Aftermath: Star Wars (Journey to Star Wars: The Force Awakens)
By Chuck Wendig; Narrated by Marc Thompson
Publisher: Random House Audio
Release Date: September 04, 2015
[UNABRIDGED] – 12 Hours and 16 Minutes
Themes: / Star Wars / rebels / empire /
The second Death Star has been destroyed, the emperor killed, and Darth Vader struck down. Devastating blows against the Empire and major victories for the Rebel Alliance. But the battle for freedom is far from over.
As the Empire reels from its critical defeats at the Battle of Endor, the Rebel Alliance – now a fledgling New Republic – presses its advantage by hunting down the enemy’s scattered forces before they can regroup and retaliate. But above the remote planet Akiva, an ominous show of the enemy’s strength is unfolding. Out on a lone reconnaissance mission, pilot Wedge Antilles watches Imperial star destroyers gather like birds of prey circling for a kill, but he’s taken captive before he can report back to the New Republic leaders.
Meanwhile, on the planet’s surface, former Rebel fighter Norra Wexley has returned to her native world – war weary, ready to reunite with her estranged son, and eager to build a new life in some distant place. But when Norra intercepts Wedge Antilles’ urgent distress call, she realizes her time as a freedom fighter is not yet over. What she doesn’t know is just how close the enemy is – or how decisive and dangerous her new mission will be.
Determined to preserve the Empire’s power, the surviving imperial elite are converging on Akiva for a top-secret emergency summit – to consolidate their forces and rally for a counterstrike. But they haven’t reckoned on Norra and her newfound allies – her technical genius son, a Zabrak bounty hunter, and a reprobate Imperial defector – who are prepared to do whatever they must to end the Empire’s oppressive reign once and for all.
Star Wars Aftermath is the first book of the newly renovated Star Wars timeline to take place after the original movies and it doesn’t live up to the hype that surrounded it. We were enticed by the potential for details of what happens after Return of the Jedi but details of the main heroes are doled out sparingly while the main part of the story involves mostly new characters. This isn’t quite the journey to the Force Awakens I was hoping for.
The main plot follows those new characters, Wedge gets some screen time in there, and we get small glances of the rest of the universe through small little interlude chapters – which are the most interesting parts of the book. We get to find out some hints of interesting things going on elsewhere in the universe and it’s the unclear nature of those hints that make them so interesting.
So what about the main story? It’s fairly standard pulpy Star Wars action that I honestly can’t really remember a whole lot of because nothing particularly stood out. Some of the remnant of the Empire decide to hold a secret meeting somewhere they don’t have firm control (or also not somewhere in deep space) so that Rebels (or New Republic people) could stumble upon them and we could have some nice “stuck on a planet” moments. I’ve seen some criticism of the writing style but I think the main problem this book has is that the plot doesn’t really seem to matter in the grand scheme of things. Besides, I don’t look for fine writing in a Star Wars book anyway – I look for fun and action.
As for the audio side of things, Marc Thompson and the sound engineers did a great job as per usual. Thompson does a great range of voices and impressions even though he didn’t really get to use many of those impressions in this book. His Wedge sounds a lot more like Luke but Wedge doesn’t really have as much of persona from the movies anyway. The music and sound effects were great as they usually are in Star Wars productions.
Posted by Tom Schreck
Locke and Key
By Joe Hill; adapted by Elaine Lee and Frederick Greenhalgh
Performed by a Full Cast
13.5 Hours – [AUDIO DRAMA]
Produced by: AudioComics for Audible Studios
Themes: / Horror / Magic / Demons / Magic Places /
I was thrilled when I heard that the team at AudioComics was adapting Joe Hill (writer) and Gabriel Rodriguez’ (artist) series of Locke and Key graphic novels as audio drama. I’m even happier now that I’ve heard it – this is high quality stuff. I love audio drama! Time to add Locke and Key to the list of reasons why.
Locke and Key tells the story of the Locke family, who moved into the family home in Lovecraft, Massachusetts after a tragedy. Teenagers Tyler Locke (played by Brennan Lee Mulligan) and Kinsey Locke (Jaime Alyse Andrews), younger brother Bode (Betsey Kenney), and their troubled mother Nina (Lisa Stathoplos) live in the house, which has a name: Keyhouse. Once there, the young Bode starts to find keys, each one of which has a special magical power. As the story progresses, the Lockes find themselves protecting the keys from the likes of a killer named Sam Lesser (Haley Joel Osment) and the terrifying demon Dodge, chillingly portrayed by Tatiana Maslany and Ian Alan Carlsen.
