Talked about on today’s show:
1953, Philip Marlowe, the long answer is no, The Big Sleep, “noir”, A Good Story Is Hard To Find, Double Indemnity, Billy Wilder, Elliot Gould, abridgements, long or too long, spending time with the detective, forgetting about plot, Ray Porter, The Maltese Falcon, Dashiell Hammett, The Big Sleep, the book, the 1978 audio drama (90 minute), the Japanese 5-part miniseries, the recent BBC audio drama, the 1973 movie, overdosed on goodbyes, this is not a noir book, typically hardboiled is with detectives, noir is typically not with detectives, hardboiled vs. noir, Greek tragedy, a basic distinction, poisonville, a certain lack of hope, the detective with a heart of gold, Mickey Spillane, the anti-Philip Marlowe, being more cynical, more punchy, twisted, he’s hitty, Chandler’s best lines, how many times “goodbye” comes up, see you in a line-up, you never say goodbye to the cops, this is just quiet enough, cynicism, he cares too much, do you ever get paid?, $1,200 in the bank, he’s got a portrait of Madison, “I’m a romantic Bernie”, “the smear”, coffee, the little wake, a mystery, remember that pigskin suitcase?, pigskin gloves, the central mystery, who murdered Terry Lennox’s wife, Wade’s wife, his test, I wish I could have killed them both at once, Sylvia, he couldn’t perform?, a more successful version of herself, femme fatale, muddled by drugs, a Linda Loring, throwing the suitcase, that’s the suitcase, Sylvia’s face, is that something Eileen could do?, she’s like the worst thing in her life, when you go crazy mad, caught in a lie, what about the blood?, we infer she beat Sylvia to a bloody pulp, why would she lie?, she wants to make it seem more real, my husband shot her then beat her, emotion and drugs, the 1973 movie, the Elliot Gould movie, the Q&A with Elliot Gould, diverged, plot and tone, weird and good, lighthearted and noir, script by Leigh Brackett (of Empire Strikes Back), a return to Los Angeles, Eileen is still alive in the movie, a conspiracy, Mrs. Wade is in love with Terry Lennox (and married to him as well), she despises him (or is she lying?), Eileen blames Sylvia for everything, the cool thing about this book is that it is very open, experiencing the mystery (rather than solving), just supposition, the mailbox, its almost as if the Mexican Terry Lennox doesn’t know what’s going on, a rotter from the beginning, what we read a lot of these books for, the mystery as the vehicle, Derek Jacobi reading The Adventures Of Sherlock Holmes, there’s a humanity to this, making different choices when in custody, Marlowe saw something in Lennox worth redeeming, if Bryan Alexander were here…, because it is a war book, huuuuhhhn, 1920s book by authors who survived WWI, which regiment was Lennox in?, the SAS in 1942 in Norway, taxi drivers and cops are vets, Chandler’s Marlowe is a vet, using the terminology, the one thing that is left unsaid, why is Terry Lennox acting this way?, his wife, he’s a wastrel, how the other characters react to Terry Lennox, the criminal in Los Vegas, Randy Starr, Manny Menendez, there’s no need, why didn’t you call sooner?, the reason he’s got those scars on his face, against my better judgement, picking up a wounded warrior, he does that for all kinds of people, Double Indemnity wasn’t fueled by war, where does that go into Some Like It Hot?, Terry Lennox is a bookend, pointing fingers and taking names, drugs and partying and corrupt police, why the analogy doesn’t work, the guy who’s not fighting during the war, James M. Cain, about rich selfish people who are wasting their lives, the plot, throwing them into relief, the contrast, seeing Terry Lennox lying on the road, what Terry Lennox has those scars for, the Japanese version, everything is inverted, he can’t be an American soldier, the enemy is the Russians, a different spin on it, dealing in the results of war, post-traumatic stress syndrome, over-the-top, over-saturated lighting, a lot of coffee, a comic book adaptation, answering unanswered questions, sympathetic, Candy is Julie’s favorite character, the war is central to the Japanese adaptation, reading it now, the first four or five Robert B. Parker Spencer books, The Godwulf Manuscript, a war novel, The Guns Of Navarone, The Lord Of The Rings as a way of dealing with WWI, talking about other things, A Voyage To Arcturus by David Lindsay, Mary Shelley’s Frankenstein, what it was like to be in the Ardennes in the winter of 1944, it was like being homeless, hoping the supply train is going to come through, why is he getting drunk all the time, hidden secrets and identities, there’s something about Marlowe, a survivor of the war of life, the drunk tank, the POW camp, Chandler thinks this is his best book, taxi drivers reading escapist science fiction magazines, if I was in that kind of condition…, we’re all in the same army, just want to make things right, to try and set some sort of reset, fix things, once