The SFFaudio Podcast #271 – The Prisoner Of Zenda by Anthony Hope; read by Andy Minter. This is a complete and unabridged reading of the novel (5 hours 30 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Tam, Seth, and Paul Weimer.
Talked about on today’s show:
1894, the movies, Moon Over Parador, ripoff vs. homage, Dave, the Ruritanian influence, Robert Louis Stevenson, Sherwood Smith, a feminist Ruritanian romance, book trends, Seth kind of enjoyed it, put British taboos in a make believe country, accent on the romance, an eastern German state, the bathroom key in Spanish, to avoid research, a fake name for a real place, Bavaria, A Scandal In Bohemia by Sir Arthur Conan Doyle, the sister-in-law, Rudolph Rassandale as a pseudonym for Anthony Hope, autobiographical wish fulfillment, an author avatar, not exactly modern storytelling, a male romance, “getting close to something happening”, a chaste-ness, innuendos, what’s lacking in the non-comic book adaptations, red-headedness, the black and the red, Rose, the Red rose of Ruritania, “if it’s red it’s right”, Black Michael, the real king is a prat, the better man, Eric S. Rabkin is all about “food and sex”, Jesse is all about “it’s all a dream”, mirroring and inverting, The Prestige, Madame Maubin, the dream, Total Recall, doubling echoing, the attack plan, Rupert! Rupert!, a happy version of the drunk king, the drugged wine, half the kingdom, that’s really good writing, The Princess Bride, a Fantasy edgecase, is it Fantasy?, “wading in the waters outside the island of Fantasy”, adopted into Fantasy, Coronets And Steel by Sherwood Smith, Doctor Who, The Androids Of Tara, electro-swords in a feudal future, Double Star by Robert A. Heinlein, a professional actor, Mars as Ruritania, A Princess Of Mars by Edgar Rice Burroughs, Latveria (in the Marvel universe), Doctor Doom, just a time passer, a finite number of monarchs, Utopia by Sir Thomas More, the noble house of Elphberg (elf berg), Austria, the beautiful streets of Streslau, the tell-tale hair colour, the problem of cheating, the sequel Rupert Of Hentzau, Queen Victoria, The Red And The Black by Stendhal, George R.R. Martin, the ostensible antagonist is Black Michael but actually the baddie is Rupert, “he leaves bloody but laughing”, Rupert as a twisted version of Rudolph, Antoinette du Maubin, a female version of Rudolph, the two Rudolphs, about six months, a romantic trope, no consummation, everybody is cousins here, morganatic marriage, Randy not Randolph, Crusader Kings, Lord Burlsdon, this second son thing is what EMPIRE is all about, smoked in their smoking rooms, India, Afghanistan, North America, South Africa, who this book is for, the problems of aristocratic families, The Man Who Would Be King, the Wikipedia entry, Winston Churchill wrote a Ruritanian Romance, the restoration of a parliamentary system instead of a monarchy, so Churchill, Churchill turned down a Lordship, the suspension of disbelief issue, Colonel Sapt and Fritz, the country is run by like seven people, a kidnapper and a kingslayer, somebody is going to have to swim that moat, the missing cellphone, the moving mole, Robin Hood: Men In Tights, “is this gonna be a thing?”, Saddam Hussein’s doubles, Star Wars, Princess Amidala and whoever…, first person narration, the eggspoon, a new use for a tea table, An Improvement On Jacob’s Ladder, he likes that ladder a bit too much, Jacob (in The Bible) dreams the ladder, GOOD!
Posted by Jesse Willis
“Modern television is going to respond to the needs of the audience.”
Eric S. Rabkin was a guest on this 1989 TV special about the Beauty And The Beast TV show. The two Eric segments begin at 9 minutes and 26 minutes respectively.
WARNING, watching this program may freak you out. The 1980s were very weird.
Posted by Jesse Willis
Flesh and Blood
By Daniel Dersch; read by Amy McFadden
Publisher: Brilliance Audio
Publication Date: 4 March 2014
[UNABRRIDGED] – 7 discs; 8 hours
Themes: / Vatican / vampires / Nazis / horror / romance /
A veteran New York City journalist, Claire Hagen has learned not to trust everything she hears. So when her younger sister lands in a mental hospital after claiming a vampire is feeding off her blood, Claire is naturally skeptical. A search of her sister’s apartment convinces her: The delusions are a side effect of the drugs she discovers her sister had been taking.But a deeper investigation uncovers more than Claire bargained for. Why was a man who claimed to know her sister from an online vampire forum shot dead moments after Claire interviewed him? Why are her sister’s symptoms getting worse in the hospital? And why have agents from the Vatican taken a sudden interest in Claire?Consumed by doubt and growing paranoia, Claire barely has time to ponder her next move before a violent confrontation in her apartment changes everything. She quickly finds herself on the run with a mysterious stranger who says he wants to protect her but may not be quite what he seems. Can she trust him?