The story is both fascinating and horrifying, combining familiar haunted house elements with the surprising magic of the keys. Friendship, betrayal, good and evil, excellent writing, deep characters… it’s a great story as a graphic novel, and this production successfully captures it, the flawless cast and rich sound adding a new and welcome dimension to the whole.
Like I always do with good audio drama, I listened to this with good headphones. There’s a striking depth to the sound in this production. You don’t get the feeling that the actors are standing around in a room reading a script. It’s easy to believe a scene is happening in a cave, or in a house, or outside at night, or wherever. The harder you listen to the background, the more detail you hear. This was achieved by recording the actors on location, as if they were filming a movie. Check out the Featurette at the bottom of the review to see Bill Dufris (director) and Frederick Greenhalgh record groups of actors. The result is so natural. It’s marvelous.
Sound effects are used as well, but don’t dominate the production. I particularly liked the sounds used to convey the use of various keys, and the enhancement of actor’s voices, which was genuinely chilling! The score (by Peter Van Riet) is also well done. I found myself looking forward to the theme.
I had high hopes for this production and they were all met and often exceeded. I would love to hear more of this kind of thing! In the meantime, I’ll be listening to this one again.
This production contains dramatizations of all six Locke and Key graphic novels:
Book 1: Welcome to Lovecraft
Book 2: Head Games
Book 3: Crown of Shadows
Book 4: Keys to the Kingdom
Book 5: Clockworks
Book 6: Alpha and Omega
It’s available FREE from Audible until November. | GET YOUR COPY HERE |
And the Featurette I mentioned above:
Posted by Scott D. Danielson
The Aeronaut’s Windlass (The Cinder Spires #1)
By Jim Butcher; Narrated by Euan Morton
Imprint: Penguin Audio
Release Date: September 29, 2015
[UNABRIDGED] – 21 Hours and 30 Minutes
Themes: / steampunk / magic / airship / fantasy /
Since time immemorial, the Spires have sheltered humanity, towering for miles over the mist-shrouded surface of the world. Within their halls, aristocratic houses have ruled for generations, developing scientific marvels, fostering trade alliances, and building fleets of airships to keep the peace.
Captain Grimm commands the merchant ship, Predator. Fiercely loyal to Spire Albion, he has taken their side in the cold war with Spire Aurora, disrupting the enemy’s shipping lines by attacking their cargo vessels. But when the Predator is severely damaged in combat, leaving captain and crew grounded, Grimm is offered a proposition from the Spirearch of Albion—to join a team of agents on a vital mission in exchange for fully restoring Predator to its fighting glory.
And even as Grimm undertakes this dangerous task, he will learn that the conflict between the Spires is merely a premonition of things to come. Humanity’s ancient enemy, silent for more than ten thousand years, has begun to stir once more. And death will follow in its wake.
Executive Summary: Fast paced action, interesting world building, memorable characters, cool magic system. In a word: fun!
Audio book: This one was coming in with a high bar to meet. Mr. Butcher’s popular Dresden Files gets amazing performances by James Marsters. Meanwhile his Codex Alera series is done by the excellent Kate Reading.
So how does Euan Morton stack up? I’m happy to report quite well. I’ve had this pre-ordered in hardcover for months, but I think I may stick with audio if he continues as the narrator. Great voices and inflections that adds that little extra something that make an audio a great option for this book.
Jim Butcher is my favorite author. I discovered him about 8 years ago, and quickly devoured his Dresden Files books. Then I moved right into his Codex Alera series. For three blissful years there was a Dresden Files book in April and a Codex Alera book in December.
Upon completing Codex Alera, Mr. Butcher’s pace seemed to slow. I found the books as good as ever, or possibly even better, just far less frequent. At first it may anger fans of the Dresden Files that Mr. Butcher is writing something else. I’m here to tell you it shouldn’t.
This book is excellent. I’d be surprised if any fans of Mr. Butcher don’t also enjoy this. And hey, maybe writing two series at the same time will get us more excellent books to enjoy in a shorter period of time. It seems to have worked well for him in the past.
