Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis
Talked about on today’s show: a vintage podcast with Scott, R.I.P. RadioArchive.cc, Radio Downloader app, audio drama, Brad Lansky and the Alien at Planet X is full of sound, it’s like Ruby, Richmond Smokes a Joint, The Cleansed, are movies the most respected art form?, Pacific Rim: The Official Movie Novelization by Alexander Irvine, postmodernism, Death of the Author by Roland Barthes, The Best Horror of the Year, Vol. 4 edited by Ellen Datlow, Murder of Crows by Anne Bishop, a group of crows is murder, Night Watch #2 and #3 by Sergei Lukyanenko, the Night Watch series discussed on A Good Story Is Hard To Find #57 podcast, “a three volume novel“, Dickens serial novels, Blood Oranges by Kathleen Tierney, what Michael Jackson says at the end of songs, The Line by J. D. Horn, Jenny is studying Turkish, Sky Raiders by Brandon Mull, kids at schools love him, Raising Steam (Discworld #40) by Terry Pratchett, regular narrators for series, The Companions (The Sundering #1, Legend of Drizzt #24, Forgotten Realms) by R. A. Salvatore, Dungeons and Dragons, many Dragonlance books by Margaret Weis and Tracy Hickman, Jesse read them!, what is your D&D Alignment??, vs the Ultima eight virtues, “he’s got cool eyes”, Magic’s Promise by Mercedes Lackey, William Shakespeare’s The Empire Striketh Back by Ian Doescher, purists won’t like it, more alignment talk, Z 2135 (Z 2134 #2) by David Wright and Sean Platt, Fractured by D.J. Molles, Little Fuzzy by H. Beam Piper, The Rift by Bob Mayer, The Runestone Incident by Neve Maslakovic, To Honor You Call Us by H. Paul Honsinger, The Folklore of Discworld by Terry Pratchett and Jacqueline Simpson (a folklorist!), The Age of Radiance: The Epic Rise and Dramatic Fall of the Atomic Era by Craig Nelson, Lockstep by Karl Schroeder, who was on Geek’s Guide #106, can’t find it in my local bookstore, was serialized in Analog, His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth, Pickman’s Model by Lovecraft, guess who had that made?, H.G. Wells’s The Time Machine‘s missing chapter, The True Detective was inspired by The King in Yellow by Robert W. Chambers, Galveston: A Novel by Nic Pizzolatto (creator of True Detective), Words Of Radiance by Brandon Sanderson is longer than all of C.M. Kornbluth’s work, Terpkristin gave it five stars on Goodreads, Luke’s alignment, Brian K. Vaughan’s Saga comic with the Lying Cat, Mask Of The Red Panda graphic novel, it’s an audio drama podcast too at Decoder Ring Theatre, Julie’s alignment, Martians Go Home by Frederic Brown, Screaming Mimi and Honeymoon In Hell as well, The Frightened Fish (Doc Savage) from radioarchives.com, Doc Savage is a comic from Dynamite too, “hair is like a helmet”, Haldeman’s Forever Peace, Work Done For Hire, Haldeman’s quote about “write what you know”, Haldeman’s Star Trek novels, Jesse thinks he’s f’ing awesome, Seth likes Neal Stephenson, Project Hieroglyph, Robert J. Sawyer’s WWW trilogy, in the optimistic axis, The Woman In Black by Susan Hill (and original film)
Posted by Tamahome
The Mongoliad Book Two
By Greg Bear, Neal Stephenson, Erik Bear, Mark Teppo, Joseph Brassey, Cooper Moo, and Nicole Galland; Narrated by Luke Daniels
Publisher: Brilliance Audio
Length: 12.5 hours
Themes: / mongoliad / martial arts / fantasy / monks / conquests / Mongols /
In the aftermath of the Mongolian invasion of 1241, beleaguered Christians struggle with the presence of a violent horde and a world turned upside down. Apocalyptic fever sweeps through Europe, infecting even the most rational individuals, leaving all to wonder if they are seeing the end times — or an hour when new heroes will emerge from the ruins of cataclysmic defeat. An order of warrior monks, the Shield-Brethren, refuses to yield, plotting to overthrow the invaders despite insurmountable odds. Father Rodrigo Bendrito receives a prophecy from God and believes it’s his mission to deliver the message to Rome. Along with the hunter Ferenc, orphan Ocyrhoe, healer Raphael, and alchemist Yasper, Rodrigo sets out to reclaim Europe. But to save Christendom, someone must slay the fierce Khan of Khans. Brimming with intrigue and colorful characters, The Mongoliad: Book Two is a riveting, expertly rendered tale about the will to survive.
