Review of Patient Zero by Jonathan Maberry

SFFaudio Review

Horror Audiobook - Patient Zero by Jonathan MaberryPatient Zero: A Joe Ledger Novel, Book 1
By Jonathan Maberry; Read by Ray Porter
12 CDs – Approx. 14.2 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: October 2010
Themes: / Horror / Zombies / Terrorists / Covert Intelligence /

Jonathan Maberry caught my attention immediately with Patient Zero’s dedication:

This book is dedicated to the often unsung and overlooked heroes who work in covert operations and the intelligence communities.

And then he caught it again with the quote with which the book begins.

A hero is no braver than an ordinary man, but he is braver five minutes longer. — Ralph Waldo Emerson

I know a particular person who is one of those unsung heroes and so my natural inclination is to look approvingly upon the author’s sentiments.

However, I wasn’t here for a covert intelligence story or a spy story but for zombies. Also, because I’d heard the Writing Excuses podcasters praising the Joe Ledger series.

Then I heard the first two sentences of the book itself.

When you have to kill the same terrorist twice in one week, then there’s either something wrong with your skills or something wrong with your world.

And there’s nothing wrong with my skills.

Aha. The hat trick … which also informed me that I actually was here for a covert intelligence story, for a spy story, and, this should go without saying by now, for zombies.

Here’s a quick story synopsis.

Joe Ledger is a hardened Baltimore cop with serious skills in physical combat. After a surprise raid on suspected drug traffickers, he is strong-armed into joining the DMS, a rapid response task-force that handles problems too big for Homeland Security. The latest problem is a terrorist’s bio-weapon which, for all practical purposes, turns the infected into zombies. While Joe and his team try to track and stop the threat, we also see the bad guys: a tangled knot of corporate interests and Muslim fanatics gearing up for the ultimate assault on American soil.

In a way this is a meta thriller. It is obvious that there are the standard types which are being used. The Warrior. The Super Villain. The Mad Scientist. The Best Friend who is also The Conscience. Characters will even call people by these labels. This is reinforced by such tidbits as when a scientist excitedly asks Joe if he’s read Doctor Spectrum comics where Joseph Ledger is a character. However, Maberry keeps it from being cliched. Perhaps it is the zombies but I felt it was also due to Joe Ledger’s character and the blistering pace of the book. Short, fast chapters keep the action moving and the reader on the edge of their seat.

As with many thrillers, the story is relatively formulaic. The good guys are very good. The bad guys are very bad. Joe bleeds red, white, and blue and there is no way he is going to let terrorists harm Americans. There is a bit of humor, a touch of romance, and a ton of suspense. And zombies. Lots and lots of zombies coming in wave after wave.

It’s a formula that works. We need heroes and villains in our stories. Sometimes it is easy to see who they are. Patient Zero works because Maberry reminds us of how much entertainment there is to be had in the telling of such a tale.

My one problem with the book was that there were a couple of extended zombie attack sequences where Joe and the team just had to keep fighting and fighting … and fighting. We’d have gotten the same effect by cutting out just a bit of the fighting, particularly in the crab plant. They didn’t really have to be down to the point of ripping legs off of tables for weapons in order for me to understand just how desperate the situation was. However, this is a small quibble.

Much of the delight in this audiobook comes from Ray Porter’s narration. He reads Joe Ledger’s lines as if he were Ledger himself, reacting perfectly with a naturalness that made me feel as if I were hearing Joe’s actual thoughts. I particularly enjoyed the moments when he would hesitate or pause to emphasize points because that carried me into Joe’s emotions much more than if I had been reading.

The only problem with the narration was that Porter was a little too thorough. There is one character whose identity we don’t know until the end of the book but who we hear speaking with his employer. As I listened, I continually wondered if Porter had randomly chosen the accent with which this character spoke. I found myself listening to other characters in the book, wondering if we’d met this character yet and if he had that accent. It didn’t give it away much before the book itself did but it turns out that the narrator was being true to the character and that is something that I don’t think would have come across in the actual book. This isn’t a big deal, but it was an interesting problem.

