Firefight (The Reckoners #2)
By Brandon Sanderson; Performed by MacLeod Andrews
Publisher: Brilliance Audio
Publication Date: 17 February 2015
[UNABRIDGED] – 12 hours
Brandon Sanderson, the #1 New York Times bestselling author of Words of Radiance, coauthor of Robert Jordan’s Wheel of Time series, and creator of the internationally bestselling Mistborn Trilogy, presents the second book in the Reckoners series: Firefight, the sequel to the #1 bestseller Steelheart.Newcago is free. They told David it was impossible, that even the Reckoners had never killed a High Epic. Yet Steelheart—invincible, immortal, unconquerable—is dead. And he died by David’s hand. Eliminating Steelheart was supposed to make life simpler. Instead, it only made David realize he has questions. Big ones. And no one in Newcago can give him answers. Babylon Restored, the city formerly known as the borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic Regalia, Babylon Restored is flooded and miserable, but David is sure it’s the path that will lead him to what he needs to find. Entering a city oppressed by a High Epic despot is risky, but David’s willing to take the gamble. Because killing Steelheart left a hole in David’s heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic—Firefight. And now he will go on a quest darker and even more dangerous than the fight against Steelheart to find her, and to get his answers.
I really liked Steelheart and this book was a good continuation of the story even though I didn’t like it quite as much. A new location, different situations, new epics, and even worse similes come together for a new adventure for David and The Reckoners. If you enjoyed the first book you will almost certainly like this one too…unless you throw the book through a window due to one of David’s many terrible similes.
The story is kind of similar as Steelheart except that it takes place in the remnants of Manhattan where many strange things are happening. I had more trouble following the details of the world this time around because the descriptions of the world are a bit harder to imagine. The world as described is really interesting in concept but it’s hard to follow sometimes with how things actually play out.
Sanderson is known for magic systems and he is no slouch here. The new powers and weaknesses of epics coupled with the the heck is going on with Calamity (the light in the sky that coincided with people attaining super powers) makes for interesting developments in the overall plot. I do like how Sanderson always has a plan for developing the magic system with each book and we definitely learn more in this book. I still really love the concept of a world with super heroes that are all corrupted – it’s such an interesting spin on the normal super hero story.
On the audio side of things MacLeod Andrews does a fine job narrating the story. He does some good voices that fit the characters well and puts sufficient emotion in his delivery. I think the audio version of this book is a great way to experience it.
Posted by Tom Schreck
The SFFaudio Podcast #313 – Jesse, Julie Davis, Seth, and Maissa continue their journey through The Lord of the Rings by J.R.R. Tolkien with a discussion of Book II “The Ring Goes South” (aka the second half of The Fellowship Of The Ring).
Talked about on today’s show:
Many meetings; Elrond’s powerpoint at the council; Bilbo’s demands for lunch (after missing his first and second breakfasts); the science fiction info dump; Council of Elrond’s unfeasibility in today’s publishing world; council is a series of chained short stories; a whole bunch of new characters; the rhythm and pacing of Tolkien’s storytelling; the protracted timespan of the novel; crotchety Bilbo; Caradhras and the “jaw-cracker” Dwarven tongue; Sam as the mediating character; Bill the Pony; dreams and The Wizard of Oz; the inevitability of Frodo’s quest; the dreams of Boromir and Faramir; Boromir has something to prove; Boromir’s complex relationship with Aragorn; the one walkers set against the nine riders; Boromir is Gondor-centric and doesn’t see the big picture; nuclear weapons as a modern analogy for the ring, Mordor = Nazi Germany, Gondor = Russia, Canada = The Shire; Canada’s refusal of nuclear power; the importance of choices in the story; Saruman of Many Colors; “he who breaks a thing to find out what it is has left the path of wisdom”; subverting readers’ expectations; “I will take the ring, though I do not know the way”; the ring and addiction; Galadriel’s long battle with temptation; Caradhras again, the anthropomorphic mountain; The Mirror of Galadriel and the choice to look; Teleport = teleportation + pornography; Tolkien’s letters, and Galadriel is not the Virgin Mary; Galadriel’s soul gaze–Boromir’s response: “this is bullshit!”; Frodo’s relationship with Galadriel as fellow ring bearers; more dubious analogies: Gandalf (or Isildur) as Eisenhower; the raw deal the Stewards get in Minas Tirith; Sam’s always excluded from the meetings; Rivendell and Lothlórien’s competing bed and breakfasts; Galadriel’s gifts; The Lord of the Rings as modernized Viking sagas; Babylon 5 is Lord of the Rings in spaaaaaaaaaaaaaace!; Jesse has seen everything; the Moria dungeon crawl; the Lovecraftian tentacle monster; how did Gollum enter Moria; Dungeons and Dragons vs. the Tolkien estate; wolves; the reappearance of “chance”; Frodo’s perilous sturgeon Amon Hen; repeated references to star- and moonlight; the strange nature of Elf magic; a digression about bears, bees, honey, and wolves; the Elven cloaks vs. Harry Potter’s invisibility cloak; the nature of the other rings; race conflicts in Middle Earth and the fairness of blindfolds; the film’s vulgarization of dwarves; the poetry of Middle Earth; the complexities of a multilingual world; “nom de traveling”; black swans on the Great River; Jesse is a “philosophically-trained Elvish dude”; white swans and symbolic logic; not many big predators in Middle Earth; Romantic ideas of nature; vegetarians and vegans in Middle Earth; the slippery slope of vegetarian logic; orcs in Lord of the Rings vs. goblins in The Hobbit; George MacDonald’s Goblin Princess; the etiology of the orcs; Sauron’s exploits in Númenor (read: Atlantis or Ultima Thule) before the ring; Robert E. Howard’s Conan is an Atlantean; multiple readings; what are the rest of the dwarves up to?; bosses and minibuses in Moria; Legolas, Gimli, and intercultural stress in Middle Earth; looking forward to The Two Towers; Maissa is still on board as a first-time reader.
