Themes: / Horror / Zombies / Terrorists / Covert Intelligence /
For years the Department of Military Sciences has fought to stop terrorists from using radical bioweapons—designer plagues, weaponized pathogens, genetically modified viruses, and even the zombie plague that first brought Ledger into the DMS. These terrible weapons have been locked away in the world’s most secure facility. Until now. Joe Ledger and Echo Team are scrambled when a highly elite team of killers breaks the unbreakable security and steals the world’s most dangerous weapons. Within days there are outbreaks of mass slaughter and murderous insanity across the American heartland. Can Joe Ledger stop a brilliant and devious master criminal from turning the Land of the Free into a land of the dead?
Code Zero, a Joe Ledger novel from Jonathan Maberry, is the exciting direct sequel to Patient Zero.
This is the worthy sequel to Patient Zero.
At one point, Rudy Sanchez says that “this has done something fundamental to the American people.”
I’ll tell you this. It did something fundamental to me.
It was exciting, suspenseful, terrifying, and haunted me in my dreams and at random moments in my day.
And it was satisfying. Very satisfying.
I’m not sure Maberry can top this. Though I’m already looking forward to his next attempt to try.
It’s been six years since Joe Ledger was secretly recruited by the government to lead a combat team for the DMS, a taskforce created to deal with problems that Homeland Security can’t handle. That story was told in Patient Zero. This was where we met a group of terrorists who had developed a bio-weapon that turned people into zombies.
Every year since then, like clockwork, Joe and Echo Team have returned to battle a variety of seemingly supernatural foes, all developed by villains who are somehow going to make boatloads of cash off of the terror.
The action-packed stories are full of evil super-villains, noble heroes, smart mouthed quips, a smattering of philosophy about “good guys and bad guys” and heart. Lots of heart. All this is told at a roller coaster pace that barely allows you to breathe until you get to the end.
I love them.
In many ways, this book is similar to the rest of the series. Mother Night, a villain you love to hate, is a super-genius anarchist who’s strewing chaos throughout the country over Labor Day weekend. She’s got the DMS’s computer tied up in knots and old evils that were defeated in previous books are now popping their heads up all over the country. Losses are high and the odds are very much against Ledger and his team. We know Joe will win. It’s watching it happen that makes it fun.
It is superior to the other books, I think, because the pacing is more measured and there is more character development. I also enjoyed the flashbacks into the DMS’s years before Joe joined them.
But in one very important way Code Zero was very different for me.
I felt a level of anxiety that was all out of proportion. Maberry is an expert at ratcheting up the stakes until you just can’t see how anyone decent is going to survive the maelstrom. I was used to that. But somehow this felt different. I got a bit jumpy. I couldn’t quit thinking about the horrific chaos during the day when I had to put the book down. Maberry has his finger on the pulse of the evil that Americans today know all too well … that lurks below the conscious level of our lives … violent chaos that can strike without a moment’s notice. Shootings at Fort Hood, restaurants, schools, and more have changed the mood of our country and made Mother Night’s chaos resonate more deeply than usual.
Along the way, he looks at why people choose good or evil. Code Zero is full of people choosing to save the world or burn it down. In most of the cases, the motivation comes down to something that Maberry does not name, but which I will make bold to label: love. We want to know we matter, that we make a difference, that someone “knows” us. Not for our accomplishments but simply because our “selves” matter.
Mother Night gives it a different name, and she may not tidily fall into this definition but, let’s face it, she’s super-villain crazy. I believe that her ultimate fate bears me out. It shows most in Maberry’s final scenario at the end of the book as the answer to Rudy’s statement that the chaos ”has done something fundamental to the American people.
Truly this is a great book, especially for the shoot-em-up genre. It is also probably one that can be read as a stand alone without reading the others that came before.
I listened to the audiobook read by Ray Porter who was superb, as usual, at portraying Joe and every other character along the way. In this book Porter dialed his urgent, driving, delivery down some and thank goodness for that. The action was intense enough without being shoved over the edge of the cliff by a continually urgent tone. Porter also was more nuanced and thoughtful in his reading than I recall in previous Joe Ledger books. If this sounds odd when considering our heroes are fighting off zombies, it actually worked to make me consider the full horror being faced. Once again, kudos to Ray Porter. He’s the reason I always choose audio for the Joe Ledger books.
