Review of A Wizard of Earthsea by Ursula K. Le Guin

SFFaudio Author of the Month

ed. – Here’s another audiobook narrated by, but not written by, Harlan Ellison

Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. Le GuinA Wizard of Earthsea
By Ursula K. Le Guin; Read by Harlan Ellison and Ursula K. Le Guin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from Audible.com)
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz

Spec Fic Podcast Heads-up: Variant Frequencies

Online Audio

Variant Frequencies PodcastVariant Frequencies is a podcast that bounds the entire spectrum of genre fiction, but they give special emphasis to the fantastic. With a dozen shows under its variably sized belt we can say that Variant Frequencies is well worth checking out. You’ll find elements of Gothic horror, space adventure, dark fantasy and the “reality-bending vibes of The Twilight Zone” all available free of charge. You can subscribe to the show by pasting either the MP3 or the M4a feeds into your podcatcher…

MP3 RSS Feed:

http://feeds.feedburner.com/VariantFrequencies

M4A RSS Feed:

http://www.variantfrequencies.com/podcast.html

Review of Saturn’s Race by Larry Niven and Steve Barnes

SFFaudio Audiobook Review

Science Fiction Audiobook - Saturn's Game by Larry Niven and Steve BarnesSaturn’s Race
By Larry Niven and Steve Barnes; Read by Scott Brick
10 Cassettes or 12 CDs – 13 Hours 54 Minutes [UNABRIDGED]
Publisher: Books On Tape, Inc.
Published: 2000
ISBN: 0736659374 (cassette), 0736671366 (cd)
Themes: / Science Fiction / Artifical Intelligence / Consciousness Uploading / Cyborgs / Politics / Population Control / Life Extension /

Chaz Koto is a citizen of Xanadu, a near future perfect society hosting the wealthiest men and women on Earth. Along with his fellow citizens, he bears the burden of a dark secret that the outside world would be shocked to hear. Lenore Myles is a student who travels to Xanadu and becomes involved with Koto. When Koto unwittingly lends her his access codes, Lenore stumbles upon the grisly truth behind Xanadu’s glittering facade.

The title is deceptive. The planet Saturn plays no role in the plot and nobody in the book is racing anywhere. This is an earth-bound adventure set in the near future. I figured out what the title meant near the end of the book, but the rest of the novel was relatively predictable. For instance, there is a revelation that happens within the first couple of chapters but it was so broadly telegraphed in the first scene the involved character shows up in that I was bored by the revelation rather than surprised by it. Ultimately Saturn’s Race is one of those novels that just fails to gel. There’s a plot, plenty of interesting ideas and a resolution, but frankly the plot is mediocre, the ideas relatively minor, and the resolution comes through only on the most basic level.

For me, the most memorable concept used in Saturn’s Race is that of “metaphors.” Basically Niven and Barnes illustrate that metaphors, like computer languages or a computer graphic interface, are used as handy tools to leverage work. It’s why poetry can say so much with so few words – the words are densely packed, brimming with meaning. It is also why a little pointer dragging a few color pixels across a screen can unmake or move a file in ways far quciker and easier than by command line interface. In other words computer programs are really elaborate metaphors for the manipulation of data. This is brought to life in the novel when a character runs an artifical intelligence program that simulates Rex Stout’s corpulent detective Nero Wolfe. It’s a neat idea. But ultimately the novel didn’t move me as I had hoped it might. Overall, this is passable faire, but I doubt I’d need to listen to it again anytime soon.

The cover art for Saturn’s Race is almost incomprehensible. Is that a seahorse on there? I can’t tell. The paperback version has a painting of two genetically-modified sharks on the cover. That would have been more apropos. Reading the book is the ubiquitous Scott Brick. Scott does his very best to bring energy to the lackadaisical pace. For the most part it works, since the novel doesn’t bore in the listening, though I’m sure I’d have stopped reading were I experiencing the paper edition. Saturn’s Race is still available to be purchased from the Books On Tape website. But who knows how long that will be for? BOT was forced to dump a good chunk of its older science fiction titles when it got purchased by the aptly titled Random House a couple years ago and this fact has made many of its excellent unabridged titles quite valuable on the secondary market. The same loss may happen again soon to the remaining BOT library. I don’t think out of print copies of Saturn’s Race will be selling for thousands any time soon, but if you think you ever might want a copy acting sooner rather than later may save you some money.

