After talking about it on the last SFFaudio Podcast NEW RELEASES/RECENT ARRIVALS episode, I decided we really needed to know exactly which classic stories were being ripped-off in the new Audible Frontiers collection entitled Rip-Off!.
I’ve also made a note of the narrator for each story. And, while I’m at it I should tell you that nearly every story is an hour long. Every story with the exception of James Patrick Kelly’s (which runs about 90 minutes) and Tad Williams’ (which runs just over 26 minutes).
Edited by Gardner Dozois; Read by various readers
Audible Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 18, 2012
In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) – then use it as the first sentence of an entirely original short story. In the world of Rip-Off!, Call me Ishmael introduces a tough-as-nails private eye – who carries a harpoon; The Wonderful Wizard Of Oz inspires the tale of an aging female astronaut who’s being treated by a doctor named Dorothy Gale; and Huckleberry Finn leads to a wild ride with a foul-mouthed riverboat captain who plies the waters of Hell. Once you listen to Rip-Off! you’ll agree: If Shakespeare or Dickens were alive today, they’d be ripping off the authors in this great collection. As a bonus, the authors introduce their stories, explaining what they ripped-off – and why. Rip-Off! was produced in partnership with SFWA – Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.
Annotated table of contents:
Introduction by John Scalzi, read by Scalzi
Fireborn by Robert Charles Wilson – Introduction by Wilson, inspired by a “Rootabaga” story by Carl Sandburg – Read by Khristine Hvam
The Evening Line by Mike Resnick – Introduction by Resnick, inspired by Pride And Prejudice by – Read by L.J. Ganser
No Decent Patrimony by Elizabeth Bear – Introduction by Bear, inspired by Edward II by Christopher Marlowe – Read by Scott Brick
The Big Whale by Allen M. Steele – Introduction by Steele, inspired by Moby Dick by Herman Melville – Read by Christian Rummell
Begone by Daryl Gregory – Introduction by Gregory, inspired by David Copperfield by Charles Dickens – Read by Jonathan Davis
The Red Menace by Lavie Tidhar – Introduction by Tidhar, inspired by The Communist Manifesto by Karl Marx – Read by Stefan Rudnicki
Muse Of Fire by John Scalzi – Introduction by Scalzi, inspired by Henry V by William Shakespeare – Read by Wil Wheaton
Writer’s Block by Nancy Kress – Introduction by Kress, inspired by Paul Clifford by Edward Bulwer-Lytton – Read by David Marantz
Highland Reel by Jack Campbell – Introduction by Campbell, inspired by Macbeth by William Shakespeare – Read by Nicola Barber
‘Karin Coxswain’ Or ‘Death As She Is Truly Lived’ by Paul Di Filippo – Introduction by Di Filippo, inspired by Huckleberry Finn by Mark Twain – Read by Dina Pearlman
The Lady Astronaut of Mars by Mary Robinette Kowal – Introduction by Kowal, inspired by The Wizard Of Oz by L. Frank Baum – Read by Allyson Johnson
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air by Tad Williams – Introduction by Williams, inspired by the Book of Genesis by anonymous – Read by Marc Vietor
Declaration by James Patrick Kelly – Introduction by Kelly, inspired by The Declaration Of Independence by Thomas Jefferson – Read by Ilyana Kadushin
Posted by Jesse Willis
The SFFaudio Podcast #142 – Accessory Before The Fact by Algernon Blackwood, read by Gregg Margarite. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it (by Jesse, Tamahome, and Gregg Margarite).
Talked about on today’s show:
Accessory Before The Fact was published in 1911, Jesse doesn’t understand this story, Wilkie Collins, ethereal planes are the hook (rather than the detail), Gilligan and The Skipper vs. Laurel and Hardu vs. Harold and Kumar, “this is not a time-slip story”, “this is a precognative story”, paranoia, “spirtitualized”, Germanophobia, WWI, bigotry on display, L. Frank Baum’s racism, Teutonic invasion, how many characters are in this story (4 or 3)?, peeling away the layers, déjà vu, see/feel the future, quantum theory, is time a superimposition onto real reality?, slipstream, fantasy, should we dismiss this story?, Ten Minute Short Stories, adventure, Accessory Before The Fact is at the genesis of all this, an accountant on vacation, “what do you do when you have one of these events and you can’t prove it”?, The Moment Of Decision by Stanley Ellin, 13 More Stories They Wouldn’t Let Me Do On TV edited by Alfred Hitchcock, An Occurance At Owl Creek Bridge by Ambrose Bierce, time is an illusion, “time is a serious problem…”
Posted by Jesse Willis
The SFFaudio Podcast #089 – Jesse talks to James Campanella Ph.D. Jim is an associate professor in the department of Biology and Molecular Biology at Montclair State University in New Jersey. He’s also an audiobook narrator, and podcaster.
