Review of Total Recall by Philip K. Dick

SFFaudio Review

Total Recall by Philip K. DickTotal Recall
By Philip K. Dick; Performed by Phil Gigante
1 CD – Approx. 1 Hour [UNABRIDGED]
Publisher: Brilliance Audio
ISBN: 978-1-4692-4898-1
Themes: / Science Fiction / Mars / telepathy / memory /

Publisher Summary:

Philip K. Dick’s classic short story tells the story of Douglas Quail, an unfulfilled bureaucrat who dreams of visiting Mars, but can’t afford the trip. Luckily, there is Rekal Incorporated, a company that lets everyday stiffs believe they’ve been on incredible adventures. The only problem is that when technicians attempt a memory implant of a spy mission to Mars, they find that real memories of just such a trip are already in Quail’s brain. Suddenly, Quail is running for his life from government agents, but his memories might make him more of a liability than he is worth.

The first appearance of Philip K. Dick’s “Total Recall” was under the title “ We Can Remember It for You Wholesale” originally published in 1966 for The Magazine of Fantasy & Science Fiction as well as numerous short fiction anthologies. The current title owes the name to the movie adaptations (similar to 1982’s “Blade Runner”) which have help catapult the author from obscurity into a virtual household name. 2012 featured a new film version of “Total Recall,” and Brilliance Audio has also released among many other previously unavailable Philip K. Dick audiobooks a newly recorded version of the short story under the more familiar title.

The 26-page story is narrated by Audie Award winning narrator Phil Gigante and clocks in on one disc at just shy of one hour. Even though a short story, the narration is superbly done and I especially liked the attention given to little things for an example the telepathic voices heard in protagonist Douglas Quail’s head. For those not familiar with the story, the plot centers around the business REKAL which offers for a discounted fee false memories of adventures planted in their customers brains, often superior to the memories that of an actual excursion. The price includes token memorabilia and the wiping out of any knowledge that the trip was in fact a purchased and pre-packaged false memory. (So much so, that if customers suspect that their trip was in fact purchased at REKAL, they can return for a full discount of their fee.)

For those familiar from the plot of the original movie, only about the first half of the short story is used as a basis to launch the film into a detailed Martian secret agent thriller. The plot of Philip K. Dick’s story actually never leaves Earth, although the Martian journey is referred to as a key element. Instead, the story focuses on continued interaction with REKAL and a surprising further development that will be new to those who are only familiar to the story from the movie versions. (I’ve not seen the latest movie adaptation but it appears to follow the original movie closely more so and deviate even further from the short story.) Whether already a fan of the movies and story or not, the new audiobook offers a fresh and worthwhile take on one of Philip K Dick’s classic tales of science fiction.

Review by Dan VK

Review of Going Solo by Roald Dahl

SFFaudio Review

Going SoloGoing Solo
By Roald Dahl; Narrated by Dan Stevens
Publisher: Penguin Audio
Publication Date: 26 September 2013
[UNABRIDGED] – 4 hours, 38 minutes

Themes: / memoir / World War II / RAF / colonialism / growing up / snakes /

Publisher summary:

Going Solo is the action-packed tale of Roald Dahl’s exploits as a World War II pilot. Learn all about his encounters with the enemy, his worldwide travels, the life-threatening injuries he sustained in a plane accident, and the rest of his sometimes bizarre, often unnerving, and always colorful adventures. Told with the same irresistible appeal that has made Roald Dahl one of the world’s best-loved writers, Going Solo brings you directly into the action and into the mind of this fascinating man.

Going Solo is the gripping autobiographical follow-up to Roald Dahl’s Boy. Whereas Boy tells the story of Dahl’s childhood, this speaks of his time in Africa before the war began, and relays his participation in the RAF. Whereas Boy was an odd concoction of heartwarming sadness that kept me smiling throughout its duration, Going Solo is less amusing and more riveting as we, through Dahl’s eyes, witnessed death.

Dahl doesn’t squander his words. He draws vivid images with powerful verbs and bright adjectives. His sparing prose paints these vignettes so true that we squint for the dust, smell the oily flames, and feel the wind pressing us back.

Dan Stevens narrates this wonderful production from Penguin Audio. Stevens, as he did in Boy, becomes the voice of Roald Dahl. Both this production and the reading of Dan Stevens are beyond improvement. Thank you Penguin Audio, and thank you Dan Stevens.

I’m left feeling a profound sense of wonder. I was constantly forced to remind myself “this is true,” “this is not fiction.” We really do see an African lion carry off the cook’s wife. We really do see the illogical and stubborn face of war. I could go on and on. I could try to tell you how much this book deserves your attention. I could try and relate all the wondrous encounters with snakes or Dahl’s solitary conversation with giraffes. But at this point, you have a good sense as to whether you will or won’t read this. I hope you do. I hope you start with Boy and continue with Going Solo.

This may not be as incredible as Boy, but I don’t believe it’s meant to be. Our childhood is a time separated from adulthood, and should retain a special magic free of weighty responsibility. Oh! And you don’t need me to point out the obvious metaphor in “Going Solo” as it pertains to both flight and life, right? Good, I knew you caught that.

Posted by Casey Hampton.