Overall, you have to like this sort of thriller to enjoy this book. But if that’s the sort of thing you like, as I obviously do, then you’re going to really enjoy meeting Joe Ledger. And wave after wave of zombies.

Posted by Julie D.

BBCR4 + RA.cc: A Night With A Vampire – David Tennat reads stories by Calmet, Tolstoy, Maupassant, Freeman, Gautier

SFFaudio Online Audio

BBC Radio 4RadioArchive.ccLast year The Book At Bedtime, BBC Radio 4’s evening book reading program, also had a collection of five short stories called A Night With A Vampire (you may have noticed I just posted about the sequel).

The first story in this collection of five vampire tales was written by a Benedictine Monk. It purports to be non-fiction (the author having surveyed Europe for real life eighteenth century stories in his book The Phantom World). The second story, by Aleksey Nikolayevich Tolstoy (a Soviet SF writer with an asteroid named after him) may be the best of the bunch – it’s romantic and creepy. The third story, by Guy de Maupassant, well we did a whole show on that one, is extremely abridged with only about a quarter of the original text still present. Numbers four and five didn’t do much for me, but maybe you’ll find them more engaging than I did.

From November 22nd to 26th, 2010 (BBC R4 22:45-23:00) David Tennant narrated five 14 minute (abridged) short stories. The complete set is available as a |TORRENT| from RadioArchive.cc.

1. Dead Persons In Hungary by Antoine Augustin Calmet – Read by David Tennant [ABRIDGED]
Antoine Augustin Calmet published an apparently serious anthropological history of the Vampire throughout Europe in the early 19 century called “The Phantom World.” All the people he spoke to were adamant about what they had witnessed. His account therefore appears all the more disturbing and became the basis for the flights of Vampiric fancy that took off in the Victorian age.

2. The Family Of The Vourdalak by Alexis Tolstoy – Read by David Tennant [ABRIDGED]
Leo Tolstoy’s lesser known brother has written this compelling story about a patriarch who sets off on a mysterious mission but fears he may come back a Vampire. If he should return to their village after 10 days – he begs his family to deny him access and plunge a stake through his heart.

3. The Horla by Guy de Maupassant – Read by David Tennant [ABRIDGED]
After an unusual Brazilian ship enters the harbour – our hero suddenly begins to feel unwell, and starts to have feverish and disturbing visions. Only too late does he discover the demonic nature of the South American ship’s cargo.

4. Luella Miller by Mary E. Wilkins Freeman – Read by David Tennant [ABRIDGED]
Luella Miller seems incapable of surviving on her own – so she calls on friends, relatives and lovers to help her. And they all die – one by one – until there is no one left to lift a finger to assist this most demanding of women. An unusual tale – set in small town America.

5. Clarimonde by Theophile Gautier – Read by David Tennant [ABRIDGED]
As a young man approaches his first moments as a priest his eyes glance to heaven – and sees leaning over the sanctuary railing – a young woman of extraordinary beauty. And so begins a sensational struggle for his soul…

Producer: Clive Brill
A Pacificus production for BBC Radio 4.

Posted by Jesse Willis

Commentary: How to download TORRENT files

SFFaudio Commentary

TorrentsI recently received email from a friend asking me to send him files that are easily available as a torrent.

This is pretty funny considering that the guy in question has had hundreds, more likely thousands, of complete copies of his creations downloaded, via torrent, to users all over the planet.

This got me thinking that probably a good many other creators and fans are in the same position – they’ve heard of torrents – would like to use them – but don’t have a friend who uses them. You just need a friend to walk you through it.

Well friends I’m here to tell you that torrents are extremely easy to use, very quick and very safe, just so long as you pay attention to a few details.

It’s actually pretty easy.