Talked about on today’s show:
J.J. Campanella watches very little TV, Lost, The Big Bang Theory, Antarctica, MSU, molecular biology, genetics, plant genetics, philology vs. phylogeny, the Science News Update podcast, “a funny Geordie sounding dude” (Tony C. Smith), duck penises, cloaca, sexing birds, African Grey parrots, ants, What Technology Wants, technology as an extension of evolution, “microscopic brains”, plant intelligence, tropism, phototropism vs. gravitropism, auxins, The Secret Life Of Plants, dowsing, plant signaling (with jasmonic acid), StarShip Sofa, The Merchant And The Alchemist’s Gate by Ted Chiang, knitting and cross-stitching, narrating skills, Uvula Audio, I, Libertine, The Call Of The Wild by Jack London, L. Frank Baum is seriously weird, violence vs. bloodless violence, the Tin Woodsman and his enchanted axe, goiing from cyborg to robot (via a Ship of Theseus metaphor), Sky Island, genocide in kids books, Doc Savage, The Avenger, Lester Dent, Hamlet And Eggs by J.J. Campanella, a comedic detective story, Georgia, 9/11, how to be always wrong, private detectives, The Code Of The Poodles by James Powell, what accent would a talking dog have?, The Friends Of Hector Jouvet by James Powell, Monaco, A Dirge For Clowntown by James Powell, Ellery Queen’s Mystery Magazine, Divers Down by Hal Gordon, were kids in the ’70s were more respectful?, the Rick Brant series, Tom Swift, The Rocket’s Shadow (Rick Brant #1) by John Blaine, Jonny Quest, adventure, The Venture Bros., The Flintstones, Harold L. Goodwin, serial books, house names, The Bobbsey Twins, Edward Stratemeyer, “electronic adventures”, who read and bought those serial books?, the end of the pulp era, The Mystery Of The Stratemeyer Legacy, Nancy Drew, has paranormal romance replaced kids books?, the Twilight series, the Harry Potter series, Rick Riordan, The Wizard Of Oz, H.P. Lovecraft, Stephen King, the rich and amazing language of Lovecraft, Miskatonic University, Craig Nickerson, At The Mountains Of Madness by H.P. Lovecraft, Professor William Dyer, The Shadow Out Of Time by H.P. Lovecraft, Brazil, proper Portuguese pronunciation, “lethp listhping”, Doctor Who, Silurians, yithians, Horror vs. Science Fiction, Astounding Stories, time travel, “shoggoths etc.”, The Statement Of Randolph Carter, a really serious (and difficult) question: Are zombies Science Fiction or Fantasy?, Romero-style zombies, 28 Days Later, real zombies in nature (mostly in the insect world), Herbert West, Re-Animator, the source matters, if the zombie was dead then it is Fantasy, why are zombies so popular?, people like the idea of being able to kill without remorse, mummies vs. werewolves vs. vampires vs. zombies, Zombieland, Bill Murray, contemporary Fantasy, Neil Gaiman, comics, sword and sorcery, Elric, the Thomas Covenant series, Stephen R. Donaldson, Douglas Adams, American Gods |READ OUR REVIEW| vs. The Long Dark Tea-Time Of The Soul, James Alan Gardner, Expendable is an “absolute masterpiece”, Star Trek, why are there no James Alan Gardner audiobooks?, Lara Croft Tomb Raider: The Man Of Bronze is terrible, The Girl With The Dragon Tattoo by Stieg Larsson |READ OUR REVIEW|, Jim Campanella describes it as “turgid”, Metropia, “photo-realistic Swedish anime”, baby eyes, Steamboat Willie, the evolution of Mickey Mouse’s appearance, infanticide, why do your big eyes prevent me from kill you?, saccharin, the sucralose story (is in the Dec. 2010 podcast of Science News Update).
