Talked about on today’s show: We help Jesse clear off his desk by discussing books in paper (dead trees and rags), “like e-books but thicker”; Tropic of Serpents by Marie Brennan, second in the Lady Trent series, gorgeously illustrated, Darwin meets dragons; why are illustrations dying out, even in e-books?; Scott Westerfeld’s Leviathan features good illustrations; The Raven’s Shadow, third in Elspeth Cooper’s Wild Hunt series; how many print pages in an hour of audio?; more from L.E. Modesitt Jr’s Imager series; John C. Wright’s The Judge of Ages, with allusions to Cordwainer Smith; The Goblin Emperor by Katherine Addison, smarter steampunk?; a tangent on translating page to screen; Tam likes more fantasy in his fantasy; a tangent on Game of Thrones; a tangent on Citizen Brick and the expiration of the LEGO patent; The Revolutions by Felix Gilman; science fiction was once planetary romance; The Prestige; Best Science Fiction and Fantasy of the Year vol. 8 edited by Jonathan Strahan, now published by Solaris, featuring a lot of great stories; and we finally reach audiobooks!; The Scottish Fairy Book, Volume 1; the timeless quality of folktales; Classics Lesson of the Day: Ovid’s a boy, Sappho’s a girl; Steles of the Sky by Elizabeth Bear; we try to puzzle out what a stele is; we praise Bear’s interview on Geek’s Guide to the Galaxy; Elizabeth Bear’s Hammered isn’t romance “because fifty-year-olds never have romance”; Without a Summer, third in Mary Robinette Kowal’s Glamourist Histories series, expertly narrated by the author; Dreamwalker by C.S. Friedman doesn’t seem to be your run-of-the-mill urban fantasy (suburban fantasy?); Indexing by Seanan McGuire, urban fantasy with a postmodern twist; mimetic incursion and Jorge Luis Borges’s Averroes’s Search; Night Broken by Patricia Briggs, eighth in her Mercy Thompson series; a tangent on midriff tattoos and names for tattoos on other parts of the body; Jenny has created a new genre, Scientific Near Future Thrillers!; in the future, iPods will be merged into our eyebrows; science and technology don’t evolve quite how we expect; Neil Gaiman discusses the influence of Ballard and other classic SF writers on the Coode Street Podcast; Sleep Donation by Karen Russell; Strange Bodies by Marcel Theroux; Boswell is Samuel Johnson’s biographer; Afterparty by Daryl Gregory is blowing up on Goodreads; pre- and post-apocalyptic fiction–no actual apocalypse this time; The End is Nigh, first in the Apocalypse Triptych edited by John Joseph Adams and Hugh Howey; the tech gremlins didn’t want us to discuss Dust, the third in Hugh Howey’s Silo series; Lagoon by Nnedi Okorafor; The Forever Watch by David Ramirez, Jesse thinks the protagonist has too many jobs; “pause resister”, WTF?; Dark Eden by Chris Beckett, already reviewed here at SFFaudio; we struggle to define Pentecostal; religious opposition to the film adaptation of Philip Pullman’s The Golden Compass; Hiroshi Sakurazaka’s The Edge of Tomorrow (originally entitled All You Need Is Kill), Groundhog Day meets Fullmetal Jacket, film adaptation features Tom Cruise; Red Planet Blues by Robert J. Sawyer, a hardboiled detective story on Mars; Noggin by John Corey Whaley; Decoded by Mai Jia; Desert of Souls by Howard Andrew Jones is a refresh of The Arabian Nights; Frank Herbert’s Direct Descent is about a library planet; novella is the best length for SF; Night Ride and Other Journeys by Charles Beaumont, a “writer’s writer” who wrote for The Twilight Zone; Christopher Moore’s The Serpent of Venice is an irreverent Shakespeare/Poe mashup.
Posted by Jesse Willis
The SFFaudio Podcast #246 – Hypnos by H.P. Lovecraft; read by Mr. Jim Moon. This is a complete and unabridged reading of the short story (23 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Julie Hoverson, and Melvin Cartegena.
