The SFFaudio Podcast #245 – It’s our -The Best of 2013! episode. For it we invited SFFaudio fans, SFFaudio reviewers, and SFFaudio participants to share their listening highlights of 2013. We asked folks to tell us about their favourite audiobook or podcast episode.
If you don’t see your favourites listed below, feel free to add them as a comment. And remember, it needn’t be a podcast or audiobook from 2013, only one you heard in 2013.
And if you leave a comment in the first week (and a way to contact you) you’ll also be eligible for a a FREE PRIZE audiobook mailed to your home (anywhere in the whole universe*)!
- The Stand by Stephen King, Read by Grover Gardner (Random House Audio)
- The Magicians and The Magician King by Lev Grossman, Narrated by Mark Bramhall (Penguin Audio)
- Hard Magic by Larry Correira, read by Bronson Pinchot (Brilliance Audio)
- Boy and Going Solo by Roald Dahl; Read by Dan Stevens (Penguin Audio)
- The Ocean at the End of the Lane by Neil Gaiman, Read by Neil Gaiman (Harper Audio)
- The SFF Audio Podcast #222 - Jesse, Jenny, Paul Weimer and Bryan Alexander discuss Nineteen Eighty-Four by George Orwell.
- The Golem and the Jinni by Helene Wecker, Read by George Guidall (Harper Audio)
- Shades of Milk and Honey by Mary Robinette Kowal, Read by Mary Robinette Kowal (Macmillan)
- Gone Girl by Gillian Flynn, Read by Julia Whelan and Kirby Heyborne (Random House Audio)
- The SFFaudio Podcast #232 – Scott, Jesse, Jenny, and Tamahome talk about The Prestige by Christopher Priest
- The SFFaudio Podcast #233 – Scott, Luke Burrage, and Jenny talk about Oryx And Crake by Margaret Atwood
- Neverwhere by Neil Gaiman, dramatized by Dirk Maggs, BBC Radio 4
- World War Z by Max Brooks, multiple readers (Random House Audio)
- The Prestige by Christopher Priest, Read by Simon Vance (Blackstone Audio)
Posted by Jenny Colvin
*Mirror universe inhabitants need not apply
Themes: / Horror / Paranormal / Thriller / Ghosts / Alcoholism /
On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless—mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and spunky twelve-year-old Abra Stone learns, The True Knot are quasi-immortal, living off the “steam” that children with the “shining” produce when they are slowly tortured to death.
Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father’s legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant “shining” power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes “Doctor Sleep.”
Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan’s own demons and summons him to a battle for Abra’s soul and survival. This is an epic war between good and evil, a gory, glorious story that will thrill the millions of hyper-devoted fans of The Shining and wildly satisfy anyone new to the territory of this icon in the King canon.
I’m not a fan of sequels. I’m not really sure The Shining needed a sequel. Sure there were lingering questions about Danny and Wendy at the end, but they weren’t critical in my mind. That said, Mr. King’s novels tend to interconnect on several levels, so I was curious to see what he would do in a sequel to one of his most popular books.
Doctor Sleep is a very different book from its predecessor. The shining plays a key role of course, but I would categorize this book more as Paranormal Thriller rather than Horror. I would however recommend you read/reread The Shining before this though.
The first part of the book catches you up with Danny, his mother and Dick Halloran, and then proceeds to catch us up to Danny in the present day.
Unfortunately for Danny, Mr. King is a big believer in like father like son. Danny has become an alcoholic and has the same anger issues Jack struggled with in the first story. It hard to blame him given his traumatic childhood coupled with the horrors being so strong in the shinning has exposed to him.
A good part of this story felt like an advertisement for the Alcoholics Anonymous. I’m not sure if that’s how Mr. King got himself sober, but it certainly seems like it, as he talks about it to excess. It does make for an interesting idea of “what might have happened if Jack Torrence sought help?”, but I could have done with less time being spent on that aspect of the story.
Keeping with his themes of the cyclical nature of life, the other main protagonist is a young girl who is even stronger in the shinning than Danny was in his youth.
