19 Nocturne Boulevard: An adaptation of H.P. Lovecraft’s The Thing On The Doorstep

SFFaudio Online Audio

19 Nocturne Boulevard19 Nocturne Boulevard, created and run by audio dramatist Julie Hoverson, features original and adapted “strange stories” – the podcast alternates between completed productions, like the one below, and diary entry style production notes. I was mightily impressed by Hoverson’s adaptation of Robert Sheckley’s Science Fiction short story The Leech when I heard it back in February! It’s a terrific production by a talented cast. Hoverson has crafted her skill to a keen edge. I was jazzed to hear that she’d undertaken a new production of an H.P. Lovecraft classic, The Thing On The Doorstep which is a novelette first published in the January 1937 issue of Weird Tales.

I’m a sucker for stories with “Thing” in the title. A THING is not a he or a she. It isn’t a describable something – in fact, it’s very indescribability makes it damn intriguing – you, and the characters in the stories, ask questions “What the hell is that thing?!?!?!”

Now DC Comics had the Swamp Thing (a plant elemental) and Marvel had the Man-Thing (a “slow-moving, empathic, humanoid” that had once been a man). But it’s in short fiction especially that I find THINGS compelling. And when you start looking for these THINGS you’ll find dozens and dozens of stories with THING in the title. A couple of other good ones include The Damned Thing by Ambrose Bierce and The Thing On The Roof by Robert E. Howard. And in movies, of course, there is John Carpenter’s The Thing.

Now the particular THING in on this particular doorstep in Julie Hoverson’s adaptation is a whole other thing. I won’t give away, but I will say it certainly lives up to the mysterious nouny goodness of the title.

Lovecraft’s tales can be difficult to adapt, as they’re unusually wholly bereft of actual dialogue between characters (if there is even more than one character!). Julie Hoverson dramatizes the story’s form, which is a kind of confession/statement to police, using a combination of flashbacks and interrogation room scenes to tell the tale. The sound design is good, allowing us to tell who is who and where is where. The acting is also pretty solid with most of the lines coming off as if recorded live on set. Have a listen!

19 Nocturne Boulevard - The Thing On The DoorstepThe Thing On The Doorstep
Based on the story by H.P. Lovecraft; Adapted by Julie Hoverson; Performed by a full cast
1 |MP3| – Approx. 33 Minutes [RADIO DRAMA]
Podcaster: 19 Nocturne Boulevard
Podcast: August 15, 2011
|ETEXT|
What does a man do when his new bride really, really wants his body?.

Cast:
Dan Upton – Mark Olson
Officer Flatbush – Reynaud LeBoeuf
Officer Malone – Danar Hoverson
Edward Derby – Paul Cram (imdb)
Asenath Derby – Angela Kirby
Jean – Julie Hoverson
Clerk – Suzanne Dunn
Orderly – Gene Thorkildsen
Dr. Castle – Marshal Latham
“Roman” girl – Gwendolyn Jensen-Woodard

Music from the first soundtrack album from the H.P. Lovecraft Literary Podcast

Editing and Sound – Julie Hoverson
Cover Design – Brett Coulstock

Podcast feed: http://nineteennocturne.libsyn.com/rss

Posted by Jesse Willis

Neuromancer BBC audio drama online

SFFaudio Online Audio

neuromancerI found the classic Neuromancer BBC Audio drama hosted online recently, with an easy to use flash play button:

http://bluesuncorp.co.uk/article/neuromancer-bbc-radio-play

First broadcast on BBC World Service in 2003.  Also available through RadioArchive.cc.  You maybe be suprised to find seeds of The Matrix as you listen.  If you think it sounds like noir, it’s because that was the original intention of the book.

|MP3 1|   |MP3 2|

Posted by Tamahome

KCRW Bookworm Podcast Interviews Tom McCarthy

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KCRW BookwormA great literary podcast is Bookworm on KCRW, featuring the insightful Michael Silverblatt interviewing authors about their work.  One memorable episode is with Tom McCarthy, author of C, which was shortlisted for the Man Booker Prize in 2010. |MP3|

The novel C follows the story of Serge Carrefax, who has grown up around an environment of invention, at a school for the deaf run by his father.  From there he travels through a period of drug-ridden military service toward his own realization of his abilities that I wouldn’t want to spoil.   The style of the writing makes the novel read as venturing into speculative fiction, maybe alternate history, without ever fully embracing either genre.  Each quarter of the book self-references other authors, which you don’t have to understand to appreciate the novel, but the interview Michael Silverblatt has with Tom McCarthy is very illuminating in that regard.

More than anything, I appreciate Michael Silverblatt’s exuberance about books and learning.

Podcast Feed: http://www.kcrw.com/podcast/show/bw

Posted by Jenny Colvin

Hallowe’en In A Suburb by H.P. Lovecraft

SFFaudio Online Audio

Need Coffee Dot ComHallowe’en In A Suburb
By H.P. Lovecraft; Read by ????
1 |MP3| – Approx. 2 Minutes [POETRY]
Podcaster: NeedCoffee.com’s 32 Days Of Halloween
Podcast: October 6, 2010
First published in the March 1926 issue of National Amateur (as “In A Suburb”).

Podcast feed: http://feeds.feedburner.com/32days

Here’s Virgil Finlay accompanying illustration, and the text itself, as it appeared in the September 1952 issue of Weird Tales:

Hallowe'en In A Suburb by H. P. Lovecraft - illustration by Virgil Finlay

Hallowe'en In A Suburb by H. P. Lovecraft

[Many thanks to Gorgon776]

Posted by Jesse Willis