Reading, Short And Deep #089 – The Malice Of Inanimate Objects by M.R. James

October 18, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #089

Eric S. Rabkin and Jesse Willis discuss The Malice Of Inanimate Objects by M.R. James

The Malice Of Inanimate Objects was published in The Masquerade, June 1933.

Here’s a link to a PDF of the story.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #441 – READALONG: The Uninvited by Dorothy Macardle

October 2, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #441 – Jesse, Julie Davis, and Maissa Bessada discuss The Uninvited by Dorothy Macardle

Talked about on today’s show:
1941, 1942, Uneasy Freehold, who is The Uninvited?, the ghosts?, Carmel?, multiple possibilities, the Fitzgeralds, Irish freedom fighting, Macardle herself, Macardle’s writing, not as well written as it seems to be, the timing was incredibly good, other criticism, the movie vs. the book, the playwriting sub-plot, the haunting aspect, review writing, completely inspired, it’s not a horror film, it’s a comedy and a romance, gentle touches, wordplays, Lizzie is amusing, Julie’s mother had this book, subtle influence, creative stresses, artists, dancers, actors, gentle and modern, a tough minded attitude towards ghosts, secular and skeptical, the ghost hunter, seeing a lot of Julie in the book, I’ve been waiting for this, one of the approaches, when is the book set?, the conflict in Spain, the Spanish Civil War, it’s a mystery, a detective story, the cat is named Whiskey, an amazing set of clues, we are allowed to participate in this haunted house story, a reviewer of plays and books and can make a living at it it, AMAZING!, books, Lord Dunsany, it just so happens, The Ghosts by Lord Dunsany, infected by the ghost, H.G. Wells’ The Red Room, kind of ridiculous, the book is very subtle, one of the things Macardle is really good at, living in the house, living in the bodies of the residents, needing to sleep and needing to eat, we’re tied to our bodies, ghosts don’t exist but they point to a real phenomenon, an empty house that has a history feels that it has ghosts, pointing to ghosts and, there’s nothing in the room he didn’t bring in with him, the seance, the first film that doesn’t turn ghosts, in the Gothic tradition, a locked madwoman in the attic, this book has a lot of power, understated, re-readable, various parallels, Mary Meredith, Carmel, Stella, trying to be, she’ll have no peace, do you think the grandfather knows?, the way he talks about her, disobedient, a trickster, he knows and doesn’t know, his father’s daughter, Jane Eyre, the same story with a different flavour, somebody else’ take, Mary is a lesbian, Miss Holloway, we sat around planning our lives together, remote and austere, starring down like a goddess, that’s why the mother is so cold, “a saint”, most evil, insanity, would this whole thing have played out without Miss Holloway’s influence?, would Mary have been as Mary as I was, I hate Mary, a very womany book, Roderick, this is a sequel to… The Fall Of The House Of Usher, Roderick Usher, incest lurking in the background, a female narrating a male narrator who is talking about his sister all the time, throwing the asshole card, a woman’s story, what kind of woman are you going to be?, every father figure in the book, the terrible commodore, a woman’s story, Max and Mitzi, a cat who will claw you, manipulative and horrible, the women are the active people, Pamela, the reason they were leaving London (before the start of the novel), she was worried that he would marry and worried that he wouldn’t, let’s go off an live in a house by the sea together (as brother and sister), the setup, they’re so distant from everyone else, a blasted heath, somewhere in the middle of the Atlantic Ocean, a positive uplifting ending, A Christmas Carol ending, when you grow up in Kansas…, a Spanish gipsy, a liar, lying for no reason, a lot about race, the Spanish Armada and the Black Irish, skin you could read a book through, the Fitzgerald, Irish this, Irish that, random racism, regionalism, Cornwall is not Wales, why Carmel is so despised, gaslit, oh that’s wonderful, very modern, I’ve never met the woman, the Irish Republic, an Irish ghost story set in England, viewing Macardle as Roderick, something’s going on, it’s not written by a man, Walter de la Mare, the H.P. Lovecraft Literary Podcast, oh you genius, Seaton’s Aunt, she’s kind of like a vampire, nebulous, a masterpiece, a connection with India, Roderick’s play, did it reflect what was going on the novel, they don’t do a lot of reading in movies, reading the play aloud, a quasi-strange family (but not in a creepy way), looking at it from the outsider’s point of view, she’s 18 in the book (20 in the movies), how old is Roderick?, Ray Milland, of course she has to go home, that’s not seemly, as the commodore says, an old man trying to control a young girl, very confrontational, schizophrenia is announced, not because she’s a teenager, in 1970s, escaping an asylum, Nellie Bly’s Ten Days In A Mad-House, I see a ghost and want to throw myself off a cliff, an incident or a disturbance, there’s a malignant thing that wants to hurt my granddaughter, lying to himself, I told you something could happen, a ghost or two, Captain Frederick Marryat in The Most Haunted House In England, why does he carry that pistol?, William Hope Hodgson’s Carnacki, The Ghost Finder, is the gun to make us feel slightly less harmless?, smugglers?, sea caves!, the crying lady, the second ghost, misdirection, a ouiji scene (vs a ouiji board), the seance scene, the British version of the film, I smell mimosa!, what about the book?, the flipping book, working for the censorship bureau, how well done the seance was, such pains, not to be faked out, ghost hunter vs. spiritualist, the spelling of the words “lili”, ghosts can’t spell!, well intertwined, presuppositions, ghost hunters in real life, the perfect kind of ghost story, pretty impressive, the religious aspect, exorcism, she wanted to be with her mother, gleaning facts, but what did you know of these people?, she was the worst (in a charitable way), all these different methods, more complex and fallible than they might otherwise be, another condensed novel version, any illustrations?, only one illustration, a house on a cliff with a dead tree in the foreground, a dead twisted tree, a metaphor, the rocks called “The Ghouls”, how much time is spent on the physicality, managing a body, wild Spanish blood, very deftly handled, The Unforseen, Forgotten Classics podcast, feeling for people, a lot of sympathy, a nice warm cozy blanket of a ghost story, “that’s such a marvelous book”, a gipsy family, a gipsy camp, Ivanhoe by Sir Walter Scott, the overall takeaway, he was not a hater, Isaac, the mere mention of race or ethnicity [does not damn a book], a really good book, ten years ago, two other stories, The Beckoning Fair One by Oliver Onions, The Events At Poroth Farm by T.E.D Klein, a book for book-readers, Lovecraft country.

