Mack Reynolds is an SF author who needs more attention. Unfortunately his non-public domain works, the majority of his work, are languishing, orphaned. Escape Pod has paired this less than stellar novelette with an excellent narrator, Corson Bremer, but even so it’s a less than stellar representative example of Reynold’s most thoughtful societal thinking. Expediter merely hints at the kinds of things Mack Reynolds could do. Come to think of it, what we really need is an expediter to make the still copyrighted works of Mack Reynolds available as ebooks (and audiobooks).
By Mack Reynolds; Read by Corson Bremer
1 |MP3| – Approx. 1 Hour 22 Minutes [UNABRIDGED]
Podcaster: Escape Pod
Podcast: October 28, 2013
His assignment was to get things done; he definitely did so, Not quite the things intended, perhaps, but definitely done. First published in Analog, May 1963.
Podcast feed: http://escapepod.org/podcast.xml
Here is the |ETEXT|.
And I’ve assembled a |PDF|.
Posted by Jesse Willis
Talked about on today’s show:
Where’s Jesse?, Eric S. Rabkin, SPOILER TERRITORY, Jenny loves post-apocalyptic dystopian novels, it ends with more questions than answers, a man wandering on the shore, a back and forth structure, Earth Abides by George R. Stewart, big disease, a week, Jimmy’s story, the story of the apocalypse, pigoons and rakunks, The Year Of The Flood, corporate compounds, New New York, dystopia, a future world and then an apocalypse, Octavia Butler, religion, Parable Of The Sower, a parallel story with backstory and humor, a sermon and a hymn by God’s gardeners, the audiobook, a planned trilogy?, the Culture series by Iain M. Banks, extinctathon, Madadam, expert splicers, a hacker genius, the world’s best ever minds, the floor model crakers, war is misplaced sexual aggression, they could eat their own poop, it seems like Jimmy survived through the plague because he wasn’t entirely human, he doesn’t have the right smarts, creating a creation myth, the blood and roses game, nothing was a mystery anymore, yup and tick, Quicktime Osama, Civilization V, is Oryx really Oryx?, SPOILER, “I’m counting on you.”, “If only he’d paid attention to his fridge magnets.”, the way that Jimmy comes to conclusions is kinda different, “he knew why he picked Oryx”, the First Law series, Joe Abercrombie, the music at the end of the audiobook started way too early, narrator Campbell Scott, Jenny hates the convenience of canned and frozen food, wolvogs, any other complaints?, Luke really didn’t like reading about people getting off on child pornography, Jimmy is obsessed with having people tell them stuff while he’s having sex with them, Atwood’s larger point, nighty-night.com, satire, in other parts of their brains and gonads, a big turn off, do I really have to listen to this now?, why is Crake destroying humanity?, neuronormative, there will be no child abuse, random levels of technology, a good novel, good Science Fiction?, technology, DVDs, most SF writers know, Colossus: The Forbin Project,
“Although ‘MaddAddam’ is a work of fiction, it does not include any technologies that do not already exist, or bio-beings that do not already exist, are not under construction, or are not possible in theory.”
it didn’t feel intentional, it felt clunky and badly thought out, Margret Atwood doesn’t want to call it Science Fiction, she’s just not interested, a lot different in tone and feel than most SF, the Booker prize list, this is a book about humans, super-reductive, what does it tell us about humanity?, social Science Fiction, this is pretty bad Science Fiction (but a good novel), the Science Fiction falls out of Crake’s brain, J.G. Ballard, Jenny’s book club experience, boycotted, people refusing to read Oryx And Crake because it is SF, SF lumpers try to deny, Star Wars isn’t SF, a literature of ideas, “the fear of this battlestation”, a perfect description of SF, literary fiction that’s SF, Gravity’s Rainbow, Infinite Jest, Luke doesn’t like sub-genres, gmail has tags, assigning, where do you shelf it?, in the modern world a book can be shelved in many shelves, Goodreads, own-poetry-unread, STAR RATINGS!, the Force is a fantasy element, “oh, here’s another Death Star.”
Posted by Jesse Willis
The Story Of The Inexperienced Ghost (aka The Inexperienced Ghost) is, on its face, merely a humourous ghost story. But I get the sense that there’s quite a bit of satire going on in it. It may be doing to the straight-up ghost story (in a far more lighthearted way) what The Red Room does to the Gothic Horror story.
Here’s a fully illustrated |PDF| made from the original printing.
Posted by Jesse Willis
Maissa Bessada narrates for us Silly Asses a one page (400 word) satirical short story by Isaac Asimov.