Much like The Mongoliad: Book One, The Mongoliad: Book Two tells a myriad of parallel stories, all centered around the Mongol conquests in medieval Europe. There isn’t much that I can say about this book, Book Two, that I didn’t say in my review of Book One.
This book continues most of the plot lines opened in Book One, and adds a couple more. I suppose/suspect that each different author wrote a different parallel story. I’m not sure that a book that is the overall length of the trilogy (the first two books are about 13 hours long each, the third is about 22 hours long) really needs as many parallel stories as the books seem to have–and that’s before I’ve started Book Three, which may add more stories. It’s like reading a story with as many parallel plot lines as The Wheel of Time series or the A Song of Ice and Fire series but with a fraction of the total page count. This makes it confusing to keep track of story progress (overall) and each of the characters. This is also made more confusing by the odd names used. As I wrote in my review of Book One, I suspect that this would be easier to read in print, or at least with a wiki of a cast of characters. I’m amazed that I can’t seem to find one online.
As with Book One, the book didn’t come to any conclusion, it just ended. At least this one didn’t end in the middle of a heated battle. Oddly, Book Two didn’t pick up exactly where Book One left off. This book started with a new plot line, one with a warrior traveling with a severely injured priest to Rome. I spent a good amount of time when I started Book Two listening and re-listening to the first part; I was trying to jog my memory to remember the plot line from Book One. It took me awhile to realize that the story was brand new for Book Two. The story lines so far seem to be:
– The brother knights on their quest to defeat Ogedai (spelling?) Kahn; they have sustained some losses but also have picked up a few extra travelers in their party, including a warrior woman. They also have a brother with them who has visions; he had one in Book One which we saw the outcome of in Book Two. He had another vision in Book Two, which I expect we’ll see the resolution of in Book One.
– The remaining brother knights trying to distract the Kahn’s brother and his traveling circus of fighters; these guys seem to be trying to form a rebellion from within the circus. Andreas is helping to lead this rebellion with the two most prevalent Mongol fighters in the circus.
– Ogedai Kahn’s point of view, where he is now under attack by the Chinese.
– GonSuk, an adviser/guard to Ogedai Kahn (as well as some of his fellow advisers/guards who are with and without him).
– The Levonian (spelling?) knights, who seem to be out to try to re-gain status in the world. They seem to be in conflict with the Rose Knights (the brother knights on the quest). Their role is not exactly clear yet, but it seems that they have ties to the church. This was a new story line for Book Two.
– The cardinals in Rome who are split into two factions for the election of the next Pope. This was a new story line for Book Two and it’s not exactly clear the differences between the factions.
– A wandering warrior and a young warrior girl (one similar to the warrior woman with the Rose Knights, though this young girl is still in training), who have been sent on a quest by one of the cardinals; the cardinal who gave them the quest to pass a message was killed. This was also a new story line for Book Two.
As much of a downer as this review seems, I’m still intrigued. I don’t get it, as this defies most of my typical “rules” for books. This time, I’m going to move right into Book Three, instead of reading a few books in between. Book Three is almost twice as long as Book One or Book Two. I enjoy this world, even though it seems like there are too many story lines and too much going on…with confusing characters. I do think that this world is better-suited to the prequels and the “Side Quest” books. I’ve already read two of the prequels (and have the other one, Seer: A Prequel to the Mongoliad, ready to read), and have three of the Side Quests ready to read once I’m done with the main story. Stay tuned for my review of Book Three, which will include an overall review of the main story line of the “series.”
Posted by terpkristin.
The Mongoliad: Book One (Foreworld Saga #1)
By Greg Bear, Neal Stephenson, Erik Bear, Mark Teppo, Joseph Brassey, Cooper Moo, Nicole Galland; Narrated by Luke Daniels
Publisher: Brilliance Audio
Length: 13.25 hours [UNABRIDGED]
Note: I received this audiobook as a complete package with a prequel, Sinner, included. This review only covers The Mongoliad: Book One, as I reviewed Sinner: A Prequel to the Mongoliad separately.