The Uninvited (1944)

Posted by Jesse Willis

The SFFaudio Podcast #440 – AUDIOBOOK: The Uninvited by Dorothy Macardle

September 25, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #440 – The Uninvited by Dorothy Macardle, read by Julie Davis.

This UNABRIDGED AUDIOBOOK (12 Hour 34 Minutes) was previously serialized on Julie’s Forgotten Classics podcast (Episodes 98 to 110).

We will discuss The Uninvited next week.

The Uninvited

The Uninvited - Chapter 2

The Uninvited - Chapter 7

The Uninvited - Chapter 11

The Uninvited - Chapter 13

The Uninvited - Chapter 16

The Uninvited - Chapter 18

Posted by Jesse Willis

The SFFaudio Podcast #426 – READALONG: A Fine And Private Place by Peter S. Beagle

June 19, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #426 -Jesse and Juliane Kunzendorf talk about A Fine And Private Place by Peter S. Beagle

Talked about on today’s show:
1960, is it true that Peter S. Beagle wrote A Fine And Private Place when he was 19?, Mary Shelley, Mr Rebek has been in the graveyard for 19 years, self-aware, unforeseen circumstances, November 2016, lightweight material, subtext, it’s not deep, on the nose, a bit long?, novel length for a novella idea, a raven here, a lady doing her shopping, a time capsule, 1960-ish, darn interesting, how New York was, a social study, science fiction and werewolves, a light touch fantasy, pretty effective, 272 pages, six to eight hours, narrated by Peter S. Beagle himself, a calm voice, a pleasant listen, more better work, a special and distinct voice, kind of amazing, it feels super-old, wise, philosophical about death and how to live, how do you get to this?, The Raven by Edgar Allan Poe, one of Jesse’s favourites, nobody cared, Jesse’s theory as to what is going on in The Raven and how it relates to this story, Andrew Marvell’s To His Coy Mistress, a metaphysical poem, start to kissing, rhyming with the comeuppance, but none do there embrace, reading poems aloud, forced rhymes,

Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

sweet!, come on baby!, 1681, a tutor to a rich man’s daughter, post-mortem publication, The Twilight Zone, World Enough And Time, inspired, amorous birds of prey, iron gates of life, chaste love, Jonathan and Mrs. Clapper, finding another person to be with, all during WWII, an interesting backstory, reading books, washing his clothes in the bathroom sink at night, is it all in his head?, is he just a crazy homeless man?, fitting the facts, dirty and smelly, well groomed, disheveled, shaving, grooming, what are we to make of Mrs. Clapper falling in love with not the greatest catch ever?, her (dead) husband, tickles a sense of adventure, I’m not your husband, the rain-jacket, museum visitor than stay-at-home, the store scene, the Stillman family, when are you getting married?, she’s trapped in her role, her place in society, her apartment, the social environment of the 1960s, widowhood, when are you going to Florida?, other options, how she’s going to be buried, Mr. Rebek’s prison, an incomplete explanation, acting as a witch-doctor, love-potions, the scarred up boxer, making a love-potion, it’ll just make her receptive, when the love-potion works…, a weak character, he plays along, whiter teeth, his girlfriend died and he can’t get over her, he’s fleeing from the world and responsibility, in a time loop, frozen in time, just being, going on vacation is not a life, more of the same, his icy tomb, other stories like this, Beatrice in Dante’s Paradise, Orpheus and Eurydice, Odysseus, is Mr. Rebek going to move in with Mrs. Clapper?, living together, wearing her husband’s old clothes?, his room, they have to find a new apartment, from the Goodwill (but actually from her), she’s trying to replace her dead husband, marriage, domains, the boss, the nameless raven, Elijah, a squirrel with a wife, more raven, a couple of rules, how ghosts act and animals can talk, the ghosts, subversion, that’s what ravens do, the nightwatchman, alcohol, Spanish singing, sung as it should have been sung, another reflection of the raven, a psychopomp, Charon, the ferryman, Anubis, Pluto, deep in every religion, a man alive in the place of the dead, you’re a terrible guard, a passenger stuck on the barge to the underworld, not dead, not alive, seeing the dead, Mrs. Clapper can’t see the dead, an idea working below the surface, a lazy slow river journey, a slowboat to hades, Michael, I don’t want your nepenthe, Laura, more friends than anything else, a seagull lost in Iowa, seeing a bird, what is the metaphor there?, heavy with metaphors, things underlying, Juliane has time, listening to the sound of Edgar Allan Poe’s The Raven, certain sad uncertain rustling, a story of madness, Jesse’s theory but first the poem itself, Beagle must have been familiar with The Raven, books: “many a quaint and curious volume”, not nameless, wrought as a homophone for rot, a ghost of flame, morrow and marrow, surcease of sorrow, ending sorrow by reading, distraction, “to still the beating of [his] heart,” December, at night, midnight, “once”, Charles Dickens, big on ghosts, Into That Darkness Peering a collection of Poe narrated by Wayne June, what is he dreaming about?, suicide, what’s behind suicide, teasing, the passive voice, Guy de Maupassant, premature burial, Japanese or Korean ghosts, a real creepy ghost story, back from the dead, “chamber” not house, a lattice, panes and shutters, curtains, a shade, purple as the royal colour, layers, why is his soul burning?, slight variations, eyelids as shutters, “perched upon a bust of Pallas”, Athena, why Pallas?, palace, there were two goddesses, Pallas was eaten by Athena, distance away from Athena, perched above wisdom, “though thy crest be shorn and shaven”, Sampson, you can’t shave a raven, you can pluck a raven, crest, no fur nor hair nor feather’s on it’s head, that’s a different bird, it’s a condor aka a buzzard aka a carrion eater aka a vulture, why vultures head’s are are shaven, mistaking the bird, his perception of it as a raven is odd, why doesn’t anybody comment on this?, Athena’s helmet has a Raven on it, when you make a drawing you have to choose, in a poem we can have it both ways, a comparison to a vulture, craven as lustful, vultures don’t look young, he’s having it both ways, a much scarier story, a fire theme, ungainly = ungraceful, a talking raven, nesting ravens, does the Raven always tell the truth?, “fiery eyes” burning, Gustave Doré, a ray of light, fire and light, censer, seraphim, nepenthe again, always subverting, William Shakespeare’s The Tempest, desert land, balm in Gilead, skin soothing stuff, radiant, “still is sitting, still is sitting”, how can the shadow throw from the lamp stream over?, “my soul from out that shadow”, he burned his house down and he’s a ghost, the perfume of smoke, a room (not a house), Mr. Rebek’s house is a tomb, a man without a Lenore, eh, what are you going to do?, ravens in Greek mythology, Apollo, why all ravens are black today, creator god, the Ravens in the Tower of London, Mabel and Grip, trickster god, ravens stealing food, experiments with crow communication, sharing information, Jesse’s crow friend, zebras, lions making a plan, he cried like a baby, a reading raven, a gentle fantasy, the social structure, Michael and Laura, suicide or murder?, a prison of his own making, the prison of her own head, a golden cage, a satisfactory book, Mr. Rebek is 53, Mrs. Clapper is a little older (maybe), children are really absent, what’s real and what’s just in his head?, the nightwatchman is the sanest of all of them, so little evidence for insanity, very little below the surface, The Last Unicorn film adaptation, thematic connections, the death theme, The Innkeeper’s Song, five novels, We Never Talk About My Brother, funerals, death of child, hanging out in graveyards, pillars that didn’t support anything, the symbology of graveyards, a broken column indicates a life cut short, burial vs. cremation, a line between life and death, formalized words, affective, more philosophical, working as a mortician, Six Feet Under, a good book and pretty impressive, The Graveyard Book by Neil Gaiman (and the comic book adaptation), similarities, Rudyard Kipling’s The Jungle Book, a boy raised by ghosts, Tarzan, raised by animals, Tantor the elephant, Nobody Owens aka Bod, subtle illustrations, the babysitter characters, reading with students, tweeting Neil Gaiman, a signed poster, monster characters, Coraline, Tim Burton, thanatophilic, a weird relationship with death, if you’re dead you’re just gone, exactly like before you were born, we’re all just living in our heads.