Posted by Julie D.
Flesh Circus (Jill Kismet #4)
By Lilith Saintcrow; Performed by Joyce Bean
Publisher: Brilliance Audio
[UNABRIDGED] – 7 discs; 9 hours
Themes: / circus / urban fantasy / voodoo / zombies / magic /
When circus performers start dying grotesquely, Jill Kismet has to find out why, or the entire city will become a carnival of horror. She also has to play the resident hellbreed power against the Cirque to keep them in line, and find out why ordinary people are needing exorcisms. And then there’s the murdered voodoo practitioners, and the zombies. Jill Kismet is about to find out that some games are played for keeps.
The descriptions in Flesh Circus were memorable and fun, and touched on all the senses. Characterizations really told a lot about each individual and gave information about both them and the narrator. She was really snarky, selling toughness without overdoing it. There was some repetition in the action scenes, with guns and bones popping frequently. The author employs a liberal use of adverbs, and the plot relies heavily on elements that must have been established in earlier books. I could still follow along, though. The magical details were the best part.
Joyce Bean as narrator was great. She had a husky, slightly rough voice with an understated delivery that let the words really shine. Her characterization of side characters was great, making it easy to keep track of who was speaking.
Posted by Sarah R.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show: Christmas-edition New Releases podcast; festivus; Seinfeld; Romulus Buckle and the Engines of War; pneumatic zeppelins (related to Led Zeppelin?) vs. non-pneumatic airships; Cherie Priest‘s Clockwork Century steampunk series; Gail Carriger‘s “tea-punk” Parasol Protectorate novels; Wizard of Oz: A Steampunk Adventure; HBO’s completely unrelated Oz television series; Seal Team 13, military vs. supernatural?; Lovecraftian horror vs. traditional horror; Call of Cthulhu role-playing game; World War Z; Overdraft: The Orion Exclusive; Jesse laments that neither Jenny nor Seth has seen Aliens; Sigourney Weaver; Gamadin: Word of Honor; Jesse loves audio drama; Night Vale; Blake’s 7; “audio drama is television or movies without pictures”; Visions of the Future now unabridged; limitations of the Star Wars spinoffs; R.A. Salvatore killed a beloved Star Wars character; Joseph Campbell’s hero’s journey; a Star Wars Oedipus story?; When the World Shook by H. Rider Haggard; Haggard’s She; casual racism in turn-of-the-century fiction; Haggard is the English Edgar Rice Burroughs; Rumpole series (the actor narrates the audiobooks); Inspector Morse; Agatha Christie; Touch Me Eternally; X-Men; Silvered by Tanya Huff; are shape shifters the new vampires?; Charlaine Harris and True Blood; etymology of werewolf; were bat?; every Batman story has been done; Dangerous Women anthology; Lawrence Block; Legends anthologies; George R. R. Martin’s Dunk and Egg stories; Well of Echoes series; geomancy = crystal magic; ABC (the Australian one) book club; CSPAN’s Book TV; Reading Rainbow and the LaVar Burton revival; Herland; Rudyard Kipling’s With the Night Mail and As Easy as ABC; Gungadin and “to carry the water”; Clark Gable; more on racism; White Man’s Burden; DreamScape Audio; The Poison Belt by Arthur Conan Doyle; sequel to The Lost World; similar to The Purple Cloud by M. P. Sheil; Jurassic Park; 1634 by David Weber and Eric Flint; time travel; George Guidall; Jonny Ive (and Seth’s bad Ive impression) read by Simon Vance; Chronicles of Light and Shadow by Liesel Schwartz; Waterlogged Holiday Collection; Kevin J. Anderson’s War of the Worlds: Global Dispatches; Robert A. Heinlein’s The Puppet Masters; Star Trek pancakes attack; Connie Willis especially To Say Nothing of the Dog; Three Men in a Boat by Jerome K. Jerome; Heinlein’s Have Spacesuit Will Travel; The Great Gatsby audio edition including Fitzgerald’s letters; Audible translating George R. R. Martin; Latin translations of Harry Potter; Call Down the Stars; metafiction; the prehistorical sub-genre; Clan of the Cave Bear; Ian Rutherford; James A. Michener; Harry Harrison; The Wonder Stick (spoiler: it’s a bow!); Jack London; A Quarter to Fear narrated by Mr. Jim Moon at Hypnogoria (Jesse actually bought it!); H.P. Lovecraft Literary Podcast; Audible Editor’s Picks; Audie Awards; Doctor Sleep by Stephen King won Audible Pick of the Year; The Golem and the Jinni by Helene Wecker; American Gods by Neil Gaiman; Grimnoir Chronicles by Larry Correia; The Ocean at the End of the Lane and Coraline by Neil Gaiman; Ender’s Game Alive; The Silo Saga; The Human Division by John Scalzi; The Lost Fleet series by Jack Campbell; Zombie Fallout series by Mark Tufo; Peter Clines 14 and Ex-Heroes series; Roald Dahl’s Matilda narrated by Kate Winslet; tweeting coffee;
Posted by Jesse Willis
The SFFaudio Podcast #237 – Jesse, Tamahome, Julie Davis, Seth, and Jimmy Rogers talk about podcasts.