We are also introduced to the True Knot, a pack of “physic vampires” that are near immortal by traveling the country and feeding on the shinning for their longevity. Can you guess where this is going? I could.
So it wasn’t the most unpredictable of stories, but in many ways I enjoyed it more then The Shining. I’m not a big horror fan. This book explores the shining in much greater detail than its namesake novel. Mr. King introduces some well developed new characters, and doesn’t just retell the same story again with minor changes like many sequels tend to.
Mr. Patton does an excellent job reading this book. He has many distinct voices and accents that adds a little something to the story. I was surprised they used a different reader than the The Shining, but as it turned out to be a fairly different book, I think it was a good decision.
So will you like it? If you’re a big horror fan hoping that Mr. King can scare the hell out of you again, probably not. If you’re like me and enjoy the fantastical nature of Mr. King’s novels then you just might.
Review by Rob Zak.
Themes: / telekinesis / adolescent bullying / religious fervor / hog slaughter / revenge / horror /
An unpopular teenage girl, whose mother is a religious fanatic, is tormented and teased to the breaking point by her more popular schoolmates. She uses her hidden telekinetic powers to inflict a terrifying revenge.
I’ve wanted to read Carrie for a while now. It’s one of those iconic works that you’re compelled to read, more out of a sense of obligation to the author’s craft than a product of individual literary desire. I’m not one of those Stephen King aficionados that could play King Trivia and know every answer. I’ve read some of his books, and most of those have been fantastic. Some weren’t. Truthfully, I’d love to sit down and just talk shop with King. Just to be able to shoot the breeze about writing, the shape of a story, how to switch tense to make something pop, and a load of other stuff that most likely doesn’t blow the hair back for that many folks.
Stephen King has a knack for drawing a character that evokes empathy from the reader. I can’t say I enjoyed the question and answer portions, the jagged breakaways from the main narrative flow, or the investigation that lies at the far end of this story. But I love how King slows down a scene, making time stretch beyond normal, beyond the pocketful of seconds, far past the internal clockwork of mind can account for in a passing moment. I also really appreciated some of King’s choice of language. And I’m giving King bonus points for quoting Dylan lyrics, thanks Stevie!
I don’t believe it’s a secret that there’s blood in this story. There’s also murder and violence. What most surprised me was my reaction to the scene with the pigs. I won’t go into detail here, but this scene evoked the most emotional reaction for me, and I found this interesting. I had and felt compassion for Carrie, but the part with the pigs and potato chips stood out like broken glass under a bright moon.
Sissy Spacek as narrator does a solid job. Her delivery is dependable, and she does not try to act the story. She does not insert herself as a character in her reading. I was able to hear a slight amount of audible feedback in this audio rendition, and am disappointed that the sound engineers didn’t clean the tracks up before distribution. This audiobook is prefaced with a few words from Stephen King. He gives a little background to how Carrie was saved from the dustbin, and how its publication came just in time. I for one am a fan of Stephen King speaking about his history and life, and so I enjoyed this little introduction. I find King’s voice pleasant and easy to listen to.
Posted by Casey Hampton.
Beginning it seems in the mid-1970s Dudley Knight, a U.C. Irvine professor of drama, voiced a series called The Graveyard Shift on KPFK, Los Angeles. The purpose was to tell stories of the macabre. His broadcasts aired weekly with shows of variable length (between half and hour and two and a half hours).
Here is a list of broadcast stories, with links to audio when available:
Jan. ??, 1974- The Room In The Tower by E.F. Benson (34 min.)
May. ??, 1977 – Upon The Dull Earth by Philip K. Dick (55 min.)
Jun. 08, 1977 – I See A Man Sitting On A Chair And The Chair Is Biting His Leg by Harlan Ellison and Robert Sheckley (57 min.)
Jun. 22, 1977 – It by Theodore Sturgeon (57 min.)
Jun. ??, 1977 – Count Magnus by M.R. James (35 min.)
Jul. 06, 1977 – Children Of The Corn by Stephen King (71 min.)
Aug. 03, 1977 – Compulsory Games by Robert Aickman (56 min.)