Themes: / mongoliad / martial arts / fantasy /
Fusing historical events with a gripping fictional narrative, this first book in the Mongoliad trilogy reveals a secret history of Europe in the thirteenth century. As the Mongols swept across Asia and were poised to invade Europe in 1241, a small band of warriors, inheritors of an ancient secret tradition, conceived a desperate plan to stop the attack. They must kill the Khan of Khans; if they fail, all of Christendom will be destroyed. In the late nineteenth century a mysterious group of English martial arts aficionados provided Sir Richard F. Burton, well-known expert on exotic languages and historical swordsmanship, a collection of long-lost manuscripts to translate — the lost chronicles of this desperate fight to save Europe. Burton’s translations were lost, until a team of amateur archaeologists discovered them in the ruins of a mansion in Trieste. From the translations and from the original source material, the epic tale of The Mongoliad was recreated.
The Mongoliad: Book One is a different sort of book. It pretty much violated all of my typical “rules” for a book, and I still find myself wanting to read on, to find out what happens in The Mongoliad: Book Two. I’m not sure the book is really a 3-star book, but I think it’s unfair to rate a book 2 stars but say that I want to know what happens next.
For those who don’t know, “The Mongoliad” was a bit of a “multimedia experiment” started by Neal Stephenson and some of his science fiction, fantasy, and historical fiction friends. The end product, the volumes in the main story as well as the side stories, was a collaborative effort by Neal Stephenson, Greg Bear, Mark Teppo, and others. Originally published on the web (though the site seems to be more or less inactive now, with the authors stating that the published works are the preferred versions), it was originally intended to be a joining of authors and various media types for different forms of story-telling. Though it seems to often be sold/pitched as a fantasy novel, the story is much more historical fiction with some fantastical elements than pure fantasy. While that may frustrate some, it was just fine for me; I loved The Baroque Cycle, after all. The story weaves fictional tales using actual events from the Mongol invasion of Europe.
The Mongoliad: Book One is comprised with a few parallel story lines. Set in the Middle Ages, the two primary story lines are that of a group of knights on a quest (including Raphael, who we met in Sinner: A Prequel to the Mongoliad) and that of an adviser/guard to a Mongol Kahn. Through these “main” story lines, there are some side-stories in the novel, including some flashbacks as well as a plotline surrounding some of the brother-knights who are not on the quest but are left to keep the Mongol invaders “occupied” (including Andreas, who we also met in Sinner: A Prequel to the Mongoliad. The fact that I’m describing this so poorly is a testament to the first major issue I had with the book, an issue that is probably only an issue with the audio version: there are a lot of names, and a lot of names that sound the same…so it can be extremely confusing to keep them all straight when listening. The second major issue I have with the book is related, that because the stories go back and forth, it can be easy to get confused as to who is who when switching between stories, especially if it’s been a day (or more) since last listening. Luke Daniels, the narrator, did a good job with using different voices for each of the characters. But if you couldn’t remember which one was the adviser and which was the slave, then the voices didn’t help much. One other note on the narration: Luke Daniels is a good narrator, one who adds to the story without adding so much that it’s distracting. That said, in addition to the confusing names, there are also flashbacks and stuff in the story, and it was hard to figure out when the story was a flashback and when it was just moving on. I suspect a print edition may have been more obvious.
While I’m on the topic of “confusing characters,” another major issue I had with the book was that it felt like it was in desperate need of an editor. This may be a factor of “too many cooks in the kitchen” or maybe it was just the contribution from each author wanting to ensure the setup for the other authors was clear…or maybe it just needed more editing. It’s not the first of Neal Stephenson’s books I’ve said this about (*cough* Anathem *cough* Reamde *cough*). Interesting plot-relevant sections would be bogged down with–or worse, broken up by–seemingly interminable character- and world-building sections. I don’t mind world- and character-building, but I felt like it could have been done much more organically than it was done in this book. Here, it was either story or it was non-story world/character setup. It would have been much more fulfilling to learn about a feature in a town by seeing a character interact with it instead of a half chapter describing the looks of the buildings. Also, this was a book heavy on battle descriptions…descriptions that didn’t really matter to the overall plot/story arc except to say “the good guys won” or “the bad guys were defeated, but not without good guy casualties.”