Posted by Jesse Willis

CBC Radio One Radio Drama Update

News

CBC Radio OneCBC Radio producer Joe Mahoney has just posted some interesting radio drama related tid-bits about two upcoming CBC Radio One series:

“Last Friday we finished whipping the J. Michael Strazcynski (JMS) piece The Adventures of Apocalypse Al into shape. Greg DeClute and I spent the entire week with JMS and Samm Barnes fine tuning the edit and the sound effects assembly. We’ll actually mix it next week some time. Apparently it will air over the summer, but I don’t know exactly when yet.”

Joe also writes about a follow up to the two successful Matt Watts’ series Steve, The First and Steve, The Second. It will be called Canadia. Cast details can be found in the same post which you can find on Joe’s blog.

Review of City of Darkness by Ben Bova

SFFaudio Review

ed. – Here is a fine example of Harlan Ellison as narrator.

City of Darkness by Ben BovaCity of Darkness
By Ben Bova; Read by Harlan Ellison
2 Cassettes – 3 hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1998
ISBN: 0787117269
Themes: / Science Fiction / City / Gangs / Environment /

This is a story about a teenager who feels New York City calling to him – “live here, live here, whatever it is, it’s here, and nowhere else”. No, this isn’t Fame. In fact, it’s much closer to John Carpenter’s Escape from New York, because Ben Bova’s Manhattan has been covered by a dome, and only opens for tourists in the summer, because of several issues, including the quality of the environment (not fit for people) and the mood of the citizens (you can’t move around in the city without being shot at).

The teenager, Ron Morgan, receives his results on tests that determine his entire future. He scores very well (extremely well), but New York beckons. His father be damned, he sneaks off to get in one last visit before giving his life to the machine. Mayhem ensues, and when the gates close for the summer, Ron finds himself locked on the wrong side. He finds the city sparsely populated by interesting characters, many of whom are young people who have split up in a way that would have made William Golding nod. Gangs rule the day, and Ron finds himself in an extremely difficult spot, with nothing to rely on other than his mechanical aptitude.

This may be my favorite Ben Bova work. He crams many of his recurring themes into this story, but social and environmental concerns rule the day here. His picture of future New York is dismal, and very much an if-this-goes-on warning. The citizens who decide to stay in the city choose to because they don’t see life in mainstream society (i.e., a lifetime in pursuit of dollars) as a better option – another thing Bova makes us consider.

Now, the story is quite good. But, what makes the audiobook great (and it is great) is the way it was read. Harlan Ellison performs the novel, and won an Audie Award for it. Ellison’s style of narration is unique in my experience. He can keep up with the best narrators in the business when it comes to accents and character creation, and then adds a story-telling touch that makes it all the more personal. His emotion isn’t limited to dialogue. He stammers when a character stammers. He’s excited when the action is intense. He is fully present while he’s narrating, and he lets himself feel and convey those feelings without waiting for dialogue to do it. It spills over, right out the earphones, and makes the story much more vivid and intense. This is a superior piece of narration – one that professionals should hear.

Posted by Scott D. Danielson

Free H.P. Lovecraft Short Story, The Nameless City, in MP3 Format

Online Audio

Yog Radio PodcastThe right proper fellows at Yog-Radio have recorded their second creepy H.P. Lovecraft tale and released it as a FREE mp3. Nice of them to prov… hey, wait a second, why would these guys be releasing such good stuff for free? Is this some lure to make me join their unspeakable cult? Well, mayhaps it is, but I’m happy to join if only they keep releasing such eldritch richness for my aural delight…

The Nameless City by H.P. LovecraftThe Nameless City
By H.P. Lovecraft; Read by Michael Scott
1 MP3 file – 27 Minutes 46 Seconds [UNABRIDGED]
Podcaster: Yog Radio
Podcast: May 7th 2006

That is not dead which can eternal lie,
And with strange æons death may die.”
-From the Necronomicon