Aug. 17, 1977 – The Yellow Wallpaper by Charlotte Perkins Gilman (37 min.)
Aug. 31, 1977 – Silent Snow, Secret Snow by Conrad Aiken (46 min.)
Sep. 21, 1977 – The Empty House by Algernon Blackwood (42 min.)
Oct. 19, 1977 – Armaja Das by Joe Haldeman (44 min.)
Nov. 08, 1977 – It Only Comes Out At Night by Dennis Etchison (33 min.)
Dec. 14, 1977 – Couching At The Door by D.K. Broster (59 min.)
Dec. ??, 1977 – The Aleph by Jorge Luis Borges (35 min.)
Jan. 18, 1978 – Suspicion by Dorothy L. Sayers (38 min.)
Jan. ??, 1978 – I Have No Mouth And I Must Scream by Harlan Ellison (41 min.)
Feb. 01, 1978 – The Gentleman From America by Michael Arlen (48 min.)
Feb. 08, 1978 – Bulkhead by Theodore Sturgeon (75 min.)
Feb. 22, 1978 – Gonna Roll The Bones by Fritz Leiber (60 min.)
Mar. 22, 1978 – Sometimes They Come Back by Stephen King (58 min.)
Apr. 05, 1978 – Three Miles Up by Elizabeth Jane Howard (42 min.)
Apr. 19, 1978 – Eine Kleine Nachtmusik by Fredric Brown (49 min.)
Jun. 07, 1978 – The Ash Tree by M.R. James (36 min.)
Jul. 26, 1978 – The Squaw by Bram Stoker (35 min.)
Aug. 30, 1978 – Batard by Jack London (39 min.)
Sep. 06, 1978 – The Game Of Rat And Dragon by Cordwainer Smith (37 min.)
Oct. 17, 1978 – The Body Snatcher by Robert Louis Stevenson (49 min.) |MP3|
Nov. 21, 1978 – The Other Celia by Theodore Sturgeon (48 min.)
Dec. 06, 1978 – Benlian by Oliver Onions (44 min.)
Jan. 03, 1979 – Before Eden by Arthur C. Clarke (32 min.)
Jan. 31, 1979 – The Haunters and the haunted by Edward Bulwer Lytton (106 min.)
Feb. 23, 1979 – Space Rats Of The CCC by Harry Harrison (37 min.)
Apr. 03, 1979 – Breakfast At Twilight by Philip K. Dick (41 min.)
Apr. 17, 1979 – Thurnley Abby by Perceval Landon (43 min.)
???. ??, ???? – The Whisperer In Darkness by H.P. Lovecraft
Posted by Jesse Willis
Themes: / crime / noir / amusement parks /
Set in a small-town North Carolina amusement park in 1973, Joyland tells the story of the summer in which college student Devin Jones comes to work as a carny and confronts the legacy of a vicious murder, the fate of a dying child, and the ways both will change his life forever. Joyland is a brand-new novel and has never previously been published.
I’d like to think of myself as an experienced Stephen King reader. I’ve read about 25 of his books, but that’s only about a 3rd of what he’s written.
At first I found myself wondering if I had the author right. I kept waiting for horrible things to happen: evil clowns, monsters, Randall Flagg. You know, a Stephen King book. There are carnies, but no evil clowns. That’s probably not fair on my part, he has written a variety of things over the years, and not all of it is horror. Still it’s what he’s best known for, and it can be a bit surprising when evil isn’t lurking around every corner.
That isn’t to say this book doesn’t have some spookiness and a sense of the fantastical going on. Joyland is about a 21 year old college student named Devin Jones, recently ditched by his girlfriend who takes a summer job working at an amusement park in North Carolina called Joyland in the 1970s. One of Joyland’s biggest attractions is the Horror House, said to be haunted by the ghost of a girl who was murdered during the ride a few years past. That sounds more like the Stephen King we all know, right?
During his job interview, he meets the resident “psychic” who gives him a prediction about his future. He’s skeptical, because surely, it’s all just an act for the show, right? What follows is a time that Devin will never forget, and a story I greatly enjoyed. It’s actually quite heart warming in places. It’s really a book about people more than anything.