This leads me to the final major issue I had with the book: it didn’t end so much as stop. Not only does it end in the middle of a fairly interesting scene, but none of the story lines are wrapped up; they are all left hanging. I hope that before I go onto The Mongoliad: Book Two, I can find a good synopsis online or a cheat-sheet to remind me of who was who and what happened, since I’m going to be listening to a (very different) book before I move onto the next book…and that’s the funny thing. I’m definitely going to listen to the next book (and probably the third book). I like the characters. I want to see if the knights will be able to complete their quest (if true history is any guide, I suspect they will), and how some of the side-quests turn out. I care about the adviser to the Kahn; he doesn’t seem like a bad guy, even if the guy he’s serving isn’t a great leader. I would like to see how some of the mystical/spiritual elements play out in the actual story. So, despite my significant frustrations, possibly because I do really like historical fiction, I’m going to continue with the series. I’m not sure this book is for everyone. I’m not sure that audiobook is the best way to consume the books. But despite its flaws, I actually want to know what happens next, so onward I go…
Posted by terpkristin.
The SFFaudio Podcast #213 – Scott, Jesse, and Tamahome talk about the Audible.com audiobook The Cyberiad: Fables for the Cybernetic Age by Stanisław Lem
Talked about on today’s show:
reality shows, Duck Dynasty, about words, puns, rhyming, nothing, negative, was Lem a robot?, modern or timeless?, H.G. Wells, full of great ideas, fables, fairy tales, The Brothers Grimm, royalty,
“Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!” …
Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Some savage, spectacular suicide.”
shooting an arrow at a barn, The Hitchhiker’s Guide To The Galaxy by Douglas Adams, Robert Sheckley, robots, the Google Doodle tribute to Stanisław Lem, a metaphor for our reality, the Wikipedia entry on Fables, Aesop’s Fables, Eric S. Rabkin, Scott is interested in Lem, Karol Wojtyła (aka Pope John Paul II), Poland, a small interesting country, Memoirs Found In A Bathtub, Audible’s audiobook, why did Jenny “Lem” this Lem?, Fox is not necessarily always the same fox, distant past? distant future?, “mostly harmless” palefaces, Princess Crystal, everybody’s a robot, a suitable suitor,
“Your Highness, my name is Myamlak and I crave nought else but to couple with you
in a manner that is liquid, pulpy, doughy and spongy, in accordance with the customs of
my people. I purposely permitted myself to be captured by the pirate, and requested him
to sell me to this portly trader, as I knew the latter was headed for your kingdom. And I
am exceeding grateful to his laminated person for conveying me hither, for I am as full of
love for you as a swamp is full of scum.”
The princess was amazed, for truly, he spoke in paleface fashion, and she said:
“Tell me, you who call yourself Myamlak the paleface, what do your brothers do
during the day?”
“O Princess,” said Ferrix, “in the morning they wet themselves in clear water, pouring
it upon their limbs as well as into their interiors, for this affords them pleasure.
they walk to and fro in a fluid and undulating way, and they slush, and they
slurp, and when anything grieves them, they palpitate, and salty water streams from
their eyes, and when anything cheers them, they palpitate and hiccup, but their eyes
remain relatively dry. And we call the wet palpitating weeping, and the dry—laughter.”
“If it is as you say,” said the princess, “and you share your brothers’ enthusiasm for
water, I will have you thrown into my lake, that you may enjoy it to your fill, and also I
will have them weigh your legs with lead, to keep you from bobbing up …”
“Your Majesty,” replied Ferrix as the sage had taught him, “if you do this, I must
perish, for though there is water within us, it cannot be immediately outside us for longer
than a minute or two, otherwise we recite the words ‘blub, blub, blub,’ which signifies our
last farewell to life.”
“But tell me, Myamlak,” asked the princess, “how do you furnish yourself with the
energy to walk to and fro, to squish and to slurp, to shake and to sway?”
“Princess,” replied Ferrix, “there, where I dwell, are other palefaces besides the
hairless variety, palefaces that travel predominantly on all fours. These we perforate until
they expire, and we steam and bake their remains, and chop and slice, after which we
incorporate their corporeality into our own. We know three hundred and seventy-six
of murdering, twenty-eight thousand five hundred and ninety-seven
distinct methods of preparing the corpses, and the stuffing of those bodies into our bodies
(through an aperture, called the mouth) provides us with no end of enjoyment.
the art of the preparation of corpses is more esteemed among us than astronautics and is
termed gastronautics, or gastronomy—which, however, has nothing to do with
“Does this then mean that you play at being cemeteries, making of yourselves the
very coffins that hold your four-legged brethren?”
