Commentary: Appendix N: Inspirational And Educational Reading by Gary Gygax (from AD&D’s original Dungeon Masters Guide)
Long out of print, but still incredibly relevant, this list of inspirations for the phenomenon that is Dungeons & Dragons, and role-playing games in general, deserves to be better known. There is a Wikipedia entry for the “sources and influences on the development of Dungeons & Dragons”, but there’s nothing like looking at the real thing.
So, here it is in it’s entirety, following it you will find hypertext links to the Wikipedia entries for the specifically mentioned novels and collections (when available).
Appendix N lists the following authors and works:
Poul Anderson – THREE HEARTS AND THREE LIONS; THE HIGH CRUSADE; THE BROKEN SWORD
John Bellairs – THE FACE IN THE FROST
Edgar Rice Burroughs – “Pellucidar” Series; Mars Series; Venus Series
Lin Carter – “World’s End” Series
L. Sprague de Camp – LEST DARKNESS FALL; FALLIBLE FIEND; et al.
[L. Sprague] de Camp & [Fletcher] Pratt. “Harold Shea” Series; CARNELIAN CUBE
P. J. [Philip Jose] Farmer – “The World of the Tiers” Series; et al.
Gardner [F.] Fox – “Kothar” Series; “Kyrik” Series; et al.
R.E. [Robert E.] Howard – “Conan” Series
Sterling Lanier – HIERO’S JOURNEY
Fritz Leiber – “Fafhrd & Gray Mouser” Series; et al.
A. Merritt – CREEP, SHADOW, CREEP; [The] MOON POOL; DWELLERS IN THE MIRAGE; et al.
Michael Moorcock – STORMBRINGER; STEALER OF SOULS; “Hawkmoon” Series (esp. the first three books)
Andrew J. Offutt – editor SWORDS AGAINST DARKNESS III
Fletcher Pratt – BLUE STAR; et al.
Fred Saberhagen – CHANGELING EARTH; et al.
Margaret St. Clair – THE SHADOW PEOPLE; SIGN OF THE LABRYS
J.R.R. Tolkien – THE HOBBIT; “Ring Trilogy” [aka The Lord Of The Rings]
Jack Vance – THE EYES OF THE OVERWORLD; THE DYING EARTH; et al.
Stanley [G.] Weinbaum
Manly Wade Wellman
Roger Zelazny – JACK OF SHADOWS; “Amber” Series; et al.
Now with regards to the audio availability of the works and authors on this list I have composed the following set of notes:
Too few of the novels and collections specifically mentioned above are or ever have been audiobooks. But, there are several that have: the two Jack Vance books, the Tolkien books, of course, and Poul Anderson’s The Broken Sword is available from Downpour.com (narrated by Bronson Pinchot). Unfortunately very few of the remaining bolded titles are in the public domain. One of the interesting exceptions is The Moon Pool by A. Merritt, which is available from LibriVox and narrated by veteran narrator Mark Douglas Nelson.
Of the series, those are the ones mentioned in quotes, I recommend Edgar Rice Burroughs’s first Pellucidar novel, At the Earth’s Core which is available from narrator David Stifel’s site – we also have a podcast discussion of that book HERE. And we did a show on A Princess Of Mars, which is the first audiobook in what Gygax calls the “Mars series.” The audiobook is HERE and the podcast is HERE.
Andre Norton’s work is actually well represented on LibriVox.org, have a look HERE.
Several of Fritz Leiber’s “Fafhrd & Gray Mouser” collections were produced by Audible, HERE. But several of the stories are also public domain and are available on our PDF Page, for turning into audiobooks or podcasts!
Roger Zelazny’s first Amber series book was once available with Roger Zelazny’s narration, today Audible.com has the original ten book series as narrated by Allesandro Juliani.
As for H.P. Lovecraft, Robert E. Howard, and Lord Dunsany, we have done several audiobooks of their stories for The SFFaudio Podcast, available on Podcast Page, so that’s a good place to start.
Further recommendations would have me point you towards the excellent small press audiobook publisher Audio Realms, which has the majority of the great Wayne June’s readings of H.P. Lovecraft. They also have two volumes of Robert E. Howard’s “Weird Works.” Even more Robert E. Howard is available from Tantor Media.
I should also point out that most of the authors listed in Appendix N are now represented somewhere on our PDF Page, a page made up of U.S. public domain stories, poems, plays, novels, essays and comics. Please make some audiobooks, audio dramas, or podcasts from them! We will all be all the richer for it.
