Tarkin: Star Wars
By James Luceno; Narrated by Euan Morton
Publisher: Random House Audio
Publication Date: 4 November 2014
[UNABRIDGED] – 9 hours, 27 minutes
Themes: / star wars / empire /
He’s the scion of an honorable and revered family. A dedicated soldier and distinguished legislator. Loyal proponent of the Republic and trusted ally of the Jedi Order. Groomed by the ruthless politician and Sith Lord who would be Emperor, Governor Wilhuff Tarkin rises through the Imperial ranks, enforcing his authority ever more mercilessly….and zealously pursuing his destiny as the architect of absolute dominion.
Rule through the fear of force rather than force itself, he advises his Emperor. Under Tarkin’s guidance, an ultimate weapon of unparalleled destruction moves ever closer to becoming a terrifying reality. When the so-called Death Star is completed, Tarkin is confident that the galaxy’s lingering pockets of Separatist rebellion will be brought to heel – by intimidation…or annihilation.
Until then, however, insurgency remains a genuine threat. Escalating guerrilla attacks by resistance forces and newfound evidence of a growing Separatist conspiracy are an immediate danger the Empire must meet with swift and brutal action. And to bring down a band of elusive freedom fighters, the Emperor turns to his most formidable agents: Darth Vader, the fearsome new Sith enforcer as remorseless as he is mysterious; and Tarkin – whose tactical cunning and cold-blooded efficiency will pave the way for the Empire’s supremacy…and its enemies’ extinction.
Tarkin is one of the first books in the rebooted Star Wars expanded universe. The story gives us a lot of Tarkin’s back story and how he came to be a Grand Moff of the Empire. The story started a bit slow but picked up as less back story and more plot took place. Tarkin is a very interesting character because of his intelligence and ruthlessness (he actually reminds me strongly of Grand Admiral Thrawn in some ways). Star Wars fans will like this book but I will say that it felt more like the prequels than the original trilogy.
The plot of the story isn’t a linear narrative and spends a lot of time giving flash backs of Tarkin’s youth. These flash backs give interesting perspective into how he thinks but also kind of disrupt the story happening in the present. The flash backs show that Tarkin isn’t just some plain old officer in the Empire but he has had his trials and tribulations to earn his place.
I think one large reason why I liked this book instead of “really liked” is how much the prequels are brought into the plot. Everyone who has seen the prequels saw the Death Star plans came from Geonosys and saw the younger version of Tarkin in the movies, so this story definitely has a place in the prequels…except I don’t really like the prequels.
On the audio side of things, Euan Morton brings a different style of narration to this story from what I’m used to in a Star Wars book. I think the idea is that he’d do well with a British accent to match that of Tarkin from the movies and he pulls it off well. All the usual music and sound effects are present as you’d expect and I still think they’re doing a better job with the use of music lately. I should also add that I don’t remember any annoying/repetitive/distracting background ambiance sounds as in some other Star Wars audio books.
Posted by Tom Schreck
Themes: / Star Wars / Dark Times / rebels / Jedi / Empire /
A long time ago in a galaxy far, far away….
“The war is over. The Separatists have been defeated, and the Jedi rebellion has been foiled. We stand on the threshold of a new beginning.” (Emperor Palpatine)
For a thousand generations, the Jedi Knights brought peace and order to the Galactic Republic, aided by their connection to the mystical energy field known as the Force. But they were betrayed – and the entire galaxy has paid the price. It is the Age of the Empire.
Now Emperor Palpatine, once Chancellor of the Republic and secretly a Sith follower of the dark side of the Force, has brought his own peace and order to the galaxy. Peace through brutal repression, and order through increasing control of his subjects’ lives.
But even as the Emperor tightens his iron grip, others have begun to question his means and motives. And still others, whose lives were destroyed by Palpatine’s machinations, lay scattered about the galaxy like unexploded bombs, waiting to go off….
The first Star Wars novel created in collaboration with the Lucasfilm Story Group, Star Wars: A New Dawn is set during the legendary “Dark Times” between Episodes III and IV and tells the story of how two of the lead characters from the animated series Star Wars Rebels first came to cross paths. Featuring a foreword by Dave Filoni.