Posted by Jesse Willis
Uvula Audio‘s James Campanella, of Uvula Audio, has just completed an unabridged reading of the 1947 adventure/mystery/science novel The Rocket’s Shadow by John Blaine. The Rocket’s Shadow was the first in a 24 book series which used “realistic science” and, according to the Wikipedia entry, the publishers were averse to “any suggestion of the supernatural in the series.” Sez James:
“The Rocket’s Shadow follows the adventures of Rick Brant and is the first in a long juvenile pulp series that was published from the late 1940’s until the late 1980’s . Rick is young (~19 since he just finished high school in the first book), but not a kid. This first exciting book in the series introduces readers to Rick , the son of a famous scientist, Hartson Brant. As with all the Brant series, quite a bit of actual down to earth science was the basis of the books– unlike Tom Swift, for example. Hartson brant is trying to win the $2 million Stoneridge Prize for the greatest scientific accomplishment of the year. The group of scientists headed by Rick Brant’s father works desperately to complete their moon rocket experiment before the deadline of year is up. But, someone in that closely knit group is a traitor – unknown and unscrupulous – who menaces the success of the experiment at every turn.”
Sounds fun hey?
The Rocket’s Shadow
By John Blaine; Read by J.J. Campanella
7 MP3 Files – Approx. [UNABRIDGED]
Podcaster: Uvula Audio
Podcast: December 2010
Rick Brant is the son of scientist/inventor Hartson Brant and they live on an island called Spindrift. The island houses a research facility and several scientists also live there. Some of those scientists are descriptively similar to members of Doc Savage’s group. Rick has as his sidekick Scott, an ex-marine, capable of physically defending himself when necessary. This story, the first in the Rick Brant series has Rick’s father trying to build a rocket to hit the moon. A large monetary prize has been offered for the first group able to do so and the Brant group is the leading contender. However, there are other groups in the chase and one of them is a criminal group that does everything it can to sabotage the Brant effort.
Podcast feed: http://www.uvulaaudio.com/kids/Kids.xml
And, for those looking for something a bit more xmasy, look out for more files in the feed. Uvula will be presenting a Christmas special “covering L. Frank Baum’s Life”, the Adventures Of Santa Claus and Kidnapped Santa Claus!
Posted by Jesse Willis
The SFFaudio Podcast #080 – Jesse talks with Eric Shanower, the cartoonist for Marvel Comics’ The Wizard Of Oz series and Image Comics Age Of Bronze: The Story Of The Trojan War (available at HungryTigerPress.com).
WATCH OUT FOR THE FALSE ENDINGS!
Talked about on today’s show:
Artist Skottie Young, L. Frank Baum, black and white comics vs. color comics, colorist Jean-Francois Beaulieu, Classics Illustrated, the Tin Woodsman‘s story, Eric’s obsession with Oz, Oz is the first American fantasy, the Emerald City, Marvel Illustrated, DC’s Vertigo imprint, Roy Thomas‘ The Iliad, Age Of Bronze: The Story Of The Trojan War: The Thousand Ships, comics inspired by audiobooks, The March Of Folly: From Troy To Vietnam by Barbara W. Tuchman, the many and varied stories of the Trojan War, Conan comics, Garth Ennis, Neil Gaiman, Roy Thomas, marketing and promoting comics, Image Comics, comicbook end matter, maps, genealogical charts, pronunciation guides, bibliographies, Cressida’s star-fixation, the absence or presence of the supernatural, Homer’s The Iliad, Troilus and Cressida, where is the Trojan Horse?, Homer’s The Odyssey, The Judgement Of Paris, is there a tongue theme going on?, a seven part series, the industry trending from single issue comics to graphic novels, Garth Ennis’ Battlefield series, would a colour Kindle reinvigorate single issue comics?, Throwaway Horse, annotating comics, James Joyce‘s Ulysses (digital annotated), annotating The Age Of Bronze, re-coloring The Sandman, visiting the real Troy (in Asia Minor), the