in a long while you get dead, a load of grief and a bit of money, stopping the entropy, why can he not have a normal life any more, it’d be reductionist to say it was about war, post-war USA had a hell of a lot of drinking, half gin and half Rose’s lime juice will still get you soused (a gimlet), autobiographical (Chandler’s wife was dying while he was writing The Long Goodbye), author talks, Chandler is showing us a complete look at detective work and all that it takes, they’ve all got a scam going, sold his soul to the company store, his journalist friend, working the problem, Idle Valley (where the rich people live), Marlowe as an ex-drunk, what the drunk-tank is like, the life of an alcoholic, Chandler had drinking issues, a recovering alcoholic, more coffee than gin, the 1973 movie scene, “let’s get drunk”, trying to find the truth, the F. Scott Fitzgerald connection, The Last Tycoon, more idle rich, Wade writes historical romance (instead of detective fiction), translating to Japanese culture, hentai, taking off the layers of dresses (a woman who has never taking a bath), hanging out with Wade, self-destructive not wife-destructive, he didn’t kill that woman, an incompetent femme fatale, might-have been sort of a hooker, Wade brought her out of the gutter, their Mexico is Taiwan, a period piece, he was driving an American car (left hand drive), they must have had fedoras and gimlets, a jazz version of, “it’s okay with me”, hash-brownies, Arnold Schwarzenegger with a mustache, it WASN’T okay with him, justice, Eileen Wade got to sit with it, dispensing justice, somehow it is the same story, in cahoots with the gangsters, political gain, why did Marlowe abandon Terry at the very end, re-question, red-herrings (or not red-herrings), re-framing everything, that’s how we actually live (unlike a Scooby Doo ending), I would never have come out had you not smoked me out, he puts stuff out there, I was in the commandos, you’re not hear anymore, as elegant as a fifty-dollar whore, prove to me you’re not that way, “that was the last I saw of him”, he had a chance to become better, wanting to see the truth done and the innocent people taken care of, detectives poke at things, there’s nothing inside, two empty people, one filling with alcohol one filling with drugs, both ruined by the war (or whatever), the perpetual human problem, what’s the hole that’s left inside, ya ya ya ya ya ya, full of really good quotes, Chapters (Canadian book store), this book is so much fun, [we quote from the book], one for Julie, one for Seth, a briefcase one, at the bar it was always five in the afternoon, Terry Lennox became a Mexican, a Mexican syncopation to his speech, how refreshingly unconcerned about political correctness, when a Mexican…, sooo racist, sooo genderist, it’s of the the time, the fact that he’s got a knife, a little more granular sense that he’s a little person, there’s no fake characters, heart of gold vs. cynicism, how far am I gonna go with this?, the way they dealt with each other (in the Japanese adaption), you would clean the war off me, a relationship of debt, subtitles with footnotes, the second time through, little bits of description, a bird chirping, the car was gone, a red oleander bush, a baby mockingbird, a single harsh warning chirp, birds have to learn too, priming you for all sorts of things, it’s rich, it works on more than one level, so much of their time, how much is a sandwich, drinking their night away, they didn’t think about it the way they do now, the movie Airplane!, he has a drinking problem, flashbacks to the war (WWII), out of context it’s hilarious, it still sort of true, we’re always going to have the cultural baggage, none of Jesse’s students know who the Flintstones are, Flitstone vitamins is an echo of The Honeymooners, The Simpsons, reading a book like this is kind of like time travel, tiny houses with orange trees in Los Angeles, L.A. Noire (PC game), the game reconstructs a huge part of Los Angeles, the Grand Theft Auto games, Chinatown, The Black Dahlia, L.A. Confidential, playing the game is kind of like revisiting that period, oh hey I’m in the middle of an investigation here, games vs. books, Robert B. Parker co-wrote the final Marlowe book Poodle Springs, Ray Porter’s narration, female voices, the Joe Ledger series by Jonathan Maberry, the Mexican characters, Elliot Gould’s narrations, nicely abridged, he’s a weird speaker, a Robert Altman movie, what is lost was all those Chandlerisms, a collapse of characters, well what have you got now, the movie starts with a cat, Michael Connelly, there’s something cool happening in that 3 o’clock in the morning, the cat abandons him, the cat is Sylvia Lennox, you can’t lie to a cat, they demand truth, the sunrises and the sunsets in the Japanese version, the colour of a sunset and a Japanese print, the things that they take, two BBC radio adaptations, a LIVE TV movie in 1954 (now lost).
