Lockdown: Star Wars (Maul)
By Joe Schreiber; Read by Jonathan Davis
Publisher: Random House Audio
Publication Date: January 2014
[UNABRIDGED] – 12 hours, 24 minutes
Listen to an excerpt: | MP3 |
Themes: / Star Wars/ Sith Lords / horror /
Set before the events of Star Wars: Episode I The Phantom Menace, this new novel is a thrilling follow-up to Star Wars: Darth Plagueis.
It’s kill or be killed in the space penitentiary that houses the galaxy’s worst criminals, where convicts face off in gladiatorial combat while an underworld gambling empire reaps the profits of the illicit blood sport. But the newest contender in this savage arena, as demonic to behold as he is deadly to challenge, is fighting for more than just survival. His do-or-die mission, for the dark masters he serves, is to capture the ultimate weapon: an object that will enable the Sith to conquer the galaxy.
Sith lords Darth Plagueis and Darth Sidious are determined to possess the prize. And one of the power-hungry duo has his own treacherous plans for it. But first, their fearsome apprentice must take on a bloodthirsty prison warden, a cannibal gang, cutthroat crime lord Jabba the Hutt, and an unspeakable alien horror. No one else could brave such a gauntlet of death and live. But no one else is the dreaded dark-side disciple known as Darth Maul.
Star Wars: Maul: Lockdown is a Science Fiction/Horror prominently featuring Darth Maul that shows some of the darkest sides of prison life and organized crime the Star Wars universe has to offer. The story and characters are interesting but the sheer violence really seems to be the main point behind this novel. Don’t discount that “horror” part either – this book features some serious violence, gore, and other things that will make many cringe…especially with some of the sound effects that accompany the audiobook version.
The premise of the novel is that Darth Maul goes to a prison undercover for Darth Sidious to find an arms dealer running out of that prison. The prison makes money by running a gambling racket pitting inmates against each other in fight to the death. The twist is that Sidious has forbidden Maul from using the Force so that observers don’t know he is really a sith lord in disguise.
When you were a kid, did you ever sit around with friends talking about who would win in a fight between two of your favorite comic book characters? Batman vs. Superman, Wolverine vs. Cyclops, etc? Those would sometimes devolve into arguments like, “well what if Batman didn’t have kryptonite while fighting Superman” or something like that. Well this novel is the Star Wars equivalent of that in which Darth Maul is pitted against a gamut of different creatures from the Star Wars universe that get more and more difficult. While the danger of these fights is definitely recognizable, this becomes more of a question of how Darth Maul defeats his foe than if he will survive since we all know when his character really dies.
Truth be told, I did not realize this novel was horror when I first started it. Joe Schreiber also wrote Death Troopers and Red Harvest but I didn’t realize this until I was a bit into the book. Star Wars is not a universe in which you’d expect to encounter horror but I have to say that Schreiber pulls it off well in this book with a fairly believable premise. It didn’t feel like a horror novel shoe horned into the Star Wars universe. My only gripe would just be that some things mentioned are more from our world and felt like anachronisms in a Star Wars novel. They didn’t detract much from the story but nagged me a bit at times.
Jonathan Davis did a great job as usual with his work in the Star Wars universe. There weren’t really any impersonations for him to work with here except for Maul and Sidious so voices were mainly left up to him to make up. The sound effects and music were up to par with any Star Wars novel but I have to say, they really went big on the squelching, breaking, smashing sounds that accompany many of the violent/gore filled scenes in the book…to the point that I think I may have cringed a few times.
Posted by Tom Schreck
“Capt. Marryat, besides writing such short tales as The Werewolf [aka The White Wolf Of The Hartz Mountains], made a memorable contribution in The Phantom Ship (1839), founded on the legend of the Flying Dutchman, whose spectral and accursed vessel sails for ever near the Cape of Good Hope.”
-H.P. Lovecraft, Supernatural Horror In Literature
Normally I wouldn’t contradict H.P. Lovecraft, but he didn’t have the internet to do his research. The Werewolf he is referring to, we think, is actually Chapter 39 of The Phantom Ship – that chapter is a story within the greater narrative and has often been reprinted without the surrounding novel.
