Commentary: Science Fiction, Fantasy and Horror Podcast Directories

SFFaudio Commentary

SFFaudio's Online Audio DirectoryOther than our recently updated Online Audio directory, there are several options for finding Science Fiction, Fantasy and Horror related podcasts…

TSFPN: The Science Fiction Podcast NewtorkOldest among the specialized driectories is TSFPN.com, which started strong last year and then too rapidly expanded into other categories of podcasting – this seems to have hurt their Speculative Fiction listings. A useful feature for some is their listing of podcasts by age appropriateness (General Audience, Safe For Age 14 and Not Work Safe) unfortunately they no longer include what I would consider some of the top podcasts (if you don’t list Escape Pod there has to be something wrong) though to be fair there are still some truly great podcasts listed on TSFPN, The Rev-Up Review, fior instance. Unfortunately the categories are not strictly SF, F and H related. Skepticality is listed and I think it is a terrific show, and I know it to be beloved by many speculative fiction fans, but it has no speculative fiction content at all.

SciFi PodsSciFiPods.com, a new venture that started just one week ago, is a daughter site of PodcastPickle.com. Strangely it also lists Skepticality, just because the show is awesome doesn’t make it speculative fiction. This is a nit-pciky thing, I love skepticality but I’ve never found a away to mention my favorite no Speculative Fiction podcast on SFFaudio’s Online Audio page, sure History According To Bob is an awesome podcast, but it just isn’t related. Like TSFPN, SciFiPods also gives an explicit content ranking system to their 139 currently listed podcasts. You’ll find more content listed here than anywhere except for iTunes. Unfortunately the site has a flash intro, that while entirely skippable, serves no purpose.

iTunesiTunes’s Music Store (so named in spite the fact that the podcasts are all free), offers a comprehensive search feature that will dig into the podcast descriptions and find some excellent obscure podcasts. iTunes also offers featured podcasts picked by some nameless Apple folks. There are some terrific picks in there, but if a podcast doesn’t have a decent looking logo, the chances of being featured approach zero. There is a new feature tyhat alows you to browse by category too. By clicking around in there you may be able to find their “Arts : Literature” section, which lists many interesting podcasts.

PodiobooksPodiobooks.com gets short shrift in listings, it isn’t a podcast per se, though it does have a “what’s happening at podiobooks” podcast. Instead it is a podcast provider, a collection of podcast fiction, one like no other. Listed among its dozens and dozens of podcasts are three solid categories, Horror/DarkFantasy, Science Fiction, and Fantasy sections. In them are dozens of excellent podcast novels and books. Sure, some of the podcasts listed on Podiobooks.com get attention elsewere, 7th Son for example is currently listed at #1 on SciFiPods.com’s top 100 podcasts. But if you want to find some of the older titles, still available to your podcatcher Podiobooks.com is the place you need to go.

iTunesThere is also the venerable, PodcastAlley.com, the oldest of all podcast directories. But they do not list “Science Fiction,” “Fantasy,” or “Horror” categories. The closest they come to making navigation managable is a “storytelling” category. There they do list many excellent podcasts, but the ranking system puts DVD review podcasts ahead of actual storytelling podcasts. Its more of a popularity ranker than a podcast directory in that respect.

So which directory should you be using? Here’s my opinion:

1. Use iTunes and slog through their massive listings using as many related search terms as you can. But be warned, they don’t always bring results, to find the Yog Radio podcast, for instance, you can’t use “Lovecraft” as a search term, even though Yog Radio releases unabridged H.P. Lovecraft stories, instead you’ll need to use the term “Cthulhu.”

2. Keep visiting SciFiPods.com, maybe they will become the resource in the months to come. But for that to happen they’ll probably have to dump that annoying intro.

3. Visit Podiobooks.com or subscribe to their blog’s RSS feed. The Podiobooker podcast is also useful, though it is currently on hiatus (I’m told it is coming back).

4. Keep us subscribed, or occasionally visit our Online Audio page. It is organized visually with logos from the listed podcasts and other online audio sources. It is by no means exhaustive, but we have tried to include many of the best podcast and online audio resources that deal in Speculative Fiction.

CBC Radio Podcast: Sounds Like Canada plugs Science Fiction Podcasts

Online Audio

CBC Radio's Sounds Like Canada Podcast Sounds Like Canada, CBC Radio One’s feature morning program has a podcast. The SLC’s “Digital Extra” features stories of what happens off the air. The latest podcast features three podcasters from the Podcasters Across Borders event that happened in June. Tim Campbell was one of the guests (his is a motorcycle podcast, The Twisted Wrist) but he gave a good plug for Science Fiction. Tim writes: “I listen to a lot of SF on podcasts, most notably Slice of SciFi and Escape Pod, and wanted to represent a little bit of the SF podcast world in the interview.”