Torrents are specialized internet files, very similar to podcast feeds. Like podcast feeds they work to automatically retrieve the content you want. And just like podcast feeds they work only with specialized software.

But why would you want to use one?

Two reasons to use torrents:

1. Torrents do not greatly burden a content creator as he or she need not host the files for very long before they’re off and growing in the wild

2. Torrents are particularly good at the distribution of suppressed materials (take the case of the example given father below)

Software needed:

1. µTorrent is a free and easy to use torrent client (that’s just a piece of software for getting torrents)

Three quick facts to keep in mind after installation:

1. Torrent files end in “.torrent” – when you click on one, and when you’ve got µTorrent installed, you’ll get the download of the file you want (just as long as there are seeders)

2. A seeder is a torrent user who has a complete copy of the download that you want

3. You will see the extensions of the file types you are going to download – this means you can pick and choose the kinds of files you want to end up on your computer

uTorrent 1.7.7

Example of a torrent:

Queen Of The Black Coast is a free full cast audio dramatization, that was suppressed by legal threats. It’s producers no longer host it. But it is available as a torrent on the torrent tracker website ThePirateBay.org (and other torrent tracking websites).

The Pirate Bay - QUEEN OF THE BLACK COAST Example

Clicking on the green double down arrow (pictured above) will download the “.torrent file” which will interface with your installed µTorrent software to get you the audio drama. Note the number of seeders listed too. If there are zero seeders then you probably won’t be able to download the complete file or files. And if there are many seeders then the file will come down faster than if there are few. Once you complete your download, and hit “stop” in µTorrent, you will no longer be seeding.

Using torrents will open up a whole new part of the internet to you and make many more parts of the web useful too. A good place to start exploring with your new torrent skills is RadioArchive.cc. RadioArchive.cc is a domain entirely devoted to radio, offering radio drama, audiobooks (broadcast on radio), factual programs and every other kind of audio goodness that public radio services are known for. Happy torrenting!

Posted by Jesse Willis

BBCR4 + RA.cc: A Night With A Vampire 2 – David Tennant reads stories by Wharton, Matheson, Lieber, Swindells, Carter

SFFaudio Online Audio

BBC Radio 4RadioArchive.ccThe Book At Bedtime, the serialized audiobook slot on BBC Radio 4, last week featured a collection of five short stories called A Night With A Vampire 2. From November 29th to December 3rd, 2011 (BBC R4 22:45-23:00) five 14 minute (abridged) stories were read by David Tennant. Now the set is available via |TORRENT| for download at RadioArchive.cc.

As you might guess from the title, these are all vampire stories.

My pick of the lot is Richard Matheson’s Drink My Blood (aka Drink My Red Blood… aka Blood Son) which was Matheson’s seventh published short story. I find it to be extremely creepy. Parents will probably find it doubly so. Also good is Fritz Leiber’s Girl With The Hungry Eyes which is a bit less sanguineous and a bit more sexual.

The Lady Of The House Of Love by Angela Carter – Read by David Tennant [ABRIDGED]
“This wonderful retake on the Sleeping Beauty story first appeared in Carter’s 1979 volume “The Bloody Chamber“. A virginal English soldier, travelling through Romania by bicycle, finds himself in a deserted village. He comes across a mansion inhabited by a vampiress who survives by enticing young men into her bedroom and feeding on them. She intends to feed on the young soldier but his purity and virginity have a curious effect on her…”

The Girl With The Hungry Eyes by Fritz Lieber – Read by David Tennant [ABRIDGED]
“This 1949 story has exerted it’s grip on many an imagination and has been filmed several times. It concentrates on the magnetic power of the Vampire and – in this case – the utterly captivating and inescapable lure of a Vampiress cum glamour model.”

The Girl With The Hungry Eyes by Fritz Leiber

Bewitched by Edith Wharton – Read by David Tennant [ABRIDGED]
Saul still goes out to see his previous girlfriend…even though she died years ago.