When I first heard of this series, my initial reaction was, Steampunk? Really? I must admit that I never really saw the appeal. I haven’t read a lot of the genre, but what little I had read until recently didn’t seem to be for me. My second thought was Well, I’d read Jim Butcher Twilight fan fiction if that’s what he wanted to write.
The action starts almost right from the beginning. The pace is furious, with very few points of slowing. There was never a good stopping point in my listening and I always hated to put it down. To me that’s what separates a 5 star rating from a solid 4.
We are quickly introduced to several characters. First we meet Gwen Lancaster, a young noblewoman determined to join the Spire Ark’s guard. I had a bit of a mixed reaction to her. There were times I found her frustrating, but it’s good to have a variety of characters, and Gwen helps to round things out nicely.
Next we meet Grim, the Captain of the airship Predator and various members of his crew. Grim is very much of the vein of Harry Dresden, though I see bit of Bernard from Codex Alera in him as well. He’s easily likeable, but far from the best character in my opinion.
Bridget Targwen and her cat Rawl come next. Both are fantastic, especially Rawl. All of the cats are excellent, but especially Rawl. Mr. Butcher’s cats are a bit reminiscent to me of those in Robin Hobb’s Tawny Man Trilogy. He seems to nail cats exactly. And apparently the internet is crazy for cats, so instant bestseller, right?
Finally we meet Master Etherialist Ferris, and his apprentice Folly. Folly is absolutely my favorite! She reminds me a bit of Luna Lovegood. All of her scenes are highly entertaining. She’s probably considered more of a secondary character to the first three, but I hope she continues to play a large role in the future books.
And if that’s not enough there are several other secondary and tertiary characters that are all quite good, such as Gwen’s cousin Benedict, members of the Predator: Creedy, Kettle and Journeyman and the Spire Ark himself: Lord Albion.
The antagonists are a bit cartoonish at times, especially Cavendish, but the two main Auroan soldiers felt more nuanced though.
This story is very character-driven, but Mr. Butcher has created a pretty interesting world for them to inhabit. There is very little steam powered anything though. Instead the main resource of note are Ethereal crystals. They power everything from Airships to hand weapons referred to as gauntlets.
Explanations for the world and magic systems are slowly metered out as the book goes on, but there were thankfully few info dumps. Or if there were, I was too busy enjoying myself to notice.
The book is fairly well self contained. Things end in a pretty good spot, especially considering this is the first book in a series. There are plenty of questions left to be answered, but most of the main conflicts of this book are either resolved, or put on hold nicely.
Overall if you enjoy Mr. Butcher other work, or enjoy character-driven faced paced action packed stories, pick this one up. You won’t regret it.
Now I will once again eagerly have to await the next book in two series by Mr. Butcher, much like when I first discovered him. How lucky for us all!
By Michael Crichton; read by Scott Brick
Publisher: Brilliance Audio
[UNABRIDGED] 12 CD’s; 15 hrs. 9 min
Themes: / dinosaurs / adventure / cloning / DNA /
An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price.Until something goes wrong.…
I can’t believe how much I enjoyed this book. I guess I’ve always had my reservations because of what an impact the movie had on me as a kid. I was about 9 or 10 when the movie first came out and it blew my mind. As the book likes to point out, boys love dinosaurs and that was true.
As a side note, I’m loving how much my son (5 y.o.) loves dinosaurs. He knows so much more about them than I do, in fact his favorite is the Giganotosaurus, a dinosaur I learned existed from him.
(the hipster’s T-Rex)
Now, I’ll be the first to admit my memory of of the movie is a tad hazy, but from what I do remember, the movie actually follows the book quite a bit, at least up until about 2/3 of the book where either my memory is bad or the books is completely different (oh and Grant loves kids in the book, which is … opposite). More than I would have guessed, which was not a lot.
There’s a little more detail to the initial attacks we see in the movie and it’s not quite as gruesome in parts (and much more gruesome in others). The girl gets attacked by the Compsognathus (little green dinos), or **”compys” as they’re known. **excuse my spelling, I listened to the audio and like Fox news, I don’t feel the need to fact check.
The park is just about ready to open and it’s time to get all the consultants together to make sure it’s on the right track. Thus, Grant and Sattler, Ian Malcolm, the attorney Jennaro, and a couple others are flown in.