Talked about on today’s show:
An early Lovecraft story, a favourite Lovecraft, getting tangled in the mythos, similar elements, Beyond The Wall Of Sleep, chronology, artists vs. scientists, Polaris, alternative dream realities, a mystic connection to a star, The Dreams In The Witch House, the funniness, a man falls in love with a statue, statuesque features, Greek mythology, He, sudden and instant friends, recurrent themes, a smarter friend, is this the original Fight Club?, The Hound, The Murders In The Rue Morgue by Edgar Allan Poe, not enough drugs in Kent, London, the Fu Manchu Limehouse connection, caffeine and amphetamines, aging, astral projection, ‘a man with Oriental eyes’, Sigmund Freud, Albert Einstein, Abdul Alhazred (was a Lovecraft persona), The Nameless City, Einsteinian theory, S.L. = Samuel Loveman, “all the cosmos is a jest”, wordless understanding, The Picture of Dorian Gray, an Olympian brow, Hypnos is the god of sleep the son of night and the brother of death, Charles Baudelaire, The Statement Of Randolph Carter, Harley Warren = Samuel Loveman, Ambrose Bierce, together but ahead, a column of gold, a red light, breaching the chambers of Hypnos, ambiguity, a symbolic or allegorical Tyler Durden, a way to avoid writing dialogue, “control the universe and everything under it”, in dreams you do control the universe, Lucid dreaming, “it’s not like Inception“, certain techniques, dream logic, Seattle, Tetris before bed, documenting dreams, Lucid dreaming is ultimately pointless, Julie’s dreams, NREM vs. REM dreaming, the function of dreams, sorting and practicing, incubating a dream at the temple of Hypnos, Phantasy (one of Hypnos’ sons), plungings and soarings, scary dreams, aether, The Police, Wrapped Around Your Finger, someplace beyond time, drifting, Ovid’s family tree for the family of Hypnos, Death and Sleep look like each other, Neil Gaiman’s The Sandman, Phobotor, Phanatos, Hypnos lived in a cave without a door, at the entrance of the cave were poppies and other flowering drugs, mandragora, old guys at young gay parties, screaming starts happening, if it were written today, who is this story being told to, a confession from an asylum or hospital, a cosmic joke, a schizoid break, his brow was white as of marble, volumes exchanged in a look, Freddy Krueger, dream mythology, Dreamscape, Inception, The Dream Master by Roger Zelazny, Uncle Scrooge in The Dream Of A Lifetime, Sleepwalkers, Naomi Watts and Ray Wise, Guy de Maupassant, a sequel, Masters Of Horror: Cigarette Burns, John Carpenter, many remakes, There’s A Family Of Gnomes Behind My Walls And I Swear I Won’t Disappoint Them Any Longer by J.R. Hamantaschen, weird dubiousness, Masters Of Horror: The Dreams In The Witch House, Wake up Julie!
Posted by Jesse Willis
The SFFaudio Podcast #245 – It’s our -The Best of 2013! episode. For it we invited SFFaudio fans, SFFaudio reviewers, and SFFaudio participants to share their listening highlights of 2013. We asked folks to tell us about their favourite audiobook or podcast episode.
If you don’t see your favourites listed below, feel free to add them as a comment. And remember, it needn’t be a podcast or audiobook from 2013, only one you heard in 2013.
And if you leave a comment in the first week (and a way to contact you) you’ll also be eligible for a a FREE PRIZE audiobook mailed to your home (anywhere in the whole universe*)!
- The Stand by Stephen King, Read by Grover Gardner (Random House Audio)
- The Magicians and The Magician King by Lev Grossman, Narrated by Mark Bramhall (Penguin Audio)
- Hard Magic by Larry Correira, read by Bronson Pinchot (Brilliance Audio)
- Boy and Going Solo by Roald Dahl; Read by Dan Stevens (Penguin Audio)
- The Ocean at the End of the Lane by Neil Gaiman, Read by Neil Gaiman (Harper Audio)
- The SFF Audio Podcast #222 - Jesse, Jenny, Paul Weimer and Bryan Alexander discuss Nineteen Eighty-Four by George Orwell.