BALLANTINE - A Fine And Private Place by Peter S. Beagle
IDW - A Fine And Private Place by Peter S. Beagle

Posted by Jesse Willis

The SFFaudio Podcast #349 – READALONG: The Ghost Pirates by William Hope Hodgson

December 28, 2015 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #349 – Jesse and Mr Jim Moon talk about The Ghost Pirates by William Hope Hodgson

Talked about on today’s show:
1909, from the later middle, more sophisticated than The Night Land, more tightly plotted than The Boats Of The Glen Carrig, all the letters of H.P. Lovecraft that talk about William Hope Hodgson, revisions to Supernatural Horror In Literature, a doomed an haunted ship, terrible sea-devils of quasi-human aspect, latent horrors in nature, “reaches enviable peaks of power”, the LibriVox audiobook, not as jam-packed with incident, the Carnacki stories, cosmic vistas, accessibility, a straightforward story, what it was like to being a working sailor, cliques and alliances, tremendous fun, time travel that good literature can give you, the poopiest book of all of Hodgson’s work, the taffrail, mood, a ghostly haunted ship, From Beyond by H.P. Lovecraft, Algernon Blackwood’s The Willows, an intrusion by other forces, shadows, strange figures, disappearances, underwater ships, not just a ghost, predation, dimensional drift, pirate skeletons ghosts don’t fit, its the ship that’s haunted, but not only the ship, the ship’s name is “Mortzestus”, “Sangier” (the bloodier), “I’m going to get my money out of this ship”, the pay scene in Aliens (1979), a thing from outside, bubbling below the surface is the corporatism problem, a commercial venture, mutiny, the officers want it hushed up, writing it up in the log, it is regrettable that Bryan isn’t here, why Marx wrote his works in England, the relationship between the means of production (the ship) and its sailors, taking care vs. making money, commercial considerations, historical piracy, in the lulls between sea-devils, “mate” reminds us of “comrade”, we’re all in this together mate (or comrade), why were there so many pirates?, why piracy happened, a Freudian (or Marxist) reading, the Sindey Sime illustration of The Ghost Pirates, “pale eyes”, mummified figures, are the ghost pirates a projection of the crew’s submerged collective unconscious?, the pirate articles, communism and democracy, parallels the Russian Revolution style, the captain, the quartermaster, the hatred that Hodgson had for commercial sailing, spooky, a sub-layer to the tale, the frustrations of the crew, “that old bully”, we are in trouble now, the devils take them all, the slang for the ship is “this packet”, the crew as a wrapping on the parcel, the language of spiritualism, Jessup’s theory as to what’s going on:

“Well, I’ve formed a bit of a theory, that seems wise one minute, and cracked the next. Of course, it’s as likely to be all wrong; but it’s the only thing that seems to me to fit in with all the beastly things we’ve had lately.”