Posted by Jesse Willis
The SFFaudio Podcast #280 – Völsungasaga translated by Eiríkr Magnússon and William Morris; read by Corpang (of LibriVox). This is an unabridged reading of the saga (4 hours) followed by a discussion of it. Participants in the discussion include Jesse, Seth, and Mr Jim Moon.
Talked about on today’s show:
anonymous, 1000 AD, Beowulf, Germanic myth collection, Volsung Dynasty, quick character changes, irrational logic, biblical similarities, Sigurd, echoes of myths, family relationships in Hamlet by William Shakespeare, Tales of Dragons, a hodgepodge of influences, The Hobbit by J.R.R. Tolkien, The Lord of the Rings by J.R.R. Tolkien, dramatic events, wolves, half-historical and half-saga storytelling, origin from Homeric Myths, odes, cyclical time, less Christian influences than other written sagas, a source or influences on stories and also influenced by earlier sagas, Vikings on History Channel, moral lessons to be awesome, unconsciousness of glorious kings with immoral actions, The Old Testament, hierarchy of power, jealousy of wealth and power, Medieval Japan, neighbor relationships, attitudes toward prophesy and fate, stoicism and acceptance, Odin Mythology, simple naming of characters, absence of fear of death, reincarnation, female equality, werewolves, Roman Mythology, frequent raiding, laws protecting wolves, wolves as outlaws, Caligula, power creates rules, Christian epics with Christian rule system, power of sacrifice, irrational idea of original sin, The New Testament subverting the idea of superiority, master morality and the slave morality, a lot of similarity to Beowulf, a source for education and entertainment, reason for being dramatic, 13th century literature, history in a very vague and incorrect way, more atrocity earlier in the saga, parallel between fantasy and real life, Story of Attila, transmission of knowledge, Haida Gwaii’s similarity to Vikings, We are really here for the gold!, names of dwarfs, broken names, obsession of money creates craziness, atrocity and craziness as history, story created before medieval nobility, morality as generosity, guest morality, Richard Wagner, being near Vikings is dangerous, endurance of pain as superior, no laughs and mild jokes in Volsunga saga, disrespect is bad, burial traditions create conflict, William Morris, the absence of slaves in Tolkien Fiction, free society.
Posted by Jesse Willis
Kafka on the Shore
By Haruki Murakami; Performed by Sean Barrett and Oliver Le Sueur
Publisher: Random House Audio
Publication Date: 6 August 2013
[UNABRIDGED] – 19 hours, 2 minutes
Excerpt: | MP3 |
Themes: / cats / helpful librarians / metaphysical reality / Japan /
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
I went on a Murakami reading binge in 2009, and suddenly found myself hitting a wall. What I had started out loving started to overwhelm and suffocate me. I knew I needed a break from him for a while.
I did take a break from the break to read 1Q84, which I really enjoyed. As I listened to the audiobook of this novel, I found myself wishing I’d read this prior to 1Q84. Some of the themes are the same, and I don’t just mean the silly themes like cats and pasta and music, but shifting realities and not being sure about who you are on many levels. They seem more concise in this novel, and I think having this experience first would have made 1Q84 even better.
This past year, Random House has been putting many of Murakami’s works out on audio, so I jumped at the chance to listen to this one as I had not yet read it in print. I enjoyed the audio production immensely. The two narrators bring completely different feelings to the different sections, and the novel shifts back and forth between the narratives of Kafka and Nakata. I enjoyed the haven of the library and the very helpful librarian, but that might have been the only moment of reality in this book.