- The Golem and the Jinni by Helene Wecker, Read by George Guidall (Harper Audio)
- Shades of Milk and Honey by Mary Robinette Kowal, Read by Mary Robinette Kowal (Macmillan)
- Gone Girl by Gillian Flynn, Read by Julia Whelan and Kirby Heyborne (Random House Audio)
- The SFFaudio Podcast #232 – Scott, Jesse, Jenny, and Tamahome talk about The Prestige by Christopher Priest
- The SFFaudio Podcast #233 – Scott, Luke Burrage, and Jenny talk about Oryx And Crake by Margaret Atwood
- Neverwhere by Neil Gaiman, dramatized by Dirk Maggs, BBC Radio 4
- World War Z by Max Brooks, multiple readers (Random House Audio)
- The Prestige by Christopher Priest, Read by Simon Vance (Blackstone Audio)
Posted by Jenny Colvin
*Mirror universe inhabitants need not apply
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show: Christmas-edition New Releases podcast; festivus; Seinfeld; Romulus Buckle and the Engines of War; pneumatic zeppelins (related to Led Zeppelin?) vs. non-pneumatic airships; Cherie Priest‘s Clockwork Century steampunk series; Gail Carriger‘s “tea-punk” Parasol Protectorate novels; Wizard of Oz: A Steampunk Adventure; HBO’s completely unrelated Oz television series; Seal Team 13, military vs. supernatural?; Lovecraftian horror vs. traditional horror; Call of Cthulhu role-playing game; World War Z; Overdraft: The Orion Exclusive; Jesse laments that neither Jenny nor Seth has seen Aliens; Sigourney Weaver; Gamadin: Word of Honor; Jesse loves audio drama; Night Vale; Blake’s 7; “audio drama is television or movies without pictures”; Visions of the Future now unabridged; limitations of the Star Wars spinoffs; R.A. Salvatore killed a beloved Star Wars character; Joseph Campbell’s hero’s journey; a Star Wars Oedipus story?; When the World Shook by H. Rider Haggard; Haggard’s She; casual racism in turn-of-the-century fiction; Haggard is the English Edgar Rice Burroughs; Rumpole series (the actor narrates the audiobooks); Inspector Morse; Agatha Christie; Touch Me Eternally; X-Men; Silvered by Tanya Huff; are shape shifters the new vampires?; Charlaine Harris and True Blood; etymology of werewolf; were bat?; every Batman story has been done; Dangerous Women anthology; Lawrence Block; Legends anthologies; George R. R. Martin’s Dunk and Egg stories; Well of Echoes series; geomancy = crystal magic; ABC (the Australian one) book club; CSPAN’s Book TV; Reading Rainbow and the LaVar Burton revival; Herland; Rudyard Kipling’s With the Night Mail and As Easy as ABC; Gungadin and “to carry the water”; Clark Gable; more on racism; White Man’s Burden; DreamScape Audio; The Poison Belt by Arthur Conan Doyle; sequel to The Lost World; similar to The Purple Cloud by M. P. Sheil; Jurassic Park; 1634 by David Weber and Eric Flint; time travel; George Guidall; Jonny Ive (and Seth’s bad Ive impression) read by Simon Vance; Chronicles of Light and Shadow by Liesel Schwartz; Waterlogged Holiday Collection; Kevin J. Anderson’s War of the Worlds: Global Dispatches; Robert A. Heinlein’s The Puppet Masters; Star Trek pancakes attack; Connie Willis especially To Say Nothing of the Dog; Three Men in a Boat by Jerome K. Jerome; Heinlein’s Have Spacesuit Will Travel; The Great Gatsby audio edition including Fitzgerald’s letters; Audible translating George R. R. Martin; Latin translations of Harry Potter; Call Down the Stars; metafiction; the prehistorical sub-genre; Clan of the Cave Bear; Ian Rutherford; James A. Michener; Harry Harrison; The Wonder Stick (spoiler: it’s a bow!); Jack London; A Quarter to Fear narrated by Mr. Jim Moon at Hypnogoria (Jesse actually bought it!); H.P. Lovecraft Literary Podcast; Audible Editor’s Picks; Audie Awards; Doctor Sleep by Stephen King won Audible Pick of the Year; The Golem and the Jinni by Helene Wecker; American Gods by Neil Gaiman; Grimnoir Chronicles by Larry Correia; The Ocean at the End of the Lane and Coraline by Neil Gaiman; Ender’s Game Alive; The Silo Saga; The Human Division by John Scalzi; The Lost Fleet series by Jack Campbell; Zombie Fallout series by Mark Tufo; Peter Clines 14 and Ex-Heroes series; Roald Dahl’s Matilda narrated by Kate Winslet; tweeting coffee;
Posted by Jesse Willis
The SFFaudio Podcast #237 – Jesse, Tamahome, Julie Davis, Seth, and Jimmy Rogers talk about podcasts.