Posted by Seth
The Companions (Forgotten Realms: The Sundering, Book 1)
By R.A. Salvatore; Narrated by Victor Bevine
Publisher: Brilliance Audio
[UNABRIDGED] – 15 hours
Themes: / fantasy / magic / Forgotten Realms / wizard /
On the dusty plains of Netheril, a young Bedine girl spins a web of forbidden magic, obliterating a pair of assassins with a single lightning strike. On the banks of the Sea of Fallen Stars, a tiny thief walks willingly into battle with a ruthless killer, a wide grin upon his face. In the tunnels of Citadel Felbarr, a dwarfling is ambushed and strikes back with an attack well beyond his apparent strength and years. These three seemingly unrelated commoners, growing up across the far reaches of the Forgotten Realms®, hold the fate of Faerûn’s most famous dark elf, Drizzt Do’Urden, in their hands. But that fate is far from certain. For in the shadows a cunning cabal of wizards is watching, intent on hunting Chosen—mortals blessed by the gods. These wizards know something mere commoners do not: Long-forgotten gods have begun to stir. Long-lost lands have begun to tremble. The world around them is about to change. And these wizards will do whatever it takes to turn the coming chaos to their advantage. In this first book of the six-book Sundering series, New York Times bestselling author R.A. Salvatore launches a major world-shaping event that will revive old favorites, introduce new complications, and move his signature hero Drizzt into a restored era of the Forgotten Realms.
Oh, Salvatore. Never change.
Drizzt Do’Urden is back in The Companions, although in a very limited fashion. The bulk of the story focuses on Cattie-brie, Bruenor, and Regis as they are (I am not making this up) sent back to live again, from birth onwards, in order to help Drizzt far after their original deaths.
Yep. They have adult consciousness in baby bodies. They’re aware of the sensation of being birthed. They have completely adult, mature minds trapped in little toddler dwarf/human/halfling bodies. They have to struggle through relearning how to walk, eat, be toilet trained…let me back up.
Mielikki, a goddess of nature, allows the Companions to chose whether to be reborn in order to help Drizzt in a time of great need. Wulfgar appears to chose not to, electing to go to his heavenly reward instead, but the others are all reborn and go through childhood. They constantly work to hide their identities while being somewhat torn in their loyalties. The story culminates with their reunion with a wounded Drizzt and his magical panther, Guenhwyvar. Even Wulfgar shows up at the end, and it’s nicely set up for the next book in the series.
Did I mention the vampire drow? Or the dolphins? This book has it all.
Except for the beginning and end, Drizzt is not part of the action. He has escaped capture and is considered lost, so instead each chapter begins with a letter of his, a seeming memoir, on a theme that is then touched upon in Cattie-brie, Bruenor, and Regis’s new lives.
I’m not sure I’d necessarily recommend this book, as it was very odd. I did enjoy it, even as I laughed at some of the parts, and would definitely listen to the next one.
The narrator did a really good job, even managing to pull off a falsetto for the female characters voices without it turning off-putting. There was a short bit of music in between each disc, and they repeated the first few sentences from the last disc in the first track of the next disc.
Posted by Sarah R.