Download the MP3 direct, or subscribe to the podcast via this feed:

http://www.cbc.ca/podcasting/includes/slc.xml

Elric of Melnibone on Audible

SFFaudio News

Thanks to SFFaudio reader Esther for pointing out that the Audio Realms unabridged (and Excellent) Elric of Melnibone by Michael Moorcock is Audible.com‘s Selection of the Day! That means you can get this Excellent title for $9.95 today only. Don’t miss it!

Science Fiction Audiobooks - Elric of Melnibone by Michael MoorcockElric of Melniboné
By Michael Moorcock, Read By Jeffrey West and Michael Moorcock
5 CD’s – 5.5 Hour [UNABRIDGED]
Publisher: Audio Realms
Published: 2003
ISBN: 097315960X
Themes: / Epic Fantasy / Magic / War / Gods /

Click here for SFFaudio’s rave review of this title, from 6/29/2005.

Ed – $9.95 is the non-member price. The member price is only $6.97.

Posted by Scott D. Danielson

Review of Shadow of the Hegemon by Orson Scott Card

Science Fiction Audiobook Review

Science Fiction Audiobook - Shadow of the Hegemon by Orson Scott CardShadow of the Hegemon
By Orson Scott Card; Read by David Birney, Scott Brick, Gabrielle de Cuir, and Stefan Rudnicki
11 CDs – 13 hours – [UNABRIDGED]
Publisher: Audio Renaissance
Published: September 2006
ISBN: 1593974809
Themes: / Science Fiction / War / Politics / Youth / Strategy /

In Ender’s Game, Ender Wiggin and his jeesh won the war against the buggers. From there, the story of Ender and his sister Valentine continues in Speaker for the Dead, Xenocide, and Children of the Mind. But what of the people Ender left behind? What of Ender’s power hungry older brother Peter? What of Bean and the other Battle School kids? Orson Scott Card gives us that story beginning with Ender’s Shadow, then continuing with this novel, Shadow of the Hegemon, and on to Shadow Puppets and Shadow of the Giant. (NOTE: Shadow Puppets is the only novel mentioned here that has not yet been released in unabridged format on CD by Audio Renaissance, but it is in their schedule for January 2007.)

One of the things I admire about the Ender novels as a whole is that Orson Scott Card has not written the same novel twice. Speaker for the Dead is a different kind of novel than Ender’s Game, and Xenocide different again. Ender’s Shadow marked a return in tone to Ender’s Game, but this book was different again. Shadow of the Hegemon is boardgame of a novel, a sort of international chess match between nations battling for dominance after the outside threat of the Buggers has been eliminated.

The Battle School kids are 14 or so now, and have all returned to Earth. Achilles (a failed Battle School student from the previous novel) works for Russia and is given a LOT of power. He orchestrates an operation to kidnap all of Ender’s jeesh from wherever they are in the world, then proceeds to convince these kids that they need to help Russia or rot in a cell where no one else can use them. I had tough time believing that this young man would be given authority to do what he does – what kind of government would give such power to a young teen? Even though history is full of young men in positions of great power, it didn’t ring true for me. The actions of all the other characters in the book were not problematic for me, but I couldn’t help but feel that Achilles just had too much authority, and I just couldn’t see adults readily giving that authority to someone that young.

The main character in the book, and in all the Shadowbooks, is Bean, who is a fascinating and engaging character throughout the series. He manages to figure out what’s going on before getting kidnapped himself, and thus starts the story.

The book switches point of view frequently, moving from Bean to Petra to Peter Wiggin. Scott Brick read the Bean chapters, Gabrielle de Cuir read the Petra chapters, and David Birney the Peter Wiggin chapters. Card provided plenty of dramatic moments in the novel for these performers, most notably the first meeting between Bean and Ender Wiggin’s mother, powerfully read by Scott Brick.

Card kept the scale of the novel both personal and global, and mentions Tom Clancy in his afterword as an influence. The book is an enjoyable addition to the Ender universe, and I’m eager to hear the next book, Shadow Puppets, when it is released. In fact, when it is, I may treat myself to the entire Shadow series again. They are superb productions, every one.

Audio Renaissance’s website has a page dedicated to the entire audio Ender series – find it here.

Posted by Scott D. Danielson