Talked about on today’s show:
Jesse is not a series guy, excellent book, great book, Paul enjoyed it a lot, why haven’t I read this sooner?, The Mourner, cassette change over points, very nostalgic, the narrator Michael Kramer, a one trick pony, fewer adjectives and adverbs, The Hunter, the back story (before the bandages came off), the wife, The Ringworld Engineers, crime habits, he needs some money, a lot of humor, dry humour, all the characters, I’ll get your face back, Handy McKay, when he buys cigarettes from a vending machine, did he light a match on his tooth?, half-lit, when Westlake makes a character, there are no wallpaper characters, are you Sarah Connor?, Charles Wells, very Westlake, so clean and well defined, they know and do what they want, the book’s structure, easier to read on the page than to hear, what about the philosophy?, more of the same, not wanting more of the same, going for ideas, reading westerns, romance, wish fulfillment, Mike Resnick, digestible dialogue driven storytelling, we like Parker, of course he’s a murderer and a thief, a liar, his real name, his Florida hotel name, utterly transformative plastic surgery, it’s science fictional!, the symmetry, you’re still you, taking on the mob, a kind of growth, how Parker talks about Handy McKay, The Steel Hit, he doesn’t know himself, Alma the waitress (aka the Finger), Skim, funny names, he doesn’t know what he’s done, reflection, I’m going to be a better person everyday, we need to admire, different values, willing to kill for goals, an internal set of rules that he respects, the bowling theory of book writing, Stubbs was heroic in his folly, when his thoughts ran through his mind like they were on wheels, a deep philosophy, The Philosophy Of Parker, epicureanism, pleasure as the greatest good, a hooker, men by paperbacks and women by hardcovers, Marcus Aurelius’ Meditations, living through the pain that is reality, stoicism, get used to it, deal with it, get past it, increasing the pleasure of the little things, an interlibrary loan from the Yukon, appreciating the local detail, New York, New Jersey, Staten Island, scrubby sandy, set in an area Paul recognized, going with the getaway face, Westlake would winter, a tour of the whole east coast, North Carolina, “hey budd-eh”, a great no-shit guy, he’s not a superhero, he’s canny, how did he finance the job?, he’s lying to everybody all the time, a professional problem, some range for motion, some sort of efficiency, fingerprints, bad hombres, the cop never shows up again, crime seems easy, what’s up with the coins?, Payback is an adaption of the The Hunter, you can’t trust the police, you can’t trust the government and you can’t trust your family, “Trust no one!” Cobra Commander, a mirror face, the podcast went in a weird direction, caring about laws, all about efficiency, why does he keep robbing, owning a bunch of businesses around the country, Parker parked the car, how many reasons for the title?, getting away with the head, The Outfit, the syndicate, Robert Duvall, 13 Dresses, The Mourner, The Score, an Alan Arkin movie, The Jugger, The Seventh, changing policies, he trusted the doctor, I get so few patience, everybody in the world is broken, refining an outlook, Westlake is mad at Stark, trusting Alma, Parker doesn’t need the money, you have to do what you’re good at, The Handle, working in big groups, The Rare Coin Score, numismatists, The Green Eagle Score, The Black Ice Score, The Sour Lemon Score, Deadly Edge, Slayground, Butcher’s Moon, Comeback, Backflash, Flashfire, Firebreak, Breakout, Nobody Runs Forever, Ask The Parrot, Parker has no sense of humour, the Dortmunder series, the Grofield series, Jimmy The Kid by Donald Westlake, excerpts from a fake Richard Stark Parker novel called Child Heist, Gary Coleman, Nine Princes In Amber by Roger Zelazny, an homage to Donald Westlake, clippy dialogue, Lawrence Block, when Westlake quit Science Fiction, the Hard Case Crime website, how I found Westlake and Stark, the one thing we know about readers…, one heist per TV season, Leverage, the Gravedigger webcomic, everybody wants to get in on the action, Fifty Years of Parker, Parker’s rules, any rule can be broken, a guy named Mal turned out bad, “When a fresh-faced guy in a Chevy offered him a lift, Parker told him to go to hell.”, “When the bandages came off, Parker looked in the mirror at a stranger.”, Spearhead From Space, “when” puts you right into the middle of the action, right back to The Odyssey, Parker on a boat, a Casino off the coast of Cuba, high concept, two-fisted action, he’s come back from the dead, winking at you in every scene, driving, compartmentalizing her life, the best opening line of a book ever: “When the phone rang, Parker was in the garage, killing a man.”, and then the murders began, forest fire, a snitch in the game, they need socialization, very modern, in the army during WWII, how old is Parker?, like Archie Andrews, he’s always in his prime, Prince Corwin, like Batman, he’s always with us, his superpower is he’s all about efficiency, seeking out crime, I appreciate you appreciating it, Aural Noir, running two websites that were virtually identical, Block inhabits a world I don’t inhabit, a lucid world, there are always the same people in every job, completely universal, The Breakfast Club, seedy and exciting, Protector, the books were thin and the ideas were long, Stephen King and his success, 175 pages, Leon Uris, 35¢, double features, what does Parker think about when watching these movies, there’s something wrong with him, he lies to everybody except for himself, “self-contained”, unconscious, kind of like an actor, playing a role, Skim, falling apart, the clinic, fear of losing your stuff, so much is falling apart, is it the world, the swampland in Flordia, cellies, trying to have a conversation, there’s no point in telling this guy, a brutal horrible world, a horror not usually expressed in novels, what’s going to happen next action, doing whatever he wanted, it really isn’t about the money, it’s like he’s trying to get rid of it, what he tells himself, the point of existence, what are you gonna do?, Skim is a pathetic version of Parker, it hardened him, a shark constantly moving and feeding, a death wish?, sloppiness, without a purpose, his elevens were up, Charles Wells’ retirement, Lawrence Block is always retiring like Handy McKay, unfinished Westlake or Stark?, writing like role playing, such a high output, Philip K. Dick, Robert Silverberg, Sir Arthur Conan Doyle, three months for The Sign Of The Four, a great book.