Posted by Jesse Willis
The SFFaudio Podcast #275 – Jesse and Mr Jim Moon discuss Ivanhoe: A Romance by Sir Walter Scott
Talked about on today’s show:
1820, the Tantor Media audiobook as read by Simon Prebble, 3 comic book adaptations!, the July 2014 BBC Radio 4 adaptation (1hr), General Mills Radio Adventure Theater, immensely important, Wamba and Gurth, looking at adaptations, refinement, Robin Hood (1973), the splitting of the arrow, a willow wand, daring-do fiction, archery, folktale, Will Scarlet splits the arrow in the Queen Katherine Ballad, the historical inaccuracies, Rob Roy, a plump text, King Richard and Friar Tuck, The Merchant Of Venice by William Shakespeare, a very Shakespearean novel, pithy and punchy, dialogue and banter, The Lord Of The Rings by J.R.R. Tolkien, fully motivated characters, Athelstane, colour cloaks, where does Isaac stat at Ashby?, Chapter 2 Gurth is “this second Eumaeus”, Ivanhoe is a retelling of Odysseus’ return to Ithaca, the usurpation, the governance of Scotland, the Saxons as the Scots under the English yoke, Loxley, Prince John, King John, Magna Carta, robber barons, Brian de Bois-Guilbert (wants Rebecca), Reginald Front-de-Boeuf, “Front of Beef” (wants Isaac’s money), Maurice de Bracy (wants Rowena), war and God, the 1997 BBC TV adaptation of Ivanhoe, an Arthurian style obsession, the reconciliation, Athelstane is almost a Hobbit, Athelstane death is a comedic version of a Guy de Maupassant or Edgar Allan Poe premature burial story, The Fall Of The House Of Usher done as farce, Monty Python And the Holy Grail, surprisingly few deaths, “boys own adventure”, The A-Team, Ulrica’s death, the the Waverley Novels, almost a Fantasy, magic, The Prisoner Of Zenda, venison, the Douglas Fairbanks Robin Hood, the Black Knight – who could it be?, how easy would the disguises be seen through in 1820, bigger than Stephen King or J.K. Rowling, stage adaptations, Waverley places around the world, Abbotsford, British Columbia is named (in part) after Sir Walter Scott’s home, Ivanhoe’s popularity in the southern United States, invasion, slavery and chivalry, underselling the power of fiction (as compared with non-fiction), On The Origin Of Species by Charles Darwin, The Communist Manifesto, Tolkien, understanding fiction, the revelation of truth through fiction, novels were once quite novel, the need for novels, models of action, 1984 changes, helps and improves you, “what is honorable action?”, the power of oaths, rapacious acquisition vs. honorable service, the destruction of the Templars, banishment was a harsh punishment, an obsession with love, Rebecca is the female Ivanhoe, the role of the Jews in the book vs. the adaptations, banking, this is not an anti-Semitic book (shockingly), the coin counting scene, the roasting scene, Friar Tuck is super-anti-Semitic, Churchill’s background, why is it that English were not as anti-Semitic as most of Europe?, a zeitgeisty historical novel, looking at the present through a historical lens, puffy, the level of intellect is very high – the etymology of pig, Lincoln Green, the final battle, a powerfully intellectual book for a piece of fiction, mid-19th century fiction isn’t as punchy, wit and intelligence in peasant characters, J.K. Rowling must have read Ivanhoe, Sir Walter Scott’s was “the Wizard Of The North”, Cedric <-the name comes from this book, "freelance" <-lances for hire, Robin Hood: Prince Of Thieves, Robin Hood (Ridley Scott), Robin Hood’s nom de guerre, ITV’s Robin Of Sherwood <- both Robin Hood mythologies are in it!, the "Dread Pirate Roberts", a good knight but a bad king, pagan gods, Herne the Hunter, Ivanhoe popularized the Middle Ages, Arthurian scholarship, folk customs, the ancient Egypt craze, A Connecticut Yankee In King Arthur’s Court by Mark Twain, a big powerful book, A Song Of Ice And Fire is kind of the anti-Ivanhoe, the Dunk And Egg stories, surprisingly modern, the symmetry of Ivanhoe, a tonic for gallstones, HBO should commission Ivanhoe, the 1952 version, the 1982 version, Ciarán Hinds, Mark Hamill, Kevin Costner vs. Alan Rickman, a noir ending averted.
Posted by Jesse Willis
The Book And A Latte blog continues the Spoken Freely: Summer Shorts ’14 free audiobook event with a reading of The Velveteen Rabbit by Margery Williams.
Posted by Jesse Willis
As a part of this “June Is Audiobook Month” project (in which SFFaudio is participating) check out today’s FREE audiobook over at the Literate Housewife blog, its a short story, Days Gone By by Eric Jerome Dickey (with terrific narration by Dion Graham).
