Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.
Posted by Jesse Willis
Pump Six and Other Stories
By Paolo Bacigalupi; Read by Jonathan Davis, James Chen, and Eileen Stevens
11 CDs – Approx. 13 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 1, 2010
Themes: / Science Fiction / Dystopia / Biopunk / Politics / Society/ Environmentalism / Technology / Food / Death / Thailand / Asia /
The eleven* stories in Pump Six chart the evolution of Paolo Bacigalupi’s work, including the Hugo nominated “Yellow Card Man,” and the Sturgeon Award-winning story “The Calorie Man,” both set in the world of his novel The Windup Girl. This collection also demonstrates the power and reach of the science fiction short story. Social criticism, political parable, and environmental advocacy lie at the center of Bacigalupi’s work. Each of the stories herein is at once a warning and a celebration of the tragic comedy of the human experience.
Let me get the praise out of the way first: Paolo Bacigalupi is an imaginative genius with a message. At times the writing is brilliant. “The Fluted Girl” is excellent, well-written, surely a classic. Every idea in every story is worthy of exploration and consideration and the three narrators are just fine, thanks. His views of dystopia are clever warnings; his ideas endlessly fresh and characters sympathetic. Slow pace is forgivable in his stories, like home-cooked food, worth the wait. James Chen’s reading of the Chinese accents is a great addition to the appropriate stories.
But there are problems. I don’t like having a book of short stories that doesn’t list the names – I shouldn’t have to look on-line for names of the stories and the order in which they appear. I also feel strongly that there is a missing editor. Some of the stories feel as though they are not in final draft version. If I had the print version, my teacher’s red pen would have been in hand marking suggestions for edits. Some information seemed more than unnecessary to the stories (these are short stories after all). It is disappointing that such genius is allowed “out” without polish. Is it possible that the world he created in Pump Six, where literacy has all but disappeared, is actually at its beginning, or did Paolo do it on purpose to see if we are paying attention?
Should you listen to this audiobook? Yes. Brilliant, not perfect, but should definitely not be missed.
*Only ten stories included in the audiobook:
Pocketful Of Dharma • (1999) • novelette • read by James Chen
The Fluted Girl • (2003) • novelette • read by Eileen Stevens
The People Of Sand and Slag • (2004) • novelette • read by James Chen
The Pasho • (2004) • novelette • read by Jonathan Davis
The Calorie Man • [The Windup Universe] • (2005) • novelette • read by Jonathan Davis
The Tamarisk Hunter • (2006) • short story • read by Jonathan Davis
Pop Squad • (2006) • novelette • read by Jonathan Davis
Yellow Card Man • [The Windup Universe] • (2006) • novelette • read by James Chen
Softer • (2007) • short story • read by James Chen
Pump Six • (2008) • novelette • read by Jonathan Davis
Posted by Elaine Willis
Themes: / destruction / apocalypse / survival / engineering / politics /
Wool introduced the silo and its inhabitants. Shift told the story of their making. Dust will chronicle their undoing. Welcome to the underground.
Final books in a series are always tough. Endings are difficult. Not everyone may be happy.
The ending to this series was good, but not great. I think it really comes down to what you’re expecting. Wool really sets the stage of a mystery series with a post-apocalyptic setting. By the end of it I had a ton of questions. Some of those questions were answered or at least explored by Shift, but a few more were posed as well. For me more than anything I wanted my questions answered to my satisfaction in this final book.
Unfortunately that wasn’t the case for me. I still have questions. A few of the things that were explained, weren’t done to my satisfaction. The clarification I was hoping might be in this book never really came. We do get some answers. Just not enough. When discussing it with others I found that some of my lingering questions hadn’t occurred to them at all. Your mileage may vary.
That said, it’s still an enjoyable book with a good, but not great ending. Mr. Howey does a good job in tying the two halves of the story set out in Wool and Shift together.
I found Juliette not as enjoyable in this book as in the first, but I still probably enjoyed it the most. Solo was probably a close second. After Shift I found myself mostly getting tired of Donald however. He’s not exactly the most likable of people. I found myself not really caring what he did except how it affected the others.
Tim Gerard Reynolds is once again a great reader. When deciding between reading or listening to a book, who the reader is often makes a big difference, and Mr. Reynolds makes this a must listen. He does voices and accents that add a little extra something to the story. If you’re deciding between listening and reading the book, I’d recommend listening.