Talked about on today’s show:
Jimmy’s Synthetic Voices, Jenny’s Forgotten Classics and A Good Story is Hard to Find, podcasts are a house of mirrors, we have reached the podcast singularity, Julie’s podcast highlight feature, Edgar Allan Poecast, Dickens and Hawthorn podcasts on Julie’s wishlist, Jimmy’s podcast group meetup, Washington Science Fiction Association, Jimmy’s segment on StarShipSofa, the value of curated podcasts about podcasts, Luke Burrage’s geek Venn diagram (see below), Julie on the intimate nature of podcast listening, Jesse on the rarity of finding people who speak like they write, podcasts invite listeners into the conversation, “Tam listens to all podcasts”, SFSignal, Sword & Laser, mainstream podcasts, Security Now, ABC News, Agony Column, Jesse wants to hit Margaret Atwood again, 99% Invisible funded by KickStarter, Julie scans the new releases section in iTunes, KCRW’s DnA and Martini Shot, Inside the New York Times Book Review Podcast, NPR’s Car Talk, Wait! Wait! Don’t Tell Me!, Nature podcast, Science Update, Encounters, 60 Minutes is tightly edited (and that’s how it is!), Vice podcast (HBO show tie-in) and Dennis Rodman, Freakonomics, Day 6, Dan Carlin’s Common Sense and Hardcore History, CBC embraces podcasters, Garrison Keillor’s Writer’s Almanac makes Seth sound smart, audio drama, the Lovecraftian Welcome to Night Vale, Nerdist podcasts, Twin Peaks, Wormwood, Decoder Ring Theatre‘s shows, Julie Hoverson’s 19 Nocturne Boulevard, Leviathan Chronicles, podiobooks, Scott Sigler‘s BloodCast and Rookie series, J.C. Hutchins, Mur Lafferty‘s Heaven series, We’re Alive zombie podcast, Julie educates us on the Texas definition of “fine”, The Monster Hunters is zany UK comedy (not related to Larry Correia‘s Monster Hunters International), Plants vs. Zombies, HG World (not related to H.G. Wells), Ace Galaksi features Douglas Adams humour, meritocracy in podcast recommendations, “podcasting makes anyone a celebrity”, so does blogging (Julie’s Happy Catholic blog), Seth is the new intern (but can’t afford the Night Vale intern shirt), CromCast discusses Robert E. Howard whilst eating Chinese food, the nature of an author’s writing informs the nature of podcasts about them, H.P. Lovecraft Literary Podcast, Philip K. Dick Philosophical Podcast (not just on Facebook anymore), the importance of a well-researched podcast, Mr Jim Moon’s Hypnogoria, Peter Kushing, Chop Bard Shakespeare podcast, Julie challenges Jesse to do a podcast on The Tempest, SFFAudio’s Odyssey podcast series, Julie’s Genesis podcast series (based on Robert Alter‘s translation and commentary), Uncle Tom’s Cabin, Born Yesterday history podcast featuring an objective history of the gay bar, History According to Bob, British History Podcast, History of Philosophy without any gaps, Mike Duncan‘s History of Rome and Revolutions podcasts, When Diplomacy Fails, alternative iOS podcast apps, Stitcher, Swell Radio is Pandora for podcasts, Downcast ($0.99) is chock full of functionality, Huffduffer creates custom podcast feeds, if you don’t have RSS it’s not a podcast!, Free MP3 Downloader, fiction podcasts, Escape Artists Network (Escape Pod for SF, PodCastle for fantasy, and PseudoPod for horror), StarShipSofa’s Tales to Terrify, Clarkesworld Magazine, John Joseph Adams’s Lightspeed Magazine, Nightmare Magazine, DrabbleCast, different approaches to horror narration, Night of the Living Dead, don’t listen to horror before bed, Journey Into podcast, Seeing Ear Theatre on archive.org, Jimmy and Tam like to support creators of new content (but, asks Jesse, is new necessarily better?), CraftLit is way more than just knitting, podcasts about writing (Jesse hates them), Mur Lafferty’s I Should be Writing, Writing Excuses (Brandon Sanderson, Howard Tayler, Dan Wells, Mary Robinette Kowal), NaNoWriMo, Neil Gaiman on writer’s block, writing podcasts offer writers a sense of community, Adeventures in Science Fiction Publishing, Terry Pratchett “just makes things up”, the importance of writers reading classic works, Jimmy argues that ‘short stories offer writers more opportunity to extemporize and gives readers a sense of immediacy’, writing for deadline, Adventure magazine, Lord of the Rings, Tolkien Professor Podcast, J.R.R. Tolkien, Jane Austen, the Budweiser frogs, advertising as a source of drama, commercialization and ownership of brands, Jimmy on how podcasts build community, an intense debate about layering spoken word audio over music, This Week at NASA, DribbleCast is a fan spin-off of DrabbleCast, The NoSleep Podcast just won Parsec Award for Best New Podcast, Classic Tales Podcast (links are ephemeral), we all love podcasts–surprise!, Warrior Queen of Mars by Alexander Blade, if Doctor Who were a podcast the audience could request an episode with tribbles, Rappuccini’s Daughter by Nathaniel Hawthorne, The Cricket on the Hearth by Charles Dickens, podcast production has left overhead than traditional media offering greater flexibility and responsiveness.
