The Lodestone Catalog is going out of business!

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The Lodestone CatalogAfter 13 years in business, The Lodestone Catalog is going out of business. Everything in the catalog is now on sale, with big savings on many hard to find audio treasures. Every item in the entire catalog has been reduced! If it is drama for ears that you like you’ll find something to love in the Lodestone Catalog…

Alien Voices, the Atlanta Radio Theatre Company, the BBC, Norman Corwin, Dirk Maggs, Full Cast Audio, Great Northern Audio Theatre, NPR, Star Wars, Seeing Ear Theatre, Neil Gaiman, Crazy Dog, RRCA, Transdimensional Media, The Twilight Zone, Willamette Radio Workshop, Yuri Rasovsky, ZBS and MORE!

Audio Drama is selling cheap!

Review of Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator

SFFaudio Review

Horror Audiobook - Jeffrey Combs Read H.P. Lovecraft's Herbert West Re-AnimatorJeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator
By H.P. Lovecraft; Read by Jeffrey Combs
1 CD – 72 Minutes [ABRIDGED]
Publisher: Beyond-Books.com
Published: 1999
UPC: 619981033428
Themes: / Science Fiction / Horror / Death / Immortality / Zombies / WWI / 1900s / 1910s / 1920s /

“Human it could not have been — it is not in man to make such sounds.”

The “Herbert West, Reanimator” serial is a cycle of six ghoulish tales inspired by Mary Shelly’s Frankenstein. This audiobook is an abridged reading of that serial. We first meet the titular Herbert West as a third-year medical student attending New England’s Miskatonic University in 1904. We are introduced to West by an unnamed companion, a fellow student at M.U., who like a Watson to his Sherlock Holmes, narrates the adventures of his fascinating fiend friend. West is the inventor of an extraordinary reagent, one that when injected into the body of a recently deceased person, cause rudimentary living functions to return. West seeks to perfect his reagent, but in order to do this he must find freshly deceased bodies. The six seperate episodes recount the various grusome attempts by West and his bizzarely-loyal companion to do just this. One minor wrinkle, most of the subjects that undergo the “re-animation” process become violent, incommunicative and don’t typically and retain their ‘higher’ mental faculties.

Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator will make you become, like West, utterly fascinated by the desire to know what will happen in the next experiment. What will the dead have to say? Can death truly be conquered? As the unnamed narrator puts it – “I, myself, still held some curious notions about the traditional ‘soul’ of man, and felt an awe at the secrets that might be told by one returning from the dead.” The prose is rich, fast and pregnant with that special adjectival allure that only Lovecraft knew the formula for. Though it appears that Lovecraft himself was not overly-fond of this serial, it makes for a straightforward introduction to his work and I found it appealingly nefariousness.

The abridgement here is relatively minor, and even, I am surprised to say, forgiveable. It appears to have been done to try to smooth out the connectity of the six seperate stories that make up the entire Re-Animator cycle or possibly to make the entire set of tales fit onto just one CD. The original stories offered a recap of the previous instalment’s events, reading them back to back like this, it makes sense that those sections would be disposable. Either way, it is forgivable. Far more disheartening than the abridgement is the addition of sound effects. The sounds are intermittent, completely redundant and nearly ruin the atmosphere the text naturally generates in a reader. Horror stories, if they are well written, generate a mood by words alone. I’d like to say this is just a case of gilding the lily, but that makes it sounds like it was merely superfluous to add in sound effects, and I don’t want to say that. In fact it is far worse than that – the added effects will sometimes completely break the spell that Lovecraft’s words and Combs’ reading of them are weaving together – the sound effects bring the listener out of the story. This is a major flaw.

On the bright side, the reading itself is excellent. Jeffrey Combs is probably best known for his role as Herbert West in the Re-Animator films. You’d probably also recognize his voice and mannerisms from his supporting work. Were he better known I have no doubt he’d have many a stand-up comedian doing impersonations of his unique vocal cadance. Combs has been all over Science Fiction on TV, he even played two recurring characters on the same episode of Star Trek: Deep Space Nine at one point! His reading is of course dead-on. He knows this material well and revels in the loquacious language of H.P. Lovecraft.

Recommended, but with reservations.

Posted by Jesse Willis

Star Wars audiobook available FREE via Audible

SFFaudio Online Audio

It isn’t often we have FREE content from Audible.com to tell you about, but it looks like today is the exception. As a promotion for the 2007 Comic-Con Audible and Random House Audio have decided to make a Star Wars audiobook a FREE DOWNLOAD. This is probably a very limited time promotion, if you haven’t already got an Audible.com account you’ll need to get one. Membership is free, though they do ask for a credit card.

Star Wars Legacy Of The ForceStar Wars – Legacy Of The Force – Betrayal
By Aaron Allston; Read by Marc Thompson
1 AA file – 6 Hours 10 Minutes [ABRIDGED]
Publisher: Random House Audio
Published: February 2007
ISBN: 0739356895
“Luke Skywalker, Jedi Master, has unified the Jedi order into a cohesive group of powerful knights. But as the new era begins, honor and duty will collide with friendship and blood ties. The Skywalker and Solo clans find themselves on opposing sides of an explosive conflict, with potentially devastating repercussions for both families, for the Jedi order, and for the entire galaxy. A mission to uncover an illegal missile factory on the planet Adumar ends in a violent ambush from which Jedi Knight Jacen Solo and his protégé and cousin, Ben Skywalker, narrowly escape. It’s the most alarming evidence yet that sparks of political unrest are threatening to ignite a total rebellion.”

This is the first book in the “Legacy Of The Force” series, which is set approximately 40 years after the events of the original 1977 Star Wars movie.

