Review of Half-Off Ragnarok by Seanan McGuire

SFFaudio Review

Half-off RagnarokHalf-Off Ragnarok (InCryptid #3)
By Seanan McGuire; Performed by Emily Bauer and Ray Porter
Publisher: Brilliance Audio
Publication Date: December 2014
[UNABRIDGED] – 10 hours, 17 minutes
Themes: / fantasy / urban fantasy / cryptozoology / basilisks / cryptid /

Publisher summary:

What do gorgons, basilisks, and frogs with feathers all have in common? They’re all considered mythological by modern science, and some people are working very hard to keep them that way. Alexander Price is a member of a cryptozoological lineage that spans generations, and it’s his job to act as a buffer between the human and cryptid worlds—not an easy task when you’re dealing with women who have snakes in place of hair, little girls who may actually be cobras, and brilliant, beautiful Australian zookeepers. And then there’s the matter of the murders.…Alex thought he was choosing the easier career when he decided to specialize in non-urban cryptids, leaving the cities to his little sister, Verity. It turns out that he had no idea what he was getting himself into. It’s a family affair, and everyone—from his reanimated grandfather to his slightly broken telepathic cousin—is going to get involved before things get any better.

Half-Off Rangarok is the third book in the InCryptid series and has a change in narrators and locations. No longer are we in New York with Verity but with her brother Alex, in Ohio.

The story line picks up maybe a month or two after book two. Alex Price is living with his grandparents and Sarah trying to have some semblance of a life while overseeing a secret basilisk breeding program. For Alex some things are going well – Sarah is getting better; other things are challenging like keeping secrets from his girlfriend Shelby about who he really is. It all goes downhill when Alex is faced with dead bodies that are turning to stone and the realization someone is trying to kill him too.

This book is interesting with a band of characters. Shelby and the grandparents are total hits. We learn about new cryptids which were kind of fascinating.  Things that I missed were the mice; I liked all of their crazy holidays. While they are in the book it is more like a passing thing. I also preferred the New York setting. This was supposed to be in Ohio but I think the setting could have been anywhere. For me, I had trouble relating.

I listened to the book on audio and the narrator made it feel like the book was evenly paced. His voice was interesting enough to keep me interested without losing me.  I am not sure if it was because I listened to the book on audio verses reading but this book has a different kind of feel. Perhaps this is due to the change in narrator …I cannot really say.

My biggest overall challenge of the book was despite how good the writing is for me there is something missing between characters for some reason I was just not as vested in the outcome.

Still a good read 3 ½ stars

Posted by Dawn V.

Review of Queen of Fire by Anthony Ryan

SFFaudio Review

Queen of FireQueen of Fire (Raven’s Shadow #3)
By Anthony Ryan; Read by Steven Brand
Publisher: Penguin Audio
Publication Date: 7 July 2015
[UNABRIDGED] – 26 hours, 43 minutes

Themes: / fantasy /

Publisher summary:

After fighting back from the brink of death, Queen Lyrna is determined to repel the invading Volarian army and regain the independence of the Unified Realm. Except to accomplish her goals, she must do more than rally her loyal supporters. She must align herself with forces she once found repugnant – those who possess the strange and varied gifts of the Dark – and take the war to her enemy’s doorstep.

Victory rests on the shoulders of Vaelin Al Sorna, now named battle lord of the realm. However, his path is riddled with difficulties. For the Volarian enemy has a new weapon on their side, one that Vaelin must destroy if the realm is to prevail – a mysterious Ally with the ability to grant unnaturally long life to her servants. And defeating one who cannot be killed is a nearly impossible feat, especially when Vaelin’s blood-song, the mystical power that has made him the epic fighter he is, has gone ominously silent.

After how much I enjoyed the last two, it was almost going to be impossible for this book to live up to my expectations.

Some of this is probably on me. I read Blood Song and Tower Lord back to back. It’s been about a year since then, and my memory on the details were fuzzy. I should have reread. I wish there was a wiki or something with plot points and character bios I could have used to refresh myself.

I struggled at the start remembering many of the minor characters. I think all books in a series (and really all audio books in general) should have a list of the important characters with maybe a 1 sentence reminder of who they are. It would really help a lot. There are just too many books to reread previous books every time a new one comes out, even books I loved as much as the last two.

