Sturgeon (75 min.)
Feb. 22, 1978 – Gonna Roll The Bones by Fritz Leiber (60 min.)
Mar. 22, 1978 – Sometimes They Come Back by Stephen King (58 min.)
Apr. 05, 1978 – Three Miles Up by Elizabeth Jane Howard (42 min.)
Apr. 19, 1978 – Eine Kleine Nachtmusik by Fredric Brown (49 min.)
Jun. 07, 1978 – The Ash Tree by M.R. James (36 min.)
Jul. 26, 1978 – The Squaw by Bram Stoker (35 min.)
Aug. 30, 1978 – Batard by Jack London (39 min.)
Sep. 06, 1978 – The Game Of Rat And Dragon by Cordwainer Smith (37 min.)
Oct. 17, 1978 – The Body Snatcher by Robert Louis Stevenson (49 min.) |MP3|
Nov. 21, 1978 – The Other Celia by Theodore Sturgeon (48 min.)
Dec. 06, 1978 – Benlian by Oliver Onions (44 min.)
Jan. 03, 1979 – Before Eden by Arthur C. Clarke (32 min.)
Jan. 31, 1979 – The Haunters and the haunted by Edward Bulwer Lytton (106 min.)
Feb. 23, 1979 – Space Rats Of The CCC by Harry Harrison (37 min.)
Apr. 03, 1979 – Breakfast At Twilight by Philip K. Dick (41 min.)
Apr. 17, 1979 – Thurnley Abby by Perceval Landon (43 min.)
???. ??, ???? – The Whisperer In Darkness by H.P. Lovecraft
Posted by Jesse Willis
Deathworld 2: The Ethical Engineer
By Harry Harrison; Performed by Jim Roberts
Publisher: Brilliance Audio4 hours [UNABRIDGED]
Themes: / gambler / psionic abilities / planetary worlds / planetary colonists / slavery /
In the first Deathworld, wily interstellar gambler Jason dinAlt managed to survive on Pyrrus, a planet that seemed to be at war with its own people. He also stopped a deadly feud between two groups of those people. In the second volume of this trilogy, Jason finds that keeping the peace is even more difficult than ending the war. He is also becoming increasingly annoyed with the superior attitude of the natives, including his girlfriend, and this leads to his taking a very big chance. He allows himself to be arrested and taken away from the planet to show that he can take care of himself. He soon regrets that decision after crashing on a planet where the people are quite primitive and he is made a slave. Now he just wants to escape and get back to Pyrrus, but finds that it takes all his cunning and physical prowess just to stay alive. Harry Harrison gives us another fast-paced yet surprisingly thought-provoking story in Deathword 2: The Ethical Engineer.
Deathworld 2: The Ethical Engineer is the second in Harry Harrison’s Deathworld trilogy, which follows the interplanetary adventures of professional gambler Jason din’Alt. Although the plot picks up pretty soon after the first book left off, it doesn’t feel like a sequel as much as an interlude from the Pyrran saga. There is very little to link the two books other than the presence of the protagonist who is immediately taken off world away from the characters of the first book. However, the story itself is full of pulp fiction-y goodness and centers on a brand new, slightly less deadly world. A primitive world that seems to have regressed since it’s initial colonization, a majority of the people are slaves to brutal tribal chiefs who lead a never ending search for food in a barren wasteland. The more powerful chiefs, as uneducated and greedy as their people, each own one aspect of the technology that remains from more advanced times. But their refusal to work together has left the world with limited resources and a stagnated intelligence. A possible commentary on the dangers of rigid corporatism, the world structure explores a backward approach to invention that deconstructs advanced ideas into their most rudimentary parts, much to their detriment.