[VIA The Slush God Speaketh]

Review of Ida by Tim Callahan

SFFaudio Audiobook Review

ed.’s note: New reviewer Stephen Uitti and his review come to us via his blog, predelusional.

Ida by Tim CallahanIda
By Tim Callahan; Read by Tim Callahan
32 MP3 Files – Approx. 12 Hours [UNABRIDGED]
Publisher: Podiobooks.com
Published: 2006
Themes: / Science Fiction / Hard SF / Space Travel / Asteroid Mining / Economics / Politics / Sex /

Each of the 32 mp3 audio files of this podcast novel has an introduction and epilogue. There are few introductions and epilogues that I’ll actually listen to. But Timothy’s is particularly annoying. He apologizes for his Philadelphia accent before you even get to hear him read. Guys – if you’re presenting a show, let the audience decide if they like it themselves. Don’t make us pity you for being too stupid to get someone else to read your book. Don’t go the other way either. Don’t hype it up. It is OK to promote some other work.

After the first chapter, the introductions also have a summary of what has gone on before. Maybe some people couldn’t remember what happened last month in the original serial. But now the entire book is available. I don’t have patience for the repetition so I skipped most of the introductions and epilogues. The guts of the each new chapter starts after a bit of music, and my iPod Shuffle was able to get me there via fast forward most of the time. Skipping epilogues is easy enough, since Callahan says that’s the end. Just skip to the next track. Since I skipped all that material, there was much less than twelve hours of material. There’s a bonus. After the novel is finished, Callahan offers in a short story entitled Balance. Balance takes place well after the events in Ida. Really, Ida is a prequel. It’s the backing story to Balance. Like his introduction to Ida, Timothy apologizes for his short story. Jeez. For the record, I liked Balance more. As a short story it has much faster pacing. Remember that reading a book to yourself is something like three times faster than hearing it aloud. So, short stories with very fast pacing work better in audio format. And yet, Balance is long enough to give you the idea that several events take place. The events in the story are believable. And no laws of physics are broken in the building of the plot.

That reminds me. The worst parts of Ida have to do with laws of physics. They aren’t broken like faster than light travel. It’s more like having a character survive an acceleration of ten or twenty thousand miles per hour in a few seconds time. That’s a minimum of 50 gravities. Ouch. A little more explanation could salvage the suspension of disbelief, and therefore the plot. This means a lot to me. But maybe you don’t care. Ida is real hard Science Fiction. It’d be nice to have someone check the science and do some math here and here. It wouldn’t take much. Really.

The work had sufficient interest to make it worthwhile. Rich characters, character growth, character interaction, believable responses and plot development. You can identify with the characters. Pick favorites and root for them. Suspense. And the end of the story is not simply telegraphed. There are plenty of surprises in the middle. And the flaws – mostly physics gaffs – are not nearly as bad as those in typical Hollywood movies. And they’re all fixable.

Is there sex? Yes. Is there violence? Yes. Is there swearing? Yes. Is the swearing pointless? Yes. This story would have been consumable by my ten year old, but because of pointless swearing, it isn’t. Will you like it? It depends on how much you like the good parts, and how tolerant you are to the flaws. It has lots of both.

Power Records Plaza

SFFaudio Online Audio

Blog - Power Records PlazaPower Records Plaza is a blog with affectionate memories of an obscure 1970s and 1980s record company called, you guessed it… “Power Records.” The site is run by Shawn, a Canadian with nostalgia for the story LPs he and his brother grew up listening to. On PRP blog you’ll find images and sound files that will please any Power Records fan. If you want to suddenly find yourself awash in memories of listening to these records in your basement and wasting away a Saturday afternoon then this is the blog for you. There’s way too much to list in one post but I’ll give you a couple of representative samples…

Power Records - The Amazing Spider-Man: Invasion Of The Dragon MenThe Amazing Spider-Man: Invasion Of The Dragon Men
Power Records; Performed by a Full Cast
7″ 45-rpm record & Book – [AUDIO DRAMA]
Publisher: Power Records
Published: 1974
Product #: PR-24
Spider-Man must stop an invasion of New York by hideous fire breathing aliens.

An MP3 download for this record can be found on the right hand side of the PRP blog. And for this title a hardcore Power Records fan has combined the book with the audio into a movie that you can find on youtube:
Video |PART 1|
Video |PART 2|

Power Records - Star Trek: Dinosaur PlanetStar Trek: Dinosaur Planet
Power Records; Performed by a Full Cast
7″ 45-rpm record & Book – [AUDIO DRAMA]
Publisher: Power Records
Published: 1979
Product #: PR-45
The Enterprise encounters a race of intelligent dinosaurs.

An MP3 download for this record can be found on the right hand side of the PRP blog. And a hardcore Power Records fan has combined the book with the audio into a 2 part movie that you can find on youtube:
Video |PART 1|
Video |PART 2|

Other Power Records characters listed on the PRP blog include: The Six Million Dollar Man, Man-Thing, Wonder Woman, G.I. Joe, Batman, Superman, The Justice League Of America, Space 1999, Planet Of The Apes, Captain America, Conan The Barbarian and MUCH MORE!

StarShipSofa podcast talks about Gene Wolfe

SFFaudio Online Audio

Starship Sofa PodcastEpisode #31 of the StarShipSofa podcast finds the co-captains of Tony and Ciaran talking about someone who Nebula, Sturgeon, World Fantasy and Hugo award winning author Michael Swanwick calls; “the greatest writer in the English language alive today.” Yup, the StarShipSofa is talking about the legendary Gene Wolfe! Wolfe is author of the multi-volume novel The Book of the New Sun and many other highly respected Science Fiction works. Get in on the discussion immediately via |MP3| or pop the RSS feed into your podcatcher to stick around for more discussions too:

http://starshipsofa.libsyn.com/rss