Here’s an Octobery treat for you, The Homecoming by Ray Bradbury as read by Scott Lefebvre.
Timothy feels like an outsider at his family reunion – he just doesn’t fit in; he doesn’t drink blood, he can’t fly, and isn’t immortal – not the rest of the family, which is made up of witches, vampires and werewolves.
Here’s Lawrence’s stunning illustration of The Homecoming from Famous Fantastic Mysteries, December 1952:
“Homecoming”, as it was first titled, was first published in Mademoiselle, October 1946, and was “plucked from the pile of unsolicited manuscripts” by Mademoiselle’s editorial assistant, Truman Capote. This came, apparently, after its rejection by Weird Tales – a market where Bradbury had often earlier seen print. Mainstream publication lead to mainstream awards, and to more mainstream publications. But, it also showed up, as did so many of Bradbury’s works as reprints in genre magazines, like Famous Fantastic Mysteries, and in more recent years even as picture book version, with illustrations by Dave Mckean.
Posted by Jesse Willis
The Martian Chronicles
By Ray Bradury; Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 8 hours
Themes: / Mars / science fiction / short stories /
Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America’s most beloved authors. In a much-celebrated literary career that has spanned seven decades, he has produced an astonishing body of work: unforgettable novels, essays, theatrical works, screenplays and teleplays, and numerous superb short-story collections, including The Martian Chronicles: masterfully rendered stories of Earth’s settlement of the fourth world from the sun. Bradbury’s Mars is a place of hope, dreams, and metaphor—of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn—first a trickle, then a torrent rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars…and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.Ray Bradbury’s The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time’s passage. In connected, chronological stories, the grandmaster of science fiction enthralls, challenges, and delights us, exposing in stark and stunning spacelight our strengths, our weaknesses, our follies, and our poignant humanity, on a strange and breathtaking world where humanity does not belong.
I’ve never read anything by Mr. Bradbury before. I’m not really well read in the “classics”. There is too much modern stuff I want to read, and in general I prefer fantasy to Sci-Fi. But when Brilliance Audio was releasing some of his better known works on Audio CD (although the production itself was done by Audible) last year, I jumped at the chance to finally give him a try.
I’ve been in a bit of a reading funk this year, and was trying to figure out what to read AFTER this book to get me out of it. Since it was short, I wanted to listen to it sooner rather than later, write up my review then move onto something else.
Apparently I just needed to listen to this. Apart from one story (Way in the Middle of the Air) which made me really uncomfortable and showed it’s age. It appears to have been eliminated from several of the more recent editions of this book, and I wish I had skipped it as it really adds very little to this collection.
Everything else was enjoyable. A bit depressing, but enjoyable. Mr. Bradbury paints a bleak picture of a future that thankfully never came. This isn’t hard sci-fi by any means, but more like dystopian space opera.
I would have never thought something bleak would lighten my mood, but the stories were that good, and the prose are excellent. They reminded me a lot of the Twilight Zone, although I know these stories predate that show. I think The Silent Towns could easily have been an episode of the show, as could several others.
I think my favorite of the collection is Usher II. I can’t pretend to get all the references apart from Poe and Lovecraft, but his tale of revenge for censorship is quite good. I’ll have to check out the Poe story The Fall of the House of Usher that seems to have influenced it.
Mark Boyett’s voice reminds me a bit of Rod Serling, which as I get into a bit below seemed a perfect fit. I know there are multiple versions of the audiobook. I’m not sure how easy they are to get a hold of, but this one seems like a good option.
Overall this is an excellent collection of stories, and if like me you haven’t read it/anything by Mr. Bradbury, this seems like as good a place as any to start.
Review by Rob Zak.