Posted by Jesse Willis
My buddy Trent, of the Violent World Of Parker blog, has been closely following the developments surrounding the latest Donald E. Westlake (aka Richard Stark) related film. Here’s the trailer for Parker:
Trent points out, in his post, that the movie’s plot looks like it closely follows that of Flashfire, one of the better books from near the end of the long running series. Now Flashfire was released by Books On Tape in 2001, but it is now available on Audible.com HERE. If you listen to the sample there you can compare it to the trailer.
In a Midwestern city, Parker calmly tosses a firebomb through a plate-glass window, while some newfound partners in crime take down a nearby bank. Making their getaway in the confusion, the bank robbers tell him two things: that this heist was only seed money for a much gaudier one, and that Parker has to loan them his share of the take. Now Parker is rampaging through the American South, taking on a new identity as he goes, and planning his own assault on his former partners’ next target, a spectacular jewelry heist in Palm Beach. But Parker didn’t count on one unfortunate detail. A very bad and very stupid man knows his true identity, and wants him dead.
Posted by Jesse Willis
The Dead Astronaut is a part of a larger subset of J.B. Ballard stories adapted for the long running CBC radio series The Vanishing Point. This tale of a haunted Cape Kennedy is typically Ballardian, surreal, full of abandoned buildings, abandoned people, and abandoned dreams.
The Vanishing Point – The Dead Astronaut
Adapted from the story by J.G. Ballard; Dramatized by Lawrence Russell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
First published in Playboy, May 1968.
Gordon Clapp … Philip
Donna Goodhand … Judith
Peter McNeil … Quentin
Tom Duckworth … the voice
Here’s the original art that accompanied the story’s publication in Playboy:
Posted by Jesse Willis
Carl Hiaasen talks about John D. MacDonald’s Travis McGee series. Hiaasen suggests that a sense of place was central to the series.
Posted by Jesse Willis
This week’s episode of the Forgotten Classics podcast saw the explosive conclusion of Julie Davis’ reading of the “scientific classic” The Green Girl by Jack Williamson. This short novel was one of our SFFaudio Challenge #5 audiobooks and so now Julie has won a prize (as well as our enduring respect)!
When I added The Green Girl to the challenge Rick Jackson, of Wonder Publishing described it to me as “early sense of wonder SF.” I think that’s right. I guess I knew what that meant, vaguely anyway, but now that I’ve heard it I’d suggest the fantastic events, with their grandeur of scale, are magnificently preposterous. That said, The Green Girl is never quite cartoonish as there is a reverence, if not slavishly accurate reverence, for both science and the value of scientific knowledge. It’s this that distinguishes The Green Girl from many of its contemporary pulps.
The Green Girl
By Jack Williamson; Read by Julie Davis
5 MP3 Files (Podcast) – Approx. 4 Hours 27 Minutes [UNABRIDGED]
Podcaster: Forgotten Classics
Podcast: August 2011
Melvin Dane has been seeing a vision of a green girl since he was a child. Images of her came over the ether. Is she just fantasy? Or a reality that managed to cross time and space? And now, with the Earth under threat of extinction, will Melvin ever meet that girl of his dreams? With an alien force trying to bring Earth back to the Ice Age, Melvin and his foster father, scientist Sam Walden, embarked on a heroic quest to save their world. Their adventures took them from their sleepy little cottage in the beaches of Florida to the unexplored and totally unexpected world beneath the ocean. First published in the March and April 1930 issues of Amazing Stories. Later collected in 1950 as Avon Fantasy Novel #2.