magnificent Windy Ilios, the Lion Gate at Myceane, the geography and economy of ancient Troy, portraying Odysseus’ madness, distracting Agamemnon, Homer’s dog (Argos), a very very old dog, listening to audiobooks, George Guidall’s reading of The Iliad (Recorded Books), The Other Boleyn Girl by Philippa Gregory, historical fiction, Audible.com, Aeneas and The Aeneid, WATCH OUT FOR THE FALSE ENDING!, LibriVox.org, Iambik Audio, Paul Auster, City Of Glass, the listening habits of artists, It’s Superman by Tom De Haven, Blackstone Audio, paranormal romance, The Book Of Illusions by Paul Auster, Hunt Through The Valley Of Fear by Gabriel Hunt (aka Charles Ardai), Hard Case Crime, Memory by Donald E. Westlake, Jim Thompson’s The Grifters, Fools Die by Mario Puzo, I thought George Guidall could do no wrong until he read a Lillian Jackson Braun audiobook, RadioArchive.cc, audiobook torrent sites, Conan Properties International, The Hound Of The Baskervilles by Sir Arthur Conan Doyle, Skype screen sharing, The Guns Of August by Barbara Tuchman, Rogue Male by Geoffrey Household, Michael Jayston, LOOK OUT – THERE’S ANOTHER FALSE ENDING!, a costumed Halloween party, Frog Went A-Courting, the frog vs. the prince, A New Brain, vampires vs. zombies, going zombie, dinosaur Halloween costumes, making costumes is hard!, the Shaggy Man, The SFFaudio Challenge, The 4th SFFaudio Challenge on BoingBoing.net, The Mysteries Of Paris by Eugene Sue, The Wandering Jew by Eugene Sue, Hugh
McGuire, the number of listeners to the SFFaudio Podcast is insane, the difference between a professional narrator and an amateur narrator is that the amateur narrator gets to choose his books, Gregg Margarite, Edith Nesbit, pronunciation and inflection are important, music and sound effects in audiobooks is wrong, Fritz Leiber’s The Big Time, Peter Pan, multiple narrators for plays, audio drama, BBC, quality control in comics, cartoonists are better off today than ever before, Sturgeon’s Law, superheroes in comics, why podcast discussions are better than radio interviews, commercial concerns.
Posted by Jesse Willis
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula.
In a 1975 essay entitled The American Grimm, comics legend Roy Thomas describes L. Frank Baum as the New World’s successor to “Hans Christian Anderson” and “The Brothers Grimm”. Writes Thomas:
“After trying his, hand at both acting and journalism, Lyman Frank Baum decided to create a unique Americcan fairy tale which did not owe its entire existence and background to the European tradition of goblins, witches, elves and the like. To do this, he set the beginning and ending of his story (which was originally called simply The Emerald City and at one point even From Kansas To Fairyland) in the heart of the American prairie. Of course. he didn’t completely keep out the witches.”
The Free Listens blog rates LibriVox’s audiobook version, as narrated by J. Hall, rather highly! Consider:
“J. Hall narrates the book with a pleasant American accent that would be at home at NPR. This isn’t a professional reading; Hall has several minor stumbles and he doesn’t attempt distinguishing voices for the characters. However, these minor faults can be easily overlooked when one considers the excellent pacing and emphasis with which Hall reads. The recording is free of any background sound, but has a compressed sound when played at higher volumes, perhaps due to noise filtering. All in all, this is a excellent choice if you’re looking for a recording of The Wonderful Wizard Of Oz that comes without silly voices or overacting.”
The Wonderful Wizard Of Oz
By L. Frank Baum; Read by J. Hall
1 |M4B| File, 25 Zipped MP3 Files or Podcast – Approx. 3 Hours 45 Minutes [UNABRIDGED]
Published: March 10, 2007
The timeless story of the Wizard Of Oz. Follow Dorothy as she leaves Kansas for Oz on a cyclone. She meets many strange, and wonderful people and creatures along the way. Enjoy it again with your children and family.
iTunes 1-Click |SUBSCRIBE|
[via Free Listens]
Posted by Jesse Willis