Of course, nefarious doings are going on and a competitor wants in on the dinosaur action. In comes Dennis Nedry, who is pretty much spot on copied in the movie. Excellent job Wayne Knight. He’s pretty much built the entire IT system for the park and thus has quite a bit of control over pretty much everything. I don’t remember his involvement in the park being this extensive, but then again, I was 9. There’s a frikkin’ T-REX!!!
As we all know, everything goes to pot and we all know what goes from here. Even though the movie diverges from the book, we all know what goes on from here.
And it’s awesome. I had a blast listening to this book and Scott Brick is such a talented narrator, you don’t even notice him reading. It’s just pure story.
A couple *important* things I wanted to point out… some spoilers for the book:
1. The lawyer, Jennaro, is not as spineless as in the movie, does not get eaten while he’s sitting on the toilet by a T-Rex (okay, that was an awesome addition), and even saves the day at one point by pointing out law that doesn’t exist. (No, this sudden support for the lawyer has nothing to do with the fact that I have an Esq. on the end of my name … perish the thought)
2. Was Lex Murphy that annoying in the movie? I really don’t remember that. She’s super duper annoying in the book.
3. Ian Malcolm’s Chaos Theory should have been cut down like in the movie. There are a number of times he’s going off about it and you’re literally thinking, aren’t there dinosaurs around the corner about to eat them? Does anyone care about any theory at this time besides the theory of escaping dinosaurs? Still a great character, just weird timing of his rants about corporations and such, which I’m not disagreeing with.
(literally the only image you’re allowed to use when referring to Ian Malcolm)
4. So this book was published in 1990 and this book had maybe a total of 15 to 20 people at risk, not counting the rest of the world that could potentially be at risk by dinosaurs escaping. We’re talking people you’re honestly worried about dying or not throughout the book.
Jump to 2015, Jurassic World, and we’ve got an entire park open with thousands and thousands of people at risk. Does that say something about how our society’s penchant for destruction?
5. But seriously, back to Malcolm, Chaos Theory essentially comes down to – because dinosaurs are an unknown, and much like the weather – unpredictable – you’re all screwed and nothing will work right. And then Malcolm gloats. Even while dinosaurs are stalking him.
Now, the opposing argument in the book is that zoos exist so why can’t dinosaurs be kept in a zoo? My problem is that if everyone gave up because there was an unknown then we’d have just about nothing. People go forward with the unknown all the time. Many fail, but that’s how great success comes as well. I guess I’m saying I needed more to this theory and preferably when I can think about the theory and not when DINOSAURS ARE LITERALLY AROUND THE CORNER TRYING TO EAT YOU.
6. Jurassic Park gets lots of crap for providing false ideas as to what dinosaurs actually looked like (see raptors). While it’s true, if you ignore the story, it is explained. You know that whole science part toward the beginning, well they talk about only finding partial DNA and having to graft in DNA from other animals (which actually becomes a huge problem). This would lend toward dinosaurs that don’t actually look like they’re supposed to and I’m fine with that explanation.
I have to say, after 25 years, Jurassic Park really held up well. Lots of the communication issues would be the same problem nowadays because of the fact that they’re on a remote island that cell phones would be problematic on anyway. It helps that a book doesn’t have to actually reproduce computer screens so you can picture those as high tech as you want as long as you ignore the amounts of memory they mention. At least they’re in the gigabytes still.
And most of this I just point out because of how into the book I was. I really had a blast listening to Jurassic Park and I can highly recommend a reading of this classic. One of the few book/movie combinations where I can honestly say I loved both for their own reasons. Now, I need to go track down a copy of that movie. If only there were some online subscription service like Oyster for movies.
4 out of 5 Stars (highly recommended)
Posted by Bryce L.
By Neal Stephenson; Read by Mary Robinette Kowal and Will Damron
Publisher: Brilliance Audio
Publication Date: 19 May 2015
[UNABRIDGED] – 31 hours 55 minutes
Themes: / science fiction / apocalypse / space station / humanity / disaster /
What would happen if the world were ending?
A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.
But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain….
Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown…to an alien world utterly transformed by cataclysm and time: Earth.
Executive Summary: Another interesting book from Mr. Stephenson, that was somehow a bit too short for me despite its 32 hour duration. This one won’t be for everyone, but I’d put it on par with many of his previous books.
Audio book: This was my first time listening to a book narrated by Mary Robinette Kowal. She’s really excellent. So excellent, that I was pretty disappointed when it changed to Will Damron for Part 3. I’m not sure why they did this. Was Ms. Kowal too busy to finish recording? Was it intentional?