This is it: The beginning of the new Star Wars content after the entire expanded universe became “legends” and it is….decent. Not awesome but also not bad. It’s hard to be objective because John Jackson Miller is charged with kicking off all new characters with all new adventures, and that feels much different from previous stories with established characters. I was kind of disappointed with the characters because this was an opportunity to be unique and they chose to make recycled versions of previous Star Wars characters. That said, the book was the normal action packed Star Wars adventure you’d expect and didn’t actually end the way I assumed it would – which I liked. I’d recommend this book to Star Wars fans or those interested in the new Rebels show (since this precedes it in the timeline) but would still point to Timothy Zahn’s work as a real gateway drug into Star Wars books.
Miller does a great job getting the feel of Star Wars in this book but the story also feels a bit like the characters from Star Wars have been recycled a bit:
Kanan Jarrus: A bit of a rogue with budding jedi powers kept hidden. He comes of like 30% Luke and 70% Han. Marc Thompson didn’t use either his Luke or Han voice for this character but I noticed him slipping somewhat into a Han voice on some of the more roguish moments.
Hera: Leia meets Mara Jade. She’s all about investigating wrong doing by the Empire, runs around with a hood up, and does some spy-type stuff.
Count Vidian: Evil cyborg guy that works for the Empire. I guess you always need an evil guy that is mostly machine (Vader/Grievous) to show how much they’re lost their humanity.
Skelly: This guy’s hi-jinks just make me think of Jar Jar Binks. No weird accent at least.
The main plot of the story revolves around the Empire wanting to increase efficiency of their mining of a mineral they need for expanding the fleet. The Empire shows up with the ruthless efficiency expert Count Vidian to make the miners be more efficient or else. Action and drama ensue from there and I always find it amazing how many times an author can get all the good and bad guys together only to have people escape / not get hurt and continue on with their plans. I thought the story was pretty well thought out and there were interesting revelations about characters and their motivations throughout the story so it wasn’t just straightforward action.
One thing that kind of annoyed me was a fairly major thread that seems to serve as an allegory to all the leaks in the media lately. There are contractors that monitor citizens (a la 1984) via hidden cameras and microphones but that monitoring has gotten out of hand since the emperor came to power. There is even a “military contractor” that is a whistle blower….. All of this may not have been intentional but it sure felt like it.
As for the audio side of things, Marc Thompson did a great job as usual. If you’ve listened to a Star Wars book narrated by him before, you’ve heard his different voices and know what to expect. All the great Star Wars sound effects, atmospheric sounds, and music are there too. I may be less critical now, but I thought all of that was better done, less distracting, and contributed a bit better to this story than in some others I’ve listened to in the past.
And just a fun treat, this isn’t from this particular Star Wars novel but the same narrator:
Posted by Tom Schreck
Fool’s Assassin (Fitz and the Fool #1)
By Robin Hobb; Narrated by Elliot Hill
27 hours, 18 minutes [UNABRIDGED]
Publisher: Random House Audio
Publication Date: 12 August 2014
Themes: / fantasy / assassin / fool /
FitzChivalry – royal bastard and former king’s assassin – has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.
Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past…and his future.
Now, to protect his new life, the former assassin must once again take up his old one.
When I first heard confirmation that the rumors of a new Fitz and Fool series were true, I was full of mixed emotions. I loved Fool’s Fate. I’ve enjoyed all of Ms. Hobb’s books but that is the only one I’ve given 5 stars too. I was just so satisfied with how it ended. There were questions, but all the big things were resolved in the end.
So would this book ruin my favorite book? Well not yet, but it certainly hasn’t alleviated my fears that the events of this trilogy might tarnish things for me.
Like many books by Ms. Hobb, things start out slow. I don’t mean that in a negative way, however. Somehow she is able to write in such a way that I don’t mind the day to day life of her books. Despite my trepidation, it just felt nice to be back with characters I love. If you’re looking for a lot of action or a flashy start, you’ll be disappointed. I imagine that anyone picking up this book is already going to be a Robin Hobb fan and used to her style.
