Review of She Returns from War by Lee Collins

July 9, 2013 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

She Returns from War by Lee CollinsShe Returns from War (Cora Oglesby #2)
By Lee Collins; Performed by Alison Larkin
Publisher: Brilliance Audio
[UNABRIDGED] – 10 hours

Themes: / western / fantasy / skin walkers / vampires /

Publisher summary:

Four years after the horrific events in Leadville, a young visitor from England, Victoria Dawes, sets into motion a series of events that will lead Cora and herself out into the New Mexico desert. They are in pursuit of Anaba, a Navajo witch bent on taking revenge for the atrocities committed against her people.

In this follow-up to The Dead of Winter, Lee Collins gives us a second installment of his “Cora Oglesby” saga.  She Returns From War tells the story of Victoria Dawes, an English woman finding her grit in the American West.  Lee Collins has improved his writing but not nearly enough to make this tale snap with electricity.  Collins does a great job in the early portion of this novel. The wheels don’t completely fall off until midway through chapter three.  The first three chapters are quite good.  I hope that Collins continues improving and polishing his craft.  If he does, I might be able to write a positive review of his work some day.  But that day is not today.

Collins is clumsy with the female characters in his charge.  Either the women are two-dimensional drunks, classic western prostitutes, or prissy high-society types. He also includes a stereotypical Native American woman character who is a “skin walker” trying to reap revenge on the white man.  My issue isn’t with the choice of characters that Collins employs within his storytelling.  My problem is that Collins fails to provide his characters with enough depth and substance that his characters deserve.  As a result, we encounter a story jammed with cardboard cutouts lacking all sense of meaning.

Alison Larkin is the Narrator.  She uses an English accent for the most part since the story is inferred as Victoria’s story.  Larkin changes accents when doing American characters and I had a real issue here.  While the English accent works quite nicely for the character of Victoria, Larkin butchers all other accents in an over-the-top cartoonish rendition of cowboy-drawl gone bad.  If you can look beyond this, Larkin isn’t a half bad reader, though she would do well to back down the level of dramatic inflection.  There is a musical score that plays at the beginning and end of each audio CD.  Every time I heard this, I kept thinking it sounded like a second-rate retread of the Titanic soundtrack with a not so haunting female vocalist in the background lamenting some long lost love. If any of you ever find yourself in the position of choosing music to go in these spots in an audio production, please remember that less is truly more.  All that is needed is a simple single instrument that reflects the tone of the story where it is broken by the physical limits of the CD.

Aside from skin walkers and vampires, there’s not much new in the way of dark things that need to be killed.  We do encounter mysterious wolf-like things at the very beginning but these are only with us for a short while.

If you are contemplating giving Lee Collins a go, start here and see how you like his style.  I think Collins is at his best in the first three chapters.  If you like this story, then maybe take a gander at his first try The Dead of Winter… Though if’in it was up tuh me, I’d stop dead-in-my-tracks here.  It’s all downhill beyond this point.

Posted by Casey Hampton.

Review of The Dead of Winter by Lee Collins

June 26, 2013 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

Dead of WinterThe Dead of Winter (Cora Oglesby #1)
By Lee Collins; Performed by Kaleo Griffith
Publisher: Angry Robot on Brilliance Audio
[UNABRIDGED] – 11 hours

Themes: / crime / dark fantasy /

Publisher summary:

When the marshal of Leadville, Colorado, comes across a pair of mysterious, bloody deaths out in the badlands, he turns to Cora to find the creature responsible. But if she is to overcome the unnatural tide threatening to consume the small town, Cora must first confront her own tragic past.

Drunk two-dimensional Buffy in the Ole West?  Kind of but not as good, or as interesting.

The best part of this story comes at the opening with the deputy and sheriff investigating a murder scene in a wooded glen.  This section is good writing and it’s unfortunate that Collins dropped the ball after this point.  As soon as we make it into town, the narrative loses steam and barely manages a fizzle beyond this point.  Lee Collins is prone to the overuse of clichéd metaphors, similes, adjectives, and verbs.  Collins seems to handle nouns okay though.  Here’s the thing, Collins has a blocky, predictable, dull-as-paint style of telling a story wrapped up with the failed promise of improvement.  It never gets better than the beginning.

The elements of fantasy are embodied within one windigo and several nondescript vampires with one “big bad” thrown in for good measure.  And before you think I’m attaching the label of “big bad,” I am not.  Yes, Collins actually used that phrase to describe a vampire boss.  Oh and did I mention there’s an English chap who’s rather bookish and knows a lot about the supernatural?  Hmm, wonder where Collins came up with that…  The fantasy in this book seems second rate at best and at worst, they come across as a generic knockoff of Buffy.  Technically there is fantasy in this story.  One might even call it “dark fantasy” if one wasn’t overly concerned with accuracy.  As I’ve said, this is a great commuter candidate but it falls apart if you look at it too close.  If I were going to sum up my feelings about this in two words, they’d be “disappointingly unoriginal.”

Kaleo Griffith as narrator does a good job.  And while I would prefer it if he would back down the level of dramatization, he is a solid reader.  But someone needs to inform him to stop injecting that level of base into his voice when he says the chapter number.  Funny at first and then just creepy bizarre.

This would be a good audiobook for a long commute.  You don’t have to pay much attention to it and if you don’t expect much, maybe it will float your boat… or not.

Posted by Casey Hampton.