the poet robot,
Trurl adjusted, modulated, expostulated,
disconnected, ran checks, reconnected, reset, did everything he could think of, and the
machine presented him with a poem that made him thank heaven Klapaucius wasn’t
there to laugh—imagine, simulating the whole Universe
from scratch, not to mention
Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six
cliche filters, but they snapped like matches; he had to make them out of pure corundum
steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an
alternating rhyme generator—which nearly ruined everything, since the machine
resolved to become a missionary among destitute tribes on far-flung planets. But at the
very last minute, just as he was ready to give up and take a hammer to it, Trurl was
struck by an inspiration; tossing out all the logic circuits, he replaced them with
self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a
little, laughed bitterly, complained of an awful pain on its third floor, said that in general it
was fed up, though, life was beautiful but men were such beasts and how sorry they’d all
be when it was dead and gone. Then it asked for pen and paper. Trurl sighed with relief,
switched it off and went to bed.
Men are such beasts but we’ll be sad when they’re gone, the paperbook, kudos to narrator Scott Aiello, satire of something, Mandrillion the Greatest, ruler of the Multitudians, the perfect advisor, fantasy with Science Fiction language, lawyer soup, Escape Pod, Peter Swirski, A Stanislaw Lem Reader, reviews, people who review Lem, Lem = genius, sitting in awe, “Imagine a mixture of Borges, Calvino, Saint-Exupéry, Pynchon, Douglas Adams, Samuel Beckett, L. Frank Baum, Dr. Seuss, Lewis Caroll, and perhaps a little Philip K. Dick. That’s what this is like, sort of.”, complete impatience with reading “another one of these or another one of those”, A Perfect Vacuum, a big show-off, the ideas per story quotient, Gene Wolfe, Jorge Luis Borges, meta, overwhelming wordplay, digressions aplenty, format and rules, classic Hard SF, the hyperdrive handwaviumed away, all of language is handwavium, Sodium stars with an N, we think when we’ve named something we’ve understood it, make sense out of nonsense, stardust into toilet seats:
Feeling dismay rather
than disappointment at this neglect, I immediately sat down and wrote The Scourge of
Reason, two volumes, in which I showed that each civilization may choose one of two
roads to travel, that is, either fret itself to death, or pet itself to death. And in the course
of doing one or the other, it eats its way into the Universe, turning cinders and flinders of
stars into toilet seats, pegs, gears, cigarette holders and pillowcases, and it does this
because, unable to fathom the Universe, it seeks to change that Fathomlessness into
Something Fathomable, and will not stop until the nebulae and planets have been
processed to cradles, chamber pots and bombs, all in the name of Sublime
Order, for only a Universe with pavement, plumbing, labels and catalogues is, in its sight, acceptable
and wholly respectable.
the are no rules in The Cyberiad, owookiee’s 1 star review of The Cyberiad, a Droopy cartoon as directed by Tex Avery, The Perfect Imitation adapted, saggy biologicals, Daniel Mróz’ illustrations, Tobias Buckell’s blog post about The Fate Of Today’s Book Bloggers, the way Luke Burrage reviews books, a constructed object vs. a piece of art, conversations between writers, how books should be talked about, the SFSignal new releases posts, zombie novels, you’re reading the books wrong, you should read by author, Donald E. Westlake, Lawrence Block, Telling Lies For Fun And Profit, Philip K. Dick, George R.R. Martin, Fred Himebaugh (@Fredosphere), Twitter fight!, looking for reasons not to read books, Your Movie Sucks by Roger Ebert, if a book sucks you usually stop reading that author entirely, Neal Stephenson, positive that tell you nothing about why it’s good, wandering through the woods eating rocks and bark, moods, Star Wars fans, get meta, reviewing novels vs. short stories, in the context, negative reviews tell you a lot more about a book than positive reviews, this book has too much science, Star Trek: Deep Space Nine, Star Trek, Battlestar Galactica, panspermia and ancient astronauts, the finite and the infinite, iTunes U, characters on Battlestar Galactica are always confronted the question “what is human?”, synthesis, the enemy is the ally, the enemy is indistinguishable from one’s self, a space fable, Caprica,
Sumerian Aramaic Sanskrit and Battlestar Galactica, Babylon 5, Firefly, a gift of kindness, Porco Rosso, Hayao Miyazaki, what is IT Tam?
Posted by Jesse Willis