More than anything, Ms. Hobb’s writing is able to evoke strong emotions in me as I read. Love, anger, happiness, frustration. Few other authors can make me despise a new character so quickly or completely. Similarly Fitz continues to frustrate me with the way he does things in a way that is just all too human. Often times the protagonist in a fantasy book faces external adversity and rises to the occasion. Meanwhile Fitz is frequently his own worst enemy. Poor Ms. Hobb loves putting him through the ringer too, and this book is no different.
I had three issues with this book. First, the series is called Fitz & Fool. The book is called Fool’s Assassin. So why did it take so long for us to see the Fool? He’s mentioned often enough, but I want to spend time with him just as I am spending time with Fitz. So far this series seems a lot more like Farseer than Tawny Man in that regard.
The second thing was the addition of a POV besides Fitz. I guess I’m a very jealous reader. I originally hoped it was a one off thing early in the book, but when it turned out to be a regular thing it bothered me. I felt robbed of time I could be spending with Fitz. By the end of the book it grew on me and I came to look forward to those chapters nearly as much as I did the Fitz ones.
The final issue I had was the ending. I know this is the first book of a trilogy, but I hate cliffhanger type endings, and this one seemed pretty bad to me. If you’re the type of person who hates waiting for the next book, you may be better off waiting until the final book is either published or has a release date. It’s going to a be a LONG wait for me until book 2.
Overall I really liked, but didn’t love this book. I’m still pretty nervous about what may happen next. I think that above all shows how great a writer Ms. Hobb is to fill me with both a sense of anticipation and dread for the next book in the series.
As a narrator, I really didn’t like Elliot Hill much at first. He grew on me by the end though. I don’t normally hear characters speaking in my head as I read and haven’t had any issue listening to books I had previously read and finding the voices wrong.
I did here for some reason. Fitz just didn’t sound right to me. Same thing with Molly. Bee seemed fine, but really she sounded almost like Molly. I liked his voice for Chade though.
Mr. Hill does a few voices and accents and does a fine job of it. It just took me a very long time to get used to. By the end though I seemed to get over it. I likely won’t do the audio again unless I get another review copy, but I’d guess many people won’t have the same issues I did with it.
Review by Rob Zak.
The Folklore of Discworld: Legends, Myths, and Customs from the Discworld with Helpful Hints from Planet Earth
By Terry Pratchett and Jacqueline Simpson; Narrated by Michael Fenton Stevens
Publisher: Random House Audio
Publication Date: March 2014
[UNABRIDGED] – 12 hours, 59 minutes
Themes: / folklore / discworld / fantasy /
Most of us grew up having always known when to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly some of these things are beginning to be forgotten. Legends, myths, and fairy tales: Our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination – like vampires, trolls, witches and, possibly, gods – are real, alive and, in some cases kicking, on the Disc.
In The Folklore of Discworld, Terry Pratchett teams up with leading British folklorist Jacqueline Simpson to take an irreverent yet illuminating look at the living myths and folklore that are reflected, celebrated and affectionately libelled in the uniquely imaginative universe of Discworld.
The Folklore of Discworld is as capricious and lovely a reference book for the Discworld series as the Discworld itself. It seems to drift between our world and the Discworld with a strangely organic ease, and, given the breadth and depth it covers, doesn’t assault the listener with too much. Instead it reads like any of the other books in the Discworld series, with light, comforting reassurances to the reader that everything is just exactly where it needs to be.”
Posted by Trant Thumble.
The Naked Sun (Robots #2)
By Isaac Asimov; Read by William Dufris
Publisher: Random House Audio
Publication Date: July 2014
[UNABRIDGED] – 7 hours, 41 minutes
Themes: / robots / colonization / science fiction / detective /
A millennium into the future, two advancements have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants. To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations. The victim had been so reclusive that he appeared to his associates only through holographic projection. Yet someone had gotten close enough to bludgeon him to death while robots looked on.
What a shocker! I suspected the murderer but not the ending Asimov gave us. Wow.