Drink My Blood by Richard Matheson – Read by David Tennant [ABRIDGED]
A young schoolboy whose only ambition in life is to become a vampire.
First published in Imagination, April 1951 (as Drink My Red Blood).

Drink My Red Blood by Richard Matheson

A Lot Of Mince Pies by Robert Swindells – Read by David Tennant [ABRIDGED]
A group of carol singers visit the same cottage every year.

Producer: Clive Brill
A Pacificus Production for BBC Radio 4.

[via Roy in the SFFaudio Yahoo! Group]

Posted by Jesse Willis

Review of Hounded by Kevin Hearne

SFFaudio Review

YA Fantasy Audiobook - Hounded by Hounded: The Iron Druid Chronicles
By Kevin Hearne; Read by Luke Daniels
8 Hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2011
Themes: / Fantasy / YA / Druids / Occult / Werewolves / Vampires /

This is the first of a hugely popular YA series, highly recommended by a friend and, luckily for me, available as a review book from SFFaudio.

Here’s the brief summary for those who, like me, hadn’t heard of this book:

Atticus O’Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His neighbors and customers think that this handsome, tattooed Irish dude is about twenty-one years old — when in actuality, he’s twenty-one centuries old. Not to mention: He draws his power from the earth, possesses a sharp wit, and wields an even sharper magical sword known as Fragarach, the Answerer. Unfortunately, a very angry Celtic god wants that sword, and he’s hounded Atticus for centuries. Now the determined deity has tracked him down…

The book begins with verve as Atticus is a charming narrator who introduces us to his friends, who are mainly from the supernatural world. We meet Druid gods, local werewolves, a Viking vampire, the local coven of witches, and Atticus’s Irish wolfhound, Oberon, with whom Atticus can carry on mental conversations. There are few genuine humans in Atticus’s life and none are developed beyond a paltry few amusing characteristics, such as the Irish widow who likes to get drunk before going to Mass and forgives murder on her lawn if she is told the victims were British. The most likable character in the group is the dog Oberon who is charmingly focused on doggish things and has just enough understanding of Atticus’s world to offer his own solutions from time to time.

My initial attraction to the story soon ground to a halt. The problem with this book, and it is a large problem, is that Atticus is a perpetual Peter Pan character. His emotional development seems to be frozen at several years younger than his outward 21 years since a heaving bosom is all it takes to permanently distract him from whatever he’s doing. Pity. One would have hoped that 2,100 years of living would result in a certain amount of experience leading to wisdom. Instead, Atticus spends more time in a practical joke on an ambulance attendant than in thinking through how much he should have healed himself from a bullet wound to make it seem convincing to local law enforcement. That’s ok though because Atticus has friends and allies who unfailingly show up to give an easy solution without readers ever feeling that Atticus himself is too worries about the outcome. This leads to a permanent lack of dramatic tension.

It’s a pity there isn’t a “Wendy” to accompany Atticus’s “Peter Pan.” That would give Hounded the necessary depth and contrast. Now we can see how wise J.M. Barrie was in the construction of his tale. Without a truly human element who lacks control of the situation, all the adventures are one boring episode after another with nary a worry about how Atticus will escape.

The one good thing about this book is the narrator, Luke Daniels. I haven’t come across him before but will keep an eye out for him in the future. His talents kept me listening long past the point where I would have given up. His voicing of Oberon has found its way into my head whenever we “speak” for what our dogs in our household.

Sadly, Daniels’ talents aren’t enough to make this shallow story worth your time. There are many wonderful YA stories out there that are worth reading and rereading: The Graveyard Book by Neil Gaiman, the Harry Potter series by J.K. Rowling, Eon: Dragoneye Reborn by Alison Goodman, White Cat by Holly Black, and Assam and Darjeeling by T.M. Camp are just a few.

For that matter, try Peter Pan by J.M. Barrie. You’ll see what Hounded could have been with proper attention given to the storytelling.

Posted by Julie D.