Filed under: New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Lowball : A Wild Cards Novel edited by George R. R. Martin and Melinda Snodgrass, The New Annotated H. P. Lovecraft edited by Leslie S. Klinger, a reference book readalong?, Marked: Servants Of Fate, Book 1 by Sarah Fine, conflict of interest, Until The End Of The World by Sarah Lyons Fleming, Until The End Of The World (movie), The Dark Thorn by Shawn Speakman, the Seattle underground, Entangled: The Eater of Souls by Graham Hancock, lots of research, Half-Off Ragnarok (InCrytpID Book #3) by Seanan McGuire, V Wars: Blood and Fire: New Stories of the Vampire Wars edited by Jonathan Maberry, a dime a dozen, Wildalone by Krassi Zourkova, At the Mountains of Madness by H.P. Lovecraft, didn’t Southpark adapt this?, annotations, pdf of original story with illustrations hosted by Sffaudio, Kaiju Rising: Age of Monsters (editor?), not inspired by Pacific Edge by Kim Stanley Robinson, similar short story overdose, The Playground and Something Wicked This Way Comes by Ray Bradbury, Richard Matheson, killer baby, Tam remembers the Good Story Episode (#21) on Something Wicked, Ray Bradbury storytelling festival, Something Wicked vs The Night Circus, or maybe Good Omens (which is a BBC radio audiodrama now), “@DirkMaggs:
#GoodOmens we are thrilled that the series has been so enjoyed. The CD/Download version released in January runs nearly 50mins longer in all” (RT’d by @SDDanielson), British tests, Hypnobobs podcast on Christmas Annuals, The Strange Library by Haruki Murakami, The Maker Of Moons by Robert W. Chambers, The True Detective tv series, The Last American Vampire by Seth Grahame-Smith, the picture of the navy guy kissing the woman, ATLAS by Peter Berkrot, Mech Warrior game, The Three-Body Problem by Cixin Liu and translated by Ken Liu, the three-body problem explained, (Ken Liu is a lawyer and programmer, Jenny), David Brin gave it 5 stars on Goodreads, The Jesus Incident by Frank Herbert and Bill Ransom, Carbide Tipped Pens: Seventeen Tales Of Hard Science Fiction edited by Ben Bova and Eric Choi, that’s hard!, The Year’s Top Ten Tales Of Science Fiction 6 edited by Allan Kaster, The Cosmic Puppets by Philip K. Dick, Lock In by John Scalzi, why two audio versions??, The Martian Chronicles by Ray Bradbury, |Listen to our readalong|, Proxima by Stephen Baxter, but Jenny wants to know the plot, Fahrenheit 451 (narrated by Tim Robbins), Plague Year by Jeff Carlson, The Long Dark game, two more quickly, WHITE PLAGUE: A Joe Rush Novel by James Abel, and Near Enemy: A Spademan Novel by Adam Sternbergh
Posted by Tamahome
Talked about on today’s show:
the Pulpscans Yahoo! Group, how to do copyright renewal searches properly, the tools, The Cold Equations by Tom Godwin, Astounding Science Fiction, two ways stories can be protected by copyright, before 1963, publisher renewals, author renewals, renewals after 1950 are on copyright.gov, 1923-1950, a text file for magazine renewals, and a text file for author renewals, Weird Tales, 1920s to the 1950s, OCR failures, looking for something to not be there, a very heavy burden, pseudonyms, false renewals, erroneous renewals, the pre-internet days, the Philip K. Dick estate’s copyright “pattern of abuse”, revisions, the 36 public domain Philip K. Dick