Talked about on today’s show:
Jimmy’s Synthetic Voices, Jenny’s Forgotten Classics and A Good Story is Hard to Find, podcasts are a house of mirrors, we have reached the podcast singularity, Julie’s podcast highlight feature, Edgar Allan Poecast, Dickens and Hawthorn podcasts on Julie’s wishlist, Jimmy’s podcast group meetup, Washington Science Fiction Association, Jimmy’s segment on StarShipSofa, the value of curated podcasts about podcasts, Luke Burrage’s geek Venn diagram (see below), Julie on the intimate nature of podcast listening, Jesse on the rarity of finding people who speak like they write, podcasts invite listeners into the conversation, “Tam listens to all podcasts”, SFSignal, Sword & Laser, mainstream podcasts, Security Now, ABC News, Agony Column, Jesse wants to hit Margaret Atwood again, 99% Invisible funded by KickStarter, Julie scans the new releases section in iTunes, KCRW’s DnA and Martini Shot, Inside the New York Times Book Review Podcast, NPR’s Car Talk, Wait! Wait! Don’t Tell Me!, Nature podcast, Science Update, Encounters, 60 Minutes is tightly edited (and that’s how it is!), Vice podcast (HBO show tie-in) and Dennis Rodman, Freakonomics, Day 6, Dan Carlin’s Common Sense and Hardcore History, CBC embraces podcasters, Garrison Keillor’s Writer’s Almanac makes Seth sound smart, audio drama, the Lovecraftian Welcome to Night Vale, Nerdist podcasts, Twin Peaks, Wormwood, Decoder Ring Theatre‘s shows, Julie Hoverson’s 19 Nocturne Boulevard, Leviathan Chronicles, podiobooks, Scott Sigler‘s BloodCast and Rookie series, J.C. Hutchins, Mur Lafferty‘s Heaven series, We’re Alive zombie podcast, Julie educates us on the Texas definition of “fine”, The Monster Hunters is zany UK comedy (not related to Larry Correia‘s Monster Hunters International), Plants vs. Zombies, HG World (not related to H.G. Wells), Ace Galaksi features Douglas Adams humour, meritocracy in podcast recommendations, “podcasting makes anyone a celebrity”, so does blogging (Julie’s Happy Catholic blog), Seth is the new intern (but can’t afford the Night Vale intern shirt), CromCast discusses Robert E. Howard whilst eating Chinese food, the nature of an author’s writing informs the nature of podcasts about them, H.P. Lovecraft Literary Podcast, Philip K. Dick Philosophical Podcast (not just on Facebook anymore), the importance of a well-researched podcast, Mr Jim Moon’s Hypnogoria, Peter Kushing, Chop Bard Shakespeare podcast, Julie challenges Jesse to do a podcast on The Tempest, SFFAudio’s Odyssey podcast series, Julie’s Genesis podcast series (based on Robert Alter‘s translation and commentary), Uncle Tom’s Cabin, Born Yesterday history podcast featuring an objective history of the gay bar, History According to Bob, British History Podcast, History of Philosophy without any gaps, Mike Duncan‘s History of Rome and Revolutions podcasts, When Diplomacy Fails, alternative iOS podcast apps, Stitcher, Swell Radio is Pandora for podcasts, Downcast ($0.99) is chock full of functionality, Huffduffer creates custom podcast feeds, if you don’t have RSS it’s not a podcast!, Free MP3 Downloader, fiction podcasts, Escape Artists Network (Escape Pod for SF, PodCastle for fantasy, and PseudoPod for horror), StarShipSofa’s Tales to Terrify, Clarkesworld Magazine, John Joseph Adams’s Lightspeed Magazine, Nightmare Magazine, DrabbleCast, different approaches to horror narration, Night of the Living Dead, don’t listen to horror before bed, Journey Into podcast, Seeing Ear Theatre on archive.org, Jimmy and Tam like to support creators of new content (but, asks Jesse, is new necessarily better?), CraftLit is way more than just knitting, podcasts about writing (Jesse hates them), Mur Lafferty’s I Should be Writing, Writing Excuses (Brandon Sanderson, Howard Tayler, Dan Wells, Mary Robinette