It’s certainly not one of his scariest books, but it’s one of the best of his I’ve read. It’s certainly more The Shawshank Redemption than It. At only 283 pages/7.5 hours it’s much shorter than Mr. King’s usual fare as well, but I’d definitely recommend it as a quick read.
The book is narrated by Michael Kelly who is probably better known as an actor than as an audiobook reader. This is the first book I’ve listened to with him. Unsurprisingly he speaks in a clear manner, with good inflection. He does a few accents for some of the characters, but not all.
Review by Rob Zak.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
The SFFaudio Podcast #217 – Jesse, Tamahome, Jenny, and Marrisa VU talk about audiobook NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s podcast:
Hammer Chillers, Mr. Jim Moon, British audio drama horror anthology, Hammer Films, Janette Winterson, Paul Magrs, Stephen Gallagher, the official physical list, spaceship sci-fi, Honor Harrington, David Weber, Audible.com, Horatio Hornblower in space, broadsides and pirates, gravity propulsion, Steve Gibson, a telepathic treecat, Lois McMaster Bujold, Luke Burrage (The Science Fiction Book Review Podcast), David Drake, S.M. Stirling, 90% of Lois McMaster Bujold’s sales are audiobooks, Sword & Laser, a girl writer, Prisoners Of Gravity, religion, J.R.R. Tolkien, George R.R. Martin isn’t Tolkien deep, secondary world, The Curse Of Chalion by Lois McMaster Bujold, Blackstone Audio, Paladin Of Souls, Miles Vorkosigan, low magic vs. high magic, high fantasy, Westeros world vs. Harry Potter world, the Red Wedding (and the historical inspiration), the guest host relationship, John Scalzi, Redshirts, Agent To The Stars, The Human Division, The Ghost Brigades, Old Man’s War, William Dufris, Wil Wheaton as a narrator (is great at 2x speed), snarky comedic Scalzi stories, Little Brother by Cory Doctorow, Kirby Heyborne, Fuzzy Nation, Andrew L., Starforce Series, Mark Boyette, military SF, Legend: Area 51 by Bob Meyer, Eric G. Dove, traditional fantasy, epic fantasy, conservative fantasy, elves princes quests, fewer tattoos more swords, Elizabeth Moon, Graphic Audio, truck drivers, comic books, westerns, post-apocalyptic gun porn, Paladin’s Legacy, Limits Of Power, elves, simultaneous release, Vatta’s War, horses in space, The Deed Of Paksenarrion, Red Sonja, non-beach armor, Elizabeth Moon was a marine, sounds pretty hot, Any Other Name, the split-world series, Neal Stephenson, Greg Bear, The Assassination Of Orange, Terpkristin’s review of The Mongoliad Book 1, The Garden Of Stones by Mark T. Barnes, books are too long!, books are not edited!, cut it down, self-contained books, find the good amongst the long and the series, Oberon’s Dreams by Aaron Pogue, Taming Fire, Oklahoma, urban fantasy, Blue Blazes by Chuck Wendig, Adam Christopher, blah blah blah quote quote quote, “Wow I’ve never read anything like this before!, a head like a wrecking-ball, cool artwork, Lovecraft sounds like the book of Jeremiah, Net Galley, a Chuck Wendig children’s book, Under The Empyrean Sky, The Rats In The Walls, “two amorphous idiot flute players”, Old Testament Lovecraft, Emperor Mollusc Vs. The Sinister Brain by A. Lee Martinez, lucky Bryce, Legion by Brandon Sanderson, we have sooo many reviewers!, Deadly Sting by Jennifer Estep, Jill Kismet, Flesh Circus by Lilith Saintcrow, Nice Girls Don’t Bite Their Neighbors, a vampire child, B.V. Larson, The Bone Triangle, Hemlock Grove (the Netflix series), True Blood, Arrested Development, House Of Cards, House Of Lies, The Lives of Tao by Wesley Chu, Angry Robot, the Angry Robot Army, a complete list, Peter Kline, in the style of