June 2010 – Page 4

Recent Arrivals: Jack Vance’s Dying Earth

SFFaudio Recent Arrivals

“The Dying Earth and its sequels comprise one of the most powerful fantasy/science-fiction concepts in the history of the genre. They are packed with adventure but also with ideas, and the vision of uncounted human civilizations stacked one atop another like layers in a phyllo pastry thrills even as it induces a sense of awe [at] … the fragility and transience of all things, the nobility of humanity’s struggle against the certainty of an entropic resolution.” — Dean Koontz

“Cugel the Clever [is] a rogue so venal and unscrupulous that that he makes Harry Flashman look like Dudley Do-Right. How could you not love a guy like that? …. Judging from the number of times that Cugel has come back … you can’t keep a bad man down.” — George R.R. Martin

The Dying Earth
By Jack Vance; Read by Arthur Morey
7 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
|EXCERPT|

The stories included in The Dying Earth introduce dozens of seekers of wisdom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home in Vance’s lyrically described fantastic landscapes like Embelyon where, “The sky [was] a mesh of vast ripples and cross-ripples and these refracted a thousand shafts of colored light, rays which in mid-air wove wondrous laces, rainbow nets, in all the jewel hues….”

The dying Earth itself is otherworldly: “A dark blue sky, an ancient sun…. Nothing of Earth was raw or harsh—the ground, the trees, the rock ledge protruding from the meadow; all these had been worked upon, smoothed, aged, mellowed. The light from the sun, though dim, was rich and invested every object of the land … with a sense of lore and ancient recollection.” Welcome.

The Eyes of the Overworld
By Jack Vance; Read by Arthur Morey
8 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
|EXCERPT|

The Eyes of the Overworld is the first of Vance’s picaresque novels about the scoundrel Cugel. Here he is sent by a magician he has wronged to a distant unknown country to retrieve magical lenses that reveal the Overworld. Conniving to steal the lenses, he escapes and, goaded by a homesick monster magically attached to his liver, starts to find his way home to Almery. The journey takes him across trackless mountains, wastelands, and seas. Through cunning and dumb luck, the relentless Cugel survives one catastrophe after another, fighting off bandits, ghosts, and ghouls—stealing, lying, and cheating without insight or remorse leaving only wreckage behind. Betrayed and betraying, he joins a cult group on a pilgrimage, crosses the Silver Desert as his comrades die one by one and, escaping the Rat People, obtains a spell that returns him home. There, thanks to incompetence and arrogance he misspeaks the words of a purloined spell and transports himself back to the same dismal place he began his journey.

Cugel’s Saga
By Jack Vance; Read by Arthur Morey
13 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
|EXCERPT|

“Vance sees himself in the tradition of popular fantasy writers, but his classic writing style is also comparagle to Homer’s Odyssey, and Cervante’s Don Quixote. Though the Cugel tales may lack the scope and pathos of the greatest adventure yarns, in the twenty-first century, they may be as close as one gets to the celebration of epic human perseverance.” — editor, Brilliance Audio

Cugel’s Saga, published 17 years after Eyes of the Overworld, is the second novel that features the scoundrel and trickster, Cugel. Again, Cugel tests wits with Iucounu and acquires rudimentary powers himself.

Rhialto the Marvellous
By Jack Vance; Read by Arthur Morey
8 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
|EXCERPT|

Rhialto the Marvellous takes up the personal and political conflicts among a conclave of two dozen magicians of Ascolais and Almery in the 21st Aeon. The shocking appearance of the Llorio the Murtha, a powerful female force from an earlier aeon threatens to unbalance nature by “ensqualming” or feminizing the magicians. This triggers a tremendous struggle for power and the other mages turn against Rhialto.

Hoping to reestablish his rightful place, Rhialto travels to other aeons to restore the missing Perciplex which projects the Mostrament, the constitution of the association. In his final adventure, Rhialto must, ultimately, travel to the very ends of time and space to confront an old adversary whom he had wronged and must commit further misdeeds to restore order.

Out of this welter of exotic politics, values systems, personal eccentricity, and magic, the figure of Rhialto slowly comes into focus and takes on dimension. He is a vain, apparently superficial man, not ashamed to demonstrate his melancholy to enhance his reputation. But he is courteous, patient, and subtle, even kind. He is self-aware and introspective as Cugel never could be—the wisest and most sympathetic of all of Vance’s wizards.