stories, “they never got it wrong the other way”, a statistician could do something very interesting there, The Adjustment Bureau / Adjustment Team, the H.P. Lovecraft estate (if there is such a thing), the S.T. Joshi corrected texts, Home Brew (magazine) with Clark Ashton Smith, ebooks, paperbooks, and audiobooks, the Science Fiction Megapack, trademarking, licensing stories, horror, fantasy, golden age of science fiction, Lester del Rey, Westerns, length is not an issue in, Eando Binder, short stories in comics, Jack Binder, Captain Marvel, Whiz Comics, Captain Video, Tom Corbett, the Adam Link stories, Otto Binder, banned from Amazing Stories, “E” and “O”, unattributed short stories in comics, Fawcett Comics, Westbrook Wilson, Richard Lupoff, the space patrol stories, Joseph J. Mallard, a Nazi saboteur lost in the north woods, a dodge for a cheaper rate, silver age comics drop text stories, early DC Comics, Night Of The Living Dead, Zulu, fanzines in the public domain, Ray Bradbury in the public domain, copyright notification is no longer required, USA copyright lifetime + 70 years, 1984 by George Orwell is public domain in Canada but not yet in the USA, Donald A. Wollheim, a quasi-legal loophole, The Lord Of The Rings by J.R.R. Tolkien was briefly public domain in the USA, the scarcity of the Ace paperbacks of The Lord Of The Rings, the state of Ace doubles etc., unless it’s work made for hire, children’s books, Nancy Drew, Tom Swift, copyright compilation renewals, Analog renews a magazine…, how would we know if an author asks for his or her rights back?, the Guy de Maupassant Megapack, a victim of availability, Jules Verne, translations, a recent obsession, a gold mine [metaphor], an estimated 85% of books and stories published before 1964 are in the public domain, reading the letters pages of Weird Tales, Robert Bloch, spotty renewals, Ray Bradbury changed the name of stories a lot, pulp magazine editors, editorial meddling, respecting the text but keeping your job, annotated text links, nothing new can enter the public domain in the USA, corporate copyright to 95 years, the puppet Sonny Bono, life +70 years for authors is, 1922 and before is without question in the public domain in the USA, Mack Reynolds, buying author estates, Lester del Rey, H.B. Fyfe, unpublished manuscripts, John W. Campbell, Ellery Queen’s Mystery Magazine, archaeology for writers, 37 unpublished Mack Reynolds novels were thrown away, what is an author’s estate worth?, thousands of $$, R.A. Lafferty estate sold for $70,000.00, a major SF author’s estate was worth 1/4 million $$, the trend in ebooks, 14,000 different paperbooks and 1,100 ebooks and the ebooks earn 4 times as much as the paperbooks, the audiobook trend, Audible.com, Lois McMaster Bujold audiobooks, 200 audiobooks, a value added for authors, because Amazon owns everything…, a benign dictator forever?, when all competition is gone…, Amazon vs. Hachette, Amazon is demanding a higher and higher cut of ebook sales, 85% of ebook sales are through Amazon, a giant anti-trust situation, it’s like Highlander … there can be only one, when everything goes seamlessly into the Kindle…
Posted by Jesse Willis
The SFFaudio Podcast #285 – Jesse, Scott, Luke, and Jenny talk about The Girl Who Was Plugged In by James Triptree, Jr.