Posted by Jesse Willis
The SFFaudio Podcast #248 – Goliah by Jack London; read by Gregg Margarite. This is a complete and unabridged reading of the short story (57 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Bryan Alexander, Seth, and Maissa Bessada
Talked about on today’s show:
Colossus: The Forbin Project; title’s reference to biblical Goliath; story’s title a reference to the famous Pacific steam ship; colonial capitalism; the story’s Gilded Age context; child labor; Eugene Debs and American socialism; Karl Marx; Thomas Hobbes’s Leviathan; the story’s fictional energon evocative of Transformers energon; Nikola Tesla; Goliah has a palantir; Goliah as Santa Claus; the story’s invented island Palgrave in the South Sea; parallels to London’s other speculative fiction including The Iron Heel; the story’s unreliable narrator; Asgard; origin stories and foundation myths; nineteenth-century racism rears its ugly head again; Übermenschen; contempt for military and militarism; The Unparalleled Invasion; Seth works too hard; the theoretical increase of productivity through automation; 1984; Twilight casting a sparkly shadow over modern culture; Edward Bellamy’s Looking Backward as a possible influence; Karl Marx’s German Ideology; the importance of laughter; Herland; the story as a response to nihilism; similarities between Guy de Maupassant and Friedrich Nietzsche; The Scarlet Plague; Canticle for Leibowitz; the medieval investiture controversy; animal metaphors in Goliah; accurate predictions of World War I; structural similarity to the Book of Job; “you don’t get a lot of laughter in the Old Testament”; Arslan by M.J. Engh; The Bookman literary magazine; It’s a Good Life by Jerome Bixby; steampunk by tag cloud; we make a dismal attempt at discussing the Stock Market; the dark underbelly of Goliah’s utopia; the unrealistic perpetuation of a utopia; Autofac and Pay for the Printer by Philip K. Dick; With Folded Hands by Jack Williamson; Star Trek: The Next Generation; Lenin’s dying wish; Jules Verne; Goliah relinquishing power; Hot Fuzz; more on the palantir and the NSA; “grumblers grumble”; attitudes toward the criminally insane; “Goliah has spoken”; nukes not MOOCs; Cuban Missile Crisis; Douglas MacArthur biography American Caesar by William Manchester; Doctor Who episode “The Happiness Patrol”; Japanese Manga Death Note; the “bread and roses” U.S. labor strike contemporary with Jack London; the Pax Romana; The Better Angels of Our Nature by Stephen Pinker, a discourse on lethal violence; the Franco-Prussian War; Earle Labor’s Jack London: An American Life available in audio.
Posted by Jesse Willis
Talked about on today’s show: [Note: references to the novel are in bold, while references to the eponymous country are not.] “Lost utopian novel”; first appeared in book form in 1979 as part of an effort to rediscover works by female authors; was it suppressed by patriarchy?; the novel launches with action; features Heinlein-esque; the story feels very alien despite transpiring on Earth, takes place in an unnamed jungle region presumed to be either South America or Africa; Herland grouped as part of a trilogy along with an unrelated novel Moving the Mountain and the direct sequel With Her in Ourland; the book originally appeared in serialized form in Charlotte Perkins Gilman’s own magazine; grounded in “utopian” and “lost race” tradition of the period which pick apart aspects of society; Heinlein’s and Gilman’s sexism compared and contrasted; “virgin impregnation” compared with conception of Christ; foundation of Herland as a Roman-style slave revolt; “what a world of slaves it was” Goslings quote echoed in Herland; utopian ecology (plants, animals); Jesse calls it “Mother Knows Best totalitarianism”; “intentional Darwinism”; eugenics foreshadowing World War II; Bryan brings up The King in Yellow again; protagonists give threefold approach to women; punishment in Herland more akin to child-rearing foregoing execution; Leviticus does advocate execution; both the male protagonists and the Herland women are archetypical; The Yellow Wallpaper; utopia or dystopia; unreliable narrator and narrative; Jesse argues that there’s “no drama in a perfect society” and the book has a terrible plot; eighteenth-century feminist utopia Millennium Hall; Jenny says the sequel’s plot is even worse; immortality and living in Heaven; no dogs in Herland, only cats; subservience of aesthetics to productivity; “their country was as neat as a Dutch kitchen”; childhood Jesse conflated cats and dogs; cats and dogs emblematic of gender relations in Herland; Herland is a baby-proof world; more about narrator bias in the novel; Gilman projecting her own views on mental disorder into the book; 1984 parallels; The Mysterious Doctor Fu Manchu; comparison to Goslings; why does Herland want to integrate men?; sexual dynamics in marriage; Castle Waiting by Linda Medley, a medieval utopia about bearded women; Y: The Last Man series by Brian K. Vaughan; female politicians behaving like men e.g. Margaret Thatcher; Barbara W. Tuchman and the “fallen tower” of World War I era society; utopian societies lack practical advice for the here-and-now; Origin of Species debated as source of eugenics; education in Finland; education as driving force in Herland; “only our best become teachers”; Montesori; No Child Left Behind; the perils of individualism in a utopia; “fashion and women go together” says Jesse; Jenny shares insights on potential contributions from women in the sequel; a debate on why Herland never took off; patriotism and its linguistic roots; more on the novel’s World War I context; Willa Cather’s WWI novel One of Ours; “trilogy” of novels packaged as e-book.
Posted by Jesse Willis