The Naked Sun (Robots #2)
By Isaac Asimov; Read by William Dufris
Publisher: Random House Audio
Publication Date: July 2014
[UNABRIDGED] – 7 hours, 41 minutes
Themes: / robots / colonization / science fiction / detective /
A millennium into the future, two advancements have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants. To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations. The victim had been so reclusive that he appeared to his associates only through holographic projection. Yet someone had gotten close enough to bludgeon him to death while robots looked on.
What a shocker! I suspected the murderer but not the ending Asimov gave us. Wow.
The Naked Sun gives us a look at the mysterious Outer Worlds, first mentioned in The Caves of Steel. Solaria has never had a crime, due to their extremely privileged population served solely by robots who, of course, never commit crimes of passion. Lige Bailey finds this open, practically empty environment poses both the challenges of solving the mystery and of adapting his agoraphobic nature, thanks to a lifetime of living in underground cities on overpopulated Earth.
Asimov has fun looking at the sociological effects of a high-tech, low population world. I was fascinated by Asimov’s contrast of Elijah Bailey, used only to an overcrowded Earth, with the outworld Solarian society which had open space, eugenics, and many robots. There is no way Asimov could have foreseen our computer-oriented society today, but I found the Solarian society’s preference for “viewing” through screens rather than “seeing” in person to be a disturbing echo of what we ourselves seem to be moving toward.
I originally read this long ago and remembered a lot about the Solarian society but almost nothing about the mystery itself. Listening to William Dufris’ excellent narration, so long after my first reading, I found this a wonderful mystery. Dufris surpassed his performance in The Caves of Steel as he voiced a wide range of Solarian characters from sensuous to prim, blowhard to reserved, blustering to withdrawn. My favorite voices actually were the Solarian robots which were precisely what you’d expect, and which we hadn’t heard yet though several robots spoke in The Caves of Steel.
If you haven’t revisited this series lately I recommend it highly, especially this audio version which brings it to life in a fresh way.
Today’s podcast is sponsored by Downcast, a fantastic podcast app for iPhone and iPad.
Talked about on today’s show:
A long time since we new released or recent arrived, our SPONSOR: Downcast, Seth’s daily routine, NPR News, Writer’s Almanac, Composer’s Datebook, changing playback speed, customizability, no more syncing, app developers being podcast listeners, an app by podcast listeners for podcast listeners, a one man operation?, ads on podcasts, razor blades, clothing clubs, internationality, Audible, a Science Fiction skin, Luke Burrage’s, Dan Carlin, Jenny is thinking of switching to Downcast, adding and dropping with swipes, categories, short stories!, wisdom in literature: first contact, “a lot of self-help literature is crap,” Understanding by Ted Chiang, Flowers for Algernon, wisdom vs. intelligence, Hansel and Gretel, Mercerism in Do Androids Dream of Electric Sheep?, wisdom in Stardust; Magic for Beginners by Kelly Link; Aimee Bender; Reflection by Angela Carter; Joe Hill; Little Nemo: Return to Slumberland by Eric Shanower with art by Gabriel Rodriguez; Rogues edited by George R. R. Martin and Gardner Dozois, featuring a Song of Ice and Fire novella, not strictly genre; Year’s Top Ten Tales of Science Fiction; Hugo Awards going to A Dribble of Ink and SF Signal; time travel mashup category!; The Girl in the Road by Monica Byrne; The Drowned World and other strangeness of J.G. Ballard; Southern Reach trilogy by Jeff VanderMeer; Interlopers by Alan Dean Foster; Interlopers b y Saki a.k.a. H.H. Munro; slipstream, portal fantasy, archaeological fantasy?; Close your Eyes, Hold Hands by Chris Bohjalian; Ilium and Olympus by Dan Simmons, Homer in spaaaaaace!; Hyperion; Boneshaker by Cherie Priest; chaos theory in A Sound of Thunder by Ray Bradbury; The Last Ship on TNT based on a novel by William Brinkley, “perfect for watching while you’re eating your cereal”; Martian Time Slip by Philip K. Dick; The Dark Between the Stars by Kevin J. Anderson, a follow-up to his epic The Saga of Seven Suns series; Kevin J. Anderson dictates his novels while hiking, influences his writing style?; William Shakespeare’s The Jedi Doth Return by Ian Doescher; Jesse prefers Isaac Asimov’s Robots trilogy to his Foundation series; Sarah A. Hoyt’s Ill Met by Moonlight is “Shakespeare with elves”; we try unsuccessfully to care about any of the new epic fantasy titles; a heady discussion about how an author’s gender influences his or her writing; are some books just for women?; Somewhere in Time a.k.a. Bid Time Return by Richard Matheson; The Magician’s Land by Lev Grossman concluding his trilogy; the etymology of demimonde; Felix Gilman’s The Half-Made World by Felix Gilman; Curse of the Wolf Girl by Martin Millar; Koko Takes a Holiday by Kieran Shea; Clean Sweep by Ilona Andrews; Spyder Robinson’s Callahan series; Charlaine Harris’s Sookie Steakhouse series; Mr. Mercedes, not really genre, is Stephen King losing his edge?; The Shunned House by H.P. Lovecraft; Lovecraft’s writing does not prominently feature tentacles!; Guillermo del Toro’s The Strain is a Dracula retelling; Hello Cthulhu!
Posted by Jesse Willis
Caves of Steel (Robots #1)
By Isaac Asimov, read by William Dufris
Publisher: Random House Audio
Publication date: 15 July 2014
[UNABRIDGED] – 7 hours, 43 minutes
Listen to an excerpt: | MP3 |
Themes: / science fiction / robots / detectives / over-population / colonization /
A millennium into the future two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov’s Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together. Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions.