Themes: / fantasy / golem / magician / magic / faery /
Heraclix was dead and Pomp was immortal. That was before Heraclix’s reanimation (along with the sewn-together pieces and parts of many other dead people) and Pomp’s near murder at the hands of an evil necromancer. As they travel from Vienna to Prague to Istanbul and back again (with a side-trip to Hell), they struggle to understand who and what they are: Heraclix seeks to know the life he had before his death and rebirth, and Pomp wrestles with the language and meaning of mortality. As they journey across a land rife with revolution and unrest, they discover that the evil necromancer they thought dead might not be so dead after all. In fact, he might be making a pact to ensure his own immortality….
There are some books that are just magical, that are written in such a way that you can’t help but be drawn into a new world even if it’s set against our own. Neil Gaiman writes this way and so does Susanna Clark in Johnathan Strange and Mr. Norrell.
Forrest Aguirre, World Fantasy Award winner for his editorial work in the Leviathan 3 anthology, has created such a tale. The story of Heraclix and Pomp is magical before the magic even begins, or possibly just at the same time.
Because this is the story about a golem, who has been fabricated by a magician, and Pomp, a faery.
They go on a journey to find out what exactly Heraclix is made of … in more ways than one. Being a golem, he’s been formed from different parts of various bodies and some behave abnormally to say the least.
I knew I would enjoy this tale right away, however, my main problem actually has nothing to do with the writing or the story itself, it’s the audio narration.
I almost put the book down because the narration was just plain hard to listen to. Brandon Massey’s narration was dull and monotone, almost robotic even, with words over-pronounced so that each letter is sounded out. I don’t like listening to audiobooks on faster speeds, because I like to appreciate the acting and the reading itself, but 1.75 speed actually made this much better to listen to. At least there was a reason for the robot-sounding voice.
As much as I wanted to love every moment of the book, I was so off-put by the narration that it made it really hard to enjoy the story. I didn’t look forward to my car rides and sadly I don’t have the time to go back and read, which I’m sure I will enjoy much more.
Despite these facts, I could still see the glimmer of lyrical beauty in the narrative. It’s a great story and wonderfully written and my reduced rating is mainly a factor of the audio presentation.
3.5 out of 5 Stars (recommended, but not on audio)
Posted by Bryce L.
By Ilona Andrews; Narrated by Renee Raudman
Publisher: Brilliance Audio
Publication Date: March 2014
[UNABRIDGED] – 8 hours
Themes: / urban fantasy / Texas / magic / bed and breakfast / werewolves / vampires /
On the outside, Dina Demille is the epitome of normal. She runs a quaint Victorian Bed and Breakfast in a small Texas town, owns a Shih Tzu named Beast, and is a perfect neighbor, whose biggest problem should be what to serve her guests for breakfast.
But Dina is…different: Her broom is a deadly weapon; her Inn is magic and thinks for itself. Meant to be a lodging for otherworldly visitors, the only permanent guest is a retired Galactic aristocrat who can’t leave the grounds because she’s responsible for the deaths of millions and someone might shoot her on sight. Under the circumstances, “normal” is a bit of a stretch for Dina. And now, something with wicked claws and deepwater teeth has begun to hunt at night….
Feeling responsible for her neighbors, Dina decides to get involved. Before long, she has to juggle dealing with the annoyingly attractive, ex-military, new neighbor, Sean Evans—an alpha-strain werewolf—and the equally arresting cosmic vampire soldier, Arland, while trying to keep her inn and its guests safe. But the enemy she’s facing is unlike anything she’s ever encountered before. It’s smart, vicious, and lethal, and putting herself between this creature and her neighbors might just cost her everything.
Clean Sweep is an urban fantasy-type book with some interesting twists. Unfortunately, the narrator of the audiobook had a voice that didn’t fit the character and was so out of place that it made the book very difficult to listen to.
Dina is an innkeeper, a woman who runs a B&B in Texas. Her inn has magical properties and she has magical capabilities, her role being that of a neutral protector in a version of Earth/USA that includes normal humans but also has vampires, werewolves, and other magical beasts. The main thrust of the story is that Dina’s inn becomes the site for a showdown between two sides in a big family disagreement, though the book was more than halfway through before any of this became evident. The first half (or slightly more) of the book was world building and character introduction more than it was purely essential to the plot.
In Clean Sweep, Ilona Andrews has some interesting ideas about magic. I think I might be persuaded to read another book set in this world/series, assuming it was quicker to get to the point/didn’t do as much world-building, and assuming that I read it, not listened to it (or that the narrator was someone else). In Ms. Andrews’ world, the magical entities are by and large aliens from other worlds who find themselves on earth for a variety of reasons. What appears to be magic to “normal” people is actually uber nanotechnology or other futuristic technologies at work from alien worlds. There are many aggressive entities, such as the werewolves and vampires, but there are also places like the Inns, the Switzerland’s of the magical world. Innkeepers are to take no sides and to protect whoever signs the contract and pays to be a guest at the inn.