The Naked Sun gives us a look at the mysterious Outer Worlds, first mentioned in The Caves of Steel. Solaria has never had a crime, due to their extremely privileged population served solely by robots who, of course, never commit crimes of passion. Lige Bailey finds this open, practically empty environment poses both the challenges of solving the mystery and of adapting his agoraphobic nature, thanks to a lifetime of living in underground cities on overpopulated Earth.
Asimov has fun looking at the sociological effects of a high-tech, low population world. I was fascinated by Asimov’s contrast of Elijah Bailey, used only to an overcrowded Earth, with the outworld Solarian society which had open space, eugenics, and many robots. There is no way Asimov could have foreseen our computer-oriented society today, but I found the Solarian society’s preference for “viewing” through screens rather than “seeing” in person to be a disturbing echo of what we ourselves seem to be moving toward.
I originally read this long ago and remembered a lot about the Solarian society but almost nothing about the mystery itself. Listening to William Dufris’ excellent narration, so long after my first reading, I found this a wonderful mystery. Dufris surpassed his performance in The Caves of Steel as he voiced a wide range of Solarian characters from sensuous to prim, blowhard to reserved, blustering to withdrawn. My favorite voices actually were the Solarian robots which were precisely what you’d expect, and which we hadn’t heard yet though several robots spoke in The Caves of Steel.
If you haven’t revisited this series lately I recommend it highly, especially this audio version which brings it to life in a fresh way.
Caves of Steel (Robots #1)
By Isaac Asimov, read by William Dufris
Publisher: Random House Audio
Publication date: 15 July 2014
[UNABRIDGED] – 7 hours, 43 minutes
Listen to an excerpt: | MP3 |
Themes: / science fiction / robots / detectives / over-population / colonization /
A millennium into the future two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov’s Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together. Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions.
“Like most people on the over-populated Earth, New York City police detective Elijah Baley has little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to help track down the killer. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the ” R” stood for robot.”
I originally read this book when I was a teenager and loved it from the beginning. Isaac Asimov’s descriptions of an overpopulated future Earth were de rigueur for science fiction of the time. What gave this story a fresh spin was that it was a bona fide mystery.
Many years later, listening to William Dufris’ splendid narration, it still holds up. I still remembered the main points of the mystery and detective Lige Bailey’s personality. This left me free to fully appreciate the details of Asimov’s imagined future society, complete with spacemen and robots to provide tension and interest.
I’m not sure if I completely forgot or just never registered the points Asimov was making in this book about technology, adaptation, and the human soul. I was quite surprised to see that Lige Bailey knew his Bible so well that he could quote it in either the King James version or the modern version. And that he used religion as a main point of differentiation (along with art, beauty, and other intangibles) between humans and robots. Atheist Isaac Asimov didn’t deny that faith can lift people higher and that is something one rarely, if ever, sees these days in science fiction.
I also was really interested in watching the way the germ of an idea took hold and was spread from person to person. It was fascinating to see how many things that idea applied to once it had wormed its way into the person’s consciousness.
All in all, this short but satisfying mystery is much richer than I recalled. It was greatly enhanced by the audio where William Dufris became a one man theater company in the way he voiced different characters. There was never any fear of my mistaking who was talking in straight exchanges of dialogue. He was simply masterful whether it was world-weary detective Bailey, slightly robotic Daneel Olivaw, jumpy Jessie, or the nervous Commissioner.
INTERESTING SIDE NOTE
It is a detective story and illustrates an idea Asimov advocated, that science fiction is a flavor that can be applied to any literary genre, rather than a limited genre itself. Specifically, in the book Asimov’s Mysteries, he states that he wrote the novel in response to the assertion by editor John W. Campbell that mystery and science fiction were incompatible genres. Campbell had said that the science fiction writer could invent “facts” in his imaginary future that the reader would not know. Asimov countered that there were rules implicit in the art of writing mysteries, and that the clues could be in the plot, even if they were not obvious, or were deliberately obfuscated.
All hail opinionated John Campbell and Isaac Asimov’s determination to prove him wrong. Today there are a lot of different mash-ups included in the science fiction genre and Asimov led the way with this book.
Posted by Julie D.