Both of those books grabbed me early on and never let go. That never really happened here. I was always happy to pick it back up, but I wasn’t making excuses to listen longer or counting down the time until I could get back to listening. So unfortunately I can’t give the whole series 5 stars.

I also found myself wondering for much of the second half of the book if there would be enough time to resolve everything. For the most part I think he does a good job of converging the different story lines, but it required a fairly large info-dump near the end to do so.

That said, I really love the world Mr. Ryan has built, and I’m especially fond of the characters. It’s always great to read about them, and this book is no different. Much like Tower Lord, I think Frentis and Riva both sort of steal the show again. However Vaelin’s chapters are pretty interesting as well. Lyrna’s story was still enjoyable, just not as much as the others.

Overall this has been one of the best series I’ve found in the last few years. I’d happily read another series set in this world, especially if we can visit again with some of the characters. This is definitely a series I’ll revisit down the road on a reread. Maybe reading all 3 back to back I won’t struggle as much as the start and enjoy it more the second time.

Either way, I’ll be looking forward to checking out what Mr. Ryan has in store for us next.

Much like the last 2 books, I enjoy Steven Brand as a narrator, save for the fact that he’s so QUIET. Thankfully my audiobook app lets me increase the volume, or it would be incredibly frustrating. I wonder if the publishers listens to the book with noise canceling headphones only or something, or if even that would be sufficient.

If you’ve done the previous two in audio, you should know what to expect. Hopefully like me you have a way to increase the volume so you can enjoy Mr. Brand’s otherwise excellent narration.

Review by Rob Zak.

Review of Mountain of Black Glass by Tad Williams

SFFaudio Review

Mountain of Black GlassMountain of Black Glass (Otherland #3)
By Tad Williams; Narrated by George Newbern
Publisher: Penguin Audio
Publication Date: 17 March 2015
[UNABRIDGED] – 27 hours, 17 minutes

Themes: / techno-thriller / science fiction / Greek mythology / game simulation /

Publisher summary:

Mountain of Black Glass is the third volume of Tad Williams’s highly acclaimed four-book series, Otherland. A truly unique reading experience combining elements of science fiction, fantasy, and techno-thriller, it is a rich epic tale in which virtual reality could prove the key to a whole new universe of possibilities for the entire human race – or become the exclusive domain of the rich and the ruthless as they seek a technological pathway to immortality.

The sequel to City of Golden Shadow and River of Blue Fire, this is the third installment (of 4) in the Otherland series. As with River of Blue Fire, Mountain of Black Glass picks up where the last one left off. Where I rated River of Blue Fire 3 stars (it was a solid “middle book” in a series), this one gets 4 because of the time spent in Greek mythology, something I’ve always loved.

As a “middle book” in a series, it’s hard not to say things about Mountain of Black Glass that I didn’t say in my reviews for City of Golden Shadow or River of Blue Fire. The story started with key characters still separated (as they were at the end of River of Blue Fire), though much of the book was spent either a) moving them back together, b) exploring their pasts, learning more about their history, or c) giving the reader more insight into the Otherland network itself and the motivations of the people running the network. Unlike River of Blue Fire, in this book, many details seemed to “finally” be pieced together, so more complete histories of characters were formed. It was also a transformative time for some of the Otherland network owners/operators, as they put the final pieces together to try to gain immortality. Other characters, such as the psychopathic servant of the Otherland founder also get a lot of time in this book, as do the police officers looking into his murderous ways. Sellers, the old man who remains quite a mystery but seems to be some of the force that brings the heroes together, also has a key storyline, though it took quite a different turn from what I expected going into the story.

An adventure from proverbial cover to cover (since I listened to the audiobook), a lot of time in this book was spent with the characters all trying to reach the Otherland‘s version of Troy. One of the characters is actually Odysseus, while others play key characters in the Trojan War, including Achilles, his companion Patroclus, and even Diomedes. The character who became Odysseus was forced through the Otherland simulation to re-enact Odysseus’ story somewhat in reverse, having seemingly gone through the events of The Odyssey prior to living through the Trojan War, as told in The Iliad. Our other heroes also eventually ended up in Troy, but not without enduring some trying circumstances in a few different worlds. As one might expect, though, these experiences allowed them to learn more about the network itself, and will undoubtedly help them in their quest to overthrow the Otherland founders (The Grail Brotherhood) and save the children who seem to be trapped by the network.