That isn’t to say Mr. Damron is a bad narrator. I just didn’t like him as much as Ms. Kowal, and the change in narration was jarring. If there was any place in the book it was appropriate to change, it was with Part 3, but I think it would have been better suited if they had just stuck with Ms. Kowal.
I’ve been a fan of Mr. Stephenson ever since picking up Snow Crash back in college. I haven’t read all of his books, but I’ve enjoyed all but one of those that I have.
I had no idea what this book was about when I volunteered to review it. Much like most of his work, it’s long. The start is a bit slow, and as usual it goes off on tangents and into way more detail than is necessary on things. In some of his books, I’ve enjoyed those tangents and the excess of detail. In others, less so. This one was somewhere in the middle for me.
This is the kind of thing that will turn many readers away early on. I was never bored myself, but I wasn’t really engaged in the book until nearly halfway. In a book this long, that will be too much of a commitment for many. However, I suspect if you enjoy the detail and tangents, you’ll be engaged much sooner.
This book is split into three parts. The first part is essentially a present day disaster story. The second is largely a space opera, and the third is a bit of a post apocalyptic tale.
Many authors might have focused on one aspect of this story. Instead of giving us bits of history that help shaped the world of part 3, we live many of the details in parts 1 and 2. For me personally, I would have liked part 1 to be shorter with more time spent on part 3. Part 2 was my favorite of the book, but that may be because I felt despite being a third of the book, part 3 ended too soon.
I have questions still. A lot of them. Is Mr. Stephenson planning a sequel that will contain some of these answers? I hope so.
This isn’t a case of a long book that abruptly ends though. For me the issue is that Mr. Stephenson did such a good job with the world building that I want more. I felt like there wasn’t enough. I would have happily sacrificed much of the present day (which I found slower anyways), for more time in the future story with the world he created.
Mr. Stephenson doesn’t spend all the time on world building either. He develops several interesting characters that are used to make most of the story character-driven. We have a largely female cast, and somewhat diverse background for most of them.
Overall, while this isn’t my favorite Neal Stephenson book, I really enjoyed it, and I hope we get another book set in the same world that he built in part 3.
Review by Rob Zak.
Archangel (Book One of the Chronicles of Ubastis)
By Marguerite Reed; Narrated by Dina Pearlman
Audible Studios via Resurrection House
Release date: 17 June 2015
[UNABRIDGED] – 11 hours, 5 minutes
Themes: / military sci-fi / grief / humanity /
The Earth is dying, and our hopes are pinned on Ubastis, an untamed paradise at the edge of colonized space. But such an influx of people threatens the planet’s unstudied ecosystem – a tenuous research colony must complete its analysis, lest humanity abandon one planet only to die on another.
The Ubasti colonists barely get by on their own. To acquire the tools they need, they are relegated to selling whatever they can to outside investors. For xenobiologist Vashti Loren, this means bringing Offworlders on safari to hunt the specimens she and her fellow biologists so desperately need to study.
Haunted by the violent death of her husband, the heroic and celebrated Lasse Undset, Vashti must balance the needs of Ubastis against the swelling crush of settlers. Vashti struggles in her role as one of the few colonists licensed to carry deadly weapons, just as she struggles with her history of using them. And when she discovers a genetically engineered soldier smuggled onto the surface, Vashti must face the nightmare of her husband’s murder all over again. Standing at the threshold of humanity’s greatest hope, she alone understands the darkness of guarding paradise.
I spent a lot of my time while listening to this book confused, which made it all the more surprising when I realized at the end that I’d liked the book, and am fairly intrigued about what will come next. A book spanning multiple topics/thoughts, it was interesting to see how the various topics mostly worked together.
I think this book served in some ways as world-building/scene-setting for future books, which may explain why I was confused at times. This may be seen as a negative, but since I liked the world, it was okay, once I realized that I hadn’t missed anything with the plot (though at times, I was convinced that I had). I also liked the main character, a researcher on the planet of Ubastis but also one of the one people on the planet with a literal license to kill…anything. So while it seemed that the plot may have moved slowly, or that I was sure I was missing things, in the end it worked out okay for me. But others, especially those who listen, might have similar confusion.