“My idea is, that this ship is open to be boarded by those things,” I explained. “What they are, of course I don’t know. They look like men— in lots of ways. But—well, the Lord knows what’s in the sea. Though we don’t want to go imagining silly things, of course. And then, again, you know, it seems fat-headed, calling anything silly. That’s how I keep going, in a sort of blessed circle. I don’t know a bit whether they’re flesh and blood, or whether they’re what we should call ghosts or spirits.”

this ship is “open”, what happened on this ship that “opened it up”, The Haunted Jarvee (a Carnacki story), there’s something about the ship, there’s a crack in it, a tear in the fabric of reality, a sitting duck for otherworldly buccaneers, what is the goal of the sea-devils, what are they doing up in the rigging, four ghost ships, aliens?, aliens from the ocean?, are they Doctor Who sea-devils?, are they deep ones?, a parallel reality, From Beyond, Crawford Tillinghast is turning up ghosts, vestigial organs, ultra-violet,

“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break dawn the barriers.

if this was adapted today it would be explained by the cargo, an intra-dimensional material from atomic tests, 1920, The Dreams In The Witch House, 1934, The Banshee Chapter (2013), From Beyond (1986), a Freudian reading, Bill Clinton, in the language of apology, venereal disease, drugs, a found footage film, the framing story, believe it or not, The Ghost Pirates would make a great audio drama, showing the figures, crystallizing, Carnacki’s explanation in The Haunted Jarvee:

‘Well,’ replied Carnacki, ‘in my opinion she was a focus. That is a technical term which I can best explain by saying that she possessed the “attractive vibration” that is the power to draw to her any psychic waves in the vicinity, much in the way of a medium. The way in which the “vibration” is acquired – to use a technical term again – is, of course, purely a matter for supposition. She may have developed it during the years, owing to a suitability of conditions or it may have been in her (“of her” is a better term) from the very day her keel was laid. I mean the direction in which she lay the condition of the atmosphere, the state of the “electric tensions,” the very blows of the hammers and the accidental combining of materials suited to such an end – all might tend to such a thing.

making a magnet by hammering a nail, it’s not a person, it’s not something on the ship, it is the ship, electrical technology, a blend of science and the supernatural, BPRD: Plague Of Frogs, Mark Turetsky, slaves in chains at the bottom of the sea, a ship on its last voyage, the detritus of previous voyages, a Marxist resentment of the treatment of every crewman brought to the ship, end the of The Willows by Algernon Blackwood, working the same mine of feeling, the preface to the original edition, The House On The Borderland, certain conceptions of elemental kinship, flinging open the door wide, a kaleidoscope, scene upon scene, the door is open only a crack, speculation, what was the purpose, four shadowy galleons, the four ships below, are they mirrored (upside-down in the water), visualizing it is shocking, the Red Scare, they’re going to come here and take what we have, the Spartacus rebellions, an inter-dimensional idea, overwhelmed and pulled down, the other side of the veil, working a different passage in a nether dimension, if Neil Gaiman were to take this book as inspiration…, the surface of the sea, scraping along the surface of another world, the power of nautical ghost stories is in that liminal space between an ocean of air and an ocean of water, water as a liminal place in folklore, “where two elements meet strange things may intrude”, an inverted frog-men version of our world, are the sails like fins?, trade routes, how you portray the shadow ships, invisible would be fun, mirror world beneath the waves, the covers of various editions, skull and crossbones with a cutlass, whatever you see when you see through the eyes of Jessup, a fishy version of the pirate captain, mood effect, what the hell’s going on with those pig men?, a short novel, extended novellas, “I AM A NOVEL”, the Wikipedia entry, the unfinished novel, had Hodgson lived longer…, Captain Dang, the Sargasso Sea, the dawn of the pulp era proper, embracing the 20th century, The Hog, a complete collection.

The Ghost Pirates by William Hope Hodgson - illustrated by Sidney Sime

The Ghost Pirates by William Hope Hodgson

Posted by Jesse Willis

The SFFaudio Podcast #348 – AUDIOBOOK: The Ghost Pirates by William Hope Hodgson

December 21, 2015 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastLibriVoxThe SFFaudio Podcast #348 – The Ghost Pirates by William Hope Hodgson, read by Mark Nelson.

This UNABRIDGED AUDIOBOOK (4 hours 53 minutes) comes to us courtesy of LibriVox.

The Ghost Pirates was first published in 1909.

The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens
The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens
The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens

Posted by Jesse Willis

Next Page »