Also available is a |PDF| made from a scan of the original publication in Future Science Fiction, February 1958.
And here is the complete text:
Silly Asses by Isaac Asimov
Naron of the long-lived Rigellian race was the fourth of his line to keep the galactic records.
He had a large book which contained the list of the numerous races throughout the galaxies that had developed intelligence, and the much smaller book that listed those races that had reached maturity and had qualified for the Galactic Federation. In the first book, a number of those listed were crossed out; those that, for one reason or another, had failed. Misfortune, biochemical or biophysical shortcomings, social maladjustment took their toll. In the smaller book, however, no member listed had yet blanked out.
And now Naron, large and incredibly ancient, looked up as a messenger approached.
“Naron,” said the messenger. “Great One!”
“Well, well, what is it? Less ceremony.”
“Another group of organisms has attained maturity.”
“Excellent. Excellent. They are coming up quickly now. Scarcely a year passes without a new one. And who are these?”
The messenger gave the code number of the galaxy and the coordinates of the world within it.
“Ah, yes,” said Naron. “I know the world.” And in flowing script he noted it in the first book and transferred its name into the second, using, as was customary, the name by which the planet was known to the largest fraction of its populace. He wrote: Earth.
He said, “These new creatures have set a record. No other group has passed from intelligence to maturity so quickly. No mistake, I hope.”
“None, sir,” said the messenger.
“They have attained to thermonuclear power, have they?”
“Well, thats the criterion.” Naron chuckled. “And soon their ships will probe out and contact the Federation.”
“Actually, Great One,” said the messenger, reluctantly, “the Observers tell us they have not yet penetrated space.”
Naron was astonished. “Not at all? Not even a space station?”
“Not yet, sir.”
“But if they have thermonuclear power, where do they conduct the tests and detonations?”
“On their own planet, sir.”
Naron rose to his full twenty feet of height and thundered, “On their own planet?”
Slowly Naron drew out his stylus and passed a line through the latest addition in the small book. It was an unprecedented act, but, then, Naron was very wise and could see the inevitable as well as anyone in the galaxy.
“Silly asses,” he muttered.
Asimov wrote Silly Asses on July 29, 1957. To put that in context, just ten days earlier (July 19, 1957), as a part of Operation Plumbbob the USAF filmed five Air Force officers standing directly under an atmospheric nuclear detonation. The idea was to demonstrate the safe usage of nuclear weapons over civilian populations.
Posted by Jesse Willis
Scott D. Danielson narrates this short short story (320 words) by Fredric Brown. I think it encapsulates much of what Science Fiction is about – teaching by thought experiment. It may be that stories of this kind work almost like an inoculative vaccination, preventing certain mental processes that lead to damaging behavior.
And here’s a |PDF| made from a scan of the original magazine publication in Galaxy Science Fiction, February 1954.
Sentry by Fredric Brown
He was wet and muddy and hungry and cold, and he was fifty thousand light-years from home.
A strange blue sun gave light and the gravity, twice what he was used to, made every movement difficult.
But in tens of thousands of years this part of war hadn’t changed. The flyboys were fine with their sleek spaceships and their fancy weapons. When the chips are down, though, it was still the foot soldier, the infantry, that had to take the ground and hold it, foot by bloody foot. Like this damned planet of a star he’d never heard of until they’d landed him there. And now it was sacred ground because the aliens were there too. The aliens, the only other intelligent race in the Galaxy … cruel, hideous and repulsive monsters.
Contact had been made with them near the center of the Galaxy, after the slow, difficult colonization of a dozen thousand planets; and it had been war at sight; they’d shot without even trying to negotiate, or to make peace.
Now, planet by bitter planet, it was being fought out.
He was wet and muddy and hungry and cold, and the day was raw with a high wind that hurt his eyes. But the aliens were trying to infiltrate and every sentry post was vital.
He stayed alert, gun ready. Fifty thousand light-years from home, fighting on a strange world and wondering if he’d ever live to see home again.
And then he saw one of them crawling toward him. He drew a bead and fired. The alien made that strange horrible sound they all make, then lay still.
He shuddered at the sound and sight of the alien lying there. One ought to be able to get used to them after a while, but he’d never been able to. Such repulsive creatures they were, with only two arms and two legs, ghastly white skins and no scales.
Posted by Jesse Willis
The SFFaudio Podcast #220 – The Machine Stops by E.M. Forster; read by Elizabeth Klett (for LibriVox). This is a complete and unabridged reading of the story (1 hour 13 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Professor Eric S. Rabkin, and Mr. Jim Moon.