It’s hard to describe what the book is “about” since Archangel covers so many topics. The book is set sometime in the future after the Earth has been effectively destroyed/overused by humans. Humans seem to have escaped to space, though it’s not clear that they had to go far to find other places to live. The book mentions a station at L5, which I presume is the L5 Lagrange point that people who’ve studied physics/astrophysics and sci-fi lovers alike will probably recognize. L5 has long been thought of as a place where space colonization might be feasible, so it seems as if it fits and that it’s not some L5 in relation to the world in the book, separate from our own system. Many humans seem to live in space, while a small handful live on Ubastis. Ubastis is a planet that has seen small waves of colonists; the first two waves of colonists were trained primarily as a military would be trained, though the job was to scout areas of the planet and start setup for more colonists in the future, to establish it as its own world. The other aspect of the colonists’ life is to study the planet and understand the resources it has and the balance between the natural ecosystem and those resources–the colonists do not wish to make Ubastis into another Earth, and so immigration to the planet is heavily controlled, only up for discussion once every 10 years. Archangel takes place just prior to one of these votes, and there is a heavy contingent of “off-worlders” lobbying for the strict limits to be lifted, to open immigration to the planet. In the book, human engineering is also not only possibly but heavily used, and most people have some level of genetic modification; most to dull aggression and many for vanity reasons.
The main character, Dr/Commander Lauren Vashti, is a “natural,” a non-genetically modified human. She was one of the people in the second group of colonists to come to the planet. Her husband was one of the leaders of that second group, and the pair are seen in many ways as a literal mother and father (and in the case of her husband, even a saint) of the planet and its resources. Vashti’s husband was killed by a highly-engineered “assault human,” a BEAST, one who was specifically genetically modified to be a soldier of sorts. This brings me to the first of the interleaved topics that the book touches on–motherhood and, to some extent, single motherhood. Vashti spends much of the book seemingly at odds with her dual role on the world. She has a literal daughter, a toddler, but often sees that being a literal mother is incompatible with being a leader, a voice for the planet as a whole. Because of her natural gifts as well as the reverence given to her, Vashti is also a literal mother to many Ubastians (and off-worlders?), as her eggs were frozen and used to create other offspring. There were striking scenes in the book where Vashti’s grief/memories of her husband are interrupted by her daughter, perfectly capturing the issues with motherhood. Later in the book, as she realizes that she is in some way a mother to the planet, similar memories are jarringly interrupted by the politics of the planet, things she must stand up for.
Obviously, another topic in the book is that of genetic engineering and the…sense…in doing so. I won’t go into details, but Vashti being a “natural” woman actually has a fairly important aspect in the plot. In particular, it seems that BEASTs can only really be “controlled” by natural humans, those without genetic modifications. This speaks volumes to the topic of genetic modification in general, but the topic is also touched upon by human nature. Because Vashti is a “natural,” she has a “normal” level of aggression/willingness to kill. It seems that many people have that particular knob turned down. Vashti is looked down upon by outsiders because she is in fact willing to kill to study the fauna native to Ubastis and willing to kill in self defense. It seems that most others find killing repugnant in general, something to be psychologically educated-away/re-educated away. The people of Ubastis (and also the off-worlders, I believe) are vegetarian. In fact, many are Muslim, though it was never really clear to me why it was important that so many were Muslim (the rest seemed to be Christian of some sort).
Another topic commonly dealt with in science fiction is that of resource use/protection of a planet/avoiding a runaway situation like we have on Earth/that eventually dooms Earth in many books…this book is no different. In her role as scientist and “mother” on Ubastis, Vashti preaches for conservation and minimization of the human footprint on the planet. The Earth is looked to as a sign of the worst that can happen.
In all, Archangel is a book about revolution. There are many types of revolution in the story, both personal revolution for Vashti, but other aspects of revolution, too. Once I came to terms with being “confused” every now and then, it was actually a fun read. The narrator, Dina Pearlman, is one whose name is familiar but I can’t find any other books that I’ve listened to that she’s narrated. Her narration had an odd cadence that was particularly difficult to follow at first. I found speeding up the audio playback helped that significantly, though her pacing may also have contributed to my confusion at times. Once I got “used” to it (at the faster playback speed), I got more into the book, but it did take awhile.
This book might not be for everybody–and certainly might not be for everybody in audio form–but as for me, I’m looking forward to seeing what happens next on Ubastis.
Posted by terpkristin.