Podcast feed: http://feeds.feedburner.com/forgottenclassics
I’d hoped to find a copy of Amazing Stories, March 1930, in which the first half of the novel was serialized, but haven’t found one so far. If you’ve got a copy I’d love to add them below (please email me)! In the meantime, here are three scans from the April 1930 issue:
[Thanks again also to Rick Jackson of Wonder Ebooks where you can find plenty more vintage SF and criminally under-published crime books]
Posted by Jesse Willis
The SFFaudio Podcast #108 – Jesse talks with Trent Reynolds (of The Violent World Of Parker blog) about Donald E. Westlake’s Hard Case Crime novel 361 (available as an audiobook from BBC Audiobooks America).
Talked about on today’s show:
Richard Stark, the meaning of the title “361“, Roget’s Thesaurus entry #361, “killer’s don’t run around with a thesaurus”, Hard Case Crime, The Hunter, George Washington Bridge, New York, Those Sexy Vintage Sleaze Books blog‘s review of 361, Westlake and the USAF, Backflash, Westlake loves theatre people, actors, Hollywood, “dangerous and scary”, Stark had fans in prison, Parker vs. Dortmunder, The Man With The Getaway Face, revenge, stoic vs. existential, our podcast on Memory by Donald E. Westlake, Gregg Margarite, finding purpose in the purposeless world,
“Yeah. All right, this is what I’ve been thinking. To begin with, every man has to have either a home or a purpose. Do you see that? Either a place to be or something to do. Without one or the other, a man goes nuts. Or he loses his manhood, like a hobo. Or he drinks or kills himself or something else. It doesn’t matter, It’s just that everybody has to have one or the other.”
drinking, “there’s no one more pissed off than this guy”, “the drifter mentality”, how Westlake handles supporting characters, the lawyer’s secretary, the cowardly private detective, honesty vs. duplicity, hardboiled vs. noir, House Of Lords (whiskey), get a job at Walmart vs. take over the mob, Florida, Bill’s suicide, going on a drunk, identity, solider vs. airman, he’s not his father’s son, he’s not his brother’s brother, Charles Ardai, the absence of women, the Hard Case Crime cover (by Richard B. Farrell), Lawrence Block, “A Sound Of Distant Drums” is a long running literary joke, Westlake characters generally read paperbacks, Paul Kavanagh novels, Not Comin’ Home To You, Such Men Are Dangerous, a purposeless ex-military guy living on a deserted island in the Florida Keys, The Green Eagle Score, The Black Ice Score, The Blackbird, Grofield, University Of Chicago Press editions with introductions by Lawrence Block, Block’s Bernie Rhodenbarr’s “Burglar” books, murder mystery vs. identity mystery, Burglars Can’t Be Choosers, The Burglar Who Traded Ted Williams, The Burglar Who Painted Like Mondrian, did Westlake mature out of Parker?, Flashfire, Jason Statham as Parker, Payback, The Hunter, The Man With The Getaway Face, The Mourner, The Score, Two Much, Cops And Robbers by Donald Westlake, the way Westlake paints characters, The Hot Rock, humorous writing, the competent Parker vs. the hapless (bad luck) Dortmunder, Robert Redford, What’s The Worst That Could Happen, The Comedy Is Finished, Donald E. Westlake: an annotated bibliography by David Bratman, coffee, Idi Amin, sadly there is no biography of Donald E. Westlake, Matthew Scudder’s drinking problem, Eight Million Ways To Die, Telling Lies For Fun And Profit: A Manual For Fiction Writers, Lawrence Block should write a Parker book, race-walking, LawrenceBlock.com, Dan Simmons, Garry Disher, Hard Case, “361 is as hard-boiled as fiction comes”, Jim Thompson, The Jugger, Stephen King’s Misery is a spiritual successor to The Jugger, the pragmatism of celebrity/writer privacy, wheelbarrows full of books, too much of a good thing: “too many fans can interfere with your operation”, receiving unsolicited books, advanced reading copies, “it really clarifies your understanding of what your purpose is if you are confronted by a barrage of things that aren’t your purpose”, book tours do two things: sell books and reward the readers, Sheldon Lord, Lawrence Block’s sleaze books are coming to ebook, Random House, Lynn Monroe, Hellcats And Honey Girls, Subterranean Press, Robert Silverberg, Marion Zimmer Bradley, The Triumph Of Evil, Double Indemnity, The Postman Always Rings Twice, Bravo Two Zero by Andy McNab, A Drop Of The Hard Stuff, Getting Off by Lawrence Block (Jill Emerson).
Posted by Jesse Willis