Talked about on today’s show:
Novelette or novella, novellini?, E.M Forster wrote some Science Fiction?, genre boundaries, H.G. Wells, adventure, horror, The Time Machine, a critique of English society, dystopias, diegesis, a didactic approach, The War Of The Worlds, a bogus bifurcation of the body and the spirit (or the mind), ambiguous possibility, the “Machine” of the titles, Morlocks and Eloi, a reversal, a complement, prophetic vs. appropriate, looking through my blue plate, this book is the biggest existential critique of my lifestyle, it was lovely to meet Jim and Eric, a caricature and a critique, blackberry season, a swaddled lump of flesh, a curiously intrusive narrative technique, a fable, author backchat, in C.S. Lewis’ Narnia, J.R.R. Tolkien, lampshading, breaking the fourth wall, an aural phenomena, a fable, a parable, philosophical scenarios, Plato’s Myth Of The Cave, The Republic, Socrates, ontological imaginary equivalents, The Metamorphosis by Franz Kafka, the narrator isn’t exactly human, “back chat”, man is not necessarily the measure of all things, empiricism vs. rationalism, the unanswerable questions of the stars, everyone is a lecturer in the future, “second hand ideas”, the French Revolution not as it was but as it might be in our society, Alexander The Great’s monstrous rampage through Asia, “the juice of the individual human experience”, we have many books, books as experience generators, Ion, J.R.R. Tolkien, “there is a muse”, the rhetor, aiming out of the subterranean, why are we obsessed with essays?, SAT style essays, a quasi-Aristotelian view of happiness, what does a happy horse look like?, fleet fleets make happy shipwrights, happiness verb, man is not an animal like the others, the body doesn’t matter, man is a mind, big fat babies, the wealthy vs. the working, the bloom of Victorian society (men in sheds), a satire of academia, the Logical Positivists, natural deductive logic, Mr. Jim Moon does a lot of research, rehashing, Terry Jones, Christopher Columbus, Nathaniel Hawthorne, an unexpected continent, the North-West Passage, telling powerful and relevant, the use of the word “idea”, “forms”, Rene Descartes, interpenetration, Orion, the hunter giant,” when you give a bad podcast do you ask for euthanasia afterwards?”, you’re not there for the characters, a very erudite story, Vashti (from the Book of Esther), Purim, the worst possible kind of mother, “the book”, unmechanical, religion, what is the machine exactly?, is the machine Capitalism? Google? Wikipedia? The Internet? Communism?, the beds only come in one size, the six sided cell, a hive society, command societies, totalitarianism, “machines are in the saddle and ride mankind”, the trains make us run on time, a network of machines is the Machine, a perfected machine disallows individuality, “In the dawn of the world our weakly must be exposed on Mount Taygetus”, the worship of Helios, Ancient Greece, the homeless don’t die, despite being set in the future this is a danger in human existence, a perfect social system (utopia), an inversion of the ancient Spartan technique, not to go against the Greek, an inversion of the Garden of Eden story, in real life, a very disturbing story, a hopeful ending, a white snout, sexual competition as in Dracula, have we learned our lesson?, a passion for connection, Wall-E, infantilized adults, vomitorium, Logan’s Run, We by Yevgeny Zamyatin, an anti-romantic Eden, “they give me no ideas”, “metal blind”, Brave New World by Aldous Huxley, E.M. Forster invented Skype?, pneumatic tube, Paris, Looking Backward by Edward Bellamy, the business of Science Fiction isn’t technological prediction, a totalizing synergy, the blue slates, an Edwardian future, the machine religion, humans enslaved by their own social attitude, Cory Doctorow, the mending committee doesn’t know how to fix anything, personifying and deifying the machine, Voltaire’s “The better is the enemy of the good.”, Protagoras, the Sophists, a sophist editorial cartoon, give me money and pay attention to me, an incredibly weak story with spectacularly fruitful ideas, what does it mean to say “I read something and liked it?”, The City And The Stars by Sir Arthur C. Clarke, its left to us to ponder some very deep questions, we’re not at The City And The Stars tech yet, the 1970s and the 1990s was the time for Brave New World, complementary drugs, the work and the context we read them in, recycling of knowledge and group consensus, exciting and relevant for our time, where and when we are when we first read something is important, Against The Fall Of Night, The Catcher In The Rye, To Kill A Mockingbird, Have Space-Suit, Will Travel, Little Brother, the civilized society and the outer savage, Dr. Eric & Mr. Moon.
Posted by Jesse Willis