This sort of simplistic, one-dimensional thinking also plays into Jason’s new antagonist Mikah who is a member of some sort of universal police force that imposes a very strict moral code on everyone around them. He sees life in perfectly defined right and wrongs with no room for the moral relativism Jason is so fond of indulging in. Initially arresting Jason because of his gambling, he spends most of the book in mortal danger due to his refusal to bend his moral code and frequently hampers Jason’s attempts to rescue him for the same reason. His frustrating behavior quickly makes Mikah into one of the most annoying characters ever conceived and I spent most of the book wishing Jason would just leave him behind. In most respects, Mikah acts like a robot with no capacity to learn, change, develop, or understand anything not in his original programming, so that even though he is ideologically opposed to Jason, he’s not a very interesting adversary.
Jason, on the other hand, actually manages to both develop and regress in this book. In addition to a knowledge of gambling and weapons and his psionic powers (none of which he uses in this story), we find out he is rather conveniently a skilled mechanic and electrician. Unlike this last book, he actually has a good reason to be entangled in this plot since it was a consequence of his lifestyle choices but by ignoring his psionic powers which were so vastly important before, he was become a more generic character. This isn’t helped by the fact that exposure to the morally upright Mikah has no more effect of him than he does on Mikah. In the end, nothing has really changed except for the bloody wars he probably will have left behind him.
As far as the audio goes, it is the same wooden narrator as the first book and so not one I would recommend. But overall, it’s the kind of enjoyable light reading meant for a rainy afternoon and is short enough that it won’t take you much longer.
Posted by Rose D.
By Harry Harrison; Read by Jim Roberts
Publisher: Brilliance Audio
6 hours [UNABRIDGED]
Themes: / gambler / psionic abilities / planetary worlds / planetary colonists /
Professional gambler Jason dinAlt, who has ‘psionic’ abilities, is hired to win a great deal of money for a mysterious and very imposing stranger. When he ‘breaks the bank’ their expertly timed escape gets them off-world just in time. The gambler learns he has helped the dwellers of Pyrrus, otherwise known as ‘Deathworld’ – a planet that appears to be fighting and trying to destroy its inhabitants. Intrigued, he determines to see this world and learn its secrets. He discovers that there are colonists who live outside the embattled city who are not under constant and ever evolving attack from the planet. Jason’s efforts to help the city dwellers and re-unite the two planetary groups before they are all destroyed makes for a gripping listen.
Deathworld is one of Harry Harrison’s early books written in the finest tradition of the pulps with a forced romance and a flimsy excuse, but highly entertaining nevertheless. Jason dinAlt, the psionic gambler with a heart of gold, decides to go the the deadliest known planet in the universe due to a fit of malaise and stays there in spite of a rather tedious training period (made more enjoyable if you imagine Eye of the Tiger playing in the background). However, once he gets released into the general population, the mystery of Pyrrus picks up and it’s certainly a mystery I never suspected.
Pyrrus itself, presumably named after the war of attrition being fought there, is a dreadful world where even the plants can kill you, but the ingenuity of the planet’s lethalness and the two societies it has created are a nice backdrop to the adventure plot. Our exposure to the wildlife is more limited than I’d like with the focus being on the warfare instead. The relationship between the aptly named Junkmen and Grubbers is much more developed and is one of the most interesting elements of the story. Their mutual hostility reflects the tension between industrialism and agrarianism that is always prevalent in developing civilizations.
The characters themselves are mostly flat and underdeveloped, everyone according to their role and no more. Meta, Jason’s love interest, is especially annoying to me, though that may have been because of the complete lack of chemistry between her and Jason. She feels like a perfunctory character whose actions and reactions are dictated by the needs of the story rather than any sort of internal motivation. Jason, too, doesn’t have much a character arc (although I trust he isn’t as bored by the end as he was before Pyrrus). As a gambler he’s willing to put his life on the line for a hunch but his investment in the fate of the world is never fully explained beyond a general sense of goodwill. Still, what is character development in the face of carnivorous plants, poisonous animals, murderous bacteria, and the perpetual threat of volcanic eruptions? I’m not going to read a book called Deathworld for characters talking about their feelings.
Should you feel inclined to listen to this book, I don’t recommend this audiobook. The narrator, a Mr. Jim Roberts, was flat, boring and completely wrong for the tough characters and fast-paced action. It felt like I was being read to by a New York accountant, a well-meaning but unsuccessful uncle. The characters all sound the same and no attempt is made to put emotion into them. With a story like this, the right narration can really make or break it. I’d recommend either reading the book yourself or finding another version of the audiobook.