Posted by Scott D. Danielson

Review of Vampire$ by John Steakley

SFFaudio Review

SFFaudio Essential Vampire$
By John Steakley; Read by Tom Weiner
10 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 1441727213
Themes: / Horror / Vampires / Religion / Catholicism / Mercenaries /

Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley’s vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price. An exciting blend of horror and western genres, Vampire$ is a twenty-first-century Ghostbusters with an edge.

I first found out about John Steakley when watching John Carpenter’s Vampire$. The on screen accreditation didn’t mean much then. I figured that what goodness was found in that movie came from Carpenter. And that’s largely true. Their rather different in plot, or at least in the way the plot plots out. Its clear that John Steakey’s novel served more as the inspiration than a blueprint for the movie. The novel feels much richer, much wider, and also much more personal, than Carpenter’s version.

Now, having read this audiobook after John Steakley’s other novel, Armor |READ OUR REVIEW|, I’ve come to the conclusion that Steakley has a pattern or two. First up there’s the name thing. Two names are recycled from Armor (even though they aren’t the same characters). Felix, the gunslinger (and ex-drug trafficker) has an important role in Vampire$. Jack Crow, the lead vampire hunter, is arguably the main protagonist. Armor, which is set maybe a thousand years in the future, has two characters with those exact names too, and they play similar importance in the plot. This is a novel full of twists and turns that even a fan of the movie based on the novel can be surprised by Similarwise, the emotional impact is the primacy of the novel’s power. Sure, this novel has maybe a few innovations I’ve never read before:

1. God is real AND vampires are too.
2. A team of mercenaries, with pure hearts, are taking cash for cleaning up vampire infested towns.
3. The anti-vamp mercs are in league with the Pope and the Vatican, who know and support their efforts.

Narrator Tom Weiner gets to play a fairly wide range of characters. On top of the brooding Felix and the unstoppable Jack Crow he’s got a compassionate pope, an irate Texas sheriff, and a bloodsucking vampire (or two) too.

This is a case where a good movie was based on an very good novel and a good novel got made into a great audiobook. Vampire$ is an emotionally impactive audiobook that surprises with its innovate approach to an old foe: those old evil vampires fucks that you gotta love, and Jack Crow’s gotta hate.

Posted by Jesse Willis

Review of Armor by John Steakley

SFFaudio Review

SFFaudio Essential Armor
By John Steakley; Read by Tom Weiner
11 CDs – Approx. 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433294834
Themes: / Science Fiction / Military SF / War / Leadership / Drugs / Psychology /

The planet is called Banshee. The air is unbreathable, the water poisonous. It is the home of the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected not only by his custom-fitted body armor, the culmination of ten thousand years of the armorers’ craft, but also by an odd being which seems to live with him, a cold killing machine he calls “the Engine.” This best-selling science-fiction classic is a story of the horror, the courage, and the aftermath of combat and also of how strength of spirit can be the greatest armor of all.

Armor is a novel that was clearly inspired by Robert A. Heinlein’s Starship Troopers. It makes use of both powered exoskeletons and insect-like alien enemies. But, instead of being a novel of politics and leadership it is a very different kind of story. At first I thought it was about the psychological effects of violence and the various kinds of heroism that can exist within a person. I was wrong because that isn’t enough. This novel is not one or two things. It isn’t the normal kind of idea driven SF that I so love – instead its ideas flow more through the emotions, eliciting our sympathies. I think this was acomplished by it changing, turning over and over, with it’s many plot surprises.

Early on Felix, our viewpoint character, refers to something he calls an “engine.” I thought he was describing the powered armor of the title. That would make sense, there was a video game called Heavy Gear that, like than Mechwarrior, had men and women doing battle in humanoid shaped tanks. I think it refereed to its “mechs” as “engines.” Felix seems pretty much like any of the other soldiers he’s been dropped with on planet Banshee. Maybe he’s a bit more of a hick – he doesn’t know the names of the winners at the Powered Olympics. Felix makes no waves, volunteers for nothing. He just wants to survive the battle to come. But when the waves of enemy aliens pour out of their holes only Felix survives – and keeps on surviving.

Armor has taut battle scenes, flowing exposition, and realistic dialogue. Had John Steakley written more, and his other novel Vampire$ |READ OUR REVIEW|, I think he’d be a very well known author.