Posted by Seth Wilson
The Ocean at the End of the Lane
By Neil Gaiman; Read by Neil Gaiman
Audible Download – 5 Hours 48 Minutes [UNABRIDGED]
Publisher: Harper Audio
Themes: / Supernatural / Metaphysics / Parallel Universe/ Young Adult
When I learned a year or so ago of Neil Gaiman’s first novel for adults since 2005′s Anansi Boys, I was thrilled. Sure, that last novel didn’t do much for me, nor did most of his subsequent writing for children, but I’m a lifetime Gaimanophile–I’ll read pretty much anything the British expatriate puts out. This is because he established such a solid early track record for me with Neverwhere, Stardust, and especially American Gods.
Enter The Ocean at the End of the Lane, a whimsically evocative title that itself encapsulates much of what I love about Gaiman. The tale is told from the perspective of an unnamed narrator, looking back on a defining period in his childhood. The young boy, whose name we never learn, witnesses a suicide that unleashes some strange, powerful cosmic forces in rural Sussex, where the novel takes place. The child is aided in the conflict by the enigmatic and archetypal Hempstock family. Bizarre events ensue.
As with any Neil Gaiman work, the writing is top-notch. Description, dialog, and action all shimmer off the page. When shit gets weird, pardon my French, the events are still grounded in vivid, expressive language that makes it feel as though we might encounter them in our own backyards. The characters, particularly the Hempstock trio, also deserve high praise. To me they evoke the best traits of Mrs. Who, Mrs. Whatsit, and Mrs. Which from Madeleine L’Engle’s A Wrinkle in Time. In the descrepancy of their age (at least their apparent age), they also allude to the Fates of Greek mythology or the Norns of the Old Norse cosmos.
If I had never read a Gaiman novel before, I may have written an unbridled encomium for The Ocean at the End of the Lane, as indeed most high-profile book critics and publishing reviews seem to have done. The problem is that I’ve read this Neil Gaiman book before. I’ve read parts of it in Stardust and found splinters of it in his short stories. And from plot to tone to motifs, many elements of the novel have appeared in Gaiman’s fiction for children and young adults.
This perhaps is my biggest qualm with the book. When the book was announced and I read the phrase “first novel for adults,” visions of the deep, nuanced character development of American Gods, or at least the slightly grimier, lived-in setting of Neverwhere, danced through my head. With the exception of a suicide early on, though, I challenge you to find much in Ocean that couldn’t be digested by high school readers. To be fair, marketing may be more at fault than Gaiman himself, but the result is the same. I came away from the book feeling as though I had been duped.
The plot also feels rather thin, “like butter scraped over too mcuh bread” as Bilbo famously said. The story begins with promise: cosmic powers in conflict with nothing less than reality at stake. But the stakes are never really raised, at least not for the world at large. Sure, the main characters undergo their own crises and transformations requisite in good literature, but the scope of the threat is never fully illustrated. Part of my objections to the novel’s plotting may come down to personal taste, but at least some of them, I think, are justified.
I told my publishers there was a novella on the way, but then I did a word count at the end, and realized I just wrote a novel by accident! [...] It wasn’t plotted. Things kept taking me by surprise. It’s not making things up, it’s getting into what did actually happen.
Gaiman’s approach to the creative process is beautiful, but in the case of Ocean, it just doesn’t work. I might have enjoyed this story in a Gaiman collection, but by the end of a full-length novel edition I confess I was weary.
In the usual “crap sandwich” style of my reviews, I will conclude with more praise. I “read” this book in audio form, narrated by Gaiman himself. Most authors lack the voice acting chops to narrate their own work, though many still try, but Gaiman’s mellifluous rhythms and upturned sentence endings fit the charming, surreal tone of this novel particularly well. With the possible exception of Stardust, the audio edition of The Ocean at the End of the Lane is perhaps the finest specimen of the author’s narration you’ll find. Oh, except for his reading of his poem “Instructions”.
My dissatisfaction with The Ocean at the End of the Lane has not caused me to lose faith in Neil Gaiman’s work. I simply hope that, as he did in his early career, he finds ways to reinvent himself and push the boundaries of his nearly boundless imagination.
Posted by Seth Wilson