“Like most people on the over-populated Earth, New York City police detective Elijah Baley has little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to help track down the killer. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the ” R” stood for robot.”
I originally read this book when I was a teenager and loved it from the beginning. Isaac Asimov’s descriptions of an overpopulated future Earth were de rigueur for science fiction of the time. What gave this story a fresh spin was that it was a bona fide mystery.
Many years later, listening to William Dufris’ splendid narration, it still holds up. I still remembered the main points of the mystery and detective Lige Bailey’s personality. This left me free to fully appreciate the details of Asimov’s imagined future society, complete with spacemen and robots to provide tension and interest.
I’m not sure if I completely forgot or just never registered the points Asimov was making in this book about technology, adaptation, and the human soul. I was quite surprised to see that Lige Bailey knew his Bible so well that he could quote it in either the King James version or the modern version. And that he used religion as a main point of differentiation (along with art, beauty, and other intangibles) between humans and robots. Atheist Isaac Asimov didn’t deny that faith can lift people higher and that is something one rarely, if ever, sees these days in science fiction.
I also was really interested in watching the way the germ of an idea took hold and was spread from person to person. It was fascinating to see how many things that idea applied to once it had wormed its way into the person’s consciousness.
All in all, this short but satisfying mystery is much richer than I recalled. It was greatly enhanced by the audio where William Dufris became a one man theater company in the way he voiced different characters. There was never any fear of my mistaking who was talking in straight exchanges of dialogue. He was simply masterful whether it was world-weary detective Bailey, slightly robotic Daneel Olivaw, jumpy Jessie, or the nervous Commissioner.
INTERESTING SIDE NOTE
It is a detective story and illustrates an idea Asimov advocated, that science fiction is a flavor that can be applied to any literary genre, rather than a limited genre itself. Specifically, in the book Asimov’s Mysteries, he states that he wrote the novel in response to the assertion by editor John W. Campbell that mystery and science fiction were incompatible genres. Campbell had said that the science fiction writer could invent “facts” in his imaginary future that the reader would not know. Asimov countered that there were rules implicit in the art of writing mysteries, and that the clues could be in the plot, even if they were not obvious, or were deliberately obfuscated.
All hail opinionated John Campbell and Isaac Asimov’s determination to prove him wrong. Today there are a lot of different mash-ups included in the science fiction genre and Asimov led the way with this book.
Posted by Julie D.
Set in a post-paperbook future in which children attend school in their own homes, The Fun They Had is a wonderful short story by Isaac Asimov. First published in December 1951, in a newspaper, here’s a |PDF| made from the subsequent publication in The Magazine of Fantasy & Science Fiction, February 1954.
And here’s Caden Vaughn Clegg’s audiobook of it:
Posted by Jesse Willis
Last night I discovered that Someday, a wonderful short story by Isaac Asimov, is PUBLIC DOMAIN.
Someday set in a future in which everyone is illiterate (Asimov has another story, The Fun They Had, that has a similar premise). It talks about audio vs. video, robotics, artificial intelligence, creativity, empathy, and it has a terrific twist ending.
I think you’ll treasure it as much as I have over the years.
And here’s an audiobook version:
Part 1 of 3:
Part 2 of 3:
Part 3 of 3:
Posted by Jesse Willis
Talked about on this episode: Original fiction from Tor.com featuring stories from Brandon Sanderson, John Scalzi, Charles Stross, and others; The Man Who Sold the Moon short story collection by Robert A. Heinlein; Jesse has fun trying to pronounce “elegiac”; the Internet Speculative Fiction Database (ISFDb); “Simon pure” science fiction; The Caves of Steel by Isaac Asimov; Heinlein’s short fiction versus his novels; Have Spacesuit Will Travel; Annihilation by Jeff VanderMeer and comparisons to The Martian Chronicles by Ray Bradbury; The Hunger Games by Suzanne Collins and the merits of the Catching Fire film; the politics of dresses in the Hunger Games universe; Archetype by M.D. Waters; gender in dystopia; listening to audiobooks at 2x speed; The Loon by Michaelbrent Collings; Christopher Golden’s Snowblind; Phantoms by Dean Koontz; 30 Days of Night; Marko Kloos’s Terms of Enlistment and Lines of Departure; The Master of the World by Jules Verne; find out where grits came from; Jules Verne’s science is awful; The Wreck of the Nebula Dream by Veronica Scott; “I’m the king of the world!”; A New Beginning by Craig Brummer; Honor Among Thieves, a Star Wars novel by James S.A. Corey; Tam gets a Star Wars geography lesson; Jenny gets a Star Wars fashion lesson (hint: the guys in white are NOT the good guys); Tam is dressed as Princess Leia; The Gods Themselves, a strange book by Isaac Asimov; Shovel Ready by Adam Sternbergh; Mystery Men; Atopia by Matthew Mather; Influx by Daniel Suarez; The Emperor’s Blades by Brian Staveley; Dawn of Swords by David Dalglish and Robert J. Duperre; The Land Across by Gene Wolfe; ruritanian romance and Bangsian fantasy; don’t call if Kafka-esque; Moon over Parador starring Richard Dreyfuss and Double Star by Robert A. Heinlein; A Darkling Sea by James Cambias (not yet in audio); V-S Day by Allen Steele (Locus review); The Martian by Andy Weir; The Scorpion Game by Daniel Jeffries (no audio, Tam’s Goodreads review); Eldrich Tales: A Miscellany of the Macabre by H.P. Lovecraft on Downpour; Stories of your Life collection by Ted Chiang now available in audio.
Posted by Jesse Willis