The first third (or so) of the novel follows Felix, a low ranking scout in the invasion of the planet Banshee. Here the action somewhat resembles that of Starship Troopers. Then there is an abrupt switch – the novel seems to lurch into an an entirely different scene and setting. Set a few years later and following in first person perspective this time we meet a man named Jack Crow. Crow is a notorious galactic scoundrel. A well known thief, pirate, and adventurer – his legend is long and precedes him even to an obscure research station on a planet called Sanction. Crow is there to infiltrate, but eventually finds himself involved in an experiment – one that drains him of his half-hearted bravado and changes his life. If were talking about where this novel fits in the SF library I’ll say this: Armor synthesizes the action of Heinlein’s Troopers with the emotional impact of Haldeman’s The Forever War – but still comes off as a completely unique story.

Tom Weiner, who seems to be narrating almost every Blackstone Audio audiobook that I’m listening to these days, delivers his usual letter perfect narration. Weiner animates Felix with a weary melancholy of a veteran scout, brightens audibly with the cocksure Crow, pulls a vocal Tom Bombadil with Louis, feminizes for Lya, and geeks it all up for Holly (a star-struck scientist). That’s pretty impressive. Check this audiobook out!

Posted by Jesse Willis

Radio Drama Revival: 2000X – Karel Čapek, Robert A. Heinlein, Yuri Rasovsky

SFFaudio Online Audio

2000X Tales Of The Next Millenia

Fred Greenhalgh, or Radio Drama Revival, writes:

Hey Jesse,

Wanted to point you to what should be some pretty appealing Radio Drama Revival episodes for SFF Audio listeners. I’ve gotten permission from Yuri Rasovsky to broadcast a few stories produced for the Beyond 2000 series… If you’re not familiar with it, it was a series commissioned by NPR back in the day and featured a startlingly great compilation of writers no less than Kurt Vonnegut, Robert Heinlein, Ray Bradbury, Ursula K LeGuin… http://www.irasov.com/faves.htm

Wow! Thanks Fred!

I agree with Fred, this is truly exciting audio. And there IS a whole lot to love in these professional productions from 2000X series (aka Beyond 2000). Check out the top shelf actors in these productions. And, then check out the sound quality! As Fred mentions in the podcast, it is all in an absolutely pristine stereo goodness.

Rossum’s Universal Robots asks a question, which has haunted the Science Fiction since: What does the creation of an artificial life form mean for the fate of humankind?

2000X – R.U.R. (Rossum’s Universal Robots)
Based on the play by Karel Čapek; Performed by a full cast
1 |MP3| – Approx. 1 Hour 11 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 4, 2010
Helena, the daughter of the president of a major industrial power, arrives at the island factory for a tour of Rossum’s Universal Robots. The original stage play premiered, in Czech, in 1921.

Robert A. Heinlein’s By His Bootstraps deals in some of the inherent paradoxes that would be caused by recursive time travel.

2000X – By His Bootstraps
Based on the short story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 57 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 11, 2010
Bob Wilson locks himself in his room to finish his doctoral thesis on time travel. Suddenly a stranger appears in his dorm room and tells him to stop writing and start listening. The interloper, who looks strangely familiar, calls himself “Joe” and explains that he has come from the future through a Time Gate. First published in the October 1941 issue of Astounding Science Fiction under the pen name Anson MacDonald.
Starring:
Richard Dreyfuss
Cordis Heard
Kascia Marciniak
Ira Burton
Crew:
Adapted, Produced and Directed by Yuri Rasovsky
Sound Fesign by Richard Fairbanks

Posted by Jesse Willis

BBC Audio and RadioArchive.cc: The Taming Of The Shrew and Science Fiction

SFFaudio Online Audio

The "Induction" scene in The Taming of the Shrew

If I asked you to think about “Shakespeare and Science Fiction” you’d probably go with Forbidden Planet (a spacey version of The Tempest). If you’re more TV inclined you’d probably go with Star Trek, maybe even name the episode entitled “The Conscience of the King” outright. That’s the one that features a near perfect inversion of the traveling actors sequence in Hamlet (as well as part of the production of the play itself).

And yeah, Shakespeare himself may appear as a character in Science Fiction stories. Isaac Asimov’s The Immortal Bard is perhaps my favourite example of that. But no actual Science Fiction can be found in any play by William Shakespeare. Right?

Shakespeare’s plays have many fantastic elements (ghosts, magic, witches, prophecy), but those are all Fantasy tropes, not SF. Not one the the plays of William Shakespeare could possibly qualify as Science Fiction outright. Right?