For a good portion of the story in this novel, I was entertained. But the longer the story progressed, the more detached and less interested I became. By the time the end rolled around, I just didn’t care about the characters. While various portions of the story intrigued me, the narrative’s main flow felt too streamlined, structured, and shallow. I also depart feeling that the storyline was compressed. This is fifty pounds of story jammed into a twenty-pound sack. But Daniel Dersch shows promise, and I will be curious to observe his writing improve. He already does what many of his contemporary counterparts fail to do, which is to have a subject performing a verb upon an object. Dersch’s sentence construction is pleasing, and for what it’s worth, this small attention to good writing practice aided my enjoyment factor.
I felt Clair Hagen was a little too stereotyped. She seems driven to prove her resourcefulness, but appears to yearn for a strong man. The “daddy” references got a little weird, but maybe we can chalk that up to this being a translated work. The chapters in this book denote a change in POV (point of view). At first I liked this alternating split narrative thing that Dersch pulls off. But the longer this unspooled, the shorter the chapters got, and all too soon the shortness of the intervals became a distraction.
Amy McFadden narrates the audiobook, and at first I struggled with her rhythm and delivery. In the beginning, I thought her voice was grating. But the longer I listened, the more I felt McFadden captured the essence of Clair. Somewhere in the middle, McFadden won me over, and I think she does a great job with this audiobook.
Fans of contemporary vampire stories will most likely enjoy this for what it is.
Posted by Casey Hampton.
Themes: / urban fantasy / blood prophet / feathers / shape-shifting /
After winning the trust of the terra indigene residing in the Lakeside Courtyard, Meg Corbyn has had trouble figuring out what it means to live among them. As a human, Meg should be barely tolerated prey, but her abilities as a cassandra sangue make her something more.
The appearance of two addictive drugs has sparked violence between the humans and the Others, resulting in the murders of both species in nearby cities. So when Meg has a dream about blood and black feathers in the snow, Simon Wolfgard—Lakeside’s shape-shifting leader—wonders whether their blood prophet dreamed of a past attack or of a future threat.
As the urge to speak prophecies strikes Meg more frequently, trouble finds its way inside the Courtyard. Now the Others and the handful of humans residing there must work together to stop the man bent on reclaiming their blood prophet—and stop the danger that threatens to destroy them all.
The book was wonderful. I loved how the story expanded beyond Meg, Simon and the Courtyard. In this story we get to see a lot more of the world and are introduced to a plethora of new characters. The only sad thing about the expansion of the new world is I miss getting to read more about some of the characters we met in the last book like Jake and Winter. The plot for this story is fairly straight forward so with all the new introductions and new places it was easy for me to keep track. While the story expanded it did so by going deeper into the politics and relationships between humans and the others.
My favorite thing about Anne Bishop’s writing is her focus on relationships. It is fascinating to watch Meg and Simon figure out how to be friends. Simon is a wolf and he is unsure how long he wants to hold his human skin, he also worries that being human so much is changing him. Meanwhile Meg is a blood prophet who has never been able to make choices and with so much turmoil happening her need to cut is greater than ever not to mention she is finding it a challenge to not accidentally break her skin. Likewise there is the relationship between Simon and Monty, Monty struggles to understand the terra indigene’s outlook on things without alienating the humans. Then Monty has his own issues with his daughter which I hope gets resolved because it just breaks my heart. While I could go on and on the point here is how these character’s interact with each other just makes the story even better.
The narrator for the book was Alexandra Harris. She has quite the smooth voice and while I enjoyed listening to her narrate and perform the voices of female characters, I did not care for her work as voicing the male characters. She also read a bit slower than I would have liked and so I solved that by speeding it up on my ipod. In a perfect world she would be partnered with someone like James Marsters and for me this would have been the perfect audio book.
Posted by Dawn V.
Rule Breaker (A Novel of the Breeds #29)
By Lora Leigh; Narrated by Brianna Bronte
Publisher: Penguin Audio
Publication Date: 4 February 2014
[UNABRIDGED] – 17 hours, 50 minutes
Themes: / romance / genetic engineering / breeding /
Lion Breed and enforcer Rule Breaker has just a few rules he doesn’t break. Not for anything. Not for anyone – like never have sex with a woman outside his own breed, especially a human woman. Especially someone too helpless, too fun loving and too full of life to ever be able to protect herself, let alone help him to protect her. If the damned animal inside him insists on a mate, then why pick her? A woman who is an easy target and who can be used as a weapon against him at any time. But what he suspects is mating heat may not be that at all.