Posted by Rose D.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Recent arrivals first, here’s Jenny’s list, Harry Harrison’s Deathworld, Speculative! Brilliance audiobooks (from public domain works), “he’s super clear”, author of Make Room! Make Room! (aka Soylent Green), Planet Of The Damned, “nice font”, Ursula K. Le Guin’s The Telling is in the Hanish Cycle, the out of print Harlan Ellison version of A Wizard of Earthsea, The Lathe Of Heaven and the PBS TV-movie with Bruce Davidson (trailer), Work Of The Devil by Katherine Amt Hanna, “the devil has no time for long novels”, Joe Hill’s Horns and In The Tall Grass (with Stephen King), Philip K. Dick’s Vulcan’s Hammer, similar to Colossus: The Forbin Project (film), “goes Skynet on your ass”, The Game-Players Of Titan has slug aliens, good names for bands, Time Out Of Joint, Tears In Rain by Rosa Montera is inspired by Blade Runner (it has a female Rutger Hauer), translated from Spanish, The Woodcutter by Kate Danley has fairy tale characters, Beowulf, Jeff Wheeler’s Legends Of Muirwood series released all at once, House Of Cards is a great British show, Dead Spots by Scarlett Bernard sounds like one of those Lifetime movies, The Mad Scientist’s Daughter by Cassandra Rose Clarke has a disturbing android romance, ewww!, Tam knows who Steven Erikson is (Forge Of Darkness), re-read of the Malazan series, we need urban fantasy and military SF people, Tenth Of December by George Saunders, prefers short stories, on Colbert, Vampires In The Lemon Grove by Karen Russell, her novel Swamplandia has been optioned by HBO, New releases start, Poe Must Die by Marc Olden, Ben Bova’s Farside comes out soon (hard SF), narrated by Stefan Rudnicki, Stefan’s Fantastic Imaginings, where’s James P. Hogan’s Inherit The Earth?, the movie Frequency didn’t star Kevin Bacon, the entire X Minus One radio drama run, short story audio collections having chapters and a table of contents, Star Wars audiobooks with enhanced sound, Bryce’s review of Star Wars: Scoundrels, more Star Trek novel audio books, more classic sf, Leigh Brackett, Jerry Pournelle, Harlan Ellison, Arthur C. Clarke, George R.R. Martin, “you’re welcome, Audible”, The Mad Scientist’s Guide To World Domination by John Joseph Adams, short fiction is back, Olaf Stapelton, like a science fiction The Silmarillion, SF Crossing The Gulf podcast will discuss Olaf Stapledon and others, Mary Doria Russell, where’s the audio version of Karen Lord’s The Best Of All Possible Worlds? (actually it came out the same day as the print version), Jenny loved it, what is the Candide connection Karen?, indie Scifi Arizona author Michael McCollum on Audible (Steve Gibson approved), the Audible Feb2013 Win-Win $4.95 sale, get the first in a series cheap, Sharon Shinn’s Archangel Samaria series, Image Comics’s first issue sale, The Red Panda audio drama becomes a comic (cover), John Scalzi’s The Human Division serial, wish science fiction authors in TV series, George R.R. Martin to develop more shows for HBO, football jerseys vs Star Trek uniforms.
Posted by Tamahome
“For me, it’s one of those stories that does what SF does so very well, shining a light into those murky places where mundane fiction either will not or can not go: asking difficult questions about the nature of faith, belief and pride (and taking a few well aimed and accurate shots at the nature of colonialism along the way).” – James Lecky
The Streets Of Ashkelon is a terrific tale audiobooked as part of last month’s issue of Lightspeed. Sometimes classified as a horror, often reprinted, it’s a classic SF story that’s in dialogue with James Blish’s A Case Of Conscience. Maria Doria Russell’s The Sparrow could also be considered a part of this long conversation. But unlike either of those novels this fifty year old short story takes the other side, stridently offering a challenge to the authority of faith’s promulgators. It asks an important question:
Ought evangelists and proselytizers have any business promoting their religion to aliens?
