LibriVox: What Was It? by Fitz-James O’Brien

SFFaudio Online Audio

I’ve posted about this story before. It’s worth posting about again and again. What’s new now is this reading, which is PUBLIC DOMAIN, and therefore extremely handy. Included also, for the first time, is some really stunning art!

I’ve also added a PDF, for handy printing!

What Was It? by Fitz-James O'Brien

"In Five Minutes We Had A Plaster Mold Of The Creature"

What Was It? by Fitz-James O'Brien - illustration from Famous Fantastic Mysteries, December 1949

What Was It? by Fitz-James O'Brien - from A Stable For Nightmares, 1896

LibriVoxWhat Was It?
By Fitz-James O’Brien; Read by Peter Yearsley
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 2006
|ETEXT|
One of the earliest known examples of invisibility in fiction is What Was It? by Fitz-James O’Brien – He’s been called “the most important figure after Poe and before Lovecraft” and this story serves as a kind of a bridge between the supernatural and the scientific, between the likes of de Maupassant’s The Horla and Wells’ The Invisible Man.
First published in Harper’s Magazine, March 1859.

Here’s a |PDF| complied from the Famous Fantastic Mysteries, December 1949 publication.

Posted by Jesse Willis

Neil Gaiman on Edgar Allan Poe (his work should be read aloud)

SFFaudio News

I love introductions, afterwords, forewords. I buy collections of stories with stories I already have several copies of just for the new introductions, afterwords, and forewords. The only thing that’ll make me buy such a collection without a foreword, afterword, or introduction is if it has new illustrations.

And so one collection I’d love to get my mitts on is Barnes & Noble’s Edgar Allan Poe – Selected Poems & Tales which has both an introduction and new illustrations by Mark Summers!

I first heard about it via Neil Gaiman’s website. Gaiman wrote the introduction, Some Strangeness In The Proportion: The Exquisite Beauties Of Edgar Allan Poe, to the wonderful looking collection.

Edgar Allan Poe: Selected Poems & Tales - with illustrations by Mark Summers and an introduction by Neil Gaiman

The entire inspiring essay is available over on Gaiman’s site.

Here are a few choice lines from it:

Poe isn’t for everyone. He’s too heady a draught for that. He may not be for you. But there are secrets to appreciating Poe, and I shall let you in on one of the most important ones: read him aloud.

Read the poems aloud. Read the stories aloud. Feel the way the words work in your mouth, the way the syllables bounce and roll and drive and repeat, or almost repeat. Poe’s poems would be beautiful if you spoke no English (indeed, a poem like “Ulalume” remains opaque even if you do understand English — it implies a host of meanings, but does not provide any solutions). Lines which, when read on paper, seem overwrought or needlessly repetitive or even mawkish, when spoken aloud reshape and reconfigure.

(You may feel peculiar, or embarrassed, reading aloud; if you would rather read aloud in solitude I suggest you find a secret place; or if you would like an audience, find someone who likes to be read to, and read to him or to her.)

And check out this illustration by Mark Summers (do you see the hidden skull?):

Illustration by Mark Summers from Edgar Allan Poe: Selected Poems & Tales

If you can’t see it, hit “Ctrl -” a few times.

And hey, my birthday is coming up people, and I don’t have this book!

Posted by Jesse Willis