All of this goes awry when some creatures known as stalkers start killing dogs in the town where Dina’s inn is. At first, she believes that a local werewolf named Sean is to blame, but after killing two (with the help of Sean) and studying them, she comes to find out that these creatures may have been hired by vampires as part of a massive (and deadly) family feud. The world-building is mainly done by Dina explaining how the “magic” came to be to Sean, who knows nothing of the history of his species’ home planet or how his species came to earth. Through these explanations and through Dina’s preparations to help protect the vampires who are staying at the inn, the reader learns about other worlds, wormholes, and the true source of “magic.”
The book also has a side plot that was touched briefly upon, a story of Dina’s parents’ inn vanishing one day. Dina does a bit through the course of the narrative to try to find them, but it seems fairly obvious that it’s a side thread to be explored in later books/as a series arc. While most of the book is purely urban fantasy, there are also some hot and steamy scenes that are typically found in romance novels. Many urban fantasy books these days seem to have these scenes, whether they add to the story or not (in this case, not). There is also a possible threat, the local police officer thinking Dina is up to no good, but that thread is unceremoniously dropped just before the main thread of the story picks up, about halfway through. It’s not clear if this topic will be revisited in later books or if it was just an editing miss.
Clean Sweep is a fairly typical, action-packed urban fantasy story. There aren’t any deeper themes or morals to be had from it, though the idea of magic as uber technology is kind of fun. The book, once the actual plot started, was pretty quick to go through and fairly simple/straight-forward. This isn’t a book that’s going to make you think, or require lots of focused reading time to enjoy.
The only major negative is with the audiobook specifically. Dina is supposed to be a 23 year old woman living in Texas. Unfortunately, she sounds like an old grandmother from the deep south. The voice and the description of the character just don’t align. The narrator’s voices for the men were surprisingly good, but her overall voice just sounded old and tired. In parts where there was a lot of action, she actually sounded even worse, over dramatizing her voice acting. I actually thought she was going to die a few times. It was downright uncomfortable and annoying to listen to, and I cannot recommend the audiobook. If another book in this series is released, I may give it a go in print/Kindle, but won’t be listening again unless the narrator changes.
Posted by terpkristin.
The Magician’s Land (The Magicians #3)
By Lev Grossman; Read by Mark Bramhall
Publisher: Penguin Audio
Publication Date: 5 August 2014
[UNABRIDGED] – 16 hours, 27 minutes
Themes: / Fantasy / Magic / Wizard School / Meta Fiction / Alternate Worlds /
Quentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him.
Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of grey magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica and the Netherlands, and buried secrets, and old friends he thought were lost forever. He uncovers the key to a sorcerous masterwork, a spell that could create magical utopia, a new Fillory – but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything.
This series gets better book by book. I liked the story of the first but didn’t like any of the characters. I liked the story of the second and the characters grew on me quite a bit. This third book to the trilogy is definitely my favorite of the three. The story is interesting and has some throwbacks to the previous installments, Grossman’s dry humor is completely on point, and the characters are the best of this trilogy yet. My favorite part is Grossman’s use of humor throughout the book and his breadth of imagination with the use of magic throughout the book. Grossman brings the trilogy to a satisfying conclusion that you should definitely experience if you’ve already read the first two books of the series.
If you’re even considering reading this book, I’m sure you’ve already read the first two (if not, I’ll wait here while you go take care of that). Quentin is left shut out from Fillory so what is he to do with himself? Surprisingly enough, he does NOT turn into the miserable wreck of a creature he became after graduating in the first book – thank goodness for that. Quentin seems to have grown quite a bit from his past adventures and finds more purpose in his life. It’s really cool to see him develop that way across the books.
Grossman adds a few other point of view characters in this novel and all were nice additions to Quentin’s typical somber tone. You get to find out what other members of the old gang are getting up to as Grossman approaches the climactic conclusion of the trilogy. I particularly like Plum, a brilliant student at Brakebills that also gets involved in the adventure. Those who read Dangerous Women will recognize part of her story from Grossman’s submission to the anthology.
Grossman’s writing comes off smooth and natural. His dry tone and humor stand out as in the first two books and the book was completely enjoyable. He makes references to other works of fiction and modern influences like Harry Potter without feeling forced or making the book feel like it will be dated. There are some points in the plot where things come together far too well by happenstance, but that doesn’t hurt the story too much if you don’t focus on it.
As for the audio side of things, Mark Bramhall continues to perform his role as narrator superbly in this book. He handles the tone of the book so well – executing the voices of characters with all the sarcasm or droll tone you’d expect from these characters. Such simple ways of saying the lines Grossman has written actually made me laugh out loud in some places (“Wands out Harry”). I will definitely be looking for other books narrated by Bramhall.
Posted by Tom Schreck