This is an SF story in the vein of Star Trek and H.G. Wells, so ought we not to read the innocent aliens as an allegory for something a little closer to home?
Decide for yourself.
Lightspeed – The Streets Of Ashkelon
By Harry Harrison; Read by Paul Boehmer
1 |MP3| – Approx. 49 Minutes [UNABRIDGED]
Podcast: September 2012
First published in New Worlds Science Fiction, #122, September 1962.
Posted by Jesse Willis
Last year somebody* pointed out that a list of “The Top 100 Sci-Fi Books” (as organized by the Sci-Fi Lists website) was almost entirely available in audiobook form!
At the time of his or her compiling 95 of the 100 books were available as audiobooks.
Today, it appears, that list is approaching 99% complete!
I’ve read a good number of the books and audiobooks listed, and while some of them are indeed excellent, I’d have to argue that some are merely ok, and that others are utterly atrocious.
That said, I do think it is interesting that almost all of them are available as audiobooks!
Here’s the list as it stood last year, plus my added notations on the status of the missing five:
01- Ender’s Game – Orson Scott Card – 1985
02- Dune – Frank Herbert – 1965
03- Foundation – Isaac Asimov – 1951
04- Hitchhiker’s Guide To The Galaxy – Douglas Adams – 1979
05- 1984 – George Orwell – 1949
06- Stranger In A Strange Land – Robert A Heinlein – 1961
07- Fahrenheit 451 – Ray Bradbury – 1954
08- 2001: A Space Odyssey – Arthur C Clarke – 1968
09- Starship Troopers – Robert A Heinlein – 1959
10- I, Robot – Isaac Asimov – 1950
11- Neuromancer – William Gibson – 1984
12- Do Androids Dream of Electric Sheep? – Philip K. Dick – 1968
13- Ringworld – Larry Niven – 1970
14- Rendezvous With Rama – Arthur C. Clarke – 1973
15- Hyperion – Dan Simmons – 1989
16- Brave New World – Aldous Huxley – 1932
17- The Time Machine – H.G. Wells – 1895
18- Childhood’s End – Arthur C. Clarke – 1954
19- The Moon Is A Harsh Mistress – Robert A. Heinlein – 1966
20- The War Of The Worlds – H.G. Wells – 1898
21- The Forever War – Joe Haldeman – 1974
22- The Martian Chronicles – Ray Bradbury – 1950
23- Slaughterhouse Five – Kurt Vonnegut – 1969
24- Snow Crash – Neal Stephenson – 1992
25- The Mote In God’s Eye – Larry Niven and Jerry Pournelle – 1975
26- The Left Hand Of Darkness – Ursula K. Le Guin – 1969
27- Speaker For The Dead – Orson Scott Card – 1986
28- Jurassic Park – Michael Crichton – 1990
29- The Man in the High Castle – Philip K. Dick – 1962
30- The Caves Of Steel – Isaac Asimov – 1954
31- The Stars My Destination – Alfred Bester – 1956
32- Gateway – Frederik Pohl – 1977
33- Lord Of Light – Roger Zelazny – 1967
34- Solaris – Stanisław Lem – 1961
35- 20,000 Leagues Under The Sea – Jules Verne – 1870
36- A Wrinkle In Time – Madeleine L’Engle – 1962
37- Cat’s Cradle – Kurt Vonnegut – 1963
38- Contact – Carl Sagan – 1985
39- The Andromeda Strain – Michael Crichton – 1969
40- The Gods Themselves – Isaac Asimov – 1972
41- A Fire Upon The Deep – Vernor Vinge – 1991
42- Cryptonomicon – Neal Stephenson – 1999
43- The Day of the Triffids – John Wyndham – 1951
44- UBIK – Philip K. Dick – 1969
45- Time Enough For Love – Robert A. Heinlein – 1973
46- A Clockwork Orange – Anthony Burgess – 1962
47- Red Mars – Kim Stanley Robinson – 1992