It’s not all sunshine and roses, though. After finally learning more about each character, becoming significantly more invested in each of them, it seems that one or more of them may have actually died through the course of the narrative. It’s hard to tell for sure, and I suspect I’ll find out what exactly happened when I finish the series with Sea of Silver Light, but the emotional gut punch was harder than I expected it would be. It’s a credit to Williams’ writing that I could simultaneously know how literally frail each of these characters are, playing a life and death game where they don’t know the rules and the rules seem to change, yet still be surprised and saddened when harm (or death) comes to a character. Or how much I really hate Dredd, the servant turned monster, preying on Otherland users/members for his own fun and games.

Tad Williams again seemed to have fun with the simulation worlds, making alternate worlds of popular stories such as the previously-mentioned The Iliad and The Odyssey. There were at least two other worlds explored in this book. One seemed to be an “empty” world, what someone might consider the null space of code to be…since the Otherland network is only code, after all, it does make some sense that the users (our heroes and our villains) would sometimes find literally empty space. There was another world, a world of a house, the reference I didn’t connect (if there was a literary reference, which I suspect that there was). Still, the worlds all felt real, were able to bring me in. This is especially true for the Trojan War. I have long been a fan of Greek mythology, and it was a fun but unexpected surprise to spend so much of this book in that world…at least, that simulated world.

The audiobook was great to listen to, if the narration was slightly slow. I listened to it slightly sped up (using the 1.5x feature for spoken word playback on my iPhone) and it seemed perfect. George Newbern does a great job making the characters come to life. Where some narrators can seem flat or one-note, he always makes it clear which character is talking, and further engages the listener by taking on the exclamation, the feeling of the words. If someone is surprised, for example, his voice lets you know it, you don’t have to rely solely on supporting descriptors. He brings the book to life.

I’m looking forward to starting into Sea of Silver Light, which is queued up and ready to go. It’s a good bit longer than any of the other books in the series (~10 hours longer than this one), but that just means I’ll have to find more excuses to listen.

Posted by terpkristin.

Review of Finn Fancy Necromancy

SFFaudio Review

Finn Fancy Necromancy cover imageFinn Fancy Necromancy
By Randy Henderson; Narrated by Todd Haberkorn
Publisher: Brilliance Audio
Publication Date:10 February 2015
[UNABRIDGED] – 11 hours, 51 minutes

Themes: / fantasy / necromancer / fairies / humor /

Publisher summary:

Finn Gramaraye was framed for the crime of dark necromancy at the age of 15 and exiled to the Other Realm for 25 years. But now that he’s free, someone–probably the same someone–is trying to get him sent back. Finn has only a few days to discover who is so desperate to keep him out of the mortal world and find evidence to prove it to the Arcane Enforcers. They are going to be very hard to convince since he’s already been convicted of trying to kill someone with dark magic.

But Finn has his family: his brother, Mort, who is running the family necrotorium business now; his brother, Pete, who believes he’s a werewolf, though he is not; and his sister, Samantha, who is, unfortunately, allergic to magic. And he’s got Zeke, a fellow exile and former enforcer who doesn’t really believe in Finn’s innocence but is willing to follow along in hopes of getting his old job back.

Finn Fancy Necromancy is exactly as fun as its title suggests. From the second sentence, “We were like a couple of floating melted gummy bears made of unicorn snot and dreams…” I knew I was in good hands. In fact, even before that, in the acknowledgments when Henderson talks about his “butt-slapping doctor” I knew Henderson’s humor was going to click with me, and it did.

Finn Gramaraye is a necromancer who’s just come back from exile to the “Other Realm,” aka the fairy world. He was sent there in 1986 and spent 25 years as punishment for a crime he didn’t commit. Coming back, the problems already begin to add up and he’s already to blame for just about everything under the sun.

