Review of Finn Fancy Necromancy

July 5, 2015 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

Finn Fancy Necromancy cover imageFinn Fancy Necromancy
By Randy Henderson; Narrated by Todd Haberkorn
Publisher: Brilliance Audio
Publication Date:10 February 2015
[UNABRIDGED] – 11 hours, 51 minutes

Themes: / fantasy / necromancer / fairies / humor /

Publisher summary:

Finn Gramaraye was framed for the crime of dark necromancy at the age of 15 and exiled to the Other Realm for 25 years. But now that he’s free, someone–probably the same someone–is trying to get him sent back. Finn has only a few days to discover who is so desperate to keep him out of the mortal world and find evidence to prove it to the Arcane Enforcers. They are going to be very hard to convince since he’s already been convicted of trying to kill someone with dark magic.

But Finn has his family: his brother, Mort, who is running the family necrotorium business now; his brother, Pete, who believes he’s a werewolf, though he is not; and his sister, Samantha, who is, unfortunately, allergic to magic. And he’s got Zeke, a fellow exile and former enforcer who doesn’t really believe in Finn’s innocence but is willing to follow along in hopes of getting his old job back.

Finn Fancy Necromancy is exactly as fun as its title suggests. From the second sentence, “We were like a couple of floating melted gummy bears made of unicorn snot and dreams…” I knew I was in good hands. In fact, even before that, in the acknowledgments when Henderson talks about his “butt-slapping doctor” I knew Henderson’s humor was going to click with me, and it did.

Finn Gramaraye is a necromancer who’s just come back from exile to the “Other Realm,” aka the fairy world. He was sent there in 1986 and spent 25 years as punishment for a crime he didn’t commit. Coming back, the problems already begin to add up and he’s already to blame for just about everything under the sun.

Told from the first person, we have no reason to disbelieve him, though his memories have been a source of many of the problems he encounters, whether it’s the fairies sifting his memories (good and bad) and making him relive them, or the changeling’s lack of memories with a botched spirit transfer.

Other than a small overuse of Star Trek references at the beginning, this book hit my funny bone quite nicely. Because Finn has been away since the 80s and this is first person, there are loads of 80s references, including, and I can’t say I recognized every single one, all the chapter titles are 80s song titles.

It’s definitely urban fantasy, but not your tween, new-age kind what with all its 80s focus. And it’s urban fantasy that really worked for me (I’m an on-off fan). The magic was interesting and the different sources make for a well-thought-out world.

The only thing, and I realize I might be the only one on this since I’ve seen it so much, is the incorporation of famous people (like Elvis, etc.) who were actually magic-users/magic creatures whose mysterious factual stories play well into a story like this. Like I said, I’m probably the only one and it wasn’t enough to really throw me out of the story, it was only a couple instances.

One thing I’m torn on is that the “twist” at the end was almost blatantly obvious about midway through the book. I don’t know if it was just the audio narration, or maybe on page would have been more obvious. I enjoyed the book regardless, because it wasn’t really all that big a deal and the major mysteries still needed solving.

Finn Fancy Necromancy is tons of fun and highly readable. I listened to the audio version and Todd Haberkorn did an excellent job. Just vulnerable enough to pull off Finn and nailing all the jokes and off-hand remarks in between voicing Sasquatches and gnomes.

Which reminds me, I highly enjoyed the magical creatures in this one. Not your typical ones, but they played into the story nicely. Read Finn Fancy Necromancy when you’re in the mood for some light-hearted fun with a fast-paced story that will keep you turning pages. Not your typical urban fantasy in the best possible way.

4 out of 5 Stars (highly recommended)

Posted by Bryce L.

Review of Heraclix and Pomp by Forrest Aguirre

November 26, 2014 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

Hereclix and PompHeraclix and Pomp: A Novel of the Fabricated and the Fey
By Forrest Aguirre; Narrated by Brandon Massey
Publisher: Audible Studios via Resurrection House
Publication Date: 14 October 2014
[UNABRIDGED] – 11 hours, 7 minutes

Themes: / reanimation / golem / necromancer / fantasy /

Publisher summary:

Heraclix was dead and Pomp was immortal. That was before Heraclix’s reanimation (along with the sewn-together pieces and parts of many other dead people) and Pomp’s near murder at the hands of an evil necromancer. As they travel from Vienna to Prague to Istanbul and back again (with a side-trip to Hell), they struggle to understand who and what they are: Heraclix seeks to know the life he had before his death and rebirth, and Pomp wrestles with the language and meaning of mortality. As they journey across a land rife with revolution and unrest, they discover that the evil necromancer they thought dead might not be so dead after all. In fact, he might be making a pact to ensure his own immortality….

Heraclix and Pomp: A Novel of the Fabricated and the Fey is a story about mortality, at the end of the day. It has horror and fantasy trappings, but at its core, it deals with finding oneself and dealing with mortal matters. The story is told through the guise of Heraclix, a golem, pieced together from many beings, and Pomp, a fairy faced with mortality. I think this book is probably a 2.5-star book…on the one hand, I liked the characters and the world and the idea. But on the other, I was bored a lot of the time when listening, and the book felt repetitive.

The book seems to do a lot of moral speaking, all from the frame of Heraclix or Pomp. Brought together when a sorcerer’s attempt at a spell goes haywire, Heraclix suffers a re-birth of sorts, while Pomp is nearly killed in the doing of the magic. Bound by their shared experience, they set off to first escape the sorcerer and then to learn more about Heraclix’s past. As he travels Europe and The Middle East, Heraclix learns whose parts literally make up his whole–he is a golem of patched together parts from people, most of whom he learns about in his travels. Pomp, meanwhile, is from the land of the Fey, used to being a prankster and not having to worry about a thing. However, the sorcerer almost killed her, brining her face to face with her on mortality, so she learns more of what it is to be human (or at least, human-like) while helping Heraclix learn about himself.

I enjoyed the world that Aguirre developed, and I enjoyed the characters. The book takes place in the time shortly after The Crusades, in parts of the world I don’t often see come up in books. Heraclix and Pomp run into vagabonds, sorcerers, gypsies, kings, nomads, and a host of other characters as they search between Vienna and Instanbul–and a variety of places in between, including a trip to Hell. The telling of the various stories of the lives that Heraclix was a part of was charming and not like most things I’ve read.

But…somehow, it wasn’t enough. I repeatedly found my mind wandering during the narration, found myself having to go back to the beginnings of chapters to see what I’d missed. The book seemed to work very well one chapter at a time…at first, but even then, I was finding other things to read. Some of the language used seemed purposefully obscure, and a lot of the scenes felt like repeats–Heraclix and Pomp enter a setting, they find some part of Heraclix’s past, they are chased out into another setting, rinse, repeat. I think if the book had been shorter, it might have helped. It’s not that it was bad (it certainly wasn’t), but I think more might have been left on the editor’s desk.

The narration, performed by Brandon Massey, was decent. His voice is strong, good for an audiobook, if a little droning at times. The biggest “problem” with the narration might be more due to the story itself. It was sometimes hard to keep track of characters, of who was who. This was especially problematic when characters from the early parts of the book would be re-introduced at the end of the book. Audiobooks are much harder to flip back through to refresh your memory, after all. Massey’s voice sounded familiar to me, though looking through my library, he hasn’t narrated anything else that I’ve read. His voice would be good in a mystery or other novel when there are only a few characters.

All in all, I liked this book, but wished that it had been a little less obscure and a little less repetitive. That doesn’t mean, though, that you shouldn’t give it a try if it sounds interesting. But maybe try it out in a print format.

Posted by terpkristin.