48- Flowers For Algernon – Daniel Keyes
49- A Canticle For Leibowitz – Walter M. Miller – 1959
50- The End of Eternity – Isaac Asimov – 1955
51- Battlefield Earth – L. Ron Hubbard – 1982
52- Frankenstein – Mary Shelley – 1818
53- Journey To The Center Of The Earth – Jules Verne – 1864
54- The Dispossessed – Ursula K. Le Guin – 1974
55- The Diamond Age – Neal Stephenson – 1995
56- The Player Of Games – Iain M. Banks – 1988
57- The Reality Dysfunction – Peter F. Hamilton – 1996
58- Startide Rising – David Brin – 1983
59- The Sirens Of Titan – Kurt Vonnegut – 1959
60- Eon – Greg Bear – 1985
61- Ender’s Shadow – Orson Scott Card – 1999
62- To Your Scattered Bodies Go – Philip Jose Farmer – 1971
63- A Scanner Darkly – Philip K. Dick – 1977
64- Lucifer’s Hammer – Larry Niven and Jerry Pournelle – 1977
65- The Handmaid’s Tale – Margaret Atwood – 1985
66- The City And The Stars – Arthur C Clark – 1956
67- The Stainless Steel Rat – Harry Harrison – 1961
68- The Demolished Man – Alfred Bester – 1953
69- The Shadow of the Torturer – Gene Wolfe – 1980
70- Sphere – Michael Crichton – 1987
71- The Door Into Summer – Robert .A Heinlein – 1957
72- The Three Stigmata Of Palmer Eldritch – Philip K. Dick – 1964
73- Revelation Space – Alastair Reynolds – 2000
74- Citizen Of The Galaxy – Robert A. Heinlein – 1957
75- Doomsday Book – Connie Willis – 1992
76- Ilium – Dan Simmons – 2003
77- The Invisible Man – H.G. Wells – 1897
78- Have Space-Suit Will Travel – Robert A. Heinlein – 1958
79- The Puppet Masters – Robert A. Heinlein – 1951
80- Out Of The Silent Planet – C.S. Lewis – 1938
81- A Princess of Mars – Edgar Rice Burroughs – 1912
82- The Lathe of Heaven – Ursula K. Le Guin – 1971
83- Use Of Weapons – Iain M. Banks – 1990
84- The Chrysalids – John Wyndham – 1955
85- Way Station – Clifford Simak – 1963
86- Flatland – Edwin A. Abbott – 1884
87- Altered Carbon – Richard Morgan – 2002
88- Old Man’s War – John Scalzi – 2005
89- COMING SOON (October 15, 2012) – Roadside Picnic – Arkady and Boris Strugatsky – 1972
90- The Road – Cormac McCarthy – 2006
91- The Postman – David Brin – 1985
92- NEWLY AVAILABLE – Stand On Zanzibar – John Brunner – 1969
93- VALIS – Philip K. Dick – 1981
94- NEWLY AVAILABLE The Cyberiad: Fables for the Cybernetic Age – Stanisław Lem – 1974
95- NOT AVAILABLE AS AN AUDIOBOOK – Cities In Flight – James Blish – 1955
96- The Lost World – Sir Arthur Conan Doyle – 1912
97- The Many-Colored Land – Julian May – 1981
98- Gray Lensman – E.E. ‘Doc’ Smith – 1940
99- The Uplift War – David Brin – 1987
100- NEWLY AVAILABLE – The Forge Of God – Greg Bear – 1987
In case you were wondering, the list was compiled using the following criteria:
“A statistical survey of sci-fi literary awards, noted critics and popular polls. To qualify a book has to be generally regarded as science fiction by credible sources and/or recognised as having historical significance to the development of the genre. For books that are part of a series (with some notable exceptions) only the first book in the series is listed.”
The “Next 100″, as listed over on Sci-Fi Lists, has a lot of excellent novels and collections in it too, check that out HERE.
[*Thanks to “neil1966hardy” from ThePirateBay]
Posted by Jesse Willis