This 1944 radio drama adaptation is very tame compared with the savageness of the original (for more on that see the PDF below).
The Weird Circle – The Werewolf
Adapted from the novelette by Captain Frederick Marryat; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 7, 1944
A widower, living in the Hartz Mountains, takes a new wife to help raise his children, but the strange wedding vows he makes will come back to haunt him.
Here’s a |PDF| of The White Wolf Of The Hartz Mountains.
Posted by Jesse Willis
A couple lines from episode 2 of HBO’s new show, True Detective, made made me gasp in shock and pleasure. The stylish debut episode, though beautifully filmed, didn’t quite explicitly state the weird undercurrent that may be behind the mystery of this novel for television.
Det. Rustin Cohle (reading the diary) “I closed my eyes and saw the King in Yellow moving through the forest.”
And then “The Yellow King … Carcosa”
I really began to get excited when, near the end of episode 2, birds flock into a recognizable shape, a tattoo found on the victim in episode 1.
Here are two short stories, listed chronologically, for those lines:
An Inhabitant Of Carcosa
By Ambrose Bierce; Read by rasputin
1 |MP3| – Approx. [UNABRIDGED]
First published in the San Francisco News Letter and California Advertiser, Dec 25, 1886.
And here’s a |PDF| version.
The Yellow Sign
By Robert W. Chambers; Read by CrowGirl
1 |MP3| – Approx. 39 Minutes [UNABRIDGED]
Published: November 30, 2011
The King In Yellow is a monstrous and suppressed book whose perusal brings, fright, madness, and spectral tragedy. Have you seen the Yellow Sign? First published in 1895.
And here’s a |PDF| version.
Posted by Jesse Willis
The SFFaudio Podcast #251 – Jesse, Scott, and Tamahome discuss Up Against It by M.J. Locke.
Talked about on today’s show:
Hardcover, paperback, audiobook, who to blame?, it’s Jo Walton’s doing we chose this book (at the bottom), still a lot of juice in the genre, the ultimate cause, drawing in vs. pushing in, Corner Gas, a new wine bracket, the Radium Age of Science Fiction, Scott’s Goodreads review, Tam’s Goodreads review, 24, the characters, less torture, its more fun if you count the tropes, every trope is in there, including immortality, mimetic fiction (literary realism), Henry James, mimetic fiction in a science fiction universe, tiny infodumps, not one brand new idea, waveface virtual reality, Tonal_Z AI language (Chris Crawford’s Solvesol-interface concept?), in dialogue, Cory Doctorow (Whuffies), Bruce Sterling, Chris Crawford, Bruce Sterling’s Veridians (wow, it’s a whole big thing, design philosophy? manifesto), asteroid miner stories, Heinlein and later, The Island Worlds by John Maddox Roberts and Eric Kotani, The Moon Is A Harsh Mistress, there’s no newcomer, a generally agreed upon direction our future will be, John Scalzi’s brainpal, more than one kind of SF, rocket ships, the Charles Stross direction, Iain M. Banks, Souvenir by Philip K. Dick, Amish tech, their tech is subservient to their culture, it seems inevitable in our world, the received future, Earth in Up Against It in bad shape, Vancouver shantytowns, Edmonton, this isn’t a utopian book, dystopia, dystopic Earth, why are they in the Asteroid Belt, good world-building, good but not new, nothing new but the idea, incredibly self-aware people is weird (and cool), gene tampering, Oblivion is a good introduction to SF tropes (for people born in the year 2000), the level of SF tropes in movies is very low compared to those in SF books, Darwin Elevator, bad physics vs. excellent physics, sugar rocks, there’s no intro character (other than the A.I. pov), Little Brother by Cory Doctorow, collaborative teens, a visual adaptation, Ender’s Game, Planetes, Gravity, Babylon 5 had nothing new, I don’t go to TV SF for new ideas, books are where great ideas, what great ideas haven’t been explored, the news coming out of Eve Online, Steen Hansen, political