Review by Rob Zak.
Themes: / slavery / space / bureaucracy / mega-corporations / politics /
A New Beginning is the story of a young woman who is ordered by the courts of Earth to serve as an indentured slave to the corporation that held her college debt. Life as a slave brings her to the brink of suicide and an attempt to kill her tormentor. She is sold to Spacers, who are themselves rebelling against the corrupt control of Earth’s mega-corporations. In space she finds a chance at a new life, a chance to maybe help her sister avoid the same fate, but only if Spacers succeed in gaining their freedom. The course of her life will be determined by the outcome of politics far outside of her control… but she has a chance, however slim, to save her sister and start a new life herself.
In some way, this was a really odd book for me to read. The main character is named Kristin. She works on a space ship as a systems engineer. I work on satellites as a systems engineer. And, honestly, her description is really similar to mine when I was in my early 20’s. So it was seriously trippy to read this at times.
A New Beginning is set in the near future, a future where space travel is common place, as is living in space aboard ships or other space stations. On Earth, it’s a rather bleaker picture of the world today. Corporations have taken over the world, bought out most of the politicians. It’s a society, world-wide, where the class gap is as wide is it can be and only those born into or who marry into privilege have assurance of a “normal” life. The rest are sold into indentured service to pay of their debts, whatever they are; for main character Kristin, this is the price of her college education. It’s also a future where faster-than-light travel has been made possible, but communication–visual and audio (in the form of communiques between spacecraft)–is limited to light speed. I’m not quite sure how that is possible, to be honest, but it sets up some interesting potential so I decided not to worry about it.
As the story starts, a newly formed “Federation,” comprised of those living and working on the ships and stations, those without ties to Earth, decide to break ties with Earth and form their own…well, federation. Think of it like Star Trek. Where once they were tied to Earth, they now consider themselves independent entities, willing and happy to trade with Earth, but not bound by any of their laws–or taxes. This has important ramifications for Kristin Hayes, whose indentured service was just sold from an Earth corporation to a ship in the Federation. She left behind a life of debt and slavery (including sexual slavery) on Earth and, upon joining the ship, was freed. The Federation, her ship The Valiant Lad, bought her indenture contract (along with that of others) and gave her the option to return to Earth as a free woman or to join the Federation, join the ship’s crew. Kristin decided to join the ship’s crew and for the first time in her life, have a real job, earn real wages, and be allowed to be a “normal” person.
Kristin’s story comprises most of the book. There are two story lines (that are sort of broken into 3 in places), one of the Federation officers who are actually coordinating the secession from Earth, and Kristin’s story line, telling of her life, both on and off the ship. Kristin’s story is about 2/3 of this book, though I suspect that this is the first in a series and provides decent setup for the rest of the series. Kristin acclimates to life on the ship slowly, but without much adversity. If anything, it seems that everything is just too easy. She finds friends, support, a job she can do…which is interesting, given the description of how the space-ers grow up and are educated compared with how Earth-ers are raised. Growing up in space seems a lot more intense, it seems that anybody from Earth would be at a significant disadvantage. When the Federation makes new laws, allowing families to be on ships and for crew to “fraternize,” she enters into a relationship with a crew mate fairly easily, despite her emotional scars. Kristin decides that she should use this opportunity to earn money (and save it) so that she can get her sister and her father off Earth, to help them avoid the troubles she had. One way she earns money is by selling her journal as a book; the journal she wrote of what her life was like on Earth as a child and then as an indentured servant for one of the corporations. It became an overnight success (almost literally) and made her into a celebrity. As I said, the only “trouble” I really had with this part of the book is how easy everything was. Kristin had a few small stumbling blocks to overcome, but the narrative made it sound like they were easily triumphed over, so overall she didn’t face much adversity.