Talked about on today’s show:
Alice Sheldon, why no audiobook?, how James Triptree, Jr. died, the award, the Virginia Kidd agency, the PDF version, who owns it?, James Tiptree, Jr.: The Double Life of Alice B. Sheldon by Julie Phillips, Her Smoke Rode Up Forever, she was a spy, Racoona Sheldon, a murder/suicide or a suicide pact?, nearly blind, what would Seth think of that?, Huntington D. Sheldon, OSS -> CIA, Cordwainer Smith, Jesse is glad “new wave” is dead, re-reading, you must pay close attention, grammar, a potential audio version, caps and italics, Scott’s proto-cyberpunk, story summary, holographic TV, a “waldo” system, product placement advertizing, the 1998 TV adaptation for Welcome To Paradox (was very faithful), emotional, internal, the weird framing style device, is it NEW WAVE?, J.G. Ballard, an ancient version of the singularity, the reader needs to do a lot more work, Day Million by Frederik Pohl, who is the narrator talking to?, “Listen zombie, believe me…”, the truth is in question, Scott is falling down the Jesse Well, Evel Knievel, media and money, someone goes time traveling, the sharp faced lad, Luke goes biblical, why do we need firm ground?, P. Burke, a media controlled dystopia, post-modern stream of consciousness, its set in the 1970s, “Nixon Unveils Phase 2”, a loopy temporal anomalyizer project, bringing the horrible future into being, investment opportunities, what do people do in this future?, the Wikipedia entry on product placement, “gods”, media consumers, Kyle Marquis @Moochava tweet: “Yearly reminder: unless you’re over 60, you weren’t promised flying cars. You were promised an oppressive cyberpunk dystopia. Here you go.”, dystopic is this?, reserving the word dystopia, “a bad place”, Nineteen Eighty-Four by George Orwell, a world community, “the world is a dystopia for poor people”, buying into it, required consumption, a softer opt-in dystopia, Wool by Hugh Howey, the lack of truth, the six people in the GTX tower, Rupert Murdoch, government control vs. corporate control, biography of Anonymous, Wikileaks, Amazon.com, PayPal, MasterCard, Visa, Russia, Jony Ive, Jeff Bezos, Google, this one person, this relationship, the emotional part of the story, a suicide attempt, “her eyes leak a little”, the godlings, media stars, Fahrenheit 451 by Ray Bradbury, the family and the fourth wall, a tax-dodge marriage, the narrator is full of contempt for everything, a soap opera and the show around that, Jean Harlow‘s story, the actress in that movie vs. the person in that life, her Prada bag, her Jimmy Choo, her iPhone 6, the meta-story, the movies remind us why they’re famous, South America, they’re just shows that happen to love soap (not soap operas), another allusion, Green Mansions by William Henry Hudson, Rima the Bird Girl, Audrey Hepburn, tragic end, “your brain is a dystopia for you”, tragedy, what of the empty body?, the best expression of the system, a plastic brain, a red herring?, was she trying to kill her biological body?, plugged in emotionally, I Will Fear No Evil by Robert A. Heinlein, old man becomes young woman, grandfatherly lust, P. Burke thinks she is Delphi, The Matrix, if this is the start of the technology, The Beautiful People by Charles Beaumont, Scott Westerfeld’s Uglies series, vat-grown avatars, Wii miis, World Of Warcraft, Team Fortress 2, unique trumps beauty, the second smartest man in the world, scars are cool, trans-humanism, did anyone enjoy this book (story)?, Jenny loves this story, Scott liked it, the value of short fiction, James Triptree, Jr. writing is not like other people’s, it feels like an artifact, hey you daddy-o, Luke is the dissenting voice, Luke doesn’t like short fiction very much, Rudy Rucker’s Software and Wetware, Cory Doctorow, the futuristic patois, Luke doesn’t like the punk in cyberpunk, “it kind of just flops there”, KCRW’s Bookworm, Reading Like A Writer by Francine Prose, using people, “the real hairy thing…love?”, the narrator’s cynicism, Isaac Asimov’s thoughts on New Wave, New Wave as the literary version of SF, style over content, what Rudy Rucker was doing, what is the first cyberpunk book?, Anne McCaffrey’s short story The Ship Who Sang, what it’s not, who wants straightforward?, addressing the reader directly, Peter Watts, infodumping, “As you know Jim…”,
On this day I want to tell you about, which will be about a thousand years from now, there were a boy, a girl and a love story. Now although I haven’t said much so far, none of it is true. The boy was not what you and I would normally think of as a boy, because he was a hundred and eighty-seven years old. Nor was the girl a girl, for other reasons; and the love story did not entail that sublimation of the urge to rape and concurrent postponement of the instinct to submit which we at present understand in such matters. You won’t care much for this story if you don’t grasp these facts at once. If, however, you will make the effort, you’ll likely enough find it jam-packed, chockfull and tiptop-crammed with laughter, tears and poignant sentiment which may, or may not, be worth while. The reason the girl was not a girl was that she was a boy.