machinations, gold farming, a simulated universe, a libertarian alliance was trojaned or something, happening to real people, World Of Warcraft, our real future is in leisure, Tam liked it more, nose-piercings, tattooing, the gender neutral pronouns, why would you want a purple nose?, Jesse doesn’t understand trans-humanism, normal readalongs, why didn’t I like this more, Tam liked it fine, hands for feet, chromes and mutes, Falling Free by Lois McMaster Bujold, not too bright in the brain area, The Integral Trees by Larry Niven, a planetless solar system, a mashup of Doctorow and Heinlein, smile -> erection, Chekhov’s Gun, Heinleinian sex vs. Doctorowian sex, there’s too much going on, an immature writer, Elmore Leonard, “she pillowed her cheek”, nobody pillows their cheeks in Jack London stories, Jane as an older Ripley, an artificial spiritual awakening, too many compromises too much bullshit, an authentically political book according to Staffer’s Book Review, double dealings, the thriller plot, exploring space, what does Scott prefer?, does Scott have a right to review Up Against It?, is it maturity?, 2312, Tobias Buckell’s blog essay about mature reviewers, caveats, “and get off my lawn”, idea fiction, competent but unstimulating, why is The Lord Of The Rings more interesting than Up Against It?, the themes, the next episode of A Good Story Is Hard To Find, Luke Burrage re-reviews A Canticle For Liebowitz, what we do when we do READALONGS (we unpack books), The Odyssey, Community, currently airing TV series have podcasts?, books with allegories, Scott wants it to mean something to him, The Zimmerman Telegram by Barbara Tuchman, WWI, the German ambassador in Mexico, Woodrow Wilson, Tom Clancy, mimetic fiction from the future, a history from the future, history, in some ways Eve Online is much more real than any fiction book, Scott finds value in general fiction, Mario Puzo, Tom Wolfe, Ernest Hemingway, John Steinbeck, meaning vs. ideas, horror, Snowblind by Christopher Golden for some alternative horror, The House Of The Seven Gables by Nathaniel Hawthorne, The Turn Of The Screw by Henry James, gothic fiction, witchcraft, Supernatural Horror In Literature by H.P. Lovecraft, there’s still potential for Science Fiction, a sequel?, an unneeded sequel, every subsequent milk of a book undercuts it, Dune has been worsened by every Dune that’s come since, Dune Messiah (Scott liked it), the fall of a charismatic leader, a backward casting shadow, Brian Herbert has done what his father wanted by ruining Dune?, why was Up Against It so long?, YA/adult book, George R.R. Martin doesn’t think Scott’s a fan of Hard SF, The Martian by Andy Weir, Phoecea, why are they mining?, there’s no economic reason to do so, was there an economic reason to go to the moon, we need to build a space fleet, no martian resources are unavailable on Earth, the Moon has Helium-3, Tam read Frank Schatzing’s Limit and his eyes are tired, what the frack, (was it ‘Simon pure science fiction like A Darkling Sea‘? we didn’t talk about it but I thought I’d note it)
Posted by Jesse Willis
In Supernatural Horror In Literature, H.P. Lovecraft’s monograph on weird fiction, he lists seven short stories by Guy de Maupassant, and one poem. It took a bit of research but I tracked down that one poem and found a public domain English translation of it. I then passed on to Mr Jim Moon, of the wonderful Hypnobobs podcast. He has given it voice:
|MP3| – 2 Minutes 11 Seconds [POEM]
Posted by Jesse Willis
Suspense – Dunwich Horror
Adapted from the story by H.P. Lovecraft; Adapted by William Spier; Performed by a full cast
1 |MP3| – Approx. 26 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 1, 1945
On All-Hallows Eve Henry Armitage, the librarian of Miskatonic University, ascends the summit of Centennal Hill. First published in Weird Tales, April 1929.
Stars: Ronald Colman, William Johnstone, Joseph Kearns, and Elliott Lewis.
Posted by Jesse Willis