Murakami always sends me off to listen to music, not just by work but certain performances of a work. I spent several afternoons listening to the Archduke Trio (Beethoven) as performed by the “Million Dollar Trio.” Great stuff.
Posted by Jenny Colvin
Filed under: New Releases, Podcasts, Recent Arrivals
The SFFaudio Podcast #229 – Jesse, Jenny, Tamahome, and Paul Weimer talk about NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s show:
Tam is back, Haruki Murakami, Kafka On The Shore, magic realism, Japan, kafkaesque, surrealism, 1Q84, The Wind-Up Bird Chronicle, pretty books, Chip Kidd, rice paper, Requiem by Ken Scholes, Julie Davis, Tor, magic staff, earth in the future, The Steel Remains, “oh crap this is the future”, Gene Wolfe, Happy Hour In Hell by Tad Williams, Bobby Dollar, The Dirty Streets Of Heaven, urban fantasy, demoness tangling, Lankhmar, urban fantasy => a certain kind of fantasy, noir/detective => hardboiled, Otherland, Luke Burrage, cats, “the Walter Jon Williams effect”, MaddAddam by Margaret Atwood, mostly dystopian, Oryx and Crake, quasi-humans, The Year Of The Flood, genetic engineering, racoon-pigs, storytelling mode, listening at 2X speed, competitive debate, Margaret Atwood’s preview of a review of Doctor Sleep by Stephen King, a sequel to The Shining, Atwood’s weakness for horror and terror, “because he’s Stephen King”, Will Patton, “don’t judge me people”, is there a stigma in literary circles?, Zoomer magazine’s profile of Margaret Atwood as “Queen Of The Nerds”, Twitter, tweetalong?, a genuine literary reputation, poetry, Orson Scott Card, does it matter?, dystopia, Dreamscape Audiobooks, The Night Lands by William Hope Hodgson, The House On The Borderlands, a very daunting book, big and ambitious, Lovecraftian?, The Scarlet Plague by Jack London, Earth Abides, class, mainstream post-apocalypse, Alas Babylon by Pat Frank, a toothless grandfather, Drew Ariana, Goslings by J.D. Beresford, plague talk!, The Children Of Men, Y: The Last Man, the newspapers, HiLoBooks, “Radium Age” Science Fiction, Gweek, The Road To Science Fiction, classicism, sexism, barbarism, The Iron Heel, numeracy and literacy, the size of the universe or the age of the Earth, Simon & Schuster Audio, Rivers by Michael Farris Smith, Jenny loves destroying the earth, wiping the slate clean, Fallout, Tobias Buckell, Interrupt by Jeff Carlson, Hunter Davis, Brilliance Audio, simultaneously published with print, Neanderthals, the pronunciations, Robert J. Sawyer, Discover Magazine, literally means not literally anymore, it’s figuratively raining cats and dogs, The Darwin Elevator by Jason M. Hough, Julie Davis, Simon Vance, science fiction thrillers, John Scalzi, plague, space elevator, working for the enemy?, a compressed schedule, writing 2X, a first novel!, military SF, “we’ve complinished everything”, Reflex by Steven Gould, Jumper, the physical audiobook industry (is it mostly for libraries), Paperback Audio, William Dufris, The Stars My Destination by Alfred Bester, innate teleportation, the Jumper movie, Portal, post-humans, Nightcrawler without the bad smell, BAMFless, The Clockwork Man by E.V. Odle, Ralph Lister, no introductions makes Jesse sad, are there audio previews?, Affliction: An Anita Blake, Vampire Hunter Novel (#22) by Laurell K. Hamilton, The Lord of Opium (Matteo Alacran #2) by Nancy Farmer, The Midnight Heir (Bane Chronicles #4) by Cassandra Clare and Sara Rees Brennan, building on The Hunger Games, Untouchable (Immortals After Dark #8) by Kresley Cole, Robert Petkoff, The Hunt or Capture, the reality TV version of The Hunger Games in The Hunger Games would be very boring, The Truman Show would be a very boring show to actually watch, in fiction the TV shows are without narrative, TVtropes show with an show, Hamlet, William Shakespeare did meta 500 years ago, epic traditional fantasy, traditional epic fantasy marriage, Crown Thief (Tales Of Easie Damasco #2) by David Tallerman, Giant Thief, sword and sorcery, golem or gollum?, Witch Wraith: The Dark Legacy of Shannara by Terry Brooks, Rosalyn Landor, , “Tolkien with the serial numbers filed off”, “its all about the elfstones”, The Lord Of The Rings, questing, trilogy vs. endless series, the Wikipedia entry for Shannara, a magical cataclysm, “a