Told from the first person, we have no reason to disbelieve him, though his memories have been a source of many of the problems he encounters, whether it’s the fairies sifting his memories (good and bad) and making him relive them, or the changeling’s lack of memories with a botched spirit transfer.

Other than a small overuse of Star Trek references at the beginning, this book hit my funny bone quite nicely. Because Finn has been away since the 80s and this is first person, there are loads of 80s references, including, and I can’t say I recognized every single one, all the chapter titles are 80s song titles.

It’s definitely urban fantasy, but not your tween, new-age kind what with all its 80s focus. And it’s urban fantasy that really worked for me (I’m an on-off fan). The magic was interesting and the different sources make for a well-thought-out world.

The only thing, and I realize I might be the only one on this since I’ve seen it so much, is the incorporation of famous people (like Elvis, etc.) who were actually magic-users/magic creatures whose mysterious factual stories play well into a story like this. Like I said, I’m probably the only one and it wasn’t enough to really throw me out of the story, it was only a couple instances.

One thing I’m torn on is that the “twist” at the end was almost blatantly obvious about midway through the book. I don’t know if it was just the audio narration, or maybe on page would have been more obvious. I enjoyed the book regardless, because it wasn’t really all that big a deal and the major mysteries still needed solving.

Finn Fancy Necromancy is tons of fun and highly readable. I listened to the audio version and Todd Haberkorn did an excellent job. Just vulnerable enough to pull off Finn and nailing all the jokes and off-hand remarks in between voicing Sasquatches and gnomes.

Which reminds me, I highly enjoyed the magical creatures in this one. Not your typical ones, but they played into the story nicely. Read Finn Fancy Necromancy when you’re in the mood for some light-hearted fun with a fast-paced story that will keep you turning pages. Not your typical urban fantasy in the best possible way.

4 out of 5 Stars (highly recommended)

Posted by Bryce L.

Review of Firefight by Brandon Sanderson

SFFaudio Review

Firefight by Brandon SandersonFirefight (The Reckoners #2)
By Brandon Sanderson; Performed by MacLeod Andrews
Publisher: Brilliance Audio
Publication Date: 17 February 2015
[UNABRIDGED] – 12 hours

Themes: / YA / fantasy / magic / superpowers /
Publisher summary:

Brandon Sanderson, the #1 New York Times bestselling author of Words of Radiance, coauthor of Robert Jordan’s Wheel of Time series, and creator of the internationally bestselling Mistborn Trilogy, presents the second book in the Reckoners series: Firefight, the sequel to the #1 bestseller Steelheart.Newcago is free. They told David it was impossible, that even the Reckoners had never killed a High Epic. Yet Steelheart—invincible, immortal, unconquerable—is dead. And he died by David’s hand. Eliminating Steelheart was supposed to make life simpler. Instead, it only made David realize he has questions. Big ones. And no one in Newcago can give him answers. Babylon Restored, the city formerly known as the borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic Regalia, Babylon Restored is flooded and miserable, but David is sure it’s the path that will lead him to what he needs to find. Entering a city oppressed by a High Epic despot is risky, but David’s willing to take the gamble. Because killing Steelheart left a hole in David’s heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic—Firefight. And now he will go on a quest darker and even more dangerous than the fight against Steelheart to find her, and to get his answers.

I really liked Steelheart and this book was a good continuation of the story even though I didn’t like it quite as much. A new location, different situations, new epics, and even worse similes come together for a new adventure for David and The Reckoners. If you enjoyed the first book you will almost certainly like this one too…unless you throw the book through a window due to one of David’s many terrible similes.

The story is kind of similar as Steelheart except that it takes place in the remnants of Manhattan where many strange things are happening. I had more trouble following the details of the world this time around because the descriptions of the world are a bit harder to imagine. The world as described is really interesting in concept but it’s hard to follow sometimes with how things actually play out.

Sanderson is known for magic systems and he is no slouch here. The new powers and weaknesses of epics coupled with the the heck is going on with Calamity (the light in the sky that coincided with people attaining super powers) makes for interesting developments in the overall plot. I do like how Sanderson always has a plan for developing the magic system with each book and we definitely learn more in this book. I still really love the concept of a world with super heroes that are all corrupted – it’s such an interesting spin on the normal super hero story.