“There’s a great future there”, All You Zombies by Robert A. Heinlein, it’s not a time travel story?, newspapers, typewriters, telegrams, has writing gotten worse or is it just evolving?, brid -> bird, Luke thinks it’s all cyclical, this is just another princess, this is Princess Diana’s story, we are complicit, the message, everyone should have to read the news in a second language, being two steps removed from current events, the value of the short story (it’s short), speed dating books, good luck.
Posted by Jesse Willis
Talked about on today’s show:
1987, Amazon and Goodreads reviews, what the fuck’s going on, super-clear = refreshing, mainstream, science fiction elements, a mainstream thriller with sufficently science fiction trappings, the bad guy, action and science fiction, supermarket fiction, Stephen King, Dean Koontz, Michael Crichton, flirting with the fantastic, Koontz could go deep if he wanted to, excitement and involvement, an intelligent dog, a human serial killer and the good guy is always super good, a lonely lady who needs fixing, no need for a job, Garrison, the vet, money ex machina, wish fulfillment, sniffing the books, writing instinctual, “I like books”, readers are readers, is Koontz wealth (?) an accident, the same book over and over again with different sentences, dogs, odd without a dog, back to dogs, the fictional golden retriever, service dogs, Trixie Koontz, dog POV, Travis and Nora, if I could only communicate…, five stars with more than 1,000 reviews, cat lovers, sappy wish fulfillment, clunky dialogue, Seth’s retired guide dog, emotional scenes, Einstein, emotional beats hitting home, the Outsider, slow pitch Science Fiction, the NSA, research as depth of feeling, why the eyes, the Mickey Mouse telephone, a direct philosophical descendant of Frankenstein, we must treat our creations with justice and mercy, the disfigured (?) monster, extreme violence is a turn-off, dogs as wild animals that we tamed, a glacial Frankensteinian process, dogs as infantilized wolves, a dog’s nature is to be cowardly, breeding for violence (?), no savagery gene, baboons, bonobos, the creepy cable-guy stalker, delusions of immortality (?), money, surreality, The Call Of The Wild reference, survivalists, true love with a threat, preppers, Home Alone, what do Europeans think of gun culture?, fully automatic uzi kits, the baking of the cookies, the Dean Koontz genre, Phantoms, the town of Snowfield is deserted, a sink-full of jewels, creepy with wish fulfillment, and fun, multiple bad guys (monster and otherwise), The Mysteries Of Udolpho, let’s look at the parallel structure…, snake killing, some (more) cookies, pity, the underlying strength of the book, did the Outsider think that it killed Einstein?, Dean Koontz likes: cookies, mercy, and guns, Koontz’s hair transplant, political things, the soliloquy on technology, computer hacking (prior to the web), a preoccupation with Central/South America, Lebanon, Delta Force, quasi-domestic operations, The Outsider by H.P. Lovecraft, the crappy 1988 movie of Watchers, the horror/1980s-gore aspect, Koontz and King adaptations, completely forgettable single word titles, Koontz’ preferred title would have been “Guardian”, Philip K. Dick’s first story Roog, offering urn, the education of Einstein (paralleling the education of Frankenstein’s monster), Agatha Christie, it makes you happy, 2 Jesses, “a book you will never forget!”, a candy book, The Giver, Lawrence Block, Donald Westlake, taking experiences from their own life, Ray Bradbury never had an experience that he didn’t turn into a fix-up novel, turn your brain off, smooth flowing fun, the complainers, the style of dialogue, a straw man of the dialogue, why is the Outsider after Einstein?, a “thing that should not be”, Huey, Dewey, and Louie, page turning machines, stewing in resentment, the Outsider has no bride and hasn’t read Paradise Lost, a shared love of Mickey Mouse, the yin and yang of humanity, the NSA agent’s role is like that of Detective Fix in Around The World In Eighty Days, the level of characterization, Dean Koontz is by himself on his own little island.
Posted by Jesse Willis