Kowal), NaNoWriMo, Neil Gaiman on writer’s block, writing podcasts offer writers a sense of community, Adeventures in Science Fiction Publishing, Terry Pratchett “just makes things up”, the importance of writers reading classic works, Jimmy argues that ‘short stories offer writers more opportunity to extemporize and gives readers a sense of immediacy’, writing for deadline, Adventure magazine, Lord of the Rings, Tolkien Professor Podcast, J.R.R. Tolkien, Jane Austen, the Budweiser frogs, advertising as a source of drama, commercialization and ownership of brands, Jimmy on how podcasts build community, an intense debate about layering spoken word audio over music, This Week at NASA, DribbleCast is a fan spin-off of DrabbleCast, The NoSleep Podcast just won Parsec Award for Best New Podcast, Classic Tales Podcast (links are ephemeral), we all love podcasts–surprise!, Warrior Queen of Mars by Alexander Blade, if Doctor Who were a podcast the audience could request an episode with tribbles, Rappuccini’s Daughter by Nathaniel Hawthorne, The Cricket on the Hearth by Charles Dickens, podcast production has left overhead than traditional media offering greater flexibility and responsiveness.
Posted by Seth Wilson
The SFFaudio Podcast #236 – The Hills Of The Dead by Robert E. Howard, read by Paul Boehmer (courtesy of Tantor Media’s The Savage Tales Of Solomon Kane). This is a complete and unabridged reading of the story (60 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Matthew Sanborn Smith, and Bryan Alexander
Talked about on today’s show:
Second-to-last Solomon Kane story chronologically, “Red Shadows” and “Wings of the Night” close contenders for Solomon Kane stories, the latter featuring harpies from Jason and the Argonauts, history of Solomon’s staff explained in other stories, fetishes (not THAT kind!), joojoo stick, magical weapons, Wandering Star edition illustrated by Gary Gianni, comic book adaptations, vampire-slaying, story uncharacteristically well-plotted including foreshadowing, “plains and hills full of lions” oh my!, lion sleeping habits, “Africa is full of never-explained mysteries” excuses plot holes, prefigures Richard Matheson’s I Am Legend, Kate Beckinsale’s Underworld movies, one of few stories to depict ‘nation of vampires’, Kiss of the Vampire (film), Transylvania, homeopathic symbolism, sex sells, ‘Howardian damsel in distress’, voodoo, feminization of the jungle, homoerotic undertones, Howard biography Blood and Thunder by Mark Finn, post-Colonial critique, vampires in fiction oscillate between sexualized and homicidal, Stephen King slams Stephanie Meyer’s Twilight vampires, Nosferatu (relatively unknown at the time of this story’s writing) introduced the idea that sunlight kills vampires, the Devil as source of Kane’s lustful urges, “Howard doesn’t do metaphors very well”, vampire-zombie continuum, Howard as great visual writer, animal characteristics ascribed to Kull and Conan but not Kane, snake imagery (related to serpent in Garden of Eden?), Slave Coast, vultures, nature of the soul, “Rogues in the House” (written in one sitting while Howard had a headache), the dangers of over-interpreting Howard, Howard’s subconscious, early 20th-century magazines preoccupied with race, Cosmpolitan (it was once a literary magazine), race hierarchy, Solomon Kane less racist than Howard himself, racial hierarchy, Berbers, Solomon Kane’s conflicted personality, the New Model Army, Howard’s characters are solitary, Puritans, Kane has a death wish, Kane’s celibacy, significance of Solomon Kane’s name, Ben Jonson satirizes Puritan names (in Bartholomew Fayre), so does Terry Pratchett (in Lords and Ladies, Mormonism, concept of congregation of all believers, English Civil War and its sects, Grendel in Beowulf as descendant of Cain, Sandman comics, Kane is “always on the road”, Matthew Hopkins witchfinder general, wood imagery, we learn what a palaver is, The Dark Tower series, temptation, inquisition, H. P. Lovecraft, cohesion of Howard’s works, history of the English language, George Harrison’s coyright infringement, parallel evolution in fiction, Clark Ashton Smith, Charles Baudelaire, genocide, the importance of a shared reader-author premise, shared cultural values, Hitler, The King in Yellow, Woodrow Wilson was a racist, zombies vs. animals.