But then, I was thinking about the very Philip K. Dickness of the opening sequence of Shakespeare’s farcical romp called The Taming Of The Shrew. It’s called “The Induction” and features a character named Christopher Sly, a drunkard, who while unconscious, is abducted from the street where he lays and is taken into a mischievous Lord’s home. There, he’s put to bed, and when awakened, is told by the household’s servants that he’s been “asleep” for fifteen years, that he is the lord of the manor, and that he has a beautiful young wife! All the household’s servants are in on the jape and obey his every command. The Lord who arranged this practical joke says,

Persuade him that he hath been lunatic;
And when he says he is, say that he dreams,
For he is nothing but a mighty lord.
This do and do it kindly, gentle sirs:
It will be pastime passing excellent,
If it be husbanded with modesty.

Only then, once the ridiculous question of identity is hatched does The Taming of the Shrew begin (performed by a troupe of traveling actors who visit Christopher Sly’s manor). We’ve talked about Fictional Fictional Characters, on the SFFaudio Podcast before, this is a case of a fictional fictional play. The actors in the play are playing actors in a play.

“Christopher Sly’s presence as a spectator in Shakespeare’s The Taming Of The Shrew makes the entire drama of wife-taming into a mere science fiction spectacle of household order.” -From the introduction to Poor Women in Shakespeare by Fiona McNeill

I’m betting that’s as close as The Taming Of The Shrew gets to Science Fiction.

This is all apropos of some recent reading of the play proper and a visit to RadioArchive.cc where you’ll be able to find a terrific sounding 1988, BBC Radio 3 dramatization that faithfully adapts the play to audio.

The Taming of the Shrew
By William Shakespeare; Adapted by Jeremy Mortimer; Performed by a full cast
CD or MP3 (via TORRENT) – Approx. 2 Hours [RADIO PLAY]
Broadcaster: BBC Radio 3 / BBC Radio 7
Broadcast: 1988 / 2005
Publisher: BBC Audio
Published: 1999
ISBN: 056355391X
This hearty comedy has always been a favourite with audiences. Three suitors pursue Bianca Minola, but her father won’t let her marry until her older sister, Katherine, is married. Kate is wilful, loud, volatile and above all, shrewish. Her suitor Petruchio is stern, jolly, and somewhat odd. A match made in heaven?
Cast:
Bob Peck, Cheryl Campbell, Moira Leslie, Robert Glenister, Stephen Tompkinson, Douglas Hodge, Christopher Fairbank, Michael Deacon, Anthony Jackson, Willam Simons, John Badley, and Paul Copley
Crew:
Directed by Jeremy Mortimer
Music composed by Mia Soteriou

The Induction scene in The Taming of the Shrew

Posted by Jesse Willis

New Release from Infinivox: The Year’s Top Ten Tales

New Releases

The Year’s Top Ten Tales of Science Fiction 2 is now on sale!

An unabridged audio collection of the “best of the best” science fiction stories published in 2009 by current and emerging masters of the genre, as narrated by top voice talents.

In “Erosion” by Ian Creasey, a man tests the limits of his exo-suit prior to leaving a dying Earth.

In “As Women Fight” by Sara Genge, a hunter, in a society of body-switchers, has no time to train for a fight to inhabit his wife’s body.

“A Story, with Beans” by Steven Gould considers the role religion plays in a dystopian future with metal-eating bugs.

In “Events Preceding the Helvetican Renaissance” by John Kessel, a monk in the far future steals the only copy of a set of plays from a repressive regime and uses this loot to free his people.

In “On the Human Plan” by Jay Lake, a mysterious alien visits a far-future, dying Earth in search of the death of Death.

Set in the Jackaroo sequence, a detective in “Crimes and Glory” by Paul McAuley chases a thief to recover alien technology that both aliens and humanity are desperate to recover.

Set in the Lovecraftian “Boojum” universe, “Mongoose” by Sarah Monette and Elizabeth Bear, a vermin hunter and his tentacled assistant come on board a space station to hunt toves and raths.

In “Before My Last Breath” by Robert Reed, a geologist discovers a strange fossil in a coal mine that leads to the discovery of a peculiar graveyard.

In “The Island” by Peter Watts, a woman on a spaceship must decide whether to place a stargate near an alien society that will ultimately destroy it.

Finally, “This Peaceable Land; or, The Unbearable Vision of Harriet Beecher Stowe” by Robert Charles Wilson is an alternate American Civil War history in which the war was never fought, slavery gradually disappeared, and Uncle Tom’s Cabin was never published.

And to top it off, Infinivox is offering $1 shipping in June. Here’s your link, go check it out!

Posted by Scott D. Danielson