On the audio side of things MacLeod Andrews does a fine job narrating the story. He does some good voices that fit the characters well and puts sufficient emotion in his delivery. I think the audio version of this book is a great way to experience it.

Posted by Tom Schreck

Review of Kaiju Rising: Age of Monsters

SFFaudio Review

Kaiju RisingKaiju Rising: Age of Monsters
By Peter Clines, Larry Correia, Timothy W. Long, Howard Andrew Jones, Peter Rawlik, James Swallow, James Maxey, James Lovegrove, J. C. Koch, Jonathan Wood, C. L. Werner, Joshua Reynolds, David Annendale, Jaym Gates, Shane Berryhill, Natania Barron, Paul Genesse, Patrick Tracy, Nathan Black, Mike MacLean, Bonnie Jo Stufflebeam, Kane Gilmour, Peter Stenson, Erin Hoffman, Sean Sherman, Edward M. Erdelac
Performed by Jeff Woodman, Marc Vietor, Simon Vance, Gabra Zackman, Nicola Barber, Bronson Pinchot, Ray Porter, Jennifer Van Dyck, Sean Runnette
Publisher: Brilliance Audio
Publication Date: 9 December 2014
[UNABRIDGED] – 18 hours
Themes: / monsters / short stories / robots / Nazis / dirigibles / samurai /
Publisher summary:

Kaiju Rising: Age of Monsters is a collection of 23 stories focused around the theme of strange creatures in the vein of Pacific Rim, Godzilla, Cloverfield, and more. The anthology opens with a foreword by Jeremy Robinson, author of Project Nemesis, the highest selling Kaiju novel in the United States since the old Godzilla books—and perhaps even more than those. Then, from New York Times best sellers to indie darlings, Kaiju Rising: Age of Monsters features authors that are perfectly suited for writing larger-than-life stories, including: Peter Clines, Larry Correia, James Lovegrove, Gini Koch (as J.C. Koch), James Maxey, Jonathan Wood, C. L. Werner, Joshua Reynolds, David Annandale, Jaym Gates, Peter Rawlik, Shane Berryhill, Natania Barron, Paul Genesse & Patrick Tracy, Nathan Black, Mike MacLean, Timothy W. Long, Bonnie Jo Stufflebeam, Kane Gilmour, Peter Stenson, Erin Hoffman, Sean Sherman, Howard Andrew Jones (The Chronicles of Sword and Sand tie-in), Edward M. Erdelac (Dead West tie-in), and James Swallow (Colossal Kaiju Combat tie-in).

Most might read the title and glance at the cover, and dismiss it as schlock genre fiction, just more monster stories. But I know you aren’t one of these quick-to-judge readers, that’s why you’re reading this review. You want to know more. You’re a responsible reader. “Good on you,” I say.

The first ¾ of this anthology is well-written monster stories that deliver fresh and new takes on an old idea. And really, there’s something here for everyone. Whether you like huge robots, or want to be inside the head of a Kaiju, you’re going to be happy with what this collection delivers. There are stories set in the past, the future, and the present-day. There are even Nazis, and dirigibles.

The diversity surprises the reader. I mean how many different ways can we explore giant monsters? More than I might have first imagined, and it’s exciting to find fresh angles on old tales. As stated above, there is some terrific writing on display, and while I personally feel the last handful of stories lacked in writerly craft, the overall experience of this anthology is a resounding thumbs-up!

Audiobook:
This was an enjoyable audiobook experience. There’s a large cast of readers, most do a fantastic job, and the less polished narrators are quickly forgotten in the mix of solid reading performances. I understand that the print version is illustrated, but this is in itself an outstanding audio production.

Lastly, understand that you don’t need to be a Kaiju enthusiast to appreciate this work. Unless you just absolutely hate hate hate giant monsters, I’d encourage you to give this a try. You don’t have to read it from beginning to end, most all of the stories are self-contained and few, if any, take themselves too serious. This is what I’d call a fun nightstand book. It’s something to pick up and peruse when the mood strikes.

Posted by Casey Hampton.