Similarly, the second story line–comprising a third or less of the book–seemed….easy. The main thrust is told from two viewpoints, one of the ship captain (Marshall?) who announced the secession, and one of another ship captain (Matthews? A woman, in either event, which was nice) who oversaw some of the battles between the Earth ships and the Federation ships. This is where I think the book truly had a miss. It was odd enough that it was all too easy–the battles were short, sweet, and rarely with any Federation losses–but there was an opportunity for Brummer to capitalize on some interesting tactics, an opportunity lost in this book. As I mentioned earlier in the review, technology has evolved to a point where faster-than-light travel is possible (and used) but faster-than-light communication is not. This means that when battling on a large scale, your information is only as good as your distance (in light years/hours) from the source. This was touched on briefly in Kristin’s narrative. One of her co-workers mentioned that for spare money, he makes games to teach kids about battle tactics and the math used in FTL travel and war. He mentioned that all kids who grow up in space have to learn this, and have to use it…but then, nobody did. In all of the battles, it seemed like the information at hand was “good enough” and that the Federation mostly won without issue. While the battle scenes were mercifully short (nothing drives me up a wall than too much detail on weaponry or super-detailed tactics), they were almost too dry. It seemed, once again, too easy.
Some of the issues with the battle scenes might have been owed to the narration. The narration, while mostly fine, was just that, fine. Nolan didn’t add much excitement or change in tone for any of the scenes. He didn’t use different voices for the characters (except maybe some of the characters on the primary Federation ship–the Freedom?–they sounded like they were lifted from the scenes in Star Trek). The recording itself occasionally echoed or sounded like it was recorded with an unfiltered microphone. It often sounded like there was a low-level hiss in the background, or air flowing. This was noticeable when I used earphones and in my car audio and was occasionally distracting.
All in all, the book wasn’t a bad entry novel for a first-time author, though the science fiction elements were more window dressing than actual story components. I suspect some of the audio issues were due to it not being one of the larger publication houses, and that’s okay. I would recommend this book to someone looking for some light science fiction that frankly isn’t much of a downer (because let’s be honest, a lot of it can be extremely depressing). It will be interesting to see where Brummer goes with this universe. If all the novels end up having this same tone/lack of adversity, it could get boring, but for a first-in-a-series by a new author, it was pretty alright.
Posted by terpkristin.
The SFFaudio Podcast #251 – Jesse, Scott, and Tamahome discuss Up Against It by M.J. Locke.
Talked about on today’s show:
Hardcover, paperback, audiobook, who to blame?, it’s Jo Walton’s doing we chose this book (at the bottom), still a lot of juice in the genre, the ultimate cause, drawing in vs. pushing in, Corner Gas, a new wine bracket, the Radium Age of Science Fiction, Scott’s Goodreads review, Tam’s Goodreads review, 24, the characters, less torture, its more fun if you count the tropes, every trope is in there, including immortality, mimetic fiction (literary realism), Henry James, mimetic fiction in a science fiction universe, tiny infodumps, not one brand new idea, waveface virtual reality, Tonal_Z AI language (Chris Crawford’s Solvesol-interface concept?), in dialogue, Cory Doctorow (Whuffies), Bruce Sterling, Chris Crawford, Bruce Sterling’s Veridians (wow, it’s a whole big thing, design philosophy? manifesto), asteroid miner stories, Heinlein and later, The Island Worlds by John Maddox Roberts and Eric Kotani, The Moon Is A Harsh Mistress, there’s no newcomer, a generally agreed upon direction our future will be, John Scalzi’s brainpal, more than one kind of SF, rocket ships, the Charles Stross direction, Iain M. Banks, Souvenir by Philip K. Dick, Amish tech, their tech is subservient to their culture, it seems inevitable in our world, the received future, Earth in Up Against It in bad shape, Vancouver shantytowns, Edmonton, this isn’t a utopian book, dystopia, dystopic Earth, why are they in the Asteroid Belt, good world-building, good but not new, nothing new but the idea, incredibly self-aware people is weird (and cool), gene tampering, Oblivion is a good introduction to SF tropes (for people born in the year 2000), the level of SF tropes in movies is very low compared to those in SF books, Darwin Elevator, bad physics vs. excellent physics, sugar