richer broader universe”, Revolution, S.M. Stirling, Robert Jordan, the Dragonlance series, Daniel Abraham, subverting the quest trope, The Eye Of The World, George R.R. Martin, gathering forces and subverting expectations, children’s fantasy, Roald Dahl, Matilda is read by Kate Winslet!, the musical of Matilda, The Twits, Charlie And The Chocolate Factory, Charlie And The Great Glass Elevator Futurama, Fry and the Slurm factory, Gene Wilder, great character names!, Dickensian names, The BFG, biography, crime, thriller, JFK’s Last Hundred Days: The Transformation Of A Man And The Emergence Of A Great President, Death Angel (Alexandra Cooper #15) by Linda Fairstein, The Kill List by Frederick Forsyth, George Guidall, “now it’s personal”, Penguin Audio, adding heat urgency of character development, adding a baby, Breaking Bad babies, the invisible baby or worse the artificially aging child syndrome, Mork & Mindy, Shaman by Kim Stanley Robinson, 30,000 years ago, prehistorical romance, hard edged scientific, Clan Of The Cavebear, Monsters Of The Earth by David Drake, Seanan McGuire, Soldier by Harlan Ellison, The Terminator, The Outer Limits, James Cameron, Philip Wylie, Tomorrow!, John Wyndham, When Worlds Collide, The Answer, nuclear war with angels, The End Of The Dream, The Murderer Invisible.
Posted by Jesse Willis
Themes: / fantasy / sheep / surreal thriller /
It begins simply enough: A twenty-something advertising executive receives a postcard from a friend, and casually appropriates the image for an insurance company’s advertisement. What he doesn’t realize is that included in the pastoral scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man in black who offers a menacing ultimatum: find the sheep or face dire consequences. Thus begins a surreal and elaborate quest that takes our hero from the urban haunts of Tokyo to the remote and snowy mountains of northern Japan, where he confronts not only the mythological sheep, but the confines of tradition and the demons deep within himself.
In Haruki Murakami’s seductive novel A Wild Sheep Chase, Murakami spins a yarn (see what I did there) around such issues as personal identity and the meaning of life. Sound complicated? No not really… well maybe a little, but it all depends on how deep you want to dive and how long you wish to hold your breath. Do you need to be a trained philosopher and English/lit major to decipher the subtle beauty of this novel? No, but it doesn’t hurt either.
Murakami’s ability to word-paint vivid autumn colors through brushed scenery of green grass and sunburnt leaves only pales to his talent of sketching his wintered black and white landscapes of rain soaked city nights and the lonely dark of death. For the most part, I was rolling along really enjoying the ride. When I reached the end, everything shifted and the true weight of what this story is about settled deep around me like an endless snow. Lulling, dulling, and soothing the reader until who we are is reflected in a grimy mirror. The I becomes you, the you becomes we, the we becomes… a sheep?
Here’s all you need to know. Don’t get hung up on the whole “A sheep inside of me” thing or the uncountable mentions of a “dead whale’s penis,” just go with the flow and ride the tide. Permit the current to carry you along and let loose your anchor and just drift.
Rupert Degas acting as narrator is brilliant. Let me say this again. Rupert Degas as narrator is brilliant. I haven’t heard a reader narrate something so clean and true since I listened to Frank Muller narrate All Quiet on the Western Front or I Heard the Owl Call My Name. Rupert Degas delivers a reading that sooths the ear while making Murakami’s narrative dance like maple leaves in a September breeze.
If you can’t tell, I found this to be a damn fine book. I enjoyed the subtle layering of philosophy and critical theory. I found the narrative captivating once I “let go.” Hmmm, might this be a reflection of life? Is life better consumed if one can let go from time to time with the understanding that time itself is an unanswered question of experienced interpretation? Maybe… Maybe so maybe no but still, this was a pleasure to read.
Posted by Casey Hampton.
Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.
Posted by Jesse Willis