Posted by Seth Wilson
In the Unnatural Quarter, golems slave away in sweatshops, necromancers sell black-market trinkets to tourists, and the dead rise up — to work the night shift. But zombie detective Dan Shamble is no ordinary working stiff. When a local senator and his goons picket a ghostly production of Shakespeare in the Dark — condemning the troupe’s “unnatural” lifestyles — Dan smells something rotten. And if something smells rotten to a zombie, you’re in serious trouble… Before his way of life, er, death, is destroyed, Dan wants answers. Along the way he needs to provide security for a mummified madame, defend a mixed-race couple (he’s a vampire, she’s a werewolf) from housing discrimination, and save his favorite watering hole, the Goblin Tavern, from drying up. Throw in a hairy hitman, a necro-maniac, and a bank robber who walks through walls, and Dan Shamble’s plate is full. Maybe this time, the zombie detective has bitten off more than he can chew.
This is book 2 of Kevin J. Anderson’s Zombie P.I. series. If you listened to the first book, you pretty much know what to expect from the second book. If you haven’t read the first book, this book is a hard-boiled detective novel with a silly, monster slant on it. The problems being investigated are unique to the “unnaturals” and tend to have some amount of humor involved in a Terry Pratchett/Douglas Adams kind of way. You can easily start with this book but if you care about spoilers, I would definitely recommend starting with the first book since the conclusion of that book is apparent in book 2.
If you like awkward or silly situations dealing with the paranormal, this is your book. If you like groan-worthy puns dealing with the paranormal and sex, this is definitely your book (I’m not kidding when I say I inadvertently groaned at some of them). If those kinds of things can get on your nerves, this may not be your kind of book. That said, the book keeps up a good pace and wraps up to a good conclusion at the end. There are quite a few threads in this book but they weren’t too difficult to follow (Reading the first book helped in knowing a decent number of the characters already). Most of the main characters are likable caricatures of what you’d expect in a typical hard-boiled detective story so they’re easy to relate to and understand.
The book has some themes related to current events within the past couple of years. Issues with the definition of marriage and picketing of events are portrayed in monster fashion here. If you’re tired of hearing about that stuff in the news, this may not be for you although Anderson puts a lighthearted spin on those issues.
All in all, I have to admit I liked this book better than the first one. It wasn’t as predictable and I think I’ve had some time to get over the fact that the main character was made a zombie by being shot in the head (I thought you shot people in the head to prevent them becoming a zombie?).
As for the audiobook performance, Phil Gigante did a fantastic job. He has several different types of voices (main character, nervous guy, werewolf, sultry female, etc) that are completely unique. I particularly like his werewolf voice! He was easy to understand and added a bit of a performance to the book. I would definitely listen to books read by him again.
Posted by Tom Schreck