rocks, there’s no intro character (other than the A.I. pov), Little Brother by Cory Doctorow, collaborative teens, a visual adaptation, Ender’s Game, Planetes, Gravity, Babylon 5 had nothing new, I don’t go to TV SF for new ideas, books are where great ideas, what great ideas haven’t been explored, the news coming out of Eve Online, Steen Hansen, political machinations, gold farming, a simulated universe, a libertarian alliance was trojaned or something, happening to real people, World Of Warcraft, our real future is in leisure, Tam liked it more, nose-piercings, tattooing, the gender neutral pronouns, why would you want a purple nose?, Jesse doesn’t understand trans-humanism, normal readalongs, why didn’t I like this more, Tam liked it fine, hands for feet, chromes and mutes, Falling Free by Lois McMaster Bujold, not too bright in the brain area, The Integral Trees by Larry Niven, a planetless solar system, a mashup of Doctorow and Heinlein, smile -> erection, Chekhov’s Gun, Heinleinian sex vs. Doctorowian sex, there’s too much going on, an immature writer, Elmore Leonard, “she pillowed her cheek”, nobody pillows their cheeks in Jack London stories, Jane as an older Ripley, an artificial spiritual awakening, too many compromises too much bullshit, an authentically political book according to Staffer’s Book Review, double dealings, the thriller plot, exploring space, what does Scott prefer?, does Scott have a right to review Up Against It?, is it maturity?, 2312, Tobias Buckell’s blog essay about mature reviewers, caveats, “and get off my lawn”, idea fiction, competent but unstimulating, why is The Lord Of The Rings more interesting than Up Against It?, the themes, the next episode of A Good Story Is Hard To Find, Luke Burrage re-reviews A Canticle For Liebowitz, what we do when we do READALONGS (we unpack books), The Odyssey, Community, currently airing TV series have podcasts?, books with allegories, Scott wants it to mean something to him, The Zimmerman Telegram by Barbara Tuchman, WWI, the German ambassador in Mexico, Woodrow Wilson, Tom Clancy, mimetic fiction from the future, a history from the future, history, in some ways Eve Online is much more real than any fiction book, Scott finds value in general fiction, Mario Puzo, Tom Wolfe, Ernest Hemingway, John Steinbeck, meaning vs. ideas, horror, Snowblind by Christopher Golden for some alternative horror, The House Of The Seven Gables by Nathaniel Hawthorne, The Turn Of The Screw by Henry James, gothic fiction, witchcraft, Supernatural Horror In Literature by H.P. Lovecraft, there’s still potential for Science Fiction, a sequel?, an unneeded sequel, every subsequent milk of a book undercuts it, Dune has been worsened by every Dune that’s come since, Dune Messiah (Scott liked it), the fall of a charismatic leader, a backward casting shadow, Brian Herbert has done what his father wanted by ruining Dune?, why was Up Against It so long?, YA/adult book, George R.R. Martin doesn’t think Scott’s a fan of Hard SF, The Martian by Andy Weir, Phoecea, why are they mining?, there’s no economic reason to do so, was there an economic reason to go to the moon, we need to build a space fleet, no martian resources are unavailable on Earth, the Moon has Helium-3, Tam read Frank Schatzing’s Limit and his eyes are tired, what the frack, (was it ‘Simon pure science fiction like A Darkling Sea‘? we didn’t talk about it but I thought I’d note it)
Posted by Jesse Willis
A six part radio dramatization of The Dispossessed was broadcast on CBC Radio in weekly 1/2 hour installments from June 12 to July 17, 1987 for The Vanishing Point (a long running SF radio drama series). Airing at 7:30pm on Friday nights this serial was based on the 1974 novel of the same name, by Ursula K. Le Guin. Subtitled “An Ambiguous Utopia” it tells the story of the occupants of twin planets, Urras and Annares. A sprawling epic of its era it features tree-planting, dinner parties, copulation, physics, homosexuality, anarchism, social justice, copulation, spankings, propaganda, culture, copulation, pregnancy, babies, famine, revolution, class consciousnesses, politics, and copulation.
Here’s the official plot:
“Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.”
The Vanishing Point – The Dispossessed
Adapted from the novel by Ursula K. Le Guin; Dramatized by David Lewis Stein; Performed by a full cast
6 Episodes – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: CBC Radio
Part 1 |MP3| Jun. 12, 1987
Part 2 |MP3| Jun. 19, 1987
Part 3 |MP3| Jun. 26, 1987
Part 4 |MP3| Jul. 03, 1987
Part 5 |MP3| Jul. 10, 1987
Part 6 |MP3| Jul. 17, 1987
Podcast feed: http://huffduffer.com/tags/vpdispossessed/rss
iTunes 1-Click |SUBSCRIBE|
Gary Reineke as Shevek
Music by Marsha Coffee
Part 1 of 6:
Part 2 of 6:
Part 3 of 6:
Part 4 of 6:
Part 5 of 6:
Part 6 of 6:
Posted by Jesse Willis