Rule Breaker is the 29th book in the Breed series by Lora Leigh. Our feature couple is Rule, a lion breed and Gypsy a human. The story starts off very sad, we witness Gypsy the night her brother is murdered. For Gypsy her brother feels like the only family she really has and losing him almost breaks her. Gypsy is consumed with guilt and she takes up her brother mission to find purpose. Unfortunately she becomes emotionally suspended in time, closing off all of her emotions, which was rather heart breaking. Meanwhile Rule is determined to never mate and he is sure that Gypsy is nothing more than sexual attraction. As you can imagine the road to being mated was full of bumps.
I liked Gypsy a lot! I think the beginning of the story is what endeared her to me, I think it was easy to identify why she was making choices and it was so easy to root for her. Quickly she became one of my favorite heroines in the Breed series; not only is she smart and resourceful but she has a lot of guts. Then there are times when we can see she is incredibly lonely and alone, which for me made it all the better when she becomes helpless in Rule’s arms. It is like weather she wants to or not she is feeling emotions and it was cute how she would fight it. Meanwhile Rule had his moments of idiocy but they really were not that bad compared to other Breeds. This was a cute couple and you can see how well they fit together.
In this book we get to see a good deal of espionage and breed manipulation. Once nice thing is we get some resolution into Amber. Sadly that was a bit of a letdown because I felt like it should not have taken 8 books for all these scheming people to figure it out. There were other minor plots that bogged down the story line and made the plot a bit convoluted and overly complex. To keep them all going we there was a growing cast of characters at times I felt like I needed some kind of appendix just to keep them all straight. At times this made the book a bit challenging.
Normally I read Breed books but this one I listened to on audio. Honestly the narrator just did not work for me, not so much because she was bad but her voice did not fit the story, I think I would have preferred a male reader. Hearing a woman say things like ‘his cock was throbbing’ or ‘ she was indeed wet the scent of her sweet juices…’ just took me out of the story. It did not even sound like good bed room talk you know with husky sounding voices instead it sounds like someone making fun of Captain Kirk in Star Trek you know how he has those dramatic pauses. I also did not think she had good character distinction it just sounded like she had a frog in her throat.
At the end of the day I am left with trying to tease out if my issues with the book are because of the story or because of the narrator. I am sure the romance part of the story worked for me. I am also sure some of the espionage stuff could have been left out. The multiple plots with Dane and Jonas I am not sure if was overly complicated because I was listening and not reading. In the end it was still a solid story and I am hoping we get Cassie and Dogs story next then maybe Dane’s. I wonder who his mate will be?
Posted by Dawn V.
Talked about on today’s show: H.P. Lovecraft’s essay Supernatural Horror in Literature; the House as a character in the novel; the novel’s memorable characters; The Scarlet Letter is “a sentence, a trial unto itself”; the novel’s modern resonance; Jim Crow gingerbread; setting and character trump plot; the rambling plot imitates life; Hawthorne’s subtle use of humor; Hepzibah = Lovecraft?; the family chickens, Chanticleer is an allusion to Chaucer’s Nun’s Priest’s Tale; Chanticleer dredges up John’s horrible memories of Rock-a-doodle; comparison to various Lovecraft stories; Hawthorne’s characters are concepts, but well-drawl concepts; allegory with depth à la Tolkien; atavistic guilt; hypnotism, mesmerism, and phrenology, oh my!; phenomena as fads in science fiction and popular culture; Edgar Allen Poe’s work, especially The Facts in the Case of M. Valdemar and Fall of the House of Usher; Arthur Conan Doyle is to spiritualism as Glenn Danzig is to Satanism; The X-Files, “I Want to Believe”; John Keats’s theory of negative capability; Mark F. Smith’s LibriVox narration; man’s identity tied to real estate; a Marxist reading of the novel; the house as metaphor for the human heart; Pennsylvania and the great American land grab; the novel’s peculiarly Puritan nature; real-life Pynchon family ancestors of author Thomas Pynchon; inspiration for the fictional house now a tourist attraction; Hawthorne’s defense of writing a romance in the novel’s preface; the novel’s horrendous screen adaptations and slightly better comic book adaptations; The Haunting of Hill House; the power of interpretive haunting; revival of the Gothic tradition e.g. in The Duchess of Duke Street; Hawthorne plays amazing tricks with point of view; “guns are America’s pit bulls”; Joe Hill’s Locke and Key.
Posted by Jesse Willis