Lost, The Lost Room by Fitz James-O’Brien, Myst, Simon & Schuster, Random House, Joyland by Stephen King, Hard Case Crime, Charles Ardai, HCC-013, Haven, The Colorado Kid, setting not action, mapbacks, Iain M. Banks died, the Culture series, Inversions, Player Of Games, Brick By Brick: How LEGO Rewrote The Rules Of Innovation And Conquered The Global Toy Industry by David Robertson and Bill Breen, Downpour.com, At The Mountains Of Madness by H.P. Lovecraft, Edward Herrmann, Antarctica, Miskatonic University, The Gilmore Girls, M*A*S*H, 30 Rock, The Shambling Guide To New York City by Mur Lafferty, New York, great cover!, Spoken Freely … Going Public in Shorts, Philip K. Dick, Edgar Allan Poe, Abraham Lincoln, Mark Turetsky, Xe Sands, The Yellow Wallpaper, The Shining Girls by Lauren Beukes, a time-traveling serial killer, Chicago, Jenny’s Reading Envy blog, fantasy character names, Ringworld by Larry Niven, Louis Wu, The Shift Omnibus Edition by Hugh Howey, The Wool Series (aka The Silo Series) by Hugh Howey, a zombie plague of Hugh Howey readers, why is there no audiobook for Fair Coin by E.C. Myers?, The Monkey’s Paw, YA, Check Wendig on YA, what is a “fair coin“, rifling through baggage, dos-à-dos, The Ocean At The End Of The Lane by Neil Gaiman, Coraline, The Graveyard Book, Odd And The Frost Giants, The Wolves In The Walls, Audible’s free Neil Gaiman story, Cold Colors, Shoggoth’s Old Peculiar, Audible download history and Amazon’s Kindle 1984, the world is Big Brother these days, George Orwell, dystopia, BLOPE: A Story Of Segregation, Plastic Surgery, And Religion Gone Wrong By Sean Benham, The Hunger Games, Philip K. Dick, The Man In The High Castle, alternate history, Antiagon Fire by L.E. Modesitt, Jr., William Dufris, what podcasts are you listening to?, Sword & Laser, Dan Carlin’s Common Sense, Dan Carlin’s Hardcore History, Sword & Laser‘s interview with Lois McMaster Bujold, ex-Geek & Sundry, Kim Stanley Robinson, KCRW Bookworm with Michael Silverblatt, The Geek’s Guide To The Galaxy, Writing Excuses, A Good Story Is Hard To Find, the Savage Lovecast, WTF with Mark Maron, depressed but optimistic, Maron, Point Of Inquiry, Daniel Dennet, Neil deGrasse Tyson, S.T. Joshi, how do you become a Think Tank, a weird civil society thing, Star Ship Sofa’s SofaCON, Peter Watts, Protecting Project Pulp, Tales To Terrify, Crime City Central, the District Of Wonders network, Larry Santoro, Fred Himebaugh (@Fredosphere),
Beyond the valleys, green and grand,
Peek the frightened eyes of the weak colossal Stan,
the giant boy of infant lands.
Stan grasps with Herculean hands the pinnacle peaks,
Clutching feebly with avalanche force.
It’s azure bulky hides his enormous and titanic hulk
From the frightening lights of the big small city.
Stan’s fantastic feet,
Like ocean liners parked in port.
His colossal thighs,
Like thunderous engines resting silently for a storm to come.
His tremendous teeth like hoary skyscrapers shaking in an earthquake,
like a heavenly metropolis quivering beneath a troubled brow,
above a wet Red Sea of silent tongue.
Stan, insecure in his cyclopean mass,
Feels fear for his future beyond the warm chill range of the bowl-like hills
That house his home and heart.
Stan fears a fall filled with
Of mockery and shame.
How could city slick students stand Stan’s pine scented skin?
His dew dropped pits dripping down in rivulets turned to rivers!
And what does a giant know of school and scholarship?
What can mere tests, of paper and pen, say
For the poor and friendless figure who quakes and sighs
Behind the too small mountain